DOUBLE UP ON A CLASSIC! Since the introduction of the Alberta overdrive, guitarists have embraced the tonal qualities and ease of use of the pedal. So much, that quite a few are using two Albertas to get their fix on stage and in the studio, using one for creamy rhythm sounds and the other for […]
Since the introduction of the Alberta overdrive, guitarists have embraced the tonal qualities and ease of use of the pedal. So much, that quite a few are using two Albertas to get their fix on stage and in the studio, using one for creamy rhythm sounds and the other for a cutting solo sound.
T-Rex have been asked to come up with a pedal that does this and more, but stays true to the sound, usability and size of the old girl.
On popular demand from guitarists around the world, we give you the Alberta II!
The classic overdrive sound has doubled in quantity, but the sonic footprint and physical size is the same, giving the user a three step rocket of creamy, responsive overdrive without sacrificing pedalboard real estate.
2 ALBERTAS IN 1
With two channels of overdrive, you can now get the clean sound from your amp, a nice “on-the-edge” overdrive from one channel and a punchy rock sound from the other channel, or go from a medium boost to a fat, clean-ish boost to push the front end of your amp.
NEW FAT SWITCHES AND CH. 2 TWEAKS
Need a low-end boost for those “stratty” moments?
Now you can flip a switch for an even thicker tone on either channel of the Alberta II, expanding the tonal range and usage further than was possible before. We´ve also given channel 2 a slightly more open and punchy sound, for a little more pick attack and push, but with the same voice of channel 1.
Just like its little sister, the Alberta II can serve up more than a nice Blues on the Rocks, so don´t judge this book by its cover. Thanks to the added features, there´s a wide range of sounds hidden inside, that will get the job done for players in all music genres.
DUAL OVERDRIVE
The blue tone in a box!
2 great transparent overdrives
One less compressed, and open sounding
Sounds like a quality tube amp braking up
Application:
Εl.Guitar
Type:
Single
Effect:
Overdrive
Signature:
No
Weight
0.50 kg
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Since the introduction of the Alberta overdrive, guitarists have embraced the tonal qualities and ease of use of the pedal. So much, that quite a few are using two Albertas to get their fix on stage and in the studio, using one for creamy rhythm sounds and the other for a cutting solo sound.
T-Rex have been asked to come up with a pedal that does this and more, but stays true to the sound, usability and size of the old girl.
On popular demand from guitarists around the world, we give you the Alberta II!
The classic overdrive sound has doubled in quantity, but the sonic footprint and physical size is the same, giving the user a three step rocket of creamy, responsive overdrive without sacrificing pedalboard real estate.
2 ALBERTAS IN 1
With two channels of overdrive, you can now get the clean sound from your amp, a nice "on-the-edge” overdrive from one channel and a punchy rock sound from the other channel, or go from a medium boost to a fat, clean-ish boost to push the front end of your amp.
NEW FAT SWITCHES AND CH. 2 TWEAKS
Need a low-end boost for those "stratty” moments?
Now you can flip a switch for an even thicker tone on either channel of the Alberta II, expanding the tonal range and usage further than was possible before. We´ve also given channel 2 a slightly more open and punchy sound, for a little more pick attack and push, but with the same voice of channel 1.
Just like its little sister, the Alberta II can serve up more than a nice Blues on the Rocks, so don´t judge this book by its cover. Thanks to the added features, there´s a wide range of sounds hidden inside, that will get the job done for players in all music genres.
DUAL OVERDRIVE
The blue tone in a box!
2 great transparent overdrives
One less compressed, and open sounding
Sounds like a quality tube amp braking up
Application:
Εl.Guitar
Type:
Single
Effect:
Overdrive
Signature:
No
Product Features:
Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
How the specific frequency bands of the BEQ700 can shape your sound
50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss
User's Manual
The CEB-3 Bass Chorus pedal offers a split-frequency chorus effect capable of applying warm, rich chorusing to the higher frequencies without muddying up the lows. It's the perfect chorus pedal for bassists.
Compact chorus pedal especially designed for bass guitar
Applies chorus sound to the high frequencies without altering low frequencies
Studio Quality Effects at Your Feet
Premier recording studios worldwide use Eventide on hit after hit. ModFactor features Eventide's 27 best modulation effects without compromising quality OR flexibility.
Flexibility Built-In
Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals.
Obsolescence is so 20th Century
Easy to upgrade; download new software from the Internet and install via USB.
Features
27 of Eventideʼs signature stereo or mono effects:
Liquid Chorus
Shimmer Chorus
Organic Chorus
Negative Phaser
Postive Phaser
BiPhase Phaser
Feedback Phaser
WahWah Q-Wah
Voc-Wah Q-Wah
Positive Flanger
Negative Flanger
Jet Flanger
Thru-o Flanger
Lowpass ModFilter
HiPass ModFilter
BandPass ModFilter
Standard Rotary
Giant Rotary
Bias Tremolo
Opto Tremolo
Modern Vibrato
Vintage Vibrato
Retro Vibrato
Pitch Undulator
Feedback Undulator
Ring (DC) Ringmod
String (AC) Ringmod
Studio quality sound
Software upgradeable via USB 2.0
MIDI control via USB or MIDI in, out/thru
Instant program change
Real-time control with 10 knobs, MIDI, or expression pedal
Tap tempo and MIDI clock sync
40 factory presets, unlimited through MIDI
True analog bypass
Rugged cast metal construction
Reliable metal footswitches for instant preset access
Mono or stereo operation
Guitar or line level inputs and outputs
SPECIFICATIONS:
Analog Input/Output
Input impedance
500K ohms
Output Impedance
470 ohms
Recommended Load Impedance
10K ohms or greater
Connectors
Input 1 (mono)
¼ inch mono phone jack
Input 2
¼ inch mono phone jack
Output 1 (mono)
¼ inch mono phone jack
Output 2
¼ inch mono phone jack
Expression Pedal
¼ inch mono phone jack
Aux Switch
¼ inch stereo phone jack
USB
Type B Socket. Use 2.0 cables only.
MIDI In
Five pin DIN (Female)
MIDI Out/Thru
Five pin DIN (Female)
AC Adapter Jack
Power Supply included (see below)
Physical
Power
9 VDC, 1200 mA, Tip hot (+)
Dimensions
English: 4.8" (H) x 7.5" (W) x 2.12" (D)
Metric: 122 (H) x 190 (W) x 54 (D) mm
Weight
2.15 lbs, 1kG
Wah-Wah Pedal HB-01 hell-babe
HELLBABE HB01
The HELL-BABE HB01 is unlike any wah you’ve ever stepped on, offering a tremendous array of tone-sculpting options. You get everything from “old-school” wah to the most up-to-date sounds, all in one mesmerizing effects pedal. Add to that optical control that does away with noisy pots, an adjustable spring mechanism and tunable boost, and this babe’s a contender! The HELL-BABE will add new dimension and depth to your artistic expression.
What’s So Great About the HELL-BABE?
First of all, the HB01’s heel-down Range control provides low frequency adjustment that can be swept from 440 Hz down to 250 Hz, making the HB01 the ideal companion for either guitar or bass. For custom-tailoring the toe-down frequency range, the HELL-BABE features a Fine control, allowing you to adjust the frequency sweep as high as 2.2 kHz.
Volume Boost
You can even dial in a powerful volume Boost (up to +15 dB), so that when you do step on the HB01, your guitar will rise to the top of the mix. A highly versatile Q control is provided for precise filter shaping and for achieving vocal-like effects.
The BOSS TR-2 Tremolo is designed to provide guitarists with classic tremolo effects in an easy-to-use compact pedal. Dedicated "Wave," "Rate," and "Depth" knobs provide a multitude of effect possibilities.
Provides guitarists with high-quality vintage tremolo effects in an easy-to-use compact pedal
Dedicated "Wave," "Rate" and "Depth" knobs allow for precise effect tailoring
“Rate" control allows for higher speed adjustment than classic PN-2
“Wave" control alters LFO waveform from triangle to square
“Depth" control determines the strength of the effect
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User's Manual
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