ALTO ACL2PRO COMPRESSOR-LIMITER-EXPANDER 2-CHANNEL

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2 – Channel Expander – Gate / Compressor / Limiter The ALTO line of dynamic processors is among the most complete available on the market today. From the simple ACL2, yet including Compressor, Limiter, Expander and Gate to the 8 channels, 2-U model ACL8 including 8 complete dynamic processing strips, these processors are compact, easy […]

 

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2 – Channel Expander – Gate / Compressor / Limiter

The ALTO line of dynamic processors is among the most complete available on the market today. From the simple ACL2, yet including Compressor,
Limiter, Expander and Gate to the 8 channels, 2-U model ACL8 including 8 complete dynamic processing strips, these processors are compact, easy
to use with very low distortion VCA made by THAT for noise less operation. The simple, intuitive layout, colour scheme and the presence of many
illuminated switches make these processors easy to use also by beginners.

Weight 3.10 kg

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ALTO ACL2PRO COMPRESSOR-LIMITER-EXPANDER 2-CHANNEL removeARX SIXGATE 6 CHANNEL NOISE GATE removeBEHRINGER FBQ1000 FEEDBACK DESTROYER removeARX AFTERBURNER DUAL CH.BAND ENHANCED COMPRESSOR-LIMITER removeBSS DPR-504 QUAD NOISE GATE removeAxel Technology MACROTEL7 Telephone Hybrid remove
NameALTO ACL2PRO COMPRESSOR-LIMITER-EXPANDER 2-CHANNEL removeARX SIXGATE 6 CHANNEL NOISE GATE removeBEHRINGER FBQ1000 FEEDBACK DESTROYER removeARX AFTERBURNER DUAL CH.BAND ENHANCED COMPRESSOR-LIMITER removeBSS DPR-504 QUAD NOISE GATE removeAxel Technology MACROTEL7 Telephone Hybrid remove
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Description
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2 - Channel Expander - Gate / Compressor / Limiter

The ALTO line of dynamic processors is among the most complete available on the market today. From the simple ACL2, yet including Compressor,
Limiter, Expander and Gate to the 8 channels, 2-U model ACL8 including 8 complete dynamic processing strips, these processors are compact, easy
to use with very low distortion VCA made by THAT for noise less operation. The simple, intuitive layout, colour scheme and the presence of many
illuminated switches make these processors easy to use also by beginners.

  • Weight: 3.1kg (6.8 lb)
  • Features
    Unique High Density design puts SIX gates in
    minimum rack space
    Intuitive, 'user friendly' layout
    Balanced Inputs and Outputs
    Fast, low noise opto-coupler circuitry
    Sidechain/Key Input points on each channel
    Hardwire Bypass switch on each gate
    Flawless performance in any audio environment

    The sheer amount of effects and signal processors required for today's
    standards of audio production puts a great strain on the available space
    in equipment racks, both in the studio and on the road.
    So, in order to give engineers more control in less space, we've created
    the ARX Sixgate; Six full function noise gates neatly housed in a compact,
    all steel 1 RU package, without sacrificing features or quality.
    Why Six gates?
    Research shows that the majority of noise gates get used on drum kits,
    which means using typically 5 to 6 gate channels. Compare this to the
    two or maybe 4 channels that most other units have, and you'll see the
    reason for the Sixgate's success.And, by using a minimalist approach to
    drum gates, the ARX Sixgate has enough gates left over for backing vocals
    and other instruments.
    Industry Standard controls
    Front panel controls for each gate consist of the 'Industry Standard' controls
    for Release, Depth and Threshold, plus Red and Green LED displays to indicate
    Gate Open or Closed status, and an IN/OUT hardwire bypass switch.
    In addition to this, each gate has a blank panel to write on for easy confirmation
    of gate assigns. No more pieces of masking tape stuck everywhere!
    Ultra Low Noise
    Internally, each gate has proprietary ARX ultra low noise high-speed opto-coupler
    circuitry with program dependent Attack time, which tracks the incoming signal to
    automatically determine optimum gate response.
    Balanced Inputs and Outputs
    The rear panel features true differential Balanced Inputs and Outputs for each gate,
    on insulated TRS jack connectors.Each gate channel also has Individual Key Inputs/
    Sidechain access insert points which can be used either for gate control by an external
    signal, or for frequency sensitive gating (when used in conjuction with an external
    equalizer such as the ARX EQ260).
    Universal AC Power
    AC power range on the Sixgate is a universal 100 to 120V or 220 to 240V, and is
    connected to the unit via a standard 3 pin IEC connector, with built-in fuse and voltage
    switch.
    The Sixgate's unique combination of High Density design, intuitive 'user friendly' controls,
    and clean uncluttered layout make it a truly useful audio tool for all applications.

    T E C H N I C A L  S P E C I F I C A T I O N S
    Input Impedance
    Balanced 20 Kohms, Unbalanced 10 Kohms
    Input Headroom + 22 dB
    CMRR >60 dB, 20 Hz-20 KHz
    Output Impedance
    Balanced 300 ohms, Unbalanced 150 ohms
    Output Level (Max) + 20 dB
    Frequency Response 20Hz to 20KHz ±0.2dB
    Signal to Noise Ratio
    Gate Closed: -95 dB Unweighted, -105 dB 'A' weighted
    Gate Open, Depth Minimum: -93.5 dB Unweighted -98dB
    'A' weighted
    Distortion 0 .01% THD @ 0dB,1KHz
    Dynamic Range 125 dB
    Attack Time Program dependent using high-speed
    opto-couplers
    Release Time User variable
    Input and Output Connector type Balanced Jack
    Sidechain Insert Connector TipRingSleeve Jack
    Sidechain Insert Impedance 10 Kohm
    Power Requirements 100/120 V AC, 220/240 V AC
    Weight 5 lbs/2.2 Kg
    Dimensions
    19“Wide x 13/4“High x 6“Deep; 482 x 44 x 155mm

    Front Panel Controls
    Individual Release, Depth and Threshold controls
    Hardwire bypass IN/OUT switch
    Open/Closed gate status LED
    Marker panel for labelling gate assigns
    Rear Panel
    Balanced Inputs and Outputs, on Balanced jack
    connectors
    Sidechain Insert/Key Input TipRingSleeve jack on
    each channel
    AC input connector, with voltage switch and fuse 

    FEEDBACK DESTROYER FBQ1000 Automatic and Ultra-Fast Feedback Destroyer/Parametric EQ with 24 FBQ Filters High-performance 2-channel Feedback Destroyer and Parametric EQ Automatically and "intelligently" locates and destroys up to 24 frequencies Ultra-narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality "Set-and-forget" default setting enables immediate and super-easy Feedback Destroyer performance Auto mode continuously monitors the mix and automatically sets filters Single-Shot mode automatically detects and destroys feedback plus locks the filter until you reset it manually Manual mode allows setting of up to 24 fully parametric filters with individual frequency, bandwidth and gain parameters Extensive MIDI implementation and user preset memories for instant program recalls Balanced inputs and servo-balanced outputs with ¼'' TRS and gold-plated XLR connectors High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany BEHRINGER FEEDBACK DESTROYER FBQ1000

    Innovation

    The ARX AFTERBURNER? is a unique Multi Mode compressor/limiter
    designed for use in any professional audio dynamics control application.
    Multiple Modes
    The Afterburner can be set up and used in three different ways:
    In Two channel mode, it performs as two independent compressor/limiters,
    with 'industry standard' variable Threshold, Ratio and Output gain. In stereo
    mode, our New Adaptive Stereo Link circuitry provides increased stereo
    imaging accuracy when linking both channels as a stereo pair. A single front
    panel switch puts the Afterburner into its alternative Mono mode, setting it up
    as a Single channel, Dual Band compressor/limiter, with separate dynamics
    control of both Low and High frequencies, opening up a whole new range of
    gain control techniques.
    Enhance Switch
    In any mode, the Afterburner features an 'Enhance' switch, which provides
    frequency restoration to preserve the spectral balance of the audio signal,
    compensating for the sagging Low and High frequency response of compressed
    program material. Think of it as a 'smart' loudness control.
     
    Features
    Switchable Modes - Stereo; Dual Channel Single band; or Single Channel
    Dual Band (Low and High)
    Low and High frequency compression in Single Channel mode
    'Enhance' switch restores spectral balance of compressed signal
    New Hard/Soft knee compression switch
    New Adaptive Stereo Link circuit for accurate stereo imaging
    New Above/Below Threshold LEDs enable at-a-glance compression
    confirmation
    Balanced XLR and Jack Inputs and Outputs
    Sidechain Insert points
    Intuitive user-friendly layout
    Flawless performance
     
    New Above/Below Threshold LEDs enable at-a-glance compression confirmation
    New Hard or Soft knee compression option
    New LED metering provides accurate Level status, with separate Gain Reduction
    metering in easy to read 'wide scale' meters. There is also comprehensive LED
    indication of all operating functions and status in any mode.
    Balanced Inputs and Outputs
    On the rear panel, each channel has true differential Balanced inputs and outputs,
    on both XLR and TRS jack connectors. As well, each channel has a TRS jack
    Sidechain access insert point, for applications such as De-essing (when used with
    an external equalizer such as the ARX Multi Q or EQ 260).Other features include a
    true Hardwire bypass switch for each channel, and passive RFI filters on the inputs.
    Universal AC Power
    AC power range is a universal 100 to 120V or 220 to 240V AC, and is connected to
    the unit via a removable power lead and standard 3 pin IEC connector, with built-in
    fuse and voltage change switch.
    With its smooth compression, intuitive user friendly layout, high density precision
    circuitry, and extensive user-variable operating parameters, the unique ARX Afterburner
    is equally at home in Studio, Installation, Broadcast and Sound Reinforcement
    environments. It can provide great sounding dynamics control effects that are not
    available with any other device.
     
    T E C H N I C A L  S P E C I F I C A T I O N S
    Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms
    Input Headroom + 22 dB
    CMRR >60 dB, 20 Hz-20 KHz
    Output Impedance Balanced 300 ohms, Unbalanced 150 ohms
    Output Level (Max) + 22 dB
    Frequency Response 20Hz to 20KHz ±0.2dB
    Signal to Noise ratio -93 dB Unweighted, -99 dB 'A' weighted
    Distortion .02% THD @ 0dB,1KHz
    Dynamic Range 115 dB
    Sidechain Insert Impedance 10 Kohm
    Filter Section
    Filter Type Phase corrected 6dB/octave
    Summed Filter Response ±0.2dB through crossover region
    Dividing Frequency 250 Hz
    Enhance Section
    Low Enhance 50 Hz, High Enhance 10 KHz
    Power Requirements 100/120 V AC, 220/240 V AC
    Weight 5 lbs/2.2 Kg
    Dimensions 19“W x 1?“H x 6“D, 482 x 44 x 155mm
    Input/OutputConnector type XLR, Balanced Jack
    Sidechain Insert Connector TRS Jack

    Front Panel Controls
    Hardwire bypass IN/OUT switch
    Threshold, Ratio and Output Gain controls
    Above/Below Threshold LEDs
    12 segment LED Output Level display
    Numbered marker panel for labelling compressor assigns
    7 segment LED Gain Reduction display
    Enhance switch and status LED
    Adaptive Stereo link switch and status LED
    Dual/Single channel mode switch and status LEDs
    Rear Panel Connectors
    Balanced Inputs and Outputs, on both XLR and TRS jack
    connectors. In Single channel (Mono) mode, use Channel
    1 Inputs and Outputs only
    Sidechain Insert TRS connector on each channel
    AC input connector, with voltage switch and fuse.
     

    The DPR-504 is a 4-channel noise gate.

    Each channel features:
    A parametric key filter with key filter listening.
    Simultaneous key level and threshold metering with average and
    peak metering.
    A gate status LED.
    A RELEASE/HOLD control (hold tracks proportionally with release
    times).
    Attack switchable auto/fast (auto tracks signal dynamics for optimum
    setting).
    Link (links two channels together).
    Key source allows external triggers.

    The Range switch selects between 7OdB and 2OdB gating depth to
    provide alternative release profiles.
    The unit features electronically balanced inputs and outputs. 

    GENERAL DATA
    Power Supply 220 / 110V 25 VA
    Dimension 434x351x44mm (1 rack unit)
    Weight » 4 Kg
    MEETING INTERFACE IN / OUT
    Connector DB 9 female
    Nominal in / out audio level 0 dBm
    Input impedance 600 W / 10 KW (selectable)
    Output impedance 100 W
    * nominal line level: - 6 dBm
    ** it can vary depending on characteristics of telephone line
    All measurements are intended at 1 kHz.
    AUDIO PROGRAM IN / OUT
    Connectors XLR, electr. balanced
    Input impedance 600 W / 10K W (selectable)
    Output level * - ¥ ¸ + 16 dBm
    Output impedance 100 W
    Noise on Receive output 2-Wire separation £ 25 dB**
    4-Wire separation £ 70 dB
    2-WIRE SECTION
    Connector RJ11
    Nominal input level - 6 dBm
    Nominal output level - 6 dBm
    Compensation mode Electronic, transf. decoupled
    Impedance 600 W
    4-WIRE SECTION
    Connector Terminal block
    Impedance 600 W
    Nominal TX level 0 dBm
    Nominal RX level 0 dBm

    Weight3.10 kg5.20 kg1.90 kg5.20 kg5.00 kg4.00 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
    Weight 3.10 kg
    Weight 5.20 kg
    Weight 1.90 kg
    Weight 5.20 kg
    Weight 5.00 kg
    Weight 4.00 kg