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DB25 to 8 x XLR Male. This cable delivers eight channels of analog output from the Apogee AP-8DA
Yamaha card. Also suitable for use with the DA-16 (quantity 2 required for 16 channels), and the Trak2
or AD-8000 8-channel DAC cards. The wiring is the same as the analog output from a Tascam system
such as the DA-88. Alternatives are available from Tascam, Hosa and others. |
- Stereo D/A Converter
- Supports up to 24-Bit/96 kHz Resolution
- Dante-Enabled Ethernet Input
- Balanced Analog XLR Outputs
- Adjustable Output Level
- 3.5mm Stereo Headphone Output
- 14-Gauge Steel Enclosure
- Sync and Power Indicators
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Optional 8-channel D/A card with specifications matching those of the A/D section,
turning the Trak2 into a complete digital audio conversion system with two A/D
channels and up to 8 D/A. |
The DA-16X features a redesigned power supply, standard 192kHz sampling rates,
the C777 clocking technology found in Big Ben, and optional Pro Tools HD and
FireWire expansion cards. And, not only does the X-Series hardware offer unequaled,
groundbreaking technology but it makes it available at a fraction of the cost associated
with previous, premium Apogee gear.
Features:
16 channels of premium 24-bit DA conversion
Sample rates up to 192k
16 channels of AES, ADAT/SMUX Input
Word Clock I/O
Optional HD card for direct connection to ProTools HD
Optional S800 FireWire card capable of sample rates up to 192k, compatible
with OS X/Windows XP and all popular DAW's
All option cards (X-FireWire and X-HD) facilitate connection of multiple units
Direct Digital Synthesis (DDS) using Big Ben's C777 Clock Technology up to 192kHz
Master clock capability
Adaptive Loop Filtering (ALF) for optimum clock performance and minimum jitter
Support for AES double wire and SMUX formats
Intuitive front panel calibration
Word Clock termination switch
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The Tascam LA-40 MKIII has been primarily designed to provide matching capabilities between professional equipment and semi-professional or consumer equipment. It consists of four RCA inputs and outputs (–10 dBV, unbalanced) as well as four XLR inputs and outputs (+4 dBu/–20 dBu, balanced) which enable the user to connect for instance four tracks of a multitrack recorder (ins and outs) to a balanced mixer ensuring optimum level and impedance matching. Also, a switch matrix allows channels to be linked, utilizing the converter as a distribution amplifier for splitting signals to multiple recorders, or for multizone sound routing applications.
Switches on the bottom panel allow to select a nominal level of +4 dBu or –20 dBu for each channel and ±12 dB trim pots on the front panel make perfect level matching easy. LEDs on the front panel indicate signal presence for each channel. The LA-40 MKIII has also ground lift switches for each channel and a combined master switch to avoid ground loops.
Main Features
* 4 channels with unbalanced RCA inputs and balanced XLR outputs
* 4 channels with balanced XLR inputs and unbalanced RCA outputs
* XLR nominal level selectable between +4 dBu and –20 dBu
* Trim pots for each channel on front panel (±12 dB)
* Signal LED for each channel
* Ground lift switches for each channel and master switch
* Distribution amplifier functionality: One mono input signal can be routed to all four output channels, or one stereo input signal can be routed to two channels each (RCA to XLR and XLR to RCA)
* Internal power supply, no AC adapter needed
* 1 U rack-mountable chassis
Specifications
Inputs and outputs (unbalanced to balanced)
Inputs 4 RCA jacks (unbalanced)
Input impedance 23 kOhm (when all INPUT LINK switches are OFF)
5.7 kOhm (when all INPUT LINK switches are ON)
Nominal input level –10 dBV, ±1 dB
Maximum input level +4.8 dBV
Indicator detection level –36 dBV or more (OUTPUT LEVEL switch set to +4 dB or –20 dB)
Outputs 4 XLR-type connectors (balanced, Pin 1 = ground, Pin 2 = hot, Pin 3 = cold)
Output impedance 94 Ohm
Nominal load impedance 10 kOhm
Minimum load impedance 600 Ohm
Nominal output level +4 dBu, ±1 dB (OUTPUT LEVEL switch set to +4 dB)
–20 dBu, ±1 dB (OUTPUT LEVEL switch set to –20 dB)
Maximum output level +23 dBu
Inputs and Outputs (balanced to unbalanced)
Inputs 4 XLR-type connectors (balanced, Pin 1 = ground, Pin 2 = hot, Pin 3 = cold)
Input impedance 54 kOhm (when all INPUT LINK switches are OFF)
13.5 kOhm (when all INPUT LINK switches are ON)
Nominal input level +4 dBu, ±1 dB (INPUT LEVEL switch set to +4 dB)
–20 dBu, ±1 dB (INPUT LEVEL switch set to –20 dB)
Maximum input level +30 dBu (INPUT LEVEL switch set to +4 dB)
+8 dBu (INPUT LEVEL switch set to –20 dB)
Indicator detection level –22 dBV or more (INPUT LEVEL switch set to +4 dB)
–46 dBV or more (INPUT LEVEL switch set to –20 dB)
Outputs 4 RCA jacks (unbalanced)
Output impedance 200 Ohm
Nominal load impedance 10 kOhm
Minimum load impedance 1 kOhm
Nominal output level –10 dBV, ±1 dB
Maximum output level +18 dBV
Audio performance
TRIM range ±12 dB
S/N ratio (at nominal levels) 90 dB(A) (20 kHz LPF)
87 dB(A) (20 Hz HPF and 20 kHz LPF)
Total harmonic distortion
(1 kHz, at nominal levels) 0.005 % or less
Frequency response (at nominal levels) 20 Hz – 100 kHz, ±3 dB
Crosstalk
(1 kHz, nominal levels, 600 Ohm load) –90 dB
Other specifications
Power requirements 100–240 V AC, 50/60 Hz
Power consumption 6 W
Dimensions (W x H x D) 483 mm x 44 mm x 280 mm
Weight 3 kg
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The Apogee AES-8-DIGI-IFC Multi-Channel Digital Cable System is an eight channel AES/EBU* input/output connection designed to interface the Apogee Rosetta 800 to a Digidesign 192's AES/EBU connection via DB-25 multipin connectors on both ends with metal shells for improved grounding and RF rejection. This cable provides 8 channels of AES input and output as per the AES standard. Thumb screws are 2.6mm. |
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