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Works with: HDSPe AIO, HDSP 9632
These options for the HDSP 9632 and HDSPe AIO are analog expansion boards, designed as bracket with 4 stereo TRS jacks each. AI4S-192 AIO provides four servo-balanced inputs, AO4S-192 AIO provides four servo-balanced outputs. With this a maximum of 6 (including the stereo I/O of the card) inputs and/or outputs can be achieved.
The converters offer the same performance as the on-board stereo analog I/O of the HDSPe AIO: up to 192 kHz, balanced connection and the choice of three different reference levels, selected in the Settings dialog.
Both modules can be used single or in combination. The display of the channels in TotalMix changes accordingly.
Note: AI4S-192 and AO4S-192 (without the suffix AIO) do work only with the HDSP 9632. The current Expansion Boards with the suffix AIO work with both cards.
User's Manual
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The Traveler-mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.
Engineered for high-end mobile recording applications, the Traveler-mk3 delivers four very high quality mic inputs, bus power, optional battery power and DSP-driven mixing and effects processing.
The Traveler-mk3 provides eight channels of pristine 192 kHz analog recording and playback, combined with twenty channels of digital I/O in ADAT optical, AES/EBU and S/PDIF formats. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.
The Traveler-mk3 is equally well-suited for studio, stage and remote locations, with or without a computer. As an interface or stand-alone mixer, the Traveler-mk3 provides 28 separate inputs and 30 separate outputs, including four XLR/quarter-inch "combo” mic/instrument analog inputs equipped with pre-amps, individual 48V phantom power switches and Digital Precision Trim™ controls conveniently adjusted from the front panel or CueMix FX™ software.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
Connect all of your audio instruments and gear, including mics, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer.
Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control. When recording from the four mic/guitar inputs, the Traveler-mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.
After programming the on-board mixing in the studio, unplug the Traveler-mk3, remove the rack brackets, and take it on the road for operation as a portable, bus-powered audio interface for a laptop or battery-operated stand-alone mixer with effects. The Traveler slides easily into your backpack and fits neatly beneath your laptop. All mixing and effects parameters are adjustable using the front panel backlit LCD. Record extended sessions even in the most remote locations with the complete freedom of field battery power.
The Traveler-mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
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![]() | ![]() | ![]() | 8 channels of premium 24-bit 192K AD/DA conversion | | | ![]() | ![]() | 4 digitally controlled 75db microphone preamps | | | ![]() | ![]() | 2 fully balanced inserts on mic pre channels | | | ![]() | ![]() | 4 Hi-Z instrument inputs capable of handling high level instruments | | | ![]() | ![]() | 2 individual, controllable and assignable high level headphone outputs | | | ![]() | ![]() | 2, 6 or 8 channel monitor outputs | | | | ![]() | 8 channels of ADAT I/O | | | | ![]() | FireWire 400 I/O, compatible with OS X Core Audio (no driver required) | | | | ![]() | 2 channels of SPDIF I/O | | | | ![]() | “Soft Limit” for maximum digital input level without overs | | | | ![]() | “UV22HR” for superior dither of 24 bit resolution down to 16-bit | | | | ![]() | Advanced, dual-stage "Intelliclock” | | | | ![]() | Complete integration and control with Appleʼs Logic Pro Software | | | | ![]() | Compatibility with any CoreAudio software applications | | | | ![]() | Apogeeʼs Maestro Software for advanced control and routing outside of Logic Pro |
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UA-20: Audio Capture USB Audio/MIDI Interface
Features
The UA-20 is the standard model to Edirol's rapidly expanding UA series of USB Audio Capture devices. The unit can accept input from Mic, Line and even guitar level signals. The audio is converted at 24-bit quality and is transferred to your computer via industry standard low latency WDM, ASIO, MME drivers for compatibility with all major sequencing platforms, the input signal may be also monitored directly in hardware. Outputs include analogue, digital and headphone. The built-in MIDI in and out utilize Edirol's Fast Processing Technology for super accurate MIDI timing with any sequencing software on Mac or PC platforms and can be used with both OMS or FreeMIDI drivers on the Apple Macintosh. The UA-20 requires no external power supply and is ideal for use by mobile laptop or Powerbook users. The unit ships with drivers for Windows XP, 2000, Me, 98, MacOS X, and Mac OS 9.x, 8.5 and may also be used with the native USB audio drivers that are included with both Mac & PC.
- Audio and MIDI in a compact unit.
- Fully equipped with I/O jacks.
- Great tool for creating music.
- Edirol's FPT Technology.
Record1 pair of stereoPlayback1 pair of stereoSignal ProcessingPC interface24 bitSampling RateDigital output44.1 kHzNominal Input Level-45 – -10 dBuInput ImpedanceLINE22 k ohmsGUITAR470 k ohmsMIC22 k ohmsNominal Output Level-10 dBuOutput Impedance1 k ohmsResidual Noise LevelMaster Out-105 dBu or less
(input terminated with 1 k ohm, Master Volume = max.,
Input Monitor = off, IHF-A, typ.)InterfaceUSB
Digital output (Optical Type , conforms to S/P DIF)ConnectorsInput Jack (1/4 inch phone type) x 2
Digital Out Connector (Optical type)
Headphones Jack (Stereo miniature phone type)
Master Out Jack (RCA phono type)
MIDI ConnectorsOthersPower SupplySupplied from the computerCurrent Draw170 mAAccessoriesOwnerʼs Manual
USB cable
CD-ROMSize and WeightWidth149 mm5-7/8 inchesDepth111 mm4-3/8 inchesHeight43 mm1-11/16 inchesWeight0.2 kg0 lbs. 8 oz.
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The FA-66 is a 6-channel portable FireWire audio interface designed with the mobile recording and performance professional in mind. The FA-66 offers incredible audio fidelity, stability, and a practical set of input and output options. It also offers two XLR/TRS combo inputs with phantom power, plus two RCA inputs, four balanced +4dBu outputs, optical S/PDIF I/O, a built-in analog limiter, zero-latency direct monitoring, solid metal construction, and FireWire bus power, all in a durable compact case.
* 6-in/6-out 24-bit/96kHz simultaneous performance
* 4-in/4-out 24-bit/192kHz simultaneous performance
* 2 XLR/TRS combo jacks w/premium phantom-powered mic preamps
* +4 dB balanced input and output
* S/PDIF optical input & output ports with Sync LED indicator
* MIDI in/out ports
* Built-in analog limiter and indicator
* FireWire bus powered
* AC adaptor included
* Mac OS X CoreAudio and Windows XP WDM and ASIO 2.0 support
* Zero-latency Direct Monitoring
* 6-pin and 4-pin IEEE1394 ports
* Compact, solid-metal construction |
Features:
USB 2.0 Desktop Recording Studio
44.1kHz to 96kHz sample rates, 24-bit resolution
Pantheon II VST/AU reverb plug-in with 6 legendary Lexicon reverbs
dbx® 60V high-voltage, ultra-low noise microphone preamps
Superior sonic performance
2 analog combi-jacks for mic/line inputs
2 analog 1/4" TRS balanced outputs
Zero latency monitoring
Low latency ASIO drivers
Streamlined monitor form factor puts all recording controls at your fingertips
Separate level meters and gain control per channel
1 side panel 1/4" instrument input
1 side panel headphone output with dedicated volume adjustment
MIDI in and out
Technical Specifications
Microphone Inputs: Female XLR Pin 2 Hot
Input Impedance: 3kΩ balanced
Phantom Power: +48 Volts
Maximum gain: +58 dB
E.I.N. (at max gain): -125 dBu @ 58dB gain typical (150Ω source) -129 dBu @ 58dB gain typical A-weighted (150Ω source)
Maximum Input Level: +21 dBu at minimum gain
Frequency Response: +0/-1 dB, 20Hz - 20kHz
THD+N: +18 dBu maximum
Impedance: 32Ω Balanced, 16Ω Unbalanced
Headphone Output: 1/4" stereo jack 350mW per channel at 50Ω
MIDI Interface: 5 pin DIN connectors for MIDI in and MIDI out (5 volt signal)
Sample Rate: 44.1, 48, 88.2, or 96 kHz (determined by computer application)
Dynamic Range: A/D (24 Bit) 108 dB typical, A-weighted, 20Hz - 20kHz
(44.1 kHz sample rate)
D/A (24 Bit) 110 dB typical, A-weighted, 20Hz - 20kHz
A/D/A (24 Bit) 102 dB typical, A-weighted, 20Hz - 20kHz
Power Requirements: 12W 9VAC
Power adaptors available for:
US and Canada: 120 VAC, 60 Hz Adapter: PS0913B - 120
Japan: 100 VAC, 50/60 Hz Adapter: PS0913B - 100
Europe: 230 VAC, 50 Hz Adapter: PS0913B - 230
UK: 240 VAC, 50 Hz Adapter: PS0913B - 240
Australia: 240 VAC, 50 Hz Adapter: PS0913B - 240-AU
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