ALLEN & HEATH XB14-2 Broadcast Mixer

1,804.00 incl. GR VAT

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EAN: N/A
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Availability: Available in 1-3 d. Available in 1-3 d. SKU: 144.020 Category:
Allen & Heath XB-14² Compact Broadcast Mixer Audition/clean feed bus 3-band EQ on mono channels 4 mic/line and 4 stereo channels 2-band EQ on Telco/stereo channels 2 stage, padless pre-amp design Fader start sensing on mono channels Start/cue logic on stereo channel switches 2 Telco telephone communication channels USB connectivity to interface with PC/MAC Separate […]

 

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Allen & Heath XB-14² Compact Broadcast Mixer
  • Audition/clean feed bus
  • 3-band EQ on mono channels
  • 4 mic/line and 4 stereo channels
  • 2-band EQ on Telco/stereo channels
  • 2 stage, padless pre-amp design
  • Fader start sensing on mono channels
  • Start/cue logic on stereo channel switches
  • 2 Telco telephone communication channels
  • USB connectivity to interface with PC/MAC
  • Separate headphones mix for engineer/producer and 2 guests
  • Vertically-mounted PCB construction with nutted rotary pots
  • Aux and separate stereo busses for processing/recording
  • Control room outputs with auto and remote mutes
  • Remote mute facility on mic channels
  • Balanced main outputs with inserts
  • Input signal and peak metering

The XB-14² by Allen & Heath is a broadcast mixer designed for self-operated broadcast applications in small radio and internet studios, as well as larger facilities with multiple rooms. It comes in a compact package and is packed with radio-friendly options usually found on large-format broadcast consoles.

This Mixer allows for an efficient and flexible workflow with features such as telephone-communication (Telco) channels, fader-start sensing, automatic muting of speaker outputs, stereo channel-start/cue outputs for CD deck-transport control, separate headphone mixes for guests, an audition bus, and more.

Separate monitor mixes can be created enabling the operator to check levels and cues without interfering with the listening sources of the presenter or guests. Using remote-interface connectors, mono channels can be remotely muted from studio-located mute or cough switches (available separately). In addition, the Talk to Guest switch allows for the operator to communicate off-air with guests, presenters, and telephone callers.

The audio circuitry of the XB-14² features four mic/line channels equipped with high-gain DuoPre preamps and 3-band EQs to help cut sibilance & mic popping, and 2-band EQs on stereo channels for use with music. The full-duplex USB sound card offers playback and record to & from a computer as well as voice over IP (VoIP), and is compliant with Mac & Windows core audio drivers.

Flexible Routing Options

  • Four mic/line mono channels
  • Four dual-source stereo channels and a total of up to seven stereo sources
  • Aux bus for external processing, effects, recording or auditioning
  • Mix B for recording an independent mix to the main program mix, or creating a clean feed source from selected channels
  • Audition bus for auditioning or recording telephone conversations
  • 27 logic I/O for remote control
  • 15 configuration switches
  • Output matrix with three headphone outs allows separate mixes for engineer/producer and two guests
  • Talk button for off-air conversation with guests

DuoPre Preamps

The four mono channels feature DuoPre technology which employs a two-stage design to control the input gain structure of the channel. The first stage provides 69 dB of gain for the signal at the XLR input. The second stage is activated by plugging the signal into the TRS line-input jack. This gain-staging eliminates the need for pad circuit & pad switch, and ensures that the signal remains in the optimum region of its dynamic range for lower noise and distortion.

USB

The XB-14² is equipped with a stereo bi-directional sound card for playback, recording, or voice over IP (VoIP) to and from a computer. Its USB 1.1 audio codec is compliant with USB 2.0 ports and Windows & Mac core audio drivers.

Telco

Two Telco channels provide a selectable clean-feed output (L/R PGM, Aux or audition bus), variable high-pass and low-pass filters which are useful when a caller is connected via a low-quality telephone line, and a talk button that allows for communication with a telephone caller without the presenter\’s voice going to the program mix.

Remote Control

The mono mic/line channels feature fader-start sensing to control external devices or to automatically mute speaker outputs to prevent feedback. The stereo channels are equipped with start & cue logic outputs used for CD deck transport control. Mic/line input channels can be remotely muted using an external “cough” switch (available separately).

Robust Construction

The XB-14² features individual vertically-mounted channel circuit boards with rotary controls fixed to the front panel using metal nuts. This robust construction allows for removing channels from the mixer one at a time and for easily changing faders, making servicing minimally disruptive.

Additional Features

  • HPF and 3-band, swept-mid EQ on mono channels
  • 2-band EQ on stereo channels
  • Smooth-ride 100mm faders
  • Auto-mute on control-room outputs
  • XLR main outputs with inserts
  • External-meter socket
  • Input-signal and peak metering
Inputs Mono Channel Mic Input (XLR): +6 to -63 dBu nominal / +17 dBu max

Mono Channel Line Input (TRS Jack Socket): +10 to -26 dBu / +30 dBu max

Insert Point (TRS Jack Socket): 0 dBu nominal / +21 dBu max

Stereo Input (TRS Jack Sockets): 0 dBu nominal (control = off to +10 dBu)

Stereo Input (RCA Phono Sockets): 0 dBu nominal (control = off to +10 dBu)

Telco Channel Input (XLR): +10 to -26 dBu / +30 dBu max

Outputs PGM L/R Outpu(XLR): +4 dBu nominal / +25 dBu max

PGM Mono Output (RCA Phono): 0 dBu nominal / +21 dBu max

PGM L & R inserts (TRS Jack Sockets): -2 dBu nominal / +21dBu max

Aux Output (Jack Socket): 0 dBu nominal / +21 dBu max

Mix B Outputs (RCA Phono Sockets): 0 dBu nominal / +21 dBu max

Audition Outputs (RCA Phono Sockets): 0 dBu nominal / +21 dBu max

CRM Outputs (RCA Phono Sockets): 0 dBu nominal / +21 dBu max

Telco Output (XLR): 0 dBu nominal / +21 dBu max

THD + N Mic In to PGM L/R Out: < 0.01% (0 dB Gain, 1 kHz, +10 dBu out)
Mic In to PGM Out: < 0.01% (30 dB gain, 1 kHz, +10 dBu out)
Line In to PGM L/R Out: < 0.01% (0 dB gain, 1 kHz, 0 dBu out)
Stereo In to PGM Out: < 0.01% (0 dB gain, 1 kHz, +10 dBu out)
USB Audio Codec USB Audio In/Out: USB 1.1 compliant / 16-bit
Sample Rate: 32, 44.1, 48 kHz
Noise Mic Pre EIN @ Maximum Gain: -124 dBu (150 R Input Z, 22 Hz to 22 kHz)
PGM Out: < -100 dBu (PGM fader = 0, 22 Hz to 22 kHz)
Audition Out: < -100 dBu (mix B out = 0, 22 Hz to 22 kHz)
Aux Out: < -85 dBu (mono out = 0, 22 Hz to 22 kHz)
Headroom Analog Headroom from Nominal (O VU) Outputs: 21 dB
Analog Headroom from Nominal (O VU) Mix Point: 24 dB
Headroom from Nominal (O VU): 14 dB
Crosstalk / Attenuation Mono Fader Attenuation: -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz)
Mono ON Switch Attenuation: -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz)
TELCO Fader Attenuation:  -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz)
TELCO ON Switch Attenuation: -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz)
Stereo Fader Attenuation: -95 / -90 (dB relative to +10 dBu, 1 kHz to 10 kHz)
Stereo ON Switch Attenuation: -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz)
PGM Fader Attenuation: -100 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz)
TELCO Clean-Feed Isolation from I/P:  -55 / -40 (dB relative to +10 dBu, 1 kHz to 10 kHz)
Stereo Separation, L in to PGM R Out: -70 / -50 (dBr, 1 kHz to 10 kHz)
Frequency Response Microphone In to PGM L/R Out: +0.5 / -1 dB, 10 Hz to 30 kHz (30 dB gain)
Line In to PGM L/R Out: +0.5 / -1 dB, 10 Hz to 20 kHz (0 dB gain)
Stereo In to PGM L/R Out: +0.5 / -1 dB, 10 Hz to 30 kHz
Power Supply 100 – 240 V / 47 – 63 Hz
Power Consumption 30 W
Fuse Rating T 10 A / 250 V / 20 mm
Dimensions (W x H x D) 15.2 x 4.1 x 18.3″ / 385 x 103 x 465 mm
Weight 16.5 lb / 7.5 kg
Weight 8.00 kg

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Description
  • Material: ABS plastic Material.
  • Functions: 18 sound effects, sound settings, microphone, bluetooth
  • 4 x micro USB, 3 x 3.5mm jack
ContentAllen & Heath XB-14² Compact Broadcast Mixer
  • Audition/clean feed bus
  • 3-band EQ on mono channels
  • 4 mic/line and 4 stereo channels
  • 2-band EQ on Telco/stereo channels
  • 2 stage, padless pre-amp design
  • Fader start sensing on mono channels
  • Start/cue logic on stereo channel switches
  • 2 Telco telephone communication channels
  • USB connectivity to interface with PC/MAC
  • Separate headphones mix for engineer/producer and 2 guests
  • Vertically-mounted PCB construction with nutted rotary pots
  • Aux and separate stereo busses for processing/recording
  • Control room outputs with auto and remote mutes
  • Remote mute facility on mic channels
  • Balanced main outputs with inserts
  • Input signal and peak metering
The XB-14² by Allen & Heath is a broadcast mixer designed for self-operated broadcast applications in small radio and internet studios, as well as larger facilities with multiple rooms. It comes in a compact package and is packed with radio-friendly options usually found on large-format broadcast consoles. This Mixer allows for an efficient and flexible workflow with features such as telephone-communication (Telco) channels, fader-start sensing, automatic muting of speaker outputs, stereo channel-start/cue outputs for CD deck-transport control, separate headphone mixes for guests, an audition bus, and more. Separate monitor mixes can be created enabling the operator to check levels and cues without interfering with the listening sources of the presenter or guests. Using remote-interface connectors, mono channels can be remotely muted from studio-located mute or cough switches (available separately). In addition, the Talk to Guest switch allows for the operator to communicate off-air with guests, presenters, and telephone callers. The audio circuitry of the XB-14² features four mic/line channels equipped with high-gain DuoPre preamps and 3-band EQs to help cut sibilance & mic popping, and 2-band EQs on stereo channels for use with music. The full-duplex USB sound card offers playback and record to & from a computer as well as voice over IP (VoIP), and is compliant with Mac & Windows core audio drivers. Flexible Routing Options
  • Four mic/line mono channels
  • Four dual-source stereo channels and a total of up to seven stereo sources
  • Aux bus for external processing, effects, recording or auditioning
  • Mix B for recording an independent mix to the main program mix, or creating a clean feed source from selected channels
  • Audition bus for auditioning or recording telephone conversations
  • 27 logic I/O for remote control
  • 15 configuration switches
  • Output matrix with three headphone outs allows separate mixes for engineer/producer and two guests
  • Talk button for off-air conversation with guests
DuoPre Preamps The four mono channels feature DuoPre technology which employs a two-stage design to control the input gain structure of the channel. The first stage provides 69 dB of gain for the signal at the XLR input. The second stage is activated by plugging the signal into the TRS line-input jack. This gain-staging eliminates the need for pad circuit & pad switch, and ensures that the signal remains in the optimum region of its dynamic range for lower noise and distortion. USB The XB-14² is equipped with a stereo bi-directional sound card for playback, recording, or voice over IP (VoIP) to and from a computer. Its USB 1.1 audio codec is compliant with USB 2.0 ports and Windows & Mac core audio drivers. Telco Two Telco channels provide a selectable clean-feed output (L/R PGM, Aux or audition bus), variable high-pass and low-pass filters which are useful when a caller is connected via a low-quality telephone line, and a talk button that allows for communication with a telephone caller without the presenter\'s voice going to the program mix. Remote Control The mono mic/line channels feature fader-start sensing to control external devices or to automatically mute speaker outputs to prevent feedback. The stereo channels are equipped with start & cue logic outputs used for CD deck transport control. Mic/line input channels can be remotely muted using an external "cough" switch (available separately). Robust Construction The XB-14² features individual vertically-mounted channel circuit boards with rotary controls fixed to the front panel using metal nuts. This robust construction allows for removing channels from the mixer one at a time and for easily changing faders, making servicing minimally disruptive. Additional Features
  • HPF and 3-band, swept-mid EQ on mono channels
  • 2-band EQ on stereo channels
  • Smooth-ride 100mm faders
  • Auto-mute on control-room outputs
  • XLR main outputs with inserts
  • External-meter socket
  • Input-signal and peak metering
Inputs Mono Channel Mic Input (XLR): +6 to -63 dBu nominal / +17 dBu max Mono Channel Line Input (TRS Jack Socket): +10 to -26 dBu / +30 dBu max Insert Point (TRS Jack Socket): 0 dBu nominal / +21 dBu max Stereo Input (TRS Jack Sockets): 0 dBu nominal (control = off to +10 dBu) Stereo Input (RCA Phono Sockets): 0 dBu nominal (control = off to +10 dBu) Telco Channel Input (XLR): +10 to -26 dBu / +30 dBu max
Outputs PGM L/R Outpu(XLR): +4 dBu nominal / +25 dBu max PGM Mono Output (RCA Phono): 0 dBu nominal / +21 dBu max PGM L & R inserts (TRS Jack Sockets): -2 dBu nominal / +21dBu max Aux Output (Jack Socket): 0 dBu nominal / +21 dBu max Mix B Outputs (RCA Phono Sockets): 0 dBu nominal / +21 dBu max Audition Outputs (RCA Phono Sockets): 0 dBu nominal / +21 dBu max CRM Outputs (RCA Phono Sockets): 0 dBu nominal / +21 dBu max Telco Output (XLR): 0 dBu nominal / +21 dBu max
THD + N Mic In to PGM L/R Out: < 0.01% (0 dB Gain, 1 kHz, +10 dBu out) Mic In to PGM Out: < 0.01% (30 dB gain, 1 kHz, +10 dBu out) Line In to PGM L/R Out: < 0.01% (0 dB gain, 1 kHz, 0 dBu out) Stereo In to PGM Out: < 0.01% (0 dB gain, 1 kHz, +10 dBu out)
USB Audio Codec USB Audio In/Out: USB 1.1 compliant / 16-bit Sample Rate: 32, 44.1, 48 kHz
Noise Mic Pre EIN @ Maximum Gain: -124 dBu (150 R Input Z, 22 Hz to 22 kHz) PGM Out: < -100 dBu (PGM fader = 0, 22 Hz to 22 kHz) Audition Out: < -100 dBu (mix B out = 0, 22 Hz to 22 kHz) Aux Out: < -85 dBu (mono out = 0, 22 Hz to 22 kHz)
Headroom Analog Headroom from Nominal (O VU) Outputs: 21 dB Analog Headroom from Nominal (O VU) Mix Point: 24 dB Headroom from Nominal (O VU): 14 dB
Crosstalk / Attenuation Mono Fader Attenuation: -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz) Mono ON Switch Attenuation: -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz) TELCO Fader Attenuation:  -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz) TELCO ON Switch Attenuation: -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz) Stereo Fader Attenuation: -95 / -90 (dB relative to +10 dBu, 1 kHz to 10 kHz) Stereo ON Switch Attenuation: -95 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz) PGM Fader Attenuation: -100 / -95 (dB relative to +10 dBu, 1 kHz to 10 kHz) TELCO Clean-Feed Isolation from I/P:  -55 / -40 (dB relative to +10 dBu, 1 kHz to 10 kHz) Stereo Separation, L in to PGM R Out: -70 / -50 (dBr, 1 kHz to 10 kHz)
Frequency Response Microphone In to PGM L/R Out: +0.5 / -1 dB, 10 Hz to 30 kHz (30 dB gain) Line In to PGM L/R Out: +0.5 / -1 dB, 10 Hz to 20 kHz (0 dB gain) Stereo In to PGM L/R Out: +0.5 / -1 dB, 10 Hz to 30 kHz
Power Supply 100 - 240 V / 47 - 63 Hz
Power Consumption 30 W
Fuse Rating T 10 A / 250 V / 20 mm
Dimensions (W x H x D) 15.2 x 4.1 x 18.3" / 385 x 103 x 465 mm
Weight 16.5 lb / 7.5 kg
With the Webstation you can now own a modern broadcast mixer for a very attractive price. This new and handbuilt piece of precision equipment is built around proven low noise circuitry. It is an intelligent mixer with an internal USB control section that comfortably enhances daily use and even has a built in silence detector. It is a reliable workhorse for the self-op production D.J. There is a built in Telephone VOIP functionality, 3 in/out channels of stereo USB and 2 very low noise Mic inputs. The WEBSTATION is ideal for ON-AIR, Production work and perfect for streaming to the web. The WEBSTATION accepts and instantly controls a maximum of 3 in/out stereo channels from your Play-out software. It is built into a heavy duty metal RF shielded chassis. Easily "drops” into your furniture to give that exciting radio look. Built with a strong powder coated front panel for durability and it is the result of more than 47 years of experience at D&R. MIC, LINE, USB and Internal VoIP The WEBSTATION mixer has 2 balanced, phantom powered mic inputs with inserts for voice processors. Six stereo line inputs, 3x USB channels and 1x Telephone VOIP channel. If you want to connect an analog phone line a Cleanfeed output is provided for to connect to an external Hybrid. Only one physical USB connection is the interface to transfer 3 stereo audio channels + VoIP signal from and to your PC plus all control data from the control section and the software meter application. The VOIP Channel 6 is also routed to the main USB connector. Talk back to the VOIP channel is by pushing both "Mic CUE" and "VOIP CUE" to make conversation with callers very easy prior to broadcasting. The Webstation has a very musical 2 band equalizer. High quality low noise mic inputs with built in low cut filters. Straight Forward Master Section The WEBSTATION’s modules can be easily tailored to your own needs with the included software program page shown below. All 6 modules have their own page, where you can program Cue reset enabled by Line, Mic, Fader, On etc. The Mic On busses (for your ON-AIR light) can be enabled by Line or Mic or USB. A great feature is the ability to program your own switch colours, activate the CRM mute module and program the Studio Remote. Additionally if you want your Phantom power on or off individually programmable per channel this can also easily done. All settings can be stored(write) and loaded (read), see the configuration manager below. Specs - Six dual inputs - 2 band EQUALIZER - Windows / Mac compatible - Built in auto Silence detector - 3 USB stereo in /out channels - Mic inputs with 48 volt Phantom - Play out USB control section included - CRM and Phone outputs - Built in VOIP functionality - Internal NON STOP switching - Cleanfeed output for external Hybrids - Bi directional Cue communication buss - Incoming phone calls visible on screen - Ideal for Production, Voice tracking and On-AIR Summary The uncluttered and clearly understandable features make it the ideal tool for making radio programs. The Webstation is compact, reliable and ideal for production rooms. It can be used as your main stations On-Air mixer or used as your home Internet Radio station. We hope to have given you an idea of the huge potential of this new WEBSTATION broadcast mixer. If you need more info than presented here on our web page you can download the manual for even more in depth info. INPUTS Mic input: bal, 2 kOhm, XLR ,48 volt Phantom. Noise: - 128 dBr (A-weighted). Sensitivity: - 70dB min, OdB Max. Insert: unbalanced 10kOhm -10dBv. Line inputs: unbal., 10kOhm, Cinch. Gain: range of 40dB. USB: 3x Stereo in and 3x stereo out. USB Fully compliant with USB 2.0 playback and record mode. 3x Stereo in and 3x stereo out. USB CONTROL SECTION 12 free assignable illuminated switches based on the HID protocol. VoIP CHANNEL Uses USB processing for VoIP. OVERALL Frequency response: 10 - 60.000Hz. Distortion: < 0.01% max at 1 kHz. GPO/Mic On: Opto FETS. (24volt/50mA max). Led bars: Software meter application. OUTPUTS Left/Right: 0 dBu unbal. on Cinch. CRM: 32-400 Ohm, Jack. Headphone: Program/Voice track/VoIP USB out: 0 dBu unbal. on Cinch. EQUALIZER High: + / -12 dB at 12kHz shelving. Low: + / -12 dB at 60 Hz shelving. CONTROL SOFTWARE A software program is included in the delivery for programming the Control section (Webstation Virtual Keyboard Mapper) and internal mixer settings. DIMENSIONS Left-Right: 350 mm Front-Back: 315 mm Height: 30 to 90 mm Front panel thickness: 2 mm Radius Corners: 20 mm Weight: 8kg. Drop through hole: 320 x 295 mm EAN code: 7436917138155

The new AIRLAB DT radio ON-AIR console is D&R’s solution for applications where features and functions have to be weighed up against operational simplicity. A simple direct accessible control surface combined with intelligent instantly reset-able digital functions enables customizing to station requirements, and even to personal requirements, thanks to the use of a personalized chip card, holding all important functional data. D&R\'s AIRLAB has a welded steel drop through frame that will accommodate a maximum of 16 triple input modules with or without EQ, a digital AES/EBU in/output module, an USB module, a Control Module and Telco modules (up to 16) and the master section. The perfect mixing board for FM Broadcasting, Podcasting, Webcasting, or streaming to the internet!

The main outputs are electronically balanced (transformer balancing is an option) and the majority of connectors are on balanced XLRs.
With a sales track record (2017) of more than 900 consoles in the field, this On-Air mixing console has proved its popularity and... reliability.

FEATURES:

  • 16 module positions
  • Modern Drop) Through design
  • Play-out Control Module
  • Program and Sub busses
  • Ideal for production and On-AIR use
  • USB and Digital modules
  • Bi directional Cue communication buss
  • Software metering

SPECIFICATIONS:

  • Mic input: bal. 2kOhm - 128dBr (40dB gain range plus 30dB of trim range)
  • Line input: bal 10kOhm +/- 20dB gain range
  • Telco input: (XLR) 10kOhm bal. 0dBu nominal
  • CMRR: mic input max gain: 1kHz 85dB
  • Line input: max gain 1 kHz 80dB

EQUALIZATION:

  • +/- 12 dB @ 10kHz shelving
  • +/- 12 dB @ 3kHz bell curve
  • +/- 12 dB @ 60 Hz shelving
  • Low Cut: 80Hz, 12dB per octave (mic only)
  • Low Cut: 200Hz, 6 dB per octave (Telco only)
  • High Cut: 8 kHz, 6 dB per octave (Telco only)

OUTPUTS:

  • Left/Right : +6dBu electronically balanced (transformer balancing is an option)
  • Sub : +6dBu electronically balanced
  • All other outputs: +6dBu unbalanced.

OVERALL:

  • Frequency response: 20-20.000 Hz +/-0.5dB
  • Harmonic distortion: 0.035% (VCA in, 2nd harm)
  • Crosstalk: less than -90dBr
  • Noise: -86dBr
  • Headroom: +22dB internal, 16dB on outputs
  • Mix-Minus rejection: @1kHz -60dB
  • Channel fader attenuation: 1kHz, 100dB

REMOTES:
All channel remotes are on stereo jack sockets
Start/Stop switching is by isolated reed relays
Both ON-AIR 1 and 2 (red light) ouputs are isolated by relays

DIMENSIONS AND WEIGHT:
50 kg / 110 Lbs
Drop through mounting hole dimensions: 590mm x 775mm

Package Contents: 1 x microphone 1 x microphone stand 1 x microphone stand 1 x microphone cable 1 x sound card 2 x USB to jack cables 1 x USB cable 1 x set of headphones liceD&R's popular AIRENCE-USB broadcast mixing console is updated. In response to customer demand D&R removed the master faders and made the AIRENCE more in line with their other broadcast consoles. This update made the AIRENCE even more failsafe. The AIRENCE-USB is a digitally controlled reliable analog broadcast console with integrated 4 channel USB sound card and an integrated control section for Play-out systems. With the AIRENCE-USB ON-AIR mixer you can own a modern, split version type of radio production mixer. A smart mixer with an integrated USB based control section. Built with well proven low noise circuitry, this console is the reliable workhorse for the self-op production D.J. Built in Telephone Hybrids (2x), 4 channels USB and 4 Mic inputs. Ideal for streaming to the web and sending and accepting 4 stereo channels from your Play-out software. A heavy duty (19" rack) RF shielded chassis, that can be used as a dropthrough in your furniture, houses all the vertically mounted input modules. Extension units with six triple input channels with high end quality Mic inputs on XLR and two stereo line level inputs on Cinch (RCA) connectors can be connected to the main unit. The result is a modern split drop through 12 (or 18/24) fader radio console. INPUTS. Mic inputs: bal, 2 kOhm, XLR. ,48 volt Phantom.Noise: - 128 dBr (A-weighted). (That 1501)Sensitivity: - 70dB min, OdB Max.Insert: Jack unbalanced send 600 Ohm -10dBV.Aux Return unbalanced 10kOhm -10dBv. Line inputs: unbal.., 10kOhm, Cinch. Gain: range of 40dB. Phono inputs: unbal. 47kOhm, 5 mV. (optional) USB: 4x Stereo in and 4x stereo out.Extern in: - 10 dBV at 10kOhm. Aux returns: - 10 dBv at 10kOhm stereoUSB. Fully compliant with USB 2.0 playback and record mode. 4x Stereo in and Main stereo or SUB signals out. HID Functions: Volume|Mute|Control USB CONTROL SECTION. 24 free assignable illuminated switches plus encoder based on the HID protocol. TELEPHONE HYBRIDS. RJ-11 connectors for phone line/diallerMix Minus rejection @1kHz -40dB. OUTPUTS. Left/Right: + 6dBu bal. XLR. Monitor/Aux : + 6dBu unbal. on Cinch. Studio: + 6dBu, Jacks. Tape outp: -10dBv. Headphone: 32-600 Ohm, Jack. Announcer: 32-600 Ohm, Jack.USB out: Main program stereo signal or SUB EQUALIZER. High: + / -12 dB at 12kHz shelving. Mid: + / -12dB at 1 kHz bell curve. Low: + / -12dB at 60 Hz shelving. THE HIGHLITES... " Inserts on all Mic input modules. " Program and Sub busses. " Two built in Telephone Hybrids. " Four built in USB channels. " Modern Split design with the optional 6 channel Extender. " Bi- Directional Cue Communication buss. " Internal NON-STOP switching. And of course the standard features... " High efficiency switched mode external power supply with optional redundancy. " Three band very musical EQ. " Software based meter application included. " High quality K-Alps faders. Available Options " Redundant power supply " 6 channel Extender units available " Studio Remote for cough and Cue. OVERALL Frequency response: 10 - 60.000Hz. Distortion: < 0.01% max at 1 kHz. Start switch: isolated reed relay. (24volt/50mA)Ledbars: 11 segment and on high res on screen SOFTWARE A software protocol is available for programming of the USB HID protocol to match your software. DIMENSIONS: Main unit19" rack mountable (480mm)Height: 356mm (8HE). Depth: 95mm. Weight: 9kg. Extension unitWidth: 400mmHeight: 356mm (8HE). Depth: 95mm. Weight: 7kg.The ultra-compact XB-10 is perfect for small radio or internet broadcast studios, college and university radio stations, podcasting, content creation and more. Despite its tiny footprint, XB-10 is packed with the kinds of specialised broadcast features that normally come at a much higher price. Radio-friendly tools include a telephone communication (telco) channel, mic channel ON switch sensing, stereo channel start/cue outputs for CD deck transport control and automatic muting of speaker outputs. A separate monitor mix can be created for operator and guest or presenter, and the operator can speak off-air to the studio or telephone callers using the ʽTalk' feature. XB-10's preamps use low noise discrete transistor circuitry to achieve high gain and excellent linearity. Each mic channel comes equipped with our innovative CompACT compressor to keep the dynamic range of a presenter microphone under control. A variable limiter on the main output ensures that the final mix to air does not saturate expensive broadcast equipment. The plug-n-play USB connection can be used for VoIP telephone calls, recording program material, playing jingles and more.
  • 3 mic/line and 3 stereo inputs
  • Telco channel with optional USB routing for VoIP
  • CompACT compressors on mic channels
  • ON switch logic on mic and telco channels
  • Start/cue logic outputs on stereo channels
  • Separate headphones mix and outputs
  • Auto mutes on control room outputs
  • Remote mute facility on mic channels
  • Responsive 3-band, swept mid EQ with MusiQ
  • Configurable USB stereo audio in/out
  • XLR main outputs with inserts and variable limiter
  • Aux / Alt bus for external processing, recording or auditioning
USB XB-10 comes with a full duplex USB soundcard built-in and many useful routing options for recording and broadcast applications. MusiQ XB-10 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ with optimised slope for a variety of sources. Output Limiter A variable limiter ensures the level does not exceed a pre-defined level. Back panel option switches allow the limiter to be bypassed. A trim pot is used to vary the threshold and an LED on the front panel indicates when the limiter has triggered. CompACT Compressor XB-10 features our ComPACT compressor on each of its mic channels. CompACT (Adaptive Compression Technology) is a program-dependent audio leveller. Unlike other compressors, which are effective only at reducing loud sounds, CompACT combines both downward and upward compression with peak limiting. Low level signals are given a gain boost, mid level signals are mildly compressed with a soft knee response, and high level signals are limited.
Weight8.00 kg9.00 kg52.00 kg1 kg8.00 kg4.60 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 8.00 kg
Weight 9.00 kg
Weight 52.00 kg
Weight 1 kg
Weight 8.00 kg
Weight 4.60 kg