D&R Airence USB Analogue Radio Broadcast Mixer 4Mic 48V, USB 4x I/O, 2 Hybrid, 6x Line RCA

3,286.00 incl. GR VAT

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D&R’s popular AIRENCE-USB broadcast mixing console is updated. In response to customer demand D&R removed the master faders and made the AIRENCE more in line with their other broadcast consoles. This update made the AIRENCE even more failsafe. The AIRENCE-USB is a digitally controlled reliable analog broadcast console with integrated 4 channel USB sound card […]

 

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D&R’s popular AIRENCE-USB broadcast mixing console is updated. In response to customer demand D&R removed the master faders and made the AIRENCE more in line with their other broadcast consoles. This update made the AIRENCE even more failsafe.

The AIRENCE-USB is a digitally controlled reliable analog broadcast console with integrated 4 channel USB sound card and an integrated control section for Play-out systems. With the AIRENCE-USB ON-AIR mixer you can own a modern, split version type of radio production mixer. A smart mixer with an integrated USB based control section. Built with well proven low noise circuitry, this console is the reliable workhorse for the self-op production D.J.

Built in Telephone Hybrids (2x), 4 channels USB and 4 Mic inputs. Ideal for streaming to the web and sending and accepting 4 stereo channels from your Play-out software. A heavy duty (19″ rack) RF shielded chassis, that can be used as a dropthrough in your furniture, houses all the vertically mounted input modules.

Extension units with six triple input channels with high end quality Mic inputs on XLR and two stereo line level inputs on Cinch (RCA) connectors can be connected to the main unit. The result is a modern split drop through 12 (or 18/24) fader radio console.

INPUTS.
Mic inputs: bal, 2 kOhm, XLR. ,48 volt Phantom.Noise: – 128 dBr (A-weighted). (That 1501)Sensitivity: – 70dB min, OdB Max.Insert: Jack unbalanced send 600 Ohm -10dBV.Aux Return unbalanced 10kOhm -10dBv. Line inputs: unbal.., 10kOhm, Cinch. Gain: range of 40dB. Phono inputs: unbal. 47kOhm, 5 mV. (optional)

USB:
4x Stereo in and 4x stereo out.Extern in: – 10 dBV at 10kOhm. Aux returns: – 10 dBv at 10kOhm stereoUSB. Fully compliant with USB 2.0 playback and record mode. 4x Stereo in and Main stereo or SUB signals out. HID Functions: Volume|Mute|Control

USB CONTROL SECTION.
24 free assignable illuminated switches plus encoder based on the HID protocol.

TELEPHONE HYBRIDS.
RJ-11 connectors for phone line/diallerMix Minus rejection @1kHz -40dB.

OUTPUTS.
Left/Right: + 6dBu bal. XLR. Monitor/Aux : + 6dBu unbal. on Cinch. Studio: + 6dBu, Jacks. Tape outp: -10dBv. Headphone: 32-600 Ohm, Jack. Announcer: 32-600 Ohm, Jack.USB out: Main program stereo signal or SUB

EQUALIZER.
High: + / -12 dB at 12kHz shelving. Mid: + / -12dB at 1 kHz bell curve. Low: + / -12dB at 60 Hz shelving.

THE HIGHLITES…
” Inserts on all Mic input modules.
” Program and Sub busses.
” Two built in Telephone Hybrids.
” Four built in USB channels.
” Modern Split design with the optional 6 channel Extender.
” Bi- Directional Cue Communication buss.
” Internal NON-STOP switching.

And of course the standard features…
” High efficiency switched mode external power supply with optional redundancy.
” Three band very musical EQ.
” Software based meter application included.
” High quality K-Alps faders.

Available Options
” Redundant power supply
” 6 channel Extender units available
” Studio Remote for cough and Cue.

OVERALL
Frequency response: 10 – 60.000Hz. Distortion: < 0.01% max at 1 kHz. Start switch: isolated reed relay. (24volt/50mA)Ledbars: 11 segment and on high res on screen

SOFTWARE
A software protocol is available for programming of the USB HID protocol to match your software.

DIMENSIONS:
Main unit19″ rack mountable (480mm)Height: 356mm (8HE). Depth: 95mm. Weight: 9kg. Extension unitWidth: 400mmHeight: 356mm (8HE). Depth: 95mm. Weight: 7kg.

Weight 8.00 kg

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D&R Airence USB Analogue Radio Broadcast Mixer 4Mic 48V, USB 4x I/O, 2 Hybrid, 6x Line RCA removeD&R GSM HYBRID Telephone Hybrid Broadcasting removeD&R Lyra-8 8 Fader Control Digital On-Air Production Mixer, 7x digital, 7x analog, 4x mic inputs removeD&R Airlab DT Analogue Broadcast Radio On-Air Console removeALLEN & HEATH XB14-2 Broadcast Mixer removeD&R 60881685 OnAir warning light for radio station , production and more remove
NameD&R Airence USB Analogue Radio Broadcast Mixer 4Mic 48V, USB 4x I/O, 2 Hybrid, 6x Line RCA removeD&R GSM HYBRID Telephone Hybrid Broadcasting removeD&R Lyra-8 8 Fader Control Digital On-Air Production Mixer, 7x digital, 7x analog, 4x mic inputs removeD&R Airlab DT Analogue Broadcast Radio On-Air Console removeALLEN & HEATH XB14-2 Broadcast Mixer removeD&R 60881685 OnAir warning light for radio station , production and more remove
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SKUAirenceGSMHYBRIDLYRA8Airlab144.02060881685
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Description
ContentD&R's popular AIRENCE-USB broadcast mixing console is updated. In response to customer demand D&R removed the master faders and made the AIRENCE more in line with their other broadcast consoles. This update made the AIRENCE even more failsafe. The AIRENCE-USB is a digitally controlled reliable analog broadcast console with integrated 4 channel USB sound card and an integrated control section for Play-out systems. With the AIRENCE-USB ON-AIR mixer you can own a modern, split version type of radio production mixer. A smart mixer with an integrated USB based control section. Built with well proven low noise circuitry, this console is the reliable workhorse for the self-op production D.J. Built in Telephone Hybrids (2x), 4 channels USB and 4 Mic inputs. Ideal for streaming to the web and sending and accepting 4 stereo channels from your Play-out software. A heavy duty (19" rack) RF shielded chassis, that can be used as a dropthrough in your furniture, houses all the vertically mounted input modules. Extension units with six triple input channels with high end quality Mic inputs on XLR and two stereo line level inputs on Cinch (RCA) connectors can be connected to the main unit. The result is a modern split drop through 12 (or 18/24) fader radio console. INPUTS. Mic inputs: bal, 2 kOhm, XLR. ,48 volt Phantom.Noise: - 128 dBr (A-weighted). (That 1501)Sensitivity: - 70dB min, OdB Max.Insert: Jack unbalanced send 600 Ohm -10dBV.Aux Return unbalanced 10kOhm -10dBv. Line inputs: unbal.., 10kOhm, Cinch. Gain: range of 40dB. Phono inputs: unbal. 47kOhm, 5 mV. (optional) USB: 4x Stereo in and 4x stereo out.Extern in: - 10 dBV at 10kOhm. Aux returns: - 10 dBv at 10kOhm stereoUSB. Fully compliant with USB 2.0 playback and record mode. 4x Stereo in and Main stereo or SUB signals out. HID Functions: Volume|Mute|Control USB CONTROL SECTION. 24 free assignable illuminated switches plus encoder based on the HID protocol. TELEPHONE HYBRIDS. RJ-11 connectors for phone line/diallerMix Minus rejection @1kHz -40dB. OUTPUTS. Left/Right: + 6dBu bal. XLR. Monitor/Aux : + 6dBu unbal. on Cinch. Studio: + 6dBu, Jacks. Tape outp: -10dBv. Headphone: 32-600 Ohm, Jack. Announcer: 32-600 Ohm, Jack.USB out: Main program stereo signal or SUB EQUALIZER. High: + / -12 dB at 12kHz shelving. Mid: + / -12dB at 1 kHz bell curve. Low: + / -12dB at 60 Hz shelving. THE HIGHLITES... " Inserts on all Mic input modules. " Program and Sub busses. " Two built in Telephone Hybrids. " Four built in USB channels. " Modern Split design with the optional 6 channel Extender. " Bi- Directional Cue Communication buss. " Internal NON-STOP switching. And of course the standard features... " High efficiency switched mode external power supply with optional redundancy. " Three band very musical EQ. " Software based meter application included. " High quality K-Alps faders. Available Options " Redundant power supply " 6 channel Extender units available " Studio Remote for cough and Cue. OVERALL Frequency response: 10 - 60.000Hz. Distortion: < 0.01% max at 1 kHz. Start switch: isolated reed relay. (24volt/50mA)Ledbars: 11 segment and on high res on screen SOFTWARE A software protocol is available for programming of the USB HID protocol to match your software. DIMENSIONS: Main unit19" rack mountable (480mm)Height: 356mm (8HE). Depth: 95mm. Weight: 9kg. Extension unitWidth: 400mmHeight: 356mm (8HE). Depth: 95mm. Weight: 7kg.Features: FEATURES * Input and output level meters (ppm) * Input and output gain adjust * Phone dialling * Number recognition * GPIO configuration * GSM Signal Strength indicator SOFTWARE * input and output level meters * input nd output gain adjust * phone dialling * GSM signal strength indicator * number recognition * GPIO configuration
  • HD-Voice (AMR-WB/G722.2)
  • Balanced Audio in/Out
  • Echo cancelling
  • Digital EQ Control
  • Configurable AGC
  • PC control application via USB
  • Also for mobile applications 12 volt DC car battery powered
  • Ideal for areas without land lines
  • Ideal for OB vans
  • Simple GPIO Interfacing with alert on jacks
  • Voice quality improvement over ordinary Hybrids
With the D&R GSM Hybrid you can add a simple and effective wireless interface that your reporters can call. With features like HD voice, Echo canceling, digital EQ and application control over USB on your PC it is a nice tool to expand the communication possibilities of your studio with your reporters in the field. The GSM Hybrid has its own number reporters directly can dial, the call can be taken on the mixing console due to built in GPIO’s. The electronics are housed in a sturdy metal 9.5” rack mount case with antenna’s on the front side for optimum receiver conditions. An external 12 volt power supply adapter is part of the delivery. Software features are in and output metering and level control, phone dialing, number recognition and GSM signal strength indication. The Alert feature is implemented to let a reporter in the field ‘wake-up’ a DJ behind the desk to start an interview. Assumed is that a connection is already there and the DJ is doing some other work in the studio while the reporter waits for the moment to start the interview. On that moment the reporter only has to press the ‘0’ on his phone to Alert the DJ. In the main window of the GSM Hybrid Control application the background starts blinking red for 2 seconds. Also the GPO output alternates with this Alert signal. Doing so, the DJ knows the reporter is ready for the interview and he can mix in the reporter to the show. If the GPI is wired a call can be picked up on the mixing console when the GPI is connected to the GSM\'s GPI jack connector
  • New Address book is added to the software with number recognition.
  • Auto Connect: The application ‘GSM Hybrid Control’ automatically connects to the device on start-up or re-connect if USB connection is lost.
  • Auto Answer, the application now picks up the line after one ring signal.
  • A black/white list of numbers is under design.
  • All settings done in the application are now stored in the internal GSM memory. It means the GSM Hybrid works independently from a running application once programmed and can be used in the field without a PC.
  • A fast Factory Reset is possible by pushing the CONNECT button 15 seconds.
  • The communication between the  GSM Hybrid and PC is completely redesigned and based on the proven AIRLITE communication protocols.
  • NOTE: In case existing users want to update the GSM Hybrid application
software, they also have to download the latest firmware to get all the extra’s at SPECIFICATIONS Line input: Balanced, 20kOhm, +22dBu max Output: Balanced, 50Ohm, +21.5dBu max Frequency response: 50 Hz up to 7000 Hz USB: USB 1.1 GPO: Opto Fet 60V/550mA, Pmax=500mW GPI: Pulldown to GND. Tip: : Use opto coupler GSM Bands: 900/1800MHz@GSM Antenna: : SMA connector DIMENSIONS/WEIGHT Left-Right: 241mm (9,5 inch) Front to back: 174mm Height : 44mm (1HE) Weight : 2kg Power: 90-230volt 50/60Hz Voltage: 12Vdc Supply Current: 1 Amp

The Lyra-8 is a fully digital desktop production mixer. Its concept originates from heavy investigations among end users and distributors looking for a versatile compact small universal desktop mixer.

The core of the Lyra is a sophisticated DSP engine. This processing engine involves the latest developments in DSP technology by Texas Instruments. An intense cooperation between T.I. and D&R has resulted in a digital audio mixer offering tremendous DSP power and a superb sonic quality.

Although the Lyra is a digital console, it is operated with the same comfort as a conventional analog production mixer. No fundamental concessions have been made towards reliability, high speed controller-response and system stability.

Apart from that there is the unique capability to control Lyra\'s functions over the Internet 

  • The Lyra is a fully digital desktop production mixer. Its concept originates from heavy investigations among end users and distributors looking for a versatile compact small universal desktop mixer.
  • The core of the Lyra is a sophisticated DSP engine.
  • This processing engine involves the latest developments in DSP technology by Texas Instruments. An intense cooperation between T.I. and D&R has resulted in a digital audio mixer offering tremendous DSP power and a superb sonic quality.
  • Although the Lyra is a digital console, it is operated with the same comfort as a conventional analog production mixer.
  • No fundamental concessions have been made towards reliability, high speed controller-response and system stability.
  • Apart from that there is the unique capability to control Lyra\'s functions over the Internet 
  • Over 18 inputs (7x digital, 7x analog, 4x mic inputs) are connected to a digital cross-point router to accept various formats of audio.
  • This router actually is an integrated programmable patch-bay allowing you to send any of the input signals to any desired processing channels of the DSP’s.
  • These processing channels consist out of a three band parametric Eq-section and dynamics control application.
  • The signal output by the DSP channel can be routed to main stereo busses.
  • Every main buss is stereo and has dedicated analog outputs, but the bus signals can also be routed to a digital output as well.
  • Monitoring functions are analog making interfacing with the outside world very simple and easy to understand.
  • The Lyra has four processing channels with 100m faders with large illuminated On and Cue switches an a rotary encoder for multiple functions.
  • A LCD per channel shows input selections and many other functions.
  • In the right hand section of the console are dedicated instant access functions for Source selection, Gain, EQ on/off, Dynamics on/off, Aux, Pan, Program and Sub selection.
  • The analog master section with 16 segment led bars and source select switches makes interfacing very easy with all sorts of  monitoring devices.
  • A CobraNet option is available for integration within our network solution to share more sources.
  • An Ethernet connector is available for remote control via TCP/IP protocol.

The new AIRLAB DT radio ON-AIR console is D&R’s solution for applications where features and functions have to be weighed up against operational simplicity. A simple direct accessible control surface combined with intelligent instantly reset-able digital functions enables customizing to station requirements, and even to personal requirements, thanks to the use of a personalized chip card, holding all important functional data. D&R\'s AIRLAB has a welded steel drop through frame that will accommodate a maximum of 16 triple input modules with or without EQ, a digital AES/EBU in/output module, an USB module, a Control Module and Telco modules (up to 16) and the master section. The perfect mixing board for FM Broadcasting, Podcasting, Webcasting, or streaming to the internet!

The main outputs are electronically balanced (transformer balancing is an option) and the majority of connectors are on balanced XLRs.
With a sales track record (2017) of more than 900 consoles in the field, this On-Air mixing console has proved its popularity and... reliability.

FEATURES:

  • 16 module positions
  • Modern Drop) Through design
  • Play-out Control Module
  • Program and Sub busses
  • Ideal for production and On-AIR use
  • USB and Digital modules
  • Bi directional Cue communication buss
  • Software metering

SPECIFICATIONS:

  • Mic input: bal. 2kOhm - 128dBr (40dB gain range plus 30dB of trim range)
  • Line input: bal 10kOhm +/- 20dB gain range
  • Telco input: (XLR) 10kOhm bal. 0dBu nominal
  • CMRR: mic input max gain: 1kHz 85dB
  • Line input: max gain 1 kHz 80dB

EQUALIZATION:

  • +/- 12 dB @ 10kHz shelving
  • +/- 12 dB @ 3kHz bell curve
  • +/- 12 dB @ 60 Hz shelving
  • Low Cut: 80Hz, 12dB per octave (mic only)
  • Low Cut: 200Hz, 6 dB per octave (Telco only)
  • High Cut: 8 kHz, 6 dB per octave (Telco only)

OUTPUTS:

  • Left/Right : +6dBu electronically balanced (transformer balancing is an option)
  • Sub : +6dBu electronically balanced
  • All other outputs: +6dBu unbalanced.

OVERALL:

  • Frequency response: 20-20.000 Hz +/-0.5dB
  • Harmonic distortion: 0.035% (VCA in, 2nd harm)
  • Crosstalk: less than -90dBr
  • Noise: -86dBr
  • Headroom: +22dB internal, 16dB on outputs
  • Mix-Minus rejection: @1kHz -60dB
  • Channel fader attenuation: 1kHz, 100dB

REMOTES:
All channel remotes are on stereo jack sockets
Start/Stop switching is by isolated reed relays
Both ON-AIR 1 and 2 (red light) ouputs are isolated by relays

DIMENSIONS AND WEIGHT:
50 kg / 110 Lbs
Drop through mounting hole dimensions: 590mm x 775mm

Allen & Heath XB-14² Compact Broadcast Mixer
  • Audition/clean feed bus
  • 3-band EQ on mono channels
  • 4 mic/line and 4 stereo channels
  • 2-band EQ on Telco/stereo channels
  • 2 stage, padless pre-amp design
  • Fader start sensing on mono channels
  • Start/cue logic on stereo channel switches
  • 2 Telco telephone communication channels
  • USB connectivity to interface with PC/MAC
  • Separate headphones mix for engineer/producer and 2 guests
  • Vertically-mounted PCB construction with nutted rotary pots
  • Aux and separate stereo busses for processing/recording
  • Control room outputs with auto and remote mutes
  • Remote mute facility on mic channels
  • Balanced main outputs with inserts
  • Input signal and peak metering
The XB-14² by Allen & Heath is a broadcast mixer designed for self-operated broadcast applications in small radio and internet studios, as well as larger facilities with multiple rooms. It comes in a compact package and is packed with radio-friendly options usually found on large-format broadcast consoles. This Mixer allows for an efficient and flexible workflow with features such as telephone-communication (Telco) channels, fader-start sensing, automatic muting of speaker outputs, stereo channel-start/cue outputs for CD deck-transport control, separate headphone mixes for guests, an audition bus, and more. Separate monitor mixes can be created enabling the operator to check levels and cues without interfering with the listening sources of the presenter or guests. Using remote-interface connectors, mono channels can be remotely muted from studio-located mute or cough switches (available separately). In addition, the Talk to Guest switch allows for the operator to communicate off-air with guests, presenters, and telephone callers. The audio circuitry of the XB-14² features four mic/line channels equipped with high-gain DuoPre preamps and 3-band EQs to help cut sibilance & mic popping, and 2-band EQs on stereo channels for use with music. The full-duplex USB sound card offers playback and record to & from a computer as well as voice over IP (VoIP), and is compliant with Mac & Windows core audio drivers. Flexible Routing Options
  • Four mic/line mono channels
  • Four dual-source stereo channels and a total of up to seven stereo sources
  • Aux bus for external processing, effects, recording or auditioning
  • Mix B for recording an independent mix to the main program mix, or creating a clean feed source from selected channels
  • Audition bus for auditioning or recording telephone conversations
  • 27 logic I/O for remote control
  • 15 configuration switches
  • Output matrix with three headphone outs allows separate mixes for engineer/producer and two guests
  • Talk button for off-air conversation with guests
DuoPre Preamps The four mono channels feature DuoPre technology which employs a two-stage design to control the input gain structure of the channel. The first stage provides 69 dB of gain for the signal at the XLR input. The second stage is activated by plugging the signal into the TRS line-input jack. This gain-staging eliminates the need for pad circuit & pad switch, and ensures that the signal remains in the optimum region of its dynamic range for lower noise and distortion. USB The XB-14² is equipped with a stereo bi-directional sound card for playback, recording, or voice over IP (VoIP) to and from a computer. Its USB 1.1 audio codec is compliant with USB 2.0 ports and Windows & Mac core audio drivers. Telco Two Telco channels provide a selectable clean-feed output (L/R PGM, Aux or audition bus), variable high-pass and low-pass filters which are useful when a caller is connected via a low-quality telephone line, and a talk button that allows for communication with a telephone caller without the presenter\'s voice going to the program mix. Remote Control The mono mic/line channels feature fader-start sensing to control external devices or to automatically mute speaker outputs to prevent feedback. The stereo channels are equipped with start & cue logic outputs used for CD deck transport control. Mic/line input channels can be remotely muted using an external "cough" switch (available separately). Robust Construction The XB-14² features individual vertically-mounted channel circuit boards with rotary controls fixed to the front panel using metal nuts. This robust construction allows for removing channels from the mixer one at a time and for easily changing faders, making servicing minimally disruptive. Additional Features
  • HPF and 3-band, swept-mid EQ on mono channels
  • 2-band EQ on stereo channels
  • Smooth-ride 100mm faders
  • Auto-mute on control-room outputs
  • XLR main outputs with inserts
  • External-meter socket
  • Input-signal and peak metering
Inputs Mono Channel Mic Input (XLR): +6 to -63 dBu nominal / +17 dBu max Mono Channel Line Input (TRS Jack Socket): +10 to -26 dBu / +30 dBu max Insert Point (TRS Jack Socket): 0 dBu nominal / +21 dBu max Stereo Input (TRS Jack Sockets): 0 dBu nominal (control = off to +10 dBu) Stereo Input (RCA Phono Sockets): 0 dBu nominal (control = off to +10 dBu) Telco Channel Input (XLR): +10 to -26 dBu / +30 dBu max
Outputs PGM L/R Outpu(XLR): +4 dBu nominal / +25 dBu max PGM Mono Output (RCA Phono): 0 dBu nominal / +21 dBu max PGM L & R inserts (TRS Jack Sockets): -2 dBu nominal / +21dBu max Aux Output (Jack Socket): 0 dBu nominal / +21 dBu max Mix B Outputs (RCA Phono Sockets): 0 dBu nominal / +21 dBu max Audition Outputs (RCA Phono Sockets): 0 dBu nominal / +21 dBu max CRM Outputs (RCA Phono Sockets): 0 dBu nominal / +21 dBu max Telco Output (XLR): 0 dBu nominal / +21 dBu max
THD + N Mic In to PGM L/R Out: < 0.01% (0 dB Gain, 1 kHz, +10 dBu out) Mic In to PGM Out: < 0.01% (30 dB gain, 1 kHz, +10 dBu out) Line In to PGM L/R Out: < 0.01% (0 dB gain, 1 kHz, 0 dBu out) Stereo In to PGM Out: < 0.01% (0 dB gain, 1 kHz, +10 dBu out)
USB Audio Codec USB Audio In/Out: USB 1.1 compliant / 16-bit Sample Rate: 32, 44.1, 48 kHz
Noise Mic Pre EIN @ Maximum Gain: -124 dBu (150 R Input Z, 22 Hz to 22 kHz) PGM Out: < -100 dBu (PGM fader = 0, 22 Hz to 22 kHz) Audition Out: < -100 dBu (mix B out = 0, 22 Hz to 22 kHz) Aux Out: < -85 dBu (mono out = 0, 22 Hz to 22 kHz)
Headroom Analog Headroom from Nominal (O VU) Outputs: 21 dB Analog Headroom from Nominal (O VU) Mix Point: 24 dB Headroom from Nominal (O VU): 14 dB
Crosstalk / Attenuation Mono Fader Attenuation: -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz) Mono ON Switch Attenuation: -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz) TELCO Fader Attenuation:  -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz) TELCO ON Switch Attenuation: -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz) Stereo Fader Attenuation: -95 / -90 (dB relative to +10 dBu, 1 kHz to 10 kHz) Stereo ON Switch Attenuation: -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz) PGM Fader Attenuation: -100 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz) TELCO Clean-Feed Isolation from I/P:  -55 / -40 (dB relative to +10 dBu, 1 kHz to 10 kHz) Stereo Separation, L in to PGM R Out: -70 / -50 (dBr, 1 kHz to 10 kHz)
Frequency Response Microphone In to PGM L/R Out: +0.5 / -1 dB, 10 Hz to 30 kHz (30 dB gain) Line In to PGM L/R Out: +0.5 / -1 dB, 10 Hz to 20 kHz (0 dB gain) Stereo In to PGM L/R Out: +0.5 / -1 dB, 10 Hz to 30 kHz
Power Supply 100 - 240 V / 47 - 63 Hz
Power Consumption 30 W
Fuse Rating T 10 A / 250 V / 20 mm
Dimensions (W x H x D) 15.2 x 4.1 x 18.3" / 385 x 103 x 465 mm
Weight 16.5 lb / 7.5 kg
  • Can be operated directly as a standalone or in conjunction with D & R Airmate / Airance / Axum
  • Cable and mounting holes on the back
  • 12 Volt / 450 mAh
  • Dimensions (W x H x D): 260 x125 x 65 mm
  • Incl. power supply
D&R Studio sign On Air light  Mono Face, A perfect matching ON-AIR lamp for all our mixers. You can of course use the unit too for other brands. We can supply you a perfect matching ON-AIR lamp for all our mixers. You can of course use the unit too for other brands. We call it ON-AIR Lamp but actually there is no lamp inside anymore, just everlasting high intensity red leds. The unit is powered by a 12 volt DC 1A external power supply. And what's more... no hassle with how do I connect this thing to my AIRMATE-USB/AIRENCE-USB/AIRLAB or AXUM. No complicated high voltage AC switching with external relays etc. etc. What you only need is one stereo cable (wired tip/ring) coming from the MIC-ON connector on the back of the AIRMATE/AIRENCE/AIRLAB console that goes directly hardwired to a terminal strip inside the ON-AIR LAMP. How easy is this for a change. The power adapter will also be directly wired to the terminal strip inside the unit. Width: 260mm Height: 125mm Depth: 65mm The power adapter (included in the delivery) will also be directly wired to the barrier strip inside the unit
Weight8.00 kg2.00 kg20.00 kg52.00 kg8.00 kg1.20 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 8.00 kg
Weight 2.00 kg
Weight 20.00 kg
Weight 52.00 kg
Weight 8.00 kg
Weight 1.20 kg