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The Alesis Midiverb II is a full stereo professional quality multiple effects device that doesnʼt require a professional to operate. The great variety of sounds heard in modern music production have been captured in Midiverb II for instant recall through either manual control or MIDI command.
The possibilities for sound enhancement with Alesis Midiverb II are wide ranging and easy to attain…but most important, eminently musical. Youʼll be able to maintain spontaneity in your music while creating sounds as subtle or as dramatic as you like.
Among Alesis Midiverb IIʼs features are a 16 bit linear PCM processing system that delivers sound quality comparable to that of the digital disc medium. The heart of the system is a very large scale integrated chip developed by Alesis specifically for Midiverb II.
Wide dynamic range and 15kHz bandwidth allow musical performances ranging from delicate to thunderous with no loss of warmth or subtle harmonics.
The high impedance stereo inputs handle signals from low level electric instruments to +4 professional mixing consoles and you can install the uniting a single space of a 19″ effects rack.
Also, you can assign any of the 99 programs to 32 MIDI patch locations for integrating Alesis Midiverb II into your own MIDI system. Most importantly, youʼre always in control because Midiverb II removes the mystery from achieving the best effects available in modern music.
- Quantization: 16 Bit
- Sampling Frequency: 31.25KHz
- Frequency Response: 16Hz-15kHz
- Dynamic Range: 85dB
- THD: .1%
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USED IN GOOD CONDITION.
Price does not include vat
The S com 4 is a compact and versatile single-rack space device that provides
four channels of high quality dynamics processing with an Expander/Gate and
Compressor/Limiter on each channel.
The four channels operate independently or in stereo pairs. Its multi-segment LED
metering displays input/output level as well as gain reduction. The Expander/Gate
section features a continuously variable Threshold control as well as a switch for
fast or slow release times.
The Compressor/Limiter section includes variable Threshold, Ratio and Output levels.
S com 4\'s Enhancer switch restores high frequencies that are sometimes diminished
by heavy compression. This wide-ranging combination of features makes the S com
4 an efficient and versatile audio tool for a wide variety of applications. Its clean and
quiet audio characteristics make it ideal where high sonic integrity is imperative.
FEATURES:
4 Channel Compressor/Limiter, Expander/Gate with Enhancer
Linkable in two Stereo pairs
Expander/Gate with variable Trigger control and switchable Fast/Slow Release
5 Segment LED meters for Input/Output levels and Gain Reduction on each channel
Advanced circuit design utilizing Low Noise Operational
Amplifiers and High Quality VCA\'s
Servo Balanced Inputs and Outputs on XLR and 1/4" connectors
SKD (Smart Knee Detector) circuit automatically switches from soft to hard knee
based on the level of Input signal applied
Individual Threshold and Ratio controls on each channel
Three-year extended warranty |
DEMO PIECE IN VERY GOOD CONDITION
COMES IN ORIGINAL PACKAGE WILL ALL CABLES/MANUALS STILL SEALED!
DBX Quantum 2 Digital Multi Band Processor
The Quantum II is your studio\'s secret to success, delivering a fully professional master every time. You get sample rates up to 96kHz , a true, 48-bit digital signal path, and legendary dbx dynamics processing in a 4-band multiband system. The 4-way crossover splits the signal into 4-bands, and each band may be individually gated, compressed, and limited. The intuitive user interface puts all the mastering processes you need right at your fingertips.
A quick surf through the menu driven system gives you a glimpse of the packed feature set. But what really makes the Quantum II a giant in the field of dynamics processing is the dbx Type IV Conversion System. This lets you capture the character of any analog signal to the digital domain, retaining the original warmth of the sound yet allowing you the precision and accuracy you need in today\'s digital world.
Features:
- 96 kHz, 24 bit A/D, D/A, and Digital I/O on AES/EBU or S/PDIF
- 48 bit internal signal path for increased head room and low level resolution
- Patented TYPE IV™ A/D Conversion system with TSE™
- 4 band stereo compressor-gate-limiter
- 5 band EQ - Hi and Lo shelves, 3 band fully parametric and MS EQ
- Normalizer - lets you control overall signal dynamics
- Stereo adjust - control your stereo image
- Sync input/output using dbx\'s ownproprietary clock chips for extremely low jitter sync
- Dither outputs to 16, 20, or 24 bits
- Sample rate conversion - Fill Up/Down
- Software updateable via Internet and MIDI and RS 232
- 4 band crossover with variable slopes
- GUI Control
PRICE WITHOUT VAT 24% | PRICE WITHOUT V.A.T.
BSS Opal FCS-966 Constant Q Graphic Eq
Graphic equalisers are found in just about every sound application, from room contouring to feedback control and general audio sweetening.
Traditionally, much general eq'ing takes place on the faders alone, but this restricts the use of the faders at each end of the scale for further precision eq work. So we provided the Opal FCS-966 with separate LF and HF contour filters which can change an overall sound balance without disturbing a detailed room or loudspeaker response.
These filters are very musical gentle boost and cut shelving filters which can be used to add (or remove) room effects that change with temperature, audience numbers or humidity.
All these effects can be easily made without disturbing the critical fader settings already made.
Constant Q Filters
The modern generation of graphic eq's
uses the Constant Q topology, pioneered by BSS Audio, which means that the filter width is constant whatever the fader gain setting.
Compared to the earlier 'gyrator' style of filters, Constant Q filters provide a smoother and more predictable interaction between adjacent faders and the resulting eq curve more closely resembles the actual fader positions.
More Gain Control Per Filter
Each eq fader has +/-15dB of adjustable gain, more than many competitive graphic eq's. The faders are long-throw 45mm types for precision control.
High Pass Filter
Also provided on the FCS-966 is a sweepable high-pass filter which can be used very effectively to restrict the low-energy output for better amplifier and loudspeaker performance. Stage monitors also benefit from the application of a high-pass filter to remove bass signals e.g. from vocal-only wedges.
Metering
BSS Audio believes in providing engineers with information, and the FCS-966's 8-segment led meter shows output level and warns of signal clipping within the eq. When the unit is switched to bypass, the meter will read the input level, allowing accurate matching of the 'dry' and equalised signals using the gain control.
Centre Bypass
When any eq fader is in its centre detent position, the filter is automatically bypassed, for optimum performance.
Input/Outputs
All the inputs and outputs of the FCS-966 are electronically balanced, with optional transformer balancing. To make installation of the FCS-966 easier, we've provided three differerent interface connectors: XLR-type, 1/4" TRS jack and Phoenix/Combicon screw terminals.
Relay Bypass
The EQ IN buttons switch the EQ path
into circuit. When switched out, or power fails, a high-quality relay switches the input signal directly to the output connectors.
Control Descriptions
Faders
30 EQ filter faders on ISO centres, each with nominal +/-15dB of gain. Positive centre-detent on 45mm long-throw precision faders.
HP Filter
Sweepable high pass filter, frequency adjustable from OUT (flat) up to 250Hz.
LF Contour
Smooth shelving filter, +/-6dB of gain at 50Hz
HF Contour
Smooth shelving filter, +/-6dB of gain at 14kHz.
GAIN
Used for overall unity gain adjustment. Adjustable from - infinity to +10dB.
CLIP
Triple-point clip detector that indicates red when the internal signal is clipping at any one of three critical points.
LED Meter
Shows output signal level (input signal when eq is bypassed) from -24dBu to +18dBu in 8 steps. |
PRICE DOES NOT INCLUDE VAT
AKG N63E Phantom Power Supply
| Outline FSC1 Processor-2nd Hand-
FEATURING
Customized functions
FOC1 dedicated controller for Flyone loudspeaker system
SC1 dedicated controller for Spectra loudspeaker system
NC1 dedicated controller for Integra loudspeaker system
MEC1 dedicated controller for Media loudspeaker system
FSC1 dedicated controller for Formula Stack louds. System
TFC1 dedicated controller tor Topfly loudspeaker system
MRC1 dedicated controller for Road loudspeaker system
TLC1 : dedicated controller for Tripla loudspeaker system
Dynamically invariant filter transfer function
RMS limiters on each output
Subwoofer dedicated output
Adjustable band gain
Polarity inversion switches
Muting switches
DESCRIPTION
Designed with the most advanced audio technologies the Outline Controller Series are true professional active dedicated control units for some Outline loudspeaker system models. Developed to meet the most demanding requirements of the sound reinforcement applications, the Outline Controller Series provides nonstop operation with absolute stability and reliability. Only IEC approved components and parts are used in these active controllers and they are manufactured to satisfy and to be in according with safety objects stated for “electrical device” working within the limits of pertinent CE, European Community directive.
Based on a plugin filter card design, the Outline Controller Series allows the operation to those Outline loudspeaker systems that needs this kind of external assistance to perform of its best.
The Outline FOC1, SC1, MEC1, NC1 two ways with subbass output controllers, are designed for the Outline Flyone, Spectra, Media, Integra loudspeaker system.
The Outline FSC1, TFC1, MRC1, TLC1, three ways with subbass output are designed for the Outline FormulaStack, TopFly, RoadSystem, Tripla loudspeaker system.
All models have customized band splitting, filter transfer function and signal time alignment tailored to the loudspeaker system for which are designed.
All models have dynamic control with loudspeaker protection purposes, obtained with RMS limiters with adjustable threshold that are available on each output.
All models have a very low frequency output that can be used to drive the Outline Bass Series or Sub Series low frequency units.
All models have level control on each output, polarity inverters, muting switches, subsonic filters, RMS limiters and active balanced input and outputs with XLR connectors. Perspex security cover are included.
Dimensions of all models are 483mm width, 44mm height, 210mm depth.
SPECIFICATIONS
Product name:
Outline FOCI, SC1, NCI, MEC1, FSC1, TFC1, MRC1, TLC1
Product type: Dedicated active controller
Channels: 1
Ways:
FOCI: 2 ways + subwoofer
SC1: 2 ways + subwoofer
NCI: 2 ways + subwoofer
MEC1 : 2 ways + subwoofer
FSC1: 3 ways + subwoofer
TFC1: 3 ways + subwoofer
MRC1: 3 ways + subwoofer
TLC1: 3 ways + subwoofer
Crossover frequencies: fixed customized
Filter slope: fixed customized
Filter transfer function: fixed customized
Input impedance: 20 kΩ balanced
Frequency response: 20-20000 Hz ± 0.3 dB
Output impedance: 600Ω balanced
Total harmonic distortion (THD): <0.01%
Total intermodulation distortion (SMPTE): <0.01%
Signal to noise ratio: > 100dBA
Subsonic filter: Butterworth 18 Hz, 18 dB octave
Controls:
Front panel: Power on, output level, polarity, output mute, limiting threshold, input gain adjust
Rear panel switches: Balanced/unbalanced input and outputs, limiters on
Display:
Front panel: Power on, signal present, limiting action, input overloading
Connectors: XLR, Pin 1 ground, Pin 2 hot, Pin 3 cold
Power supply: AC from 100 -to 240V/50-60 Hz
Power consumption: 20W
Dimensions and net weight: Front panel Standard EIA 19" 1 U
483mm width, 44mm height, 210 mm depth, all models 3.3 net weight.
Dimensions volume and gross weight: all models, 55cm width, 8cm height, 30cm depth, volume 0.01 m3, 4.3 gross weight.
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