APOGEE SYMPHONY I/O 2X6 A/D & D/A CONVERTER 2 IN & 6 OUT

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Availability: Available in 1-3 d. Available in 1-3 d. SKU: SYMPHONY I/O 2X6 Category:
Inputs Analog Inputs 2 balanced inputs on 2 female XLR connectors Connect microphones via external mic preamps Connect guitars via DI boxes or external mic preamps Connect keyboards directly to Symphony I/O Digital Inputs AES IN: Stereo input on 1 female XLR connector Optical IN: Supports ADAT, SMUX & S/PDIF ADAT: 8 channels 44.1-48 kHz […]

 

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Inputs Analog Inputs 2 balanced inputs on 2 female XLR connectors Connect microphones via external mic preamps Connect guitars via DI boxes or external mic preamps Connect keyboards directly to Symphony I/O Digital Inputs AES IN: Stereo input on 1 female XLR connector Optical IN: Supports ADAT, SMUX & S/PDIF ADAT: 8 channels 44.1-48 kHz on 1 Toslink connector SMUX: 4 channels 88.2-96 kHz on 1 Toslink connector S/PDIF: 2 channels, up to 96 kHz on 1 Toslink connector S/PDIF Coax IN: 2 channels, up to 192 kHz on 1 RCA connector Outputs Analog Outputs 6 balanced outputs on 1 DSUB 25-pin connector Digital Outputs AES OUT: Stereo output on 1 male XLR connector Optical OUT: Supports ADAT, SMUX & S/PDIF ADAT: 8 channels 44.1-48 kHz on 1 Toslink connector SMUX: 4 channels 88.2-96 kHz on 1 Toslink connector S/PDIF: 2 channels, up to 96 kHz on 1 Toslink connector S/PDIF Coax OUT: 2 channels, up to 192 kHz on 1 RCA connector

Weight 5.00 kg

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APOGEE SYMPHONY I/O 2X6 A/D & D/A CONVERTER 2 IN & 6 OUT removeTASCAM LA-40MKIII 4ch Balanced/Unbalanced Line CONVERTER removeTASCAM DP-32 SD 32-Track Digital Portastudio removeDenon DNRP-WRC Wired Remote for DN-F450/650R removeRME ADI-648 Converter MADI to ADAT removeTASCAM DP-006 Digital Pocketstudio remove
NameAPOGEE SYMPHONY I/O 2X6 A/D & D/A CONVERTER 2 IN & 6 OUT removeTASCAM LA-40MKIII 4ch Balanced/Unbalanced Line CONVERTER removeTASCAM DP-32 SD 32-Track Digital Portastudio removeDenon DNRP-WRC Wired Remote for DN-F450/650R removeRME ADI-648 Converter MADI to ADAT removeTASCAM DP-006 Digital Pocketstudio remove
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SKUSYMPHONY I/O 2X6TA/EM/000001TAEM000555134.037J30RM00009 TAEM000561
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Description
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Inputs Analog Inputs 2 balanced inputs on 2 female XLR connectors Connect microphones via external mic preamps Connect guitars via DI boxes or external mic preamps Connect keyboards directly to Symphony I/O Digital Inputs AES IN: Stereo input on 1 female XLR connector Optical IN: Supports ADAT, SMUX & S/PDIF ADAT: 8 channels 44.1-48 kHz on 1 Toslink connector SMUX: 4 channels 88.2-96 kHz on 1 Toslink connector S/PDIF: 2 channels, up to 96 kHz on 1 Toslink connector S/PDIF Coax IN: 2 channels, up to 192 kHz on 1 RCA connector Outputs Analog Outputs 6 balanced outputs on 1 DSUB 25-pin connector Digital Outputs AES OUT: Stereo output on 1 male XLR connector Optical OUT: Supports ADAT, SMUX & S/PDIF ADAT: 8 channels 44.1-48 kHz on 1 Toslink connector SMUX: 4 channels 88.2-96 kHz on 1 Toslink connector S/PDIF: 2 channels, up to 96 kHz on 1 Toslink connector S/PDIF Coax OUT: 2 channels, up to 192 kHz on 1 RCA connector

The Tascam LA-40 MKIII has been primarily designed to provide matching capabilities between professional equipment and semi-professional or consumer equipment. It consists of four RCA inputs and outputs (–10 dBV, unbalanced) as well as four XLR inputs and outputs (+4 dBu/–20 dBu, balanced) which enable the user to connect for instance four tracks of a multitrack recorder (ins and outs) to a balanced mixer ensuring optimum level and impedance matching. Also, a switch matrix allows channels to be linked, utilizing the converter as a distribution amplifier for splitting signals to multiple recorders, or for multizone sound routing applications.

Switches on the bottom panel allow to select a nominal level of +4 dBu or –20 dBu for each channel and ±12 dB trim pots on the front panel make perfect level matching easy. LEDs on the front panel indicate signal presence for each channel. The LA-40 MKIII has also ground lift switches for each channel and a combined master switch to avoid ground loops.
Main Features

    * 4 channels with unbalanced RCA inputs and balanced XLR outputs
    * 4 channels with balanced XLR inputs and unbalanced RCA outputs
    * XLR nominal level selectable between +4 dBu and –20 dBu
    * Trim pots for each channel on front panel (±12 dB)
    * Signal LED for each channel

    * Ground lift switches for each channel and master switch
    * Distribution amplifier functionality: One mono input signal can be routed to all four output channels, or one stereo input signal can be routed to two channels each (RCA to XLR and XLR to RCA)
    * Internal power supply, no AC adapter needed
    * 1 U rack-mountable chassis

Specifications
Inputs and outputs (unbalanced to balanced)
Inputs         4 RCA jacks (unbalanced)
  Input impedance         23 kOhm (when all INPUT LINK switches are OFF)
5.7 kOhm (when all INPUT LINK switches are ON)
  Nominal input level         –10 dBV, ±1 dB
  Maximum input level         +4.8 dBV
  Indicator detection level         –36 dBV or more (OUTPUT LEVEL switch set to +4 dB or –20 dB)
Outputs         4 XLR-type connectors (balanced, Pin 1 = ground, Pin 2 = hot, Pin 3 = cold)
  Output impedance         94 Ohm
  Nominal load impedance         10 kOhm
  Minimum load impedance         600 Ohm
  Nominal output level         +4 dBu, ±1 dB (OUTPUT LEVEL switch set to +4 dB)
–20 dBu, ±1 dB (OUTPUT LEVEL switch set to –20 dB)
  Maximum output level         +23 dBu
Inputs and Outputs (balanced to unbalanced)
Inputs         4 XLR-type connectors (balanced, Pin 1 = ground, Pin 2 = hot, Pin 3 = cold)
  Input impedance         54 kOhm (when all INPUT LINK switches are OFF)
13.5 kOhm (when all INPUT LINK switches are ON)
  Nominal input level         +4 dBu, ±1 dB (INPUT LEVEL switch set to +4 dB)
–20 dBu, ±1 dB (INPUT LEVEL switch set to –20 dB)
  Maximum input level         +30 dBu (INPUT LEVEL switch set to +4 dB)
+8 dBu (INPUT LEVEL switch set to –20 dB)
  Indicator detection level         –22 dBV or more (INPUT LEVEL switch set to +4 dB)
–46 dBV or more (INPUT LEVEL switch set to –20 dB)
Outputs         4 RCA jacks (unbalanced)
  Output impedance         200 Ohm
  Nominal load impedance         10 kOhm
  Minimum load impedance         1 kOhm
  Nominal output level         –10 dBV, ±1 dB
  Maximum output level         +18 dBV
Audio performance
TRIM range         ±12 dB
S/N ratio (at nominal levels)         90 dB(A) (20 kHz LPF)
87 dB(A) (20 Hz HPF and 20 kHz LPF)
Total harmonic distortion
(1 kHz, at nominal levels)         0.005 % or less
Frequency response (at nominal levels)         20 Hz – 100 kHz, ±3 dB
Crosstalk
(1 kHz, nominal levels, 600 Ohm load)         –90 dB
Other specifications
Power requirements         100–240 V AC, 50/60 Hz
Power consumption         6 W
Dimensions (W x H x D)         483 mm x 44 mm x 280 mm
Weight         3 kg

Add 8 more ADAT optical inputs and outputs to your DM-3200 or DM-4800. Also works with older TASCAM gear such as the DM-24, DS-M71 and SX-1.The DP-32 is a home recording Portastudio with 32 tracks based on solid-state technology. The unit is equipped with colour LCD and channel strip controls to make recording simple so the user can stay creative. Up to eight tracks can be recorded at a time on a standard SD/SDHC memory card through its XLR and 6.3-mm combo jacks. Input processing like compression and limiting, an internal send effect with reverb, delay and chorus, guitar amp simulation and multi-effects for use with the instrument-level input as well as an external effects send are available during recording. For mixdown, the DP-32 offers 20 channel faders and 12 rotary controls for EQ, Pan and effects including reverb and chorus. During the mastering process, the material can be further optimized with EQ, compression and normalization. Once finished, songs can be written to CD with the built-in CD-RW drive or transferred to computer over USB to publish the songs on the Internet, for example. Main Features 32-track digital Portastudio 8 mono tracks, 12 stereo tracks (can also be used as mono tracks) Record up to 8 tracks at once with 44.1/48 kHz and 16/24-bit audio resolution Simultaneous playback of all 32 tracks Virtual tracks for alternate takes and undo Dedicated stereo master track Colour LC display and 12-encoder channel strip for simple operation Built-in 40-channel mixer Mix down your 32 playback tracks with eight input signals to the dedicated stereo master track Use the Bounce function to set tracks free by mixing multiple tracks to a single mono or stereo track Dedicated controls for EQ, pan and effect sends Solid-state recording to SD Card media for better shock resistance and reliability compared to hard drive recording 8 balanced microphone inputs on balanced combo XLR/jack connectors Switchable phantom power for 4 channels each One input switchable to instrument level for direct recording of a guitar or bass Unbalanced stereo output (RCA jacks) Balanced stereo monitor output (6.3-mm TRS jacks) Two unbalanced effect sends (6.3-mm TS jacks) Stereo headphones output (6.3-mm TRS jack) MIDI input and output for MMC, Control Change and MTC output Footswitch input (2.5-mm mini jack) for Tascam RC-3F (optional accessory) Input effects (Limiter, Compressor, Noise suppressor, Exciter) Guitar effects (Amp simulator, Reverb, Compressor, Chorus, Flanger, Phase shifter) Mixdown effects (Reverb, Delay, Stereo chorus) Mastering effect (Single/Multi-band stereo compressor, EQ, Noise shaping) Mark function (up to 99 location marks) Built-in chromatic tuner and metronome CD-RW drive for audio CD creation as well as file import and export USB 2.0 port for data backup/restore and file transfer with a computer Specifications Recording media and file systems Recording media        SD card (512 MB to 2 GB) SDHC card (4–32 GB) File system        SD card (512 MB to 2 GB): FAT16 SDHC card (4–32 GB): FAT32 Analogue audio inputs and outputs MIC/LINE INPUTS A–H, XLR (balanced) Connector        XLR-3-31 (1: GND, 2: HOT, 3: COLD) Input impedance        2.4 kOhm Nominal input level        –14 dBu Maximum input level        +2 dBu MIC/LINE INPUTS A–H, phone jack (balanced) Connector        6.3-mm TRS phone jack Input impedance        >22 kOhm or 1 MOhm (INPUT H, when LINE-GUITAR switch is set to GUITAR) Nominal input level        +4 dBu Maximum input level        +20 dBu STEREO OUT L/R connectors        RCA pin jack Nominal output level        –10 dBV Maximum output level        +6 dBV Output impedance        200 Ohm EFFECT SENDS 1/2 connectors        6.3-mm TS phone jack Nominal output level        –10 dBV Maximum output level        +6 dBV Output impedance        200 Ohm MONITOR OUT L/R connectors        6.3-mm TRS phone jack Nominal output level        –2 dBu Maximum output level        +14 dBu Output impedance        200 Ohm PHONES connector        6.3-mm TRS phone jack Maximum output power        70 mW + 70 mW or more (THD + N 0.1% or less, 32 Ohm load) Other inputs and outputs MIDI input (MIDI IN)        DIN 5 pin Format        Standard MIDI format MIDI output (MIDI OUT)        DIN 5 pin Format        Standard MIDI format USB connector        USB 4-pin mini-B type Format        Mass Storage Class USB 2.0 High Speed REMOTE connector        2.5-mm TRS jack Audio performance Frequency response        20 Hz to 20 kHz, +1/–1 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) Distortion        ≤0.01 % (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) S/N ratio        ≥90 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) Audio performance Frequency response        20 Hz to 20 kHz, +1/–1 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) Distortion        ≤0.01 % (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) S/N ratio        ≥90 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) Operating system requirements Windows        Pentium 300 MHz or faster 128 MB or more memory Macintosh        Power PC, iMac, G3, G4 266 MHz or faster 64 MB or more memory Recommended USB port        USB 2.0 Recommended USB host controller        Intel chipset Supported operating systems        Windows XP, Windows Vista, Windows 7 Mac OS X 10.2 or later Power requirements and other specifications Power supply        AC adaptor (TASCAM PS-1225L) Power consumption        12 W (Phantom power on) Dimensions (Width x Height x Depth, excluding projections)        514 mm x 104 mm x 340 mm Weight        6.2 kg Operating temperature        5–35 °C Design and specifications subject to change without notice.

The DNRP-WRC provides two button record control and visual status indication of a connected Denon® DN-F450R/F650R recorder.

The mouse sized unit, once connecte to the recorder using its integral 5 metre lead, can be placed in a convenient location on a board/ meeting room table to allow the recording of conferences and discussions. Visual indication of recorder status is provided by high brightness red and green indicators located around the RECORD button, which show STOP, PLAY, PLAY PAUSE, PLAY F.FWD, PLAY F.REV, CARD ERROR, RECORD and RECORD PAUSE. The two button control allows the recorder to be placed into record mode, create a new record mark and stop the recording process.

The DNRP-WRC is primarily for the simple control of audio recording in areas where conversations, discussions or conferences are taking place. The unit allows the DNF450R/F650R recorder to be placed out of sight to prevent media tampering or access to all the recorder controls.

  • Simple unobtrusive controller for the recording of audio in board/meeting rooms
  • Easy connection to Denon DN-F450R/F650R recorder serial (RS232) port
  • Provides bright visual indication of STOP, PLAY, PLAY PAUSE, PLAY F.FWD, PLAY F.REV, CARD ERROR, RECORD and RECORD PAUSE
  • RECORD and STOP buttons allow simple control without the need to access the recorder
  • Ergonomic visually pleasing design with internal weight to prevent table slip
  • Ultra low power consumption, no need for additional power adaptor
  • Fully sealed label provides protection against drink spills

 

Input MADI: 1 x BNC, 1 x optical
Output MADI: 1 x BNC, 1 x optical
Input ADAT optical: 8 x TOSLINK, 24-Bit, Bitclock PLL
Output ADAT optical: 8 x TOSLINK, 24-Bit
Input word clock: BNC, Signal Adaptation Circuit (functional from 1.2 Vpp input signal), switchable termination
Output word clock: BNC, low-impedance driver stage, 4 Vpp into 75 Ohms, short-circuit-proof
MIDI input and output: via two 5-pin DIN jacks
Sync sources: MADI, ADAT optical, word clock, internal
Varipitch: by input signal or word clock
Sample rates: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, variable (Sync/word clock)
Sample rate range: MADI: 32 kHz - 96 kHz, word clock: 27 kHz-105 kHz, ADAT: 33 kHz - 57 kHz
Jitter: Internal clock Jitter suppression on external clock: circa 30 dB (2.4 kHz)
Jitter sensitivity: all PLLs operate even at 100 ns Jitter without problems
Power supply: internal switching mode ps, 100 V-240 V AC, 50-60 Hz, 10 Watts
Dimensions: 483 x 44 x 200 mm

6-track Portable Multi-track Recorder CD-Quality Recording (44.1kHz/16-bit) Easy, Intuitive User interface Built-in High-quality Stereo Condenser Microphone Two Mic/Line inputs Compact size and ultra light weight (360g/0.79lb without batteries) Dedicated Level and Pan/Balance controls per track Recording media: SD/SDHC card up to 32GB (2GB SD card included) Recording: 2 tracks simultaneous Playback: 6 tracks simultaneously Power: Four AA batteries or optional AC adapter (PS-P520), optional external battery pack(BP-6AA) Graphic LCD (128 x 64 dots) Chromatic Tuner/Metronome USB 2.0 Connection for Wav File import/export (Stereo and Mono) Undo/Redo (includes Undo history) Tripod socket hole Auto punch in/out Footswitch input Dedicated stereo mix-down track  
Weight5.00 kg3.00 kg6.20 kg2.00 kg1.00 kg2.80 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 5.00 kg
Weight 3.00 kg
Weight 6.20 kg
Weight 2.00 kg
Weight 1.00 kg
Weight 2.80 kg