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Apogee Symphony 64 Features:
64 channels of 24-bit/192kHz digital I/O per card
Up to 128 channels of I/O per Mac Pro
Near zero latency performance
Connects directly to Apogee's X-Series and Rosetta Series converters via the X-Symphony option card
Apogee's VBus - virtual routing within a Core Audio application or between multiple applications.
Apogee's SBus - 32 channel, 192kHz digital audio network between two Mac computers
Apogee's Maestro Software for advanced control and routing
Compatibility with any Core Audio application |
The UA-1G is a compact 1 x 1 USB Audio Interface that offers excellent-quality sound via multiple connection options and a simple, user-friendly design.
- Stereo input and output at 24-bit/96kHz audio quality
- High-end A/D and D/A converters for accurate recording and playback
- Large Input Level knob for easy control while recording
- 1/4" jack with Hi-Z option for recording electric guitar or bass
- Electret condenser mic input
- RCA phono type and optical-digital audio I/O
- Headphone output
- USB powered – no AC adapter required
- SONAR LE for music recording, editing, and publishing on PC
- Low-latency ASIO 2.0 (PC); WDM (Windows Vista, Windows XP) and Core Audio (Mac OS X) support
Number of Audio Record/Playback Channels | Record: 1 pair of stereo
Play: 1 pair of stereo
REC SOURCE switch = ANALOG: Full duplex (except for 96 kHz setting)
REC SOURCE switch = DIGITAL: Recording only |
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Signal Processing | PC interface: 24 bits
AD/DA Conversion: 24 bits (linear)
* ADVANCE DRIVER switch = OFF: 16 bits |
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Sampling Frequency | Digital output: 32/44.1/48/96 kHz
Digital input: 32/44.1/48/96 kHz
AD/DA Conversion: 32/44.1/48/96 kHz
* ADVANCE DRIVER switch = OFF: 32/44.1/48 kHz
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Nominal Input Level | Line input jacks: -10 to +4 dBu
Guiter input jakcs: -30 to -16dBu
Mic input jack: -40 to -26 dBu
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Nominal Output Level | Line output jacks: -10 dBu |
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Interface | USB Digital input (Optical mini type)
* The same jack serves as both the Mic Input jack and digital input connector.
Digital output (Optical mini type)
* The same jack serves as both the headphones jack and digital output connector.
* conforms to IEC60958 consumer format. |
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Controllers | ADVANCED DRIVER Switch
Guiter/Mic Switch
INPUT VOLUME knob
PHONES VOLUME Dial
SAMPLE RATE Switch
96kHz MODE Switch
INPUT MONITOR Switch
REC SOURCE Switch |
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Connectors | USB Connector (B type)
Line Input jacks (L, R) (RCA phono type)
Line Output jacks (L, R) (RCA phono type)
Guiter/Mic Input jack: (1/4 inch phone type)
Mic Input jack (Plug-in powered miniature phone type)
Digital Intput connector (Optical mini type)
* The same jack serves as both the headphones jack and digital output connector.
Headphones jack (Stereo miniature phone type)
Digital Output connector (Optical mini type)
* The same jack serves as both the Mic Input jack and digital input connector. |
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Power Supply | Supplied from the computer |
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Current Draw | 200 mA |
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Accessories | Ownerʼs Manual, UA-1G CD-ROM, SONAR LE CD-ROM | Size and Weight |
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The all new 896mk3 FireWire audio interface delivers high-end performance, superb sound, innovative new features and enhanced standard features that remain unique.
The 896mk3 provides eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.
The 896mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
When recording from the mic/guitar inputs, the 896mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.
After programming the on-board mixing in the studio, unplug the 896mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.
The 896mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
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| | | 8 channels of premium 24-bit 192K AD/DA conversion | | | | 4 digitally controlled 75db microphone preamps | | | | 2 fully balanced inserts on mic pre channels | | | | 4 Hi-Z instrument inputs capable of handling high level instruments | | | | 2 individual, controllable and assignable high level headphone outputs | | | | 2, 6 or 8 channel monitor outputs | | | | 8 channels of ADAT I/O | | | | FireWire 400 I/O, compatible with OS X Core Audio (no driver required) | | | | 2 channels of SPDIF I/O | | | | “Soft Limit” for maximum digital input level without overs | | | | “UV22HR” for superior dither of 24 bit resolution down to 16-bit | | | | Advanced, dual-stage "Intelliclock” | | | | Complete integration and control with Appleʼs Logic Pro Software | | | | Compatibility with any CoreAudio software applications | | | | Apogeeʼs Maestro Software for advanced control and routing outside of Logic Pro |
| Portable 10-in/10-out compact, mobile FireWire audio at home or on the road
The FA-101 has the highest specs available to support your most demanding applications. You get 24-bit, 192kHz simultaneous recording and playback in a compact 1U half-rack unit, with all the headroom you need.
Supports up to 24 bit, 192 kHz
Compatible with Mac OS X standard driver
Two independent, on board mic pre-amps
Capable of full duplex recording and playback on 10 independent channels
Bus powered and durable metal construction for mobile applications
Lots of ins and outs to support a wide range of recording and gigging applications
The FA-101 is a feature-packed 10x10 audio interface that can handle a full 10 channels of input/output at 24-bit/96kHz. Record and monitor all 10 channels simultaneously in full duplex. Phenomenal audio power for the studio musician! In addition, the FA-101 offers 6-channel recording and playback at 24-bit/192kHz for performance at DVD-A quality.
* 10x10 24-bit/96kHz audio performance
* 6x6 24-bit/192kHz audio performance
* Firewire bus-powered
* Direct monitoring
* Low-latency driver support
* Native Support in Mac OS X (10.3.4 or later)
* 2x phantom-powered mic preamps
* 8x8 balanced analog I/O
* S/PDIF optical I/O
* MIDI I/O |
Computer Based Recording Packages
Computer-Based Recording Packages For All Players Of Musical Instruments
The AUDIOGRAM Series has been carefully designed to make setting up your computer-based recording environment an absolute breeze. Coming as a complete kit, the AUDIOGRAM6 and AUDIOGRAM3 each bundle together a hardware interface that adds audio inputs and outputs to your computer, software for recording and producing music, and a USB cable for connecting the audio interface. As such, either package will instantly turn your computer into a powerful yet intuitive tool for recording and editing audio from virtually any microphone or audio input device. What's more, setup is as easy as installing the bundled music-production application, CUBASE AI, on your computer and connecting the audio interface using the USB cable provided! You're then ready to connect instruments, microphones, CD players, MP3 players, and even old record or tape players for recording straight into CUBASE AI.
Size/Weight
Dimensions | Width | 170mm (6-3/4“) | Height | 59mm (2-3/8“) | Depth | 192mm (7-5/8“) | Weight | Weight | 770g (1.7 lbs.) |
General Specifications
Sampling Frequency Rate | USB AUDIO 1.1, 16bit/44.1kHz |
Effects
Types | Dynamic | 1-knob Compressor (COMP) x 2 |
Storage and Connectivity
Connectivity | Headphones | Stereo Phone connector x 1 | Microphone | Mic/Hi-Z input x 2 | LINE IN | Phone connector x 4 (L/MONO x 2, R x 2) | LINE OUT | Phone connector x 2 (L, R) | USB TO HOST | USB (TO HOST) |
Power Supply
System Requirements
Windows | PC | Windows-based computer with built-in USB interface Windows-based computer with built-in USB interface | CPU | 1 GHz or better Intel Core / Pentium / Celeron processor 750 MHz or better Intel Core / Pentium / Celeron processor | Support OS | Windows Vista / Windows XP Professional / XP Home Edition | Memory | More than 1 GB More than 128 MB | Macintosh | PC | Macintosh computer with built-in USB interface | CPU | Intel CPU / Macintosh G3 processor 300 MHz or better | Support OS | Mac OS X 10.3.3 or higher | Memory | More than 128 MB |
Accessories Included Accessories | Cable | USB Cable | Others | CUBASE AI DVD, Owners Manual |
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