AES, S/PDIF, Optical I/O – Word Clock/Video In – 6 Word Clock Outs Optional X-Video expansion card to provide master video sync generator Realtime format conversion between all digital formats Direct Digital Synthesis (DDS) using Apogee´s C777 Clock Technology up to 192kHz Adaptive Loop Filtering (ALF) to optimize clock performance […]
AES, S/PDIF, Optical I/O – Word Clock/Video In – 6 Word Clock Outs
Optional X-Video expansion card to provide master video sync generator
Realtime format conversion between all digital formats
Direct Digital Synthesis (DDS) using Apogee´s C777 Clock Technology up to 192kHz
Adaptive Loop Filtering (ALF) to optimize clock performance and minimize jitter
Three stage Termination Sensing for each word clock output
INPUTS
2 x AES-EBU on XLR 44.1k-192k single-wide and 88.2 k–192k double-wide.
S/PDIF optical on TOS-LINK 44.1-48k
S/PDIF coaxial on RCA 44.1-192k
ADAT 44.1-48k
ADAT/SMUX II for 88.2-96k
ADAT/SMUX IV for 176.4-192k
Word Clock BNC 44.1 –192k
Video
Optional video sync (X-Video card)
OUTPUTS
2 x AES-EBU on XLR single or double wide 44.1-192k
S/PDIF coaxial 44.1-192k
S/PDIF optical on TOS-LINK 44.1-48k
6 x BNC Word Clock 44.1-192k (of which 2 can output 256fs at low sample rates)
ADAT
SMUX II
SMUX IV
Optional video sync (X-Video card)
SPECS
Sample rates: 44.1/48-88.2-96-176-192 . All +/- 10%
Video: PAL/NTSC/60Hz
“SuperClock” (256fs)
Pull up/down 0.1% and 4% from any sample rate
Apogee´s new Ultra Low Jitter C777 clock
Three stage termination indicator (under/correct/over) on each
Word Clock output:
“SureLock” technology for drop out prevention
4 digit numeric true sample rate indication
Universal power: 15 W 90-250 VAC 50-60 HZ
Connection:
Any interface with these digital I/O connections:
Word clock, ADAT/SMUX, S/PDIF, AES
Operating System:
Mac and Windows
Weight
4.00 kg
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AES, S/PDIF, Optical I/O - Word Clock/Video In - 6 Word Clock Outs
Optional X-Video expansion card to provide master video sync generator
Realtime format conversion between all digital formats
Direct Digital Synthesis (DDS) using Apogee´s C777 Clock Technology up to 192kHz
Adaptive Loop Filtering (ALF) to optimize clock performance and minimize jitter
Three stage Termination Sensing for each word clock output
INPUTS
2 x AES-EBU on XLR 44.1k-192k single-wide and 88.2 k–192k double-wide.
S/PDIF optical on TOS-LINK 44.1-48k
S/PDIF coaxial on RCA 44.1-192k
ADAT 44.1-48k
ADAT/SMUX II for 88.2-96k
ADAT/SMUX IV for 176.4-192k
Word Clock BNC 44.1 –192k
Video
Optional video sync (X-Video card)
OUTPUTS
2 x AES-EBU on XLR single or double wide 44.1-192k
S/PDIF coaxial 44.1-192k
S/PDIF optical on TOS-LINK 44.1-48k
6 x BNC Word Clock 44.1-192k (of which 2 can output 256fs at low sample rates)
ADAT
SMUX II
SMUX IV
Optional video sync (X-Video card)
SPECS
Sample rates: 44.1/48-88.2-96-176-192 . All +/- 10%
Video: PAL/NTSC/60Hz
"SuperClock" (256fs)
Pull up/down 0.1% and 4% from any sample rate
Apogee´s new Ultra Low Jitter C777 clock
Three stage termination indicator (under/correct/over) on each
Word Clock output:
"SureLock" technology for drop out prevention
4 digit numeric true sample rate indication
Universal power: 15 W 90-250 VAC 50-60 HZ
Connection:
Any interface with these digital I/O connections:
Word clock, ADAT/SMUX, S/PDIF, AES
Operating System:
Mac and Windows
WDT 24 is a wireless transmitter in the operating free band ISM 2.4 GHz, which has been designed to work with the wireless receiver WDR 24, creating a digital audio wireless system.
The transmitter WDT 24 can work with one receiver, or with up to 10 receivers WDR 24, covering a distance of more than 30 metres in open places.
Wireless Digital Audio Transmitter System
Operating Band ISM 2.4GHz (free band).
One transmitter WDT 24 paired with one receiver WDR 24, or one transmitter WDT 24 paired with up to ten receivers WDR 24.
GFSK digital modulation/demodulation.
External antenna can help to increase the transmission distance.
Intelligent Frequency Hoping can help to avoid interference effectively and to ensure the channel quality.
Automatic mute in bad channel quality conditions or high error code rate.
Transmission distance higher than 30 meters in open places.
Up to three transmitters WDT 24 in a zone
Balanced XLR and ¼\'\' jack inputs.
Working mode: stereo or mono
Power Supply
AC 9V-500 mA 50/60 Hz
Frequency
2404-2476MHz
Channel
25
Modulation/Demodulation
GFSK
Receive Sensitivity (WDR 24)
-84dBm (min.)
Transmitted Power (WDT 24)
6 dBm
Output Level (WDR 24)
+13dBu (BAL max.)
Input Level (WDT 24)
+5dBu (max.)
Bandwidth
>=1.8 MHz
Frequency Response
20Hz - 20kHz, +3dB / -3dB
S/N
>80 dB
Dynamic Range @ 1 kHz
>90 dB
Crosstalk @ 1kHz
>90 dB
THD
For decades, dbx’s patented Subharmonic Synthesis has rattled foundations enhancing the bass in a variety of professional applications including nightclub and DJ mixing, theatre and film sound, music recording, live music performance and broadcasting. dbx’s Subharmonic Synthesis process actually produces a new, Waveform Modeled bass note, exactly an octave below the bass in the original audio.
The dbx 510 answers the call of audio professionals everywhere delivering Subharmonic Synthesis in the convenient design of a 500 Series module. The 510’s two separate bands of subharmonic synthesis provide the best combination of smoothness and control, while the independent Low Frequency Boost circuit is designed to get the most out of high-performance, low frequency speaker systems. Unlike other attempts at bass synthesis, the dbx process produces musical low frequencies that don’t interfere with mid and high-band information, even when the maximum synthesis and boost are applied. The result is a low-end punch that people really feel!
Put some boom in your room with the dbx 510!
The Symphony I/O Chassis from Apogee provides two I/O Module slots for a variety of digital audio conversion options that form the interface side of the Symphony I/O. Elegant and easy to use, the front panel of Symphony I/O Chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain, output levels ,and select the Audio Interface Mode (AIM).
The rear panel provides access to the two I/O Module slots that are capable of a combined thirty-two channels of input and output. PCI, USB and Ethernet connectivity ensures complete compatibility with popular workstations, while the panel also includes Wordclock I/O connectors and termination, LoopSynch I/O connectors, and a quiet digitally-controlled fan to keep everything running cool.
The Audio Interface Mode (AIM) allows the system to be optimized for the most popular audio workstation environments, including Symphony PCI, Pro Tools HD PCI, USB audio, or to function as a standalone converter. With a two-step adjustment using a single front panel encoder knob, the interface can be easily switched back and forth between the preferred modes.
The optional five I/O Modules allow the user to choose from standard configurations, or customize the following - channel count, analog to digital input, digital to analog output, microphone preamps (requires an analog card) and digital I/O.
Two input/output module slots Ethernet connector USB 2.0 connector Two Symphony PC-32 ports for direct connection to Symphony 64 PCI card and Pro Tools core card Wordclock I/O and LoopSync I/O Wordclock termination switch Sixteen, 10-segment meters Two multi-function encoder knobs OLED GUI provides function selection and function adjustment and Audio Interface Mode (AIM) selection Two 1/4" headphone outputs 7-segment sample rate display Clock source display Meter source display High-performance, temperature controlled fan Connectors 2 x 1/4" TRS phone Headphone
2 x Symphony I/O PC-32 Ports
1 x Ethernet
1 x USB
2 x BNC Wordclock I/O
2 x BNC LoopSync I/O
Headphones THD+N: -105dB @ 19dBu
Dynamic Range: 119dB, A-weighted
Output Impedance: 30Ω
Power Requirements 90~240VAC, 50/60Hz, 150W
System Requirements Mac OS X 10.5.8 and above
Dimensions (WxDxH) 19 x 11.5 x 3.5" (483 x 292 x 89mm)
The Soundweb London BLU-DAN offers Dante audio and BLU link. This means that the BLU-DAN can be used to ‘add’ Dante to one or more BLU link devices.
The BLU-DAN is configurable through HiQnet Audio Architect. A rich palette of logic objects and a "drag and drop" method of configuration provide a simple and familiar design environment.
The BLU-DAN features Dante audio. The BLU-DAN is capable of simultaneously transmitting and receiving up to 64 channels of Dante audio (64 x 64). Primary and Secondary ports are provided for fault tolerance. Control is through a separate Ethernet port.
The BLU-DAN also features BLU link, a low latency, fault tolerant digital audio bus of 256 channels, which uses standard Category 5e cabling giving a distance of 100m between compatible devices. Fiber media converters can be used to increase the distance between devices to over 40km.
A bi-directional locate function allows devices to be identified both from and within HiQnet Audio Architect.
The BLU-DAN and the other members of the Soundweb London family provide the building blocks of the perfectly tailored system solution.
Features
AES67 and Dante Audio with support for Dante Domain Manager
BLU link – 256 Channel, Low Latency, Fault Tolerant Digital Audio Bus
‘Add’ Dante / AES67 to one or more BLU link devices
Clear Front Panel LED Indication
Bi-Directional Locate Functionality
HiQnet Device
Configuration, Control and Monitoring from HiQnet Audio Architect
1RU, Half-Rack Device
AES67 Compatible
EN 54-16 Compliant for life safety applications
*The price is without VAT
WDR 24 is a wireless receiver in the operating free band ISM 2.4 GHz, which has been designed to work with the transmitter WDT 24, creating a digital audio wireless system.
The transmitter WDT 24 can work with one receiver, or with up to 10 receivers WDR 24, covering a distance of more than 30 metres in open places.
Wireless Digital Audio Receiver System
Operating Band ISM 2.4GHz (free band).
One transmitter WDT 24 paired with one receiver WDR 24, or one transmitter WDT 24 paired with up to ten receivers WDR 24.
GFSK digital modulation/demodulation.
External antenna can help to increase the transmission distance.
Intelligent Frequency Hoping can help to avoid interference effectively and to ensure the channel quality.
Automatic mute in bad channel quality conditions or high error code rate.
Transmission distance higher than 30 meters in open places.
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