| Content | The MA125 is a very compact, professional PA mixing amplifier for commercial and industrial applications. The MA125 can drive 8 Ohm or constant voltage loudspeakers. The MA125 has 4 microphone inputs with integrated speech filters, 4 selectable line inputs and one emergency line / telephone input. MIC input 1 is meant to be the main microphone paging input. Its signal can be fed via the front jack or via the XLR3, DIN5 or Euroblock connector at the back. When needed, two APart paging microphones (MIC-PAT-D) can be wired in parallel on each microphone input.
The MA125 has a 3-level priority system. The emergency line / telephone input at the back has the highest priority. MIC1 has the second priority level and the third priority level can be activated by a dry contact at the back of the amplifier. This dry contact mutes all background music inputs. It also activates the integrated chime. The level of the chime can be adjusted at the back of the amplifier. Activation of the dry contact, releases a 24V output power? this can be used to switch the relays of loudspeaker attenuators or other devices. When needed the signals mixed via your MA125 mixing amplifier can be recorded or distributed via the record output. Further the MA125 is supplied with detachable 19” brackets.
The MA125 is the device to built professional industrial applications. You can insert an extra EQ (such as the APart PXQ2215) into the signal path or add extra power amps (e.g. PA240P), using the pre-amp out / power amp in RCA connectors. |
Power Output Level: QD4240
8ohm (Quad Ch) 40W
4ohm (Quad Ch) 60W
8ohm bridged mono 120W
Input Sensitivity (8ohm, 1kHz) 0.775Vrms
Input Impedance 20kohm Balanced
Slew Rate (8ohm, Full Swing) ±30V/?sec
Frequency Response (±0.5dB) 20kHz ~ 50kHz
T.H.D. (f=20Hz~20kHz, Half Power) 0.03%
Signal to Noise Ratio 105dB
Damping Factor (8ohm, 1kHz) 100
Rasidual Noise -85dB
Channel Separation (8ohm, 1kHz) 80dB
Voltage Gain (4ohm) 26dB 29dB 32dB
Power Source 100-120VAC or 220-240VAC ; 50/60Hz
(supplied AC mains transformer depends on country requirements)
Power Consumption 300W 420W 770W
Weight 11.5kg/25.3lb 15.5kg/34.2lb 17kg/37.5lb
Dimensions 482(W) x 88(H) x 369(D) mm
/19(W) x 3.5(H) x 14.5(D) in
| Rane Commercial SM26S Six-Channel Rackmountable Splitter/Mixer
Rane Commercial SM 26S Overview
The Rane SM26S is a unique, dual purpose mixer capable of mixing audio signals and distributing audio via any of the 6 outputs. There are 6 balanced mono inputs and outputs complete with gain and pan control. Pan controls place the channel's signal into the stereo field. As a splitter, the Pan controls assign which output channels distribute incoming signal. There is a separate Left and Right stereo input for incoming signals when using the SM26S as a splitter mixer. Also featured are stereo (Left/Right)"Expand" Output for cascading multiple SM26S. There is no maximum limit as to how many SM26S can be linked.
The Rane SM26S is capable of mixing and distributing signals out of 6 mono outputs. There are 6 mono inputs and 6 mono outputs, 2 sets of stereo (L/R) outputs and a set of stereo (L/R) inputs. Both a mixer and audio distributer, the Rane SM26S is flexible and versatile enough for any sound reinforcement application.
The SM26S features balanced 1/4" TRS phone inputs and outputs for maximum gain and lower noise floor.
PAN pots are featured on channels 1-6 and control stereo placement of audio when the SM26S mono inputs are in use. As a splitter, the PAN control may be used to assign which outputs distribute the incoming stereo signal.
The external power supply is effective in reducing noise created by "dirty" AC power and bad grounds.
| Total # Of Inputs |
8 - Active Balanced 1/4 TRS" Phone Inputs:
Mono channels 1-6
Stereo Input (Left/Right) |
| Output |
8 - Active Balanced TRS 1/4" TRS Phone Outputs:
Mono channels 1-6
Mix Output (Left/Right)
Expand Out:
Stereo Output (Left/Right) |
| Monitor/Headphone Out |
No |
| Impedance |
Inputs: 20 kOhms
Outputs: 200 Ohms |
| Gain |
Overall Gain Range - Off to +12 any input to any output |
| THD & Noise |
0.006 limit = .002% +4dBu, 20-20kHz unity gain |
| Frequency Response |
10Hz - 56kHz +0/-3 dB |
| Metering |
No |
| Controls |
Rotary Pots:
Channel Gain (ch 1-6)
Mix/Pan (ch 1-6)
Master Output
Master Input
Power Switch |
| Phantom Power |
No |
| Power |
18-24VAC w/center tap 300mA Max Current |
| Dimensions |
1.75 x 19 x 5.3" (4.4 x 48.3 x 13.5cm) |
| Weight |
9lbs (4.1kg) |
| User's manual [5,41 MB]
LD Systems zone 423 2-Zone-Mixer
The ZONE 423 is a full featured zone mixer with 4 line and 2 microphone channels, that can be assigned to a master and a zone output, as well as inputs for an external emergency announcement system and remote-controlled switching mute. Through versatile connectivity, the compact 2U rack device is the perfect control centre for PA systems in food outlets, clubs, hotels, fitness centres, and is also excellent for presentations and DJs.
In addition to the two balanced microphone inputs with variable Gain and Talkover level,12V-phantom power, and a shared 3-Band-EQ, the ZONE 423 offers Line, Phono-, and Aux-stereo connections in RCA format, a FOH-input with balanced stereo jack plugs as well as a USB and 3.5mm mini jack. The USB-port is used as a stereo input and output and allows the mixer to be used as an external audio interface. The four input channels have individual gain controls with signal and peak value display, 45 mm faders for adjusting the volume and cue buttons.
The master and zone sections each have their own EQ, balanced XLR and unbalanced RCA outputs: the master output via terminal block connectors and the zone output using a mono sum switch, and 100 Hz high-pass filter. The stereo level indication can be set to master or zone, and the maximum output level can be preset for both on the back of the mixer. In addition to an adjustable headphone connection for pre-listening, the ZONE 423 also has a recording output.
- Type: stereo
- Number of Zones: 2 (Master, Zone)
- Installation Height: 2U
- Total Input Channels: 6 (2x Mic, 1x Line/Aux, 2x Line/Phono, 1x Line/FOH)
- Frequency Response: 20 - 40.000 Hz
- Microphone Channels: 2 (with phantom power 12 V)
- Microphone Channel Connections: 6.3 mm stereo jack (balanced), XLR / 6.3 mm jack (Combo)
- Microphone Channel Controls: Gain, On/Off, 1 x EQ Hi, 1 x EQ Low, 1 x Talkover, 1 x Talkover Level
- Microphone Channels Display Elements: On-LED
- Microphone Channels Input Impedance: 4 kOhm
- Microphone Channels Input Sensitivity: 8 mV
- Microphone Channels THD: 0,07 %
- Line Channels: 4 (Input 1: USB/Line, Input 2 + 3: Line/Phono/CD, Input 4: Line/FOH)
- Line Input Connectors: Input 1: 2 x RCA + 3.5 mm stereo jack + USB, input 2 + 3: 4 x RCA, input 4: 4 x RCA + 2 x 6.3 mm jack
- Line Channel Controls: Gain, Source, Cue, Level, Enable FOH
- Line Channel Display Elements: Signal/0 dB-LED, Cue-LED
- Line Channel Input Impedance: 6 Kohm (Phono 60 kOhm)
- Line Channels Input Sensitivity: 1 V (Phono 10 mV)
- Line Channels THD: 0,03 % (Phono 0,05 %)
- input sensitivity AUX/Line (3.5 mm stereo jack): 3 V
- Line Outputs: 3 (Master - Stereo, Zone - Stereo/Mono, Rec - Stereo)
- Output Connectors Master: 2 x XLR (balanced), RCA (2 x), Terminal Block
- Master Controls: Level, EQ HI, EQ Mid, EQ Low, Max. Level
- Master Display Elements: 2 x 10 segment level meter (switchable Master/Zone)
- Master Output Levels: 21 dBu (balanced), 18 dBu (unbalanced)
- Zone Output Connections: 2 x XLR (balanced), RCA (2 x), Terminal Block
- Zone Controls: Level, Source Input 2 - 4/Mix, EQ Hi, EQ Low, Max Level, 100 Hz High Pass, Mono
- Zone Display Elements: 2 x 10 segment level meter (switchable Master/Zone)
- Zone Output Levels: 21 dBu (balanced), 18 dBu (unbalanced)
- Output Connections Rec: 2 x RCA
- Headphone Output: 1
- Headphone Out Port: 6.3 mm jack stereo
- Headphone Output Controls: Cue Volume
- Headphone Output Voltage: 1,2 V 32 Ohm
- Additional Inputs: 2 (Emergency Input, Output Mute)
- Connections Additional Inputs: Terminal Block
- Additional Input Controls: Level Emergency Input
- Input Sensitivity Emergency Input: 5 V
- Additional Controls: power switch
- Operating Voltage: 220 - 250 V AC, 50 Hz
- Power Socket: IEC power socket
- Power Consumption (max.): 22 W
- Fuse: T 500 mAL / 250 V
- Dimensions (W x H x D): 483 x 89 x 210 mm
- Accessories Included: terminal blocks, power cable, operating instructions
|
![]() *6 Input 21 Output Matrix *Allocate BGM Source to Desired Output Zone *Clear LED/LCD Visual Display Shows Status of Each Area/Zone *Interface for Remote Zone Controllers L-500(21 Zones) *Interface for Remote Paging Microphones RM-500(4 No.) *Adoption of RS-422/RS-232 Communication Method Supporting Long Distance *Conveient Connection with 7-Ch Power AMP with Adoption of Lump-sum Output terminal *Power Source: DC 24V *Weight: 4.3kg/9.5Ib *Dimensions(W×H×D): 482×132×380mm/19×5.2×15in
| L1800 600W-600W 4ohm (360W-360W 8ohm)
COMPACT MODERN DESIGN
Compact size (2U-Rack Height) with up to 1200W per channel@2ohms
these amps save valuable rack space without compromising power output.
HIGH CURRENT TOROIDAL TRANSFORMER
A high-current toroidal transformer saves rack space
and minimizes hum and noise.
EXCELLENT SOUND QUALITY
The low T.H.D.(0.05%) and high damping factor (400 or higher)
gives excellent sound quality.
2 STAGE POWER SUPPLY
The high-power units (L1800 and L2400) have a 2-Stage Class-H design
that maximizes their performance.
EQUIPPED WITH 30Hz or 50Hz HPF
All amplifiers are equipped with high-pass filters on each channel to
help maintain sound quality, yet help protect the loudspeakers.
EXTENSIVE PROTECTION CIRCUITS
Extensive protection circuits monitor over voltage/current conditions, overheating,
output shorts, and DC voltage to improve performance and reliability.
CLIP-LIMITER CIRCUITS
Clip-limiters on each channel are provided to help prevent
distortion due to excessive signal levels.
L.E.D FUNCTION DISPLAYS
Power, Clip limiter, Signal, Protection, Mode (Parallel/Stereo/Bridged)
LEDs on the front panel indicate the status of the unit in operation. |
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