ALTO ANALOG PARAMETRIC EQUALIZER ALTO-Q

Discontinued

105.93 incl. GR VAT

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General description The Alto Q is a 5-band parametric EQ for precision frequency processing and adjustment. It delivers wide dynamic range at all frequencies, and has High and Low cut filters. Additionally, each band has a switchable bypass and is bandwidth adjustable. 5 band parametric equalizer for precision frequency adjustment If power supply fails, bypass […]

 

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General description The Alto Q is a 5-band parametric EQ for precision frequency processing and adjustment. It delivers wide dynamic range at all frequencies, and has High and Low cut filters. Additionally, each band has a switchable bypass and is bandwidth adjustable.

5 band parametric equalizer for precision frequency adjustment
If power supply fails, bypass function will connect automatically input with output
12 segment input and output LED display
Wide dynamic range at all frequencies
High and low cut filters
Each band is able to switch for input/bypass
Each band is adjustable for bandwidth

Versatile high quality 5 – band parametric EQ with lo – cut & hi – cut filters

  • Wide overlap of frequencies between bands to achieve very precise control over your sound

  • Lo – cut & Hi – cut 12dB / Oct. filters to reduce unwanted sounds and noises

  • Individual In / Out switches for each band to compare equalized and original signals

  • Balanced Inputs / Outputs XLR & 1 / 4″ TRS jacks

  • Dimensions (WxDxH): 483 x 194.1 x 44mm(19″ x 7.6″ x 1.7“)

  • Weight: 2.9kg (6.4 lb)

  • Control range 6dB or 12dB selectable

  • Bypass function

  • Switchable Hi – pass and Low – pass filters.

  • Balanced XLR, 1 / 4″ TRS and RCA input and output connectors

  • Signal clip LED

  • Ground “LIFT” switch to disconnect signal ground from chassis ground

  • Line voltage selectable (115V / 230V)

  • Control Range: +/-6dB or 12dB selectable

  • Inputs and Outputs: XLR, 1 / 4″ TRS and RCA jack

  • Inputs Impedance: 20K ohm (bal) 15K ohm (unbal)

  • Outputs Impedance:

  • High Pass Filter: 40Hz (12dB/oct)

  • Low Pass Filter: 16kHz (12dB/oct)

  • Max. Input Level: +18dBV

  • Max. Output Level: +16dBV

  • THD%: 0.02% (at 1kHz, all slider at center)

  • Frequency Response: 20Hz to 50kHz, 3dB (all slider at center)

  • S / N Ratio: 117dB

  • Power Supply: AC 100V – 120V, 60Hz / AC 200V – 240V, 50Hz

  • Power Consumption: 15 watts (max)

 

Weight 3.00 kg

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Quick Comparison

ALTO ANALOG PARAMETRIC EQUALIZER ALTO-Q removeOMNITRONIC DXO-48E Digital Controller - stereo active crossover 4 inputs - 8 outputs, incl. software removeBEHRINGER FBQ3102HD Ultra-Musical 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System removeRANE ME 15S 2 Channel 2/3 Octave microGraphic EQ removeDRAWMER 1974 - Stereo Parametric Equaliser removeDBX 231S 2X31 BAND GRAPHIC EQUALIZER remove
NameALTO ANALOG PARAMETRIC EQUALIZER ALTO-Q removeOMNITRONIC DXO-48E Digital Controller - stereo active crossover 4 inputs - 8 outputs, incl. software removeBEHRINGER FBQ3102HD Ultra-Musical 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System removeRANE ME 15S 2 Channel 2/3 Octave microGraphic EQ removeDRAWMER 1974 - Stereo Parametric Equaliser removeDBX 231S 2X31 BAND GRAPHIC EQUALIZER remove
ImageDRAWMER 1974 – Stereo Parametric Equaliser
SKUALTO-QDXO-48EE008167ME15SUA31374DBX 231S
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Price 105.93 incl. GR VAT 590.00 incl. GR VAT 196.00 incl. GR VAT599.17 incl. GR VAT949.00 incl. GR VAT 185.00 incl. GR VAT
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Description
  • Flexible routing configurations for all standard mono and stereo output operating modes
  • 4 analog inputs and 8 analog outputs (XLR)
  • Active frequency filter types (Bessel, Butterworth and Linkwitz-Riley) with slopes up to 24 dB/octave split up the audio signal into different frequency bands
  • Incl. software editor (for PC and Mac) for remote control via computer through USB interface: store, transfer, and manage your presets
  • Up to 30 user presets storable in the device via software
Content

General description The Alto Q is a 5-band parametric EQ for precision frequency processing and adjustment. It delivers wide dynamic range at all frequencies, and has High and Low cut filters. Additionally, each band has a switchable bypass and is bandwidth adjustable.

5 band parametric equalizer for precision frequency adjustment
If power supply fails, bypass function will connect automatically input with output
12 segment input and output LED display
Wide dynamic range at all frequencies
High and low cut filters
Each band is able to switch for input/bypass
Each band is adjustable for bandwidth

Versatile high quality 5 - band parametric EQ with lo - cut & hi - cut filters

  • Wide overlap of frequencies between bands to achieve very precise control over your sound
  • Lo - cut & Hi - cut 12dB / Oct. filters to reduce unwanted sounds and noises
  • Individual In / Out switches for each band to compare equalized and original signals
  • Balanced Inputs / Outputs XLR & 1 / 4" TRS jacks
  • Dimensions (WxDxH): 483 x 194.1 x 44mm(19" x 7.6" x 1.7“)
  • Weight: 2.9kg (6.4 lb)
  • Control range 6dB or 12dB selectable
  • Bypass function
  • Switchable Hi - pass and Low - pass filters.
  • Balanced XLR, 1 / 4" TRS and RCA input and output connectors
  • Signal clip LED
  • Ground "LIFT" switch to disconnect signal ground from chassis ground
  • Line voltage selectable (115V / 230V)
  • Control Range: +/-6dB or 12dB selectable
  • Inputs and Outputs: XLR, 1 / 4" TRS and RCA jack
  • Inputs Impedance: 20K ohm (bal) 15K ohm (unbal)
  • Outputs Impedance:
  • High Pass Filter: 40Hz (12dB/oct)
  • Low Pass Filter: 16kHz (12dB/oct)
  • Max. Input Level: +18dBV
  • Max. Output Level: +16dBV
  • THD%: 0.02% (at 1kHz, all slider at center)
  • Frequency Response: 20Hz to 50kHz, 3dB (all slider at center)
  • S / N Ratio: 117dB
  • Power Supply: AC 100V - 120V, 60Hz / AC 200V - 240V, 50Hz
  • Power Consumption: 15 watts (max)

 

Digital stereo active crossover with 4 inputs and 8 outputs, incl. software .

  • Flexible routing configurations for all standard mono and stereo output operating modes
  • 4 analog inputs and 8 analog outputs (XLR)
  • Active frequency filter types (Bessel, Butterworth and Linkwitz-Riley) with slopes up to 24 dB/octave split up the audio signal into different frequency bands
  • Incl. software editor (for PC and Mac) for remote control via computer through USB interface: store, transfer, and manage your presets
  • Up to 30 user presets storable in the device via software
  • 5 menu languages selectable (German, English, French, Spanish, Dutch)
  • Alphanumeric LCD screen with 2 lines of 16 characters each
  • Input sensitivity digitally adjustable
  • Inputs and outputs with 4-digit LED level meter as well as clip and limit LED indicator
  • Mute switch with LED indicator per output
  • 7-band parametric EQ per output
  • Up to 7 ms signal delay adjustable for the outputs
  • Output limiter with adjustable limits and automatic attack and release settings as overload protection for your amplifying system
  • Switchable phase
  • Lock function for prevents undesired changes to settings
  • Rack installation, 1 U
  • Windows XP, Vista, 7, 10 and Mac OS X 10.5.8 and better
  • Digital signal processor
  • The device can be connected via USB to the PC in connection with DXO Software The firmware can be updated via the PC connection
  • (19") 48.3 cm rack installation 1 U
Power supply: 100-240 V AC, 50/60 Hz 6 V DC 800 mA
Power connection: Mains input via Coaxial power connector (M) power supply cord with AC adapter (provided)
Frequency range: 10 - 22000 Hz
THD: <0,005 % at 1 kHz
DSP: Digital signal processor
Crossover frequency: 20-20000 Hz
Impedance: Input 10 kOhm Output 50 Ohm
Gain: Output: -50 dB to +12 dB
Filter: Linkwitz-Riley; Butterworth; Bessel; 6db/oct; 12db/oct; 18db/oct; 24db/oct
Delay: 0 - 7 ms
Dynamic range: Input: 114 dB Output: 110 dB
Sample rate: 48 kHz
Connections: Input: line via 4 x 3-pin XLR Output: line via 8 x 3-pin XLR
Max. level: Input: +22 dBu Output: +9 dBu
USB port: Typ B
PC connect: DXO Software via USB, firmware can be updated
Housing design: (19") 48.3 cm rack installation 1 U
Dimensions: Width: 48,3 cm Depth: 22,3 cm Height: 4,45 cm
Weight: 1,90 kg
 
High-Definition 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System  
  • Professional 31-band stereo graphic equalizer for live and studio applications
  • Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
  • Ultra-low noise 4580 operational amplifiers for highest signal integrity
  • Dedicated mono subwoofer output with adjustable crossover frequency
  • Additional sweepable high and low-cut filters for each channel remove unwanted frequencies, e.g. floor rumble, hiss etc.
  • Highly accurate 12-segment LED input/output metering and input gain controls for easy level setting
  • Relay-controlled hard-bypass with an auto-bypass function during power failure (fail-safe relay)
  • Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
  • “Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
  • 3-Year Warranty Program*
  • Conceived and designed by BEHRINGER Germany

The Rane ME 15S microGraphic Equalizer is a two-channel, 2/3-octave design with 20 mm sliders in a single rack space unit. It features a Range switch for high slider resolution in the ±6 dB mode, equivalent resolution to 45 mm sliders found on the DEQ 60L. The ±12 dB mode provides a wide range of control over system audio.

The active filter sections feature Raneʼs innovative constant-Q (constant bandwidth) design. Constant-Q means the bandwidth of each individual filter is guaranteed to be narrow enough to prevent unwarranted interaction between filters, yet wide enough to produce exactly the type of correction curve demanded by even the most unusual acoustic surroundings. This differs dramatically from conventional designs of the past, encumbered with the unfortunate characteristic of changing bandwidth when changing boost/cut amounts.

Front panel controls and indicators include an overall rotary Level control for each channel as well as Overload indicators. Passive pushbutton Bypass switches feature LED indicators, avoiding ambiguity by being on when the unit is Bypassed. (A passive Bypass switch requires no power to operate. This allows completion of the audio path should power fail in the ME 15S.)

Inputs and Outputs are electronically balanced designs, capable of unbalanced operation when required. They accept and drive all possible signal levels into normal load impedances. Balanced applications choose between the XLR or 1/4" Tip-Ring-Sleeve connectors. Unbalanced sources also may tie to the ME 15S through mono 1/4" connectors (no ring connection).

Features
  • Constant-Q Bandwidth Design
  • Overall Level Controls and Passive Bypass Switches
  • 20 mm Filter Slide Controls with ±6 dB or ±12 dB Slider Range
  • Infrasonic, Ultrasonic, & RFI Filters
  • Balanced XLR and 1/4" TRS Inputs and Outputs
  • Universal internal switching power supply (100-240 VAC)

 

The vintage-style fully stereo 1974 four band Parametric Equaliser provides exceptional analogue musicality and sonic clarity, taking it\'s inspiration from 1970\'s-era gear. It has the ability to perform subtle shaping for mastering purposes that require a delicate touch and easy recall, but is just as capable of tonal sculpting, adding the analogue warmth and character that is near impossible to emulate in the digital domain. Get immersive with the stereo operation, with one set of controls for both channels. The versatile design features dual channel precision stepped potentiometers, providing exceptional accuracy for fast and simple recall. The fully variable bandwidth allows you to control the parametric mid bands, making adjustments as surgically precise or as broad and natural sounding as you could ever require. Fully adjustable low and high cut filters are also included, ideal for tuning out undesirable signals at the frequency extremes. It also features switchable slopes on the low and high bands, allowing you to alter the focus at the top and bottom frequencies plus a low peak setting that magnifies the bottom end. The 1974 is perfect for tonal shaping, staying true to the sound of the 70s and ideal for any musician. Genuine Stereo Operation with Indented and Accurate Potentiometers. The genuine stereo linked operation of the 1974 makes adjustment quick and extremely simple using just one set of controls to alter both channels. Gone is the wasted time spent fiddling about on every control trying to match the settings of the left and right channels with each other. The 1974 uses precision potentiometers, each one being matched for left/right accuracy to within fine tolerances by our trained technicians, so that both channels operate identically, and also have indented operation, providing exceptional accuracy for fast and simple recall. Fully Parametric with Totally Variable Bandwidth. The 1974 is a true \'parametric\' equaliser, with the four bands having fully variable frequency controls and offer cut and boost of +/-12dB\'s. However, unlike EQ\'s with a no bandwidth adjustment, or a simple switch, the two mid bands have completely variable filter bandwidth controls enabling the user to focus in on very narrow sections of the audio spectrum or apply a broad natural sounding filter, or, of course, anything in between the two. This makes the 1974 incredibly versatile and capable of modifying everything from subtly fine tuning mixes to tone sculpting problematic recordings. Variable Low and High Cut Filters. The 1974 also includes fully variable low and high cut filters, ideal for tuning out undesirable signals. The low cut (otherwise known as High Pass Filter) having a range of 10Hz-225Hz and the high cut (otherwise known as Low Pass Filter) 4kHz-32kHz. The beauty of being fully variable is that, unlike fixed frequency filters, it is easy to sweep both controls to find the perfect setting and remove sounds with pinpoint accuracy. This is especially useful when bracketing individual tracks where it will be necessary to cut the bass to remove rumble and top to remove hiss, as these undesirable signals will just add up as the tracks are layered. For instance, cut everything instrument below 100Hz except those within that spectrum, such as the kick, bass or synths etc to provide extra headroom to work and also tighten up the bass making it sound less muddy. And likewise for the high frequencies. Switchable Slope Setting. Very few analogue parametric equalisers have an adjustable slope on the low and high band filters, and is yet another feature of the 1974 that allows you to take control of your audio. The filter slopes of the 1974 have been chosen for their musicality - allowing you to adjust the focus of the audio at the bottom and top ends of your recording but not so harsh as to be a very noticeable brick wall filter. At the bottom end slopes of 6, 9 and 12dB per octave plus a Peak setting are available, and at the high end 6 and 12dB\'s per octave. The Peak setting is quite a unique feature in that it adds a narrow bell shape to the 12dB per octave low band filter at the knee frequency just before it rolls off. Especially useful on kick drums, it magnifies and gives extra weight to the hit whilst still filtering out any subsonic junk and without muddying the lower mid. It\'ll give your kick an added sense of power and precision. Features:
  • Vintage-style four band Parametric Equalisation which takes it\'s inspiration from 1970\'s-era analogue gear.
  • Delivers classic sonic clarity and control at an affordable price.
  • Genuine stereo operation with one set of controls for both channels.
  • Indented and accurate potentiometers, providing precision for quick and simple recall.
  • Variable low and high cut filters allow you to perfectly tune out any undesirable signals.
  • Fully variable bandwidth provides absolute control for the parametric mid bands.
  • Switchable slope plus low peak settings allows you to adjust the focus and magnify the bottom end.
  • True hardware bypass for accurate A/B comparisons.
  • Internal Low Hum Toroidal Linear Power Supply with Voltage Selector Switch.
  • Classic Drawmer Build Quality with Rugged Steel Chassis and Aluminium Front Panel.
  • Designed and manufactured by Drawmer in the UK.
INPUT Connectors: 1/4" TRS, female XLR (pin 2 hot) Type: Electronically balanced/unbalanced, RF filtered Impedance: Balanced 40k ohm, unbalanced 20k ohm Max Input Level: >+21dBu balanced or unbalanced CMRR: >40dB, typically >55dB at 1kHz OUTPUTS Connectors: 1/4" TRS, male XLR (pin 2 hot) Type: Impedance-balanaced/unbalanced, RF filtered Impedance: Balanced 100 ohm, unbalanced 50 ohm Max Output Level: >+21dBu balanced/unbalanced into 2k ohm or greater >+18dBm balanced/unbalanced (into 600 ohm) SYSTEM PERFORMANCE Bandwidth: 20Hz to 20kHz, +0.5/-1dB Frequency Response: 50kHz, +0.5/-3dB Dynamic Range: Typicall >112dB Signal-to-Noise: Typically >95dB THD+Noise:
Weight3.00 kg2.25 kg2.50 kg2.30 kg4.00 kg3.58 kg
DimensionsN/A52.5 × 25 × 8 cmN/AN/AN/AN/A
Additional information
Weight 3.00 kg
Weight 2.25 kg
Dimensions 52.5 × 25 × 8 cm
Weight 2.50 kg
Weight 2.30 kg
Weight 4.00 kg
Weight 3.58 kg