APOGEE SIOC Electronics Symphony I/O Chassis

1,604.05 incl. GR VAT

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The Symphony I/O Chassis from Apogee provides two I/O Module slots for a variety of digital audio conversion options that form the interface side of the Symphony I/O. Elegant and easy to use, the front panel of Symphony I/O Chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with […]

 

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The Symphony I/O Chassis from Apogee provides two I/O Module slots for a variety of digital audio conversion options that form the interface side of the Symphony I/O. Elegant and easy to use, the front panel of Symphony I/O Chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain, output levels ,and select the Audio Interface Mode (AIM).

The rear panel provides access to the two I/O Module slots that are capable of a combined thirty-two channels of input and output. PCI, USB and Ethernet connectivity ensures complete compatibility with popular workstations, while the panel also includes Wordclock I/O connectors and termination, LoopSynch I/O connectors, and a quiet digitally-controlled fan to keep everything running cool.

The Audio Interface Mode (AIM) allows the system to be optimized for the most popular audio workstation environments, including Symphony PCI, Pro Tools HD PCI, USB audio, or to function as a standalone converter. With a two-step adjustment using a single front panel encoder knob, the interface can be easily switched back and forth between the preferred modes.

The optional five I/O Modules allow the user to choose from standard configurations, or customize the following – channel count, analog to digital input, digital to analog output, microphone preamps (requires an analog card) and digital I/O.

Two input/output module slots Ethernet connector USB 2.0 connector Two Symphony PC-32 ports for direct connection to Symphony 64 PCI card and Pro Tools core card Wordclock I/O and LoopSync I/O Wordclock termination switch Sixteen, 10-segment meters Two multi-function encoder knobs OLED GUI provides function selection and function adjustment and Audio Interface Mode (AIM) selection Two 1/4″ headphone outputs 7-segment sample rate display Clock source display Meter source display High-performance, temperature controlled fan  Connectors     2 x 1/4″ TRS phone Headphone
2 x Symphony I/O PC-32 Ports
1 x Ethernet
1 x USB
2 x BNC Wordclock I/O
2 x BNC LoopSync I/O
Headphones     THD+N: -105dB @ 19dBu
Dynamic Range: 119dB, A-weighted
Output Impedance: 30Ω
Power Requirements     90~240VAC, 50/60Hz, 150W
System Requirements     Mac OS X 10.5.8 and above
Dimensions (WxDxH)     19 x 11.5 x 3.5″ (483 x 292 x 89mm) 

Weight 2.50 kg

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APOGEE SIOC Electronics Symphony I/O Chassis removeBehringer MULTIGATE PRO XR4400 Quad Expander/Gate removeDBX PMC16 Personal monitor controller removeDBX 510 SUBHARMONIC SYNTHESIZER MODULE removeAPOGEE BIG BEN Digital signal generator removeXANTECH VDA51 DIGITAL TO ANALOG CONVERTER remove
NameAPOGEE SIOC Electronics Symphony I/O Chassis removeBehringer MULTIGATE PRO XR4400 Quad Expander/Gate removeDBX PMC16 Personal monitor controller removeDBX 510 SUBHARMONIC SYNTHESIZER MODULE removeAPOGEE BIG BEN Digital signal generator removeXANTECH VDA51 DIGITAL TO ANALOG CONVERTER remove
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SKUSIOCE005394DBX PMC16DBX 510BIG BENVDA51
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Description
Content

The Symphony I/O Chassis from Apogee provides two I/O Module slots for a variety of digital audio conversion options that form the interface side of the Symphony I/O. Elegant and easy to use, the front panel of Symphony I/O Chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain, output levels ,and select the Audio Interface Mode (AIM).

The rear panel provides access to the two I/O Module slots that are capable of a combined thirty-two channels of input and output. PCI, USB and Ethernet connectivity ensures complete compatibility with popular workstations, while the panel also includes Wordclock I/O connectors and termination, LoopSynch I/O connectors, and a quiet digitally-controlled fan to keep everything running cool.

The Audio Interface Mode (AIM) allows the system to be optimized for the most popular audio workstation environments, including Symphony PCI, Pro Tools HD PCI, USB audio, or to function as a standalone converter. With a two-step adjustment using a single front panel encoder knob, the interface can be easily switched back and forth between the preferred modes.

The optional five I/O Modules allow the user to choose from standard configurations, or customize the following - channel count, analog to digital input, digital to analog output, microphone preamps (requires an analog card) and digital I/O.

Two input/output module slots Ethernet connector USB 2.0 connector Two Symphony PC-32 ports for direct connection to Symphony 64 PCI card and Pro Tools core card Wordclock I/O and LoopSync I/O Wordclock termination switch Sixteen, 10-segment meters Two multi-function encoder knobs OLED GUI provides function selection and function adjustment and Audio Interface Mode (AIM) selection Two 1/4" headphone outputs 7-segment sample rate display Clock source display Meter source display High-performance, temperature controlled fan  Connectors     2 x 1/4" TRS phone Headphone
2 x Symphony I/O PC-32 Ports
1 x Ethernet
1 x USB
2 x BNC Wordclock I/O
2 x BNC LoopSync I/O
Headphones     THD+N: -105dB @ 19dBu
Dynamic Range: 119dB, A-weighted
Output Impedance: 30Ω
Power Requirements     90~240VAC, 50/60Hz, 150W
System Requirements     Mac OS X 10.5.8 and above
Dimensions (WxDxH)     19 x 11.5 x 3.5" (483 x 292 x 89mm) 

The MULTIGATE PRO XR4400 provides four frequency-selective expanders/noise gates in a single rack space. Each section comprises an ultra-fast gate, a program dependent expander, a filter section and precision meters indicating both threshold point and gain reduction.

The included side chain parametric filters allow the user to fine-tune control signals so that the gate reacts only when required. The Interactive Attack Control (IAC) circuit analyzes the program material to calculate the attack time of the gate. Separate hold and release controls offer additional flexibility. The XR4400 has a switchable operating mode for the gate and expander. With the MODE function off, the unit works in gate mode using an extremely fast attack time, thus preserving the transient details of the program material. In expander mode, the device analyzes the shape and dynamic contents of the input signal to calculate the control time parameters. The result is that vocals, instruments and complex mix signals can be cleaned up without audible clicks or other detrimental effects.

A couple function on the XR4400 provides a great deal of flexibility to link the expander/gate sections in a master/slave configuration.

Quadruple expander/gateHigh-precision parametric filter for frequency selective operationFully adjustable Ratio control in Expander modeFully adjustable Attenuation control in Gate modeIndependent Hold/Release controls for any envelope shapingFlexLink system for flexible Master/Slave configurationsExtremely low-noise operational amplifiers and high-grade VCA\'sFilter Monitor facility for monitoring the filter sectionHigh-quality detent potentiometers and backlit switchesServo-balanced gold-plated XLR and 1/4" TRS inputs and outputs8-digit LED meters for input level, output level and gain reduction monitoring

Function Four channel expander/gate
Number of Channels 4
Inputs 4 x XLR, 4 x TRS 1/4" phone
Output 4 x XLR, 4 x TRS 1/4" phone
Maximum Input Level +21dBu
Compression Threshold Not applicable
Compression Ratio Not applicable
Attack Time Not applicable
Release Time Not applicable
Gate Threshold 0 to -80dB
Gate Rate Attack: Program dependant
Hold: 0 to 4 sec, variable
Release: 50ms to 4 sec, variable
Maximum Output Level +21dBu
Make-up Gain Not specified by manufacturer
Frequency Response 18HZ to 30kHz
Dynamic Range Not specified by manufacturer
Noise >95dBu, unweighted, 22Hz to 22kHz
Dimensions 1U rack mount, 8 1/2" deep
Specialties Unit will operate at either +4dB or -10 dB

Overview Dial in YOUR mix exactly as YOU want it, in Real Time.

The PMC16 is a 16 channel personal monitor controller which allows the user to create a custom mix from 16 channels of audio. Designed to be used with the dbx TR1616 or any other BLU link compatible device, the PMC16 allows for monitoring with headphones, in-ear monitors, powered monitors, or traditional wedge monitors. Multiple PMC16s can be daisy chained using CAT5e cable allowing each user to receive 16 channels of high-resolution digital audio and create their own personalized mix to suit their monitoring needs. The PMC16 comprises a 16 channel mixer section with full control of levels, panning, effect send levels, muting, and soloing. Onboard Lexicon© reverb provides the finishing touch. The PMC16ʼs output processing section includes: stereo width control, wedge monitor compensation EQ, high and low master EQ, master level control, and dbx limiting. With a Setup Wizard for ease of configuration, full 16 channel level metering, channel grouping, 16 preset locations for future recall of configurations and mixes, and an intuitive yet powerful user interface, PMC16 gives you the power to dial in YOUR mix exactly as YOU want it, in real time.

Recommended for: Portable, Tour.

Features
  • 16 Channel Monitor Mixer with Level, Pan, Mute, Solo, & Reverb Send Control
  • 16 Preset Locations for Mix & Configuration Recall
  • LCD Display with 16 Channel Metering
  • Built-In Lexicon© Reverb
  • dbx PeakStopPlus™ Limiting
  • Global High & Low EQ
  • Global Master Level Control
  • Global Stereo Width Control
  • BLU Link High Bandwidth, Fault Tolerant Digital Audio Bus
  • XLR & 1/4” Stereo or Mono Outputs
  • 1/8” & 1/4” Headphone Outputs
  • Setup Wizard for Easy Configuration
  • Supports 48 kHz & 96 kHz Sampling Rates
  • Channel Linking, Grouping, & Multi-Select Capabilities
  • Supports up to 60 PMC16s on a Single BLU Link Ring
  • Built-In Sturdy Mic Stand Mount
  • USB Port for Firmware Updates

For decades, dbx’s patented Subharmonic Synthesis has rattled foundations enhancing the bass in a variety of professional applications including nightclub and DJ mixing, theatre and film sound, music recording, live music performance and broadcasting. dbx’s Subharmonic Synthesis process actually produces a new, Waveform Modeled bass note, exactly an octave below the bass in the original audio.

The dbx 510 answers the call of audio professionals everywhere delivering Subharmonic Synthesis in the convenient design of a 500 Series module. The 510’s two separate bands of subharmonic synthesis provide the best combination of smoothness and control, while the independent Low Frequency Boost circuit is designed to get the most out of high-performance, low frequency speaker systems. Unlike other attempts at bass synthesis, the dbx process produces musical low frequencies that don’t interfere with mid and high-band information, even when the maximum synthesis and boost are applied. The result is a low-end punch that people really feel!

Put some boom in your room with the dbx 510!

                    AES, S/PDIF, Optical I/O - Word Clock/Video In - 6 Word Clock Outs
                    Optional X-Video expansion card to provide master video sync generator
                    Realtime format conversion between all digital formats
                    Direct Digital Synthesis (DDS) using Apogee´s C777 Clock Technology up to 192kHz
                    Adaptive Loop Filtering (ALF) to optimize clock performance and minimize jitter
                    Three stage Termination Sensing for each word clock output

                
                INPUTS
                    2 x AES-EBU on XLR 44.1k-192k single-wide and 88.2 k–192k double-wide.
                    S/PDIF optical on TOS-LINK 44.1-48k
                    S/PDIF coaxial on RCA 44.1-192k
                    ADAT 44.1-48k
                    ADAT/SMUX II for 88.2-96k
                    ADAT/SMUX IV for 176.4-192k
                    Word Clock BNC 44.1 –192k
                    Video
                    Optional video sync (X-Video card)
                
                OUTPUTS
                    2 x AES-EBU on XLR single or double wide 44.1-192k
                    S/PDIF coaxial 44.1-192k
                    S/PDIF optical on TOS-LINK 44.1-48k
                    6 x BNC Word Clock 44.1-192k (of which 2 can output 256fs at low sample rates)
                    ADAT
                    SMUX II
                    SMUX IV
                    Optional video sync (X-Video card)
                
                SPECS
                    Sample rates: 44.1/48-88.2-96-176-192 . All +/- 10%
                    Video: PAL/NTSC/60Hz
                    "SuperClock" (256fs)
                    Pull up/down 0.1% and 4% from any sample rate
                    Apogee´s new Ultra Low Jitter C777 clock
                    Three stage termination indicator (under/correct/over) on each
                    Word Clock output:
                    "SureLock" technology for drop out prevention
                    4 digit numeric true sample rate indication
                    Universal power: 15 W 90-250 VAC 50-60 HZ

 

 

Connection:

Any interface with these digital I/O connections:
Word clock, ADAT/SMUX, S/PDIF, AES
         
Operating System:

Mac and Windows    

SPECIFICATIONS
Input: Coaxial RCA digital audio, PCM stereo or Dolby Digital
Output: Left and Right RCA analog
Frequency Response: 20Hz to 20kHz, (+/- 0.5 dB)
THD: 0.025%
Power Requirement: Input: 100V~240V AC, Output: 5V DC (use Xantech supplied power supply only)
Dimensions (W x H x D):
Unit: 4-3/4” x 1” x 1-15/16” (119 x 25 x 48 mm)
Single pack carton: 7-1/4” x 3-1/2” x 6-1/2” (185 x 85 x 165 mm)
Weight:
Unit: 0.25 lbs (0.12 kg)
Single pack carton: 0.85 lbs (0.40 kg)

Weight2.50 kg3.20 kg2.00 kg1.00 kg4.00 kg0.40 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.50 kg
Weight 3.20 kg
Weight 2.00 kg
Weight 1.00 kg
Weight 4.00 kg
Weight 0.40 kg