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With Apogee?s award winning Trak2, you can have everything you need for a high-quality digital session - in one compact single-unit rack space. A superb mic pre; incredible A/D any digital interface you need; Trak2 is the best sounding, most flexible digital interface available...anywhere.
A superb mic preamp... At the front of the Trak2 is a discrete microphone preamplifier which stacks up favorably against the best-known mic pres available. Accessible via rear panel XLRs or the front-panel universal XLR/TRS connectors, the sound of this preamp will have you wanting to use it on every session, analog or digital. The preamp also accepts hi-Z instrument inputs at the front panel, for maximum versatility. Just plug an input into the front panel and it?s selected automatically. An insert point is included to provide an analog output or to allow the insertion of analog processors into the Trak2 signal path.
...An incredible A/D From the analog stage, the signal passes to the very latest in A/D conversion technology from Apogee?s award-winning engineering design team. The 2-channel, 24-bit A/D operates at 44.1, 48, 88.2 and 96 kHz with a dynamic range in excess of 117 dB and an overall level of quality exceeding that of systems costing several times the price. The A/D also includes Apogee?s renowned Soft Limit process, which maximizes recording level without overs; and the return of Apogee?s unique Soft Saturate system, which simulates analog tape compression. Either feature can be switched in and out on one or both channels.
Maximum Interface Versatility Two Apogee Multimedia Bus (AMBus) slots are provided in addition to the built-in AES-S/PDIF output, enabling the Trak2 to connect to a wide variety of industry standard interfaces including Digidesign?s Pro Tools, ADAT, TDIF, SDIF-II, SSL HiWay, and others, with new cards being added all the time. Many cards support Apogee Bit-Splitting, which enables you to use standard 44.1/48, 16-bit recorders to store 20-, 24-bit, and even 96 kHz signals. The Trak2 features the latest version of the Apogee Ultra-Low Jitter Clock, used to lock the unit to incoming digital or video signals and virtually remove jitter. Also included is the latest incarnation of Apogee?s industry-standard UV22 system for digital word-length reduction, UV22 HR (High Resolution), which takes a high-resolution digital signal and reduces the word-length to 16 or 20 bits for CD or DVD-V mastering and Internet applications while maintaining 24-bit detail.
Add a D/A The Trak2 includes a special slot for an optional 2-channel or 8-channel D/A card with specifications matching those of the A/D section, turning the Trak2 into a complete digital audio conversion system with two A/D channels and up to 8 D/A. Hear the Apogee Difference You?ve never encountered anything like the Trak2 from Apogee Digital. With the sweetest-sounding mic preamp you?ve ever heard, superb 24-bit, 96kHz A/D and optional D/A conversion, interfacing with almost any digital system including a direct connection to Pro Tools... the possibilities are endless. Try the Trak2 at your authorized dealer today... and hear The Apogee Difference.
- Superb two-channel microphone preamplifier with ±90dB gain, phantom power, front-panel universal input socket, high-impedance direct instrument input, analog out ...and an incredible sound. - Two channels of Apogee?s true 24-bit, 96 kHz A/D conversion with 117 dB dynamic range. - Full 8-channel digital architecture including 8-channel format conversion and routing. - AES/EBU and S/PDIF out plus two AMBus card slots to interface with Pro Tools, ADAT, TDIF, SDIF-II, etc. - Apogee ¨Soft Limit¨ helps you record at a higher level without overs; Soft Saturate? gives you the sound of analog tape compression! - Apogee?s enhanced UV22HR? translates 24-bit signals to 20 or 16 bits while maintaining high-resolution detail. INPUTS: * 2 Mic Preamp inputs via front panel Combi connectors or rear panel XLR connectors * 2 analog line inputs/insert returns OUTPUTS: * 2 analog line outputs/insert sends * AES/EBU S/PDIF output |
A/D converter card for ISA 428. Technical Info: THD+N: -110 dB (A-weighted) with -4dBfs input signal at .997kHz Crystal oscillator accuracy: +/- 15 ppm Clock Jitter 44.1kHz-192kHz: |
The DA-16X features a redesigned power supply, standard 192kHz sampling rates,
the C777 clocking technology found in Big Ben, and optional Pro Tools HD and
FireWire expansion cards. And, not only does the X-Series hardware offer unequaled,
groundbreaking technology but it makes it available at a fraction of the cost associated
with previous, premium Apogee gear.
Features:
16 channels of premium 24-bit DA conversion
Sample rates up to 192k
16 channels of AES, ADAT/SMUX Input
Word Clock I/O
Optional HD card for direct connection to ProTools HD
Optional S800 FireWire card capable of sample rates up to 192k, compatible
with OS X/Windows XP and all popular DAW's
All option cards (X-FireWire and X-HD) facilitate connection of multiple units
Direct Digital Synthesis (DDS) using Big Ben's C777 Clock Technology up to 192kHz
Master clock capability
Adaptive Loop Filtering (ALF) for optimum clock performance and minimum jitter
Support for AES double wire and SMUX formats
Intuitive front panel calibration
Word Clock termination switch
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The new Fostex HP-A3 is the perfect DAC for Computer Audio. This high quality unit features 32bit D/A Conversion with an integrated headphone amplifier exclusively designed to get the most from and PC audio set-up.
Why settle for 'built-in' D/A conversion when you can drastically improve the quality of your audio with a Fostex HP-A3?
32bit D/A Converter USB Bus power without using unwanted AC adapterWorks with up to 24bit/96kHz audio sourceHigh quality analog headphone amp to drive any type of headphonesEquipped with high-grade AKM 32bit DAC AK4390 - USB Bus power without using unwanted AC adapter
- Works with up to 24bit/96kHz audio source
- Exclusive PLL power supply is built in to reproduce the stable electrical supply
- High quality analog headphone amp to drive any type of headphones
- Equipped with hgih-grade AKM 32bit(*) DAC AK4390
- Condensers and OP amp designed exclusively for audio products
- USB / Digital (Optical) input selector
- Headphones / RCA (Analog) output selector
- Doubles as D/D converter from USB digital audio to Optical
- An USB/AC adapter from the shelf can be used for use as an Optical / Analog converter
Note: When using the USB input, the sampling frequency is fixed at 96kHz. Audio file with Fs 32k/44.1k/48kHz will be reproduced by upsampling to 96kHz and the S/PDIF Out is also fixed at 96kHz.
Input
USB port sampling frequency 16bit-24bit/96kHz
Interface: USB full speed
Digital Connector: optical, square
Format: S/PDIF (32kHz - 96kHz)
Output
Phones Connector: Stereo phone
Max Output: 100mW (32-ohm loaded)
THD: less than 0.01% at 1kHz, 32-ohm loaded, 100mW
Frequency response: 20Hz / 20kHz +-0.3dB (32ohm loaded, 100mW)
Analog Connector: RCA Pin
Reference output level -10dBV
THD: less than 0.01% at 1kHz
Frequency response: 20Hz / 20kHz +-0.3dB
Digital Connector: Optical, square
Format S/PDIF (32kHz - 96kHz)
General
Power: DC5V (via USB port)
Power Consumption: 2.5W
Accessories: 1 x USB cable (1.0m), 4 x rubber foot, manual
Dimensions: 108mm(W) x 36mm(H) x 140mm(D)
Weight: approx. 450g
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The Tascam LA-40 MKIII has been primarily designed to provide matching capabilities between professional equipment and semi-professional or consumer equipment. It consists of four RCA inputs and outputs (–10 dBV, unbalanced) as well as four XLR inputs and outputs (+4 dBu/–20 dBu, balanced) which enable the user to connect for instance four tracks of a multitrack recorder (ins and outs) to a balanced mixer ensuring optimum level and impedance matching. Also, a switch matrix allows channels to be linked, utilizing the converter as a distribution amplifier for splitting signals to multiple recorders, or for multizone sound routing applications.
Switches on the bottom panel allow to select a nominal level of +4 dBu or –20 dBu for each channel and ±12 dB trim pots on the front panel make perfect level matching easy. LEDs on the front panel indicate signal presence for each channel. The LA-40 MKIII has also ground lift switches for each channel and a combined master switch to avoid ground loops.
Main Features
* 4 channels with unbalanced RCA inputs and balanced XLR outputs
* 4 channels with balanced XLR inputs and unbalanced RCA outputs
* XLR nominal level selectable between +4 dBu and –20 dBu
* Trim pots for each channel on front panel (±12 dB)
* Signal LED for each channel
* Ground lift switches for each channel and master switch
* Distribution amplifier functionality: One mono input signal can be routed to all four output channels, or one stereo input signal can be routed to two channels each (RCA to XLR and XLR to RCA)
* Internal power supply, no AC adapter needed
* 1 U rack-mountable chassis
Specifications
Inputs and outputs (unbalanced to balanced)
Inputs 4 RCA jacks (unbalanced)
Input impedance 23 kOhm (when all INPUT LINK switches are OFF)
5.7 kOhm (when all INPUT LINK switches are ON)
Nominal input level –10 dBV, ±1 dB
Maximum input level +4.8 dBV
Indicator detection level –36 dBV or more (OUTPUT LEVEL switch set to +4 dB or –20 dB)
Outputs 4 XLR-type connectors (balanced, Pin 1 = ground, Pin 2 = hot, Pin 3 = cold)
Output impedance 94 Ohm
Nominal load impedance 10 kOhm
Minimum load impedance 600 Ohm
Nominal output level +4 dBu, ±1 dB (OUTPUT LEVEL switch set to +4 dB)
–20 dBu, ±1 dB (OUTPUT LEVEL switch set to –20 dB)
Maximum output level +23 dBu
Inputs and Outputs (balanced to unbalanced)
Inputs 4 XLR-type connectors (balanced, Pin 1 = ground, Pin 2 = hot, Pin 3 = cold)
Input impedance 54 kOhm (when all INPUT LINK switches are OFF)
13.5 kOhm (when all INPUT LINK switches are ON)
Nominal input level +4 dBu, ±1 dB (INPUT LEVEL switch set to +4 dB)
–20 dBu, ±1 dB (INPUT LEVEL switch set to –20 dB)
Maximum input level +30 dBu (INPUT LEVEL switch set to +4 dB)
+8 dBu (INPUT LEVEL switch set to –20 dB)
Indicator detection level –22 dBV or more (INPUT LEVEL switch set to +4 dB)
–46 dBV or more (INPUT LEVEL switch set to –20 dB)
Outputs 4 RCA jacks (unbalanced)
Output impedance 200 Ohm
Nominal load impedance 10 kOhm
Minimum load impedance 1 kOhm
Nominal output level –10 dBV, ±1 dB
Maximum output level +18 dBV
Audio performance
TRIM range ±12 dB
S/N ratio (at nominal levels) 90 dB(A) (20 kHz LPF)
87 dB(A) (20 Hz HPF and 20 kHz LPF)
Total harmonic distortion
(1 kHz, at nominal levels) 0.005 % or less
Frequency response (at nominal levels) 20 Hz – 100 kHz, ±3 dB
Crosstalk
(1 kHz, nominal levels, 600 Ohm load) –90 dB
Other specifications
Power requirements 100–240 V AC, 50/60 Hz
Power consumption 6 W
Dimensions (W x H x D) 483 mm x 44 mm x 280 mm
Weight 3 kg
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Inputs Analog Inputs 2 balanced inputs on 2 female XLR connectors Connect microphones via external mic preamps Connect guitars via DI boxes or external mic preamps Connect keyboards directly to Symphony I/O Digital Inputs AES IN: Stereo input on 1 female XLR connector Optical IN: Supports ADAT, SMUX & S/PDIF ADAT: 8 channels 44.1-48 kHz on 1 Toslink connector SMUX: 4 channels 88.2-96 kHz on 1 Toslink connector S/PDIF: 2 channels, up to 96 kHz on 1 Toslink connector S/PDIF Coax IN: 2 channels, up to 192 kHz on 1 RCA connector Outputs Analog Outputs 6 balanced outputs on 1 DSUB 25-pin connector Digital Outputs AES OUT: Stereo output on 1 male XLR connector Optical OUT: Supports ADAT, SMUX & S/PDIF ADAT: 8 channels 44.1-48 kHz on 1 Toslink connector SMUX: 4 channels 88.2-96 kHz on 1 Toslink connector S/PDIF: 2 channels, up to 96 kHz on 1 Toslink connector S/PDIF Coax OUT: 2 channels, up to 192 kHz on 1 RCA connector |
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