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Arturia MicroBrute Analog Synthesizer Features:
- 100% analog signal path, amazing flexibility, incredibly affordable!
- Limited Edition graphics based on Michelangelo's "The Creation of Adam“
- 3-waveform voltage-controlled oscillator with Saw, Triangle and Square waves
- Waveshapers modify and animate your sounds, for a broad palette of sonic possibilities
- Overtone generator delivers additional harmonics, from one octave down to a fifth up
- Oscillator waveshapers: Ultrasaw, Pulse Width, Metalizer
- Steiner-Parker filter gives the MicroBrute a unique sound
- Arturia's infamous Brute Factor lets you dial in dangerous distortion
- Step Sequencer is a source of fresh ideas and endless inspiration
- Modulation Matrix gives you semi-modular flexibility
- 25 mini-key velocity-sensitive keybed
- Type: Synthesizer
- Analog/Digital: Analog
- Number of Keys: 25
- Type of Keys: Mini
- Other Controllers: Pitchbend, Mod wheel
- Polyphony: Monophonic
- Oscillators: 1 x Analog Oscillator (triangle, sawtooth, squarewave)
- Effects Types: Metalizer, Ultrasaw, Pulse Width Modulation
- Filter: Steiner-Parker 2-pole multimode filter
- LFO: 1 x LFO (sine, sawtooth, square)
- Sequencer: 64-step Sequencer, 8 memories
- Audio Inputs: 1 x 1/4" (audio in)
- Audio Outputs: 1 x 1/4" (line out)
- Headphones: 1 x 1/8"
- USB: 1 x Type B
- MIDI I/O: In/USB
- Other I/O: Gate out, Gate in, Pitch out
- Software: MicroBrute Editor, MicroBrute Connection Software
- Power Supply: 12V DC 1A power supply
- Height: 2.36"
- Width: 12.8"
- Depth: 8.7"
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The ARP Odyssey has been downsized to 86% of the original ARP Odyssey. Carefully selected parts are used in the familiar slider section, providing an operating feel that's even smoother than the original. The keyboard uses a 37-note slim keyboard that features lighter weight and excellent playability. While making the instrument more compact and easier to use, we have also paid attention to ensuring that the mini-keyboard is uncompromisingly "playable." Although the keyboard has 37 keys, the transpose function lets it cover a broad range of seven octaves.
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Synthesizer workstation with 61 dynamic keys with aftertouch, Vast sounds composition method, sampler 128ΜΒ, compatible with AKAI - ROLAND - WAV -ENSONIQ - AIFF samples, 192 generators, KDFX professional digital multieffect unit, KB3 organ, 32 channels sequencer, arpeggiator, compatible with GM, smart media slot, pitch-bend & modulation wheels, midi in/out.
| K2661 Features | | Keyboard: | 61-note unweighted synth-style keyboard with monophonic aftertouch | | Display: | 64 x 240 fluorescent backlit display with brightness and contrast controls. | | Physical Controllers: | (8) sliders, (1) Pitch Wheel, (1) Mod Wheel, (2) buttons, (4) Foot Swicth Pedal inputs, (2) CC Pedal inputs, (1) Ribbon Controller input - all assignable | | Polyphony: | 48 sample-playback voices (192 total oscillators). | | Multitimbral parts: | 16 MIDI channels (each can be a 32 layer deep program) | | General MIDI Compatability: | Built in GM-1 sound set | | Architecture: | V.A.S.T. - Variable Architecture Synthesis Technology with 60 DSP functions | | ROM Programs: | Over 600 plus thousands on SmartMedia and CDROM (both included) | | Sound ROM: | 32 MB base ROM expandable to 48Mb | | Sample RAM: | Up to 128 MB via 1 non-composite 72 pin SIMM. | | Sequence/Program RAM: | 1.5 MB user-programmable battery-backed RAM. Equivalent to over 360,000 sequencer events. | | Sequencer: | Full-function 768 ppq sequencer with 16 song and 16 arrangement tracks. Offers pattern, linear, loop and step recording, cut/copy/paste, advanced 'groove' quantizing, event list editing and other powerful track editing tools. Sequences can be also triggered in real time from the keyboard. | | KDFX: | Powerful, flexible 5-stereo bus, 24-bit digital effects engine offering a wide range of time, frequency and dynamic based effects as well as effects chaining. | | Triple Modular Processing: | Offers 126 sound shaping algorithms and in-series processing of VAST layers. | | KB3 Drawbar Mode: | Allows blending of nine harmonics per voice in real-time (full polyphony maintained at all times). KB3 Mode allows realistic tone wheel organ emulations and innovative, dynamic new timbres. | | Live Mode: | Process any incoming signal via the digital or optional analog inputs with powerful V.A.S.T. synthesis functions and built in KDFX capabilities. | | Arpeggiator: | Fully programmable arpeggiator featuring 7 different modes of operation and a host of features including the ability to sync to MIDI Beat Clock. | | Waveform Editing: | Full functional graphic sample editor with a host of sample editing tools (Sampling Option NOT required) | | Sample Processing: | Non-real-time DSP functions include time compression/expansion, pitch shifting, re-sampling, pasting samples on beats-per-minute timeline (Mix Beat), volume ramps, mix sample, and many other functions. Sample Processing DSP does not require the sampling option to be installed. | | File Compatibility: | Reads/writes Standard MIDI Files, AIFF and WAVE files. ISO 9660 Compatible. Reads libraries in Roland 700 series, Akai S1000, S1100, and S3000, and Ensoniq EPS, and ASR file formats. | | AFMS File System: | User-friendly cataloging and retrieval of individual objects. Powerful utilities including: file search, info about media/available space, disk macros, startup file applications, and more. | | Analog I/O: | 4 balanced audio outs with 24-bit converters plus mix stereo pair (can also be used as unbalanced). Stereo headphone out. | | Digital I/O: | 8 channels of 24-bit ADAT input and output (or 2 channles of AES/EBU or S/PDIF output) | | FREE OS Updates: | User-installed upgrades via SmartMedia card or SCSI. Software available for download from this web site. DOS compatibility required. | | K2661 Specifications | | Height: | (4.30“) (11.00 cm) | | Depth: | (14.18“) (36.00 cm) | | Length: | (39.40“) (100.18 cm) | | Weight: | (32.00 lb.) (14.50 kg) | | Power: | Internal, user-switchable international AC power supply |
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Bass Station II is an analogue mono-synth based on the classic original Bass Station but re-worked for the 21st century. It has two filters, two oscillators plus a third sub-oscillator, patch save and a fully analogue effects section. Add a step sequencer, arpeggiator, full sized keys and a powerful modulation section and you have the makings of a synth that is built for bass, but capable of so much more.
Specifications Synth engine Oscillators - Osc 1
- Osc 2
- Sub Osc (3)
- Noise generator
Osc 1 & 2
Select between waveforms:
- sine
- triangle
- sawtooth
- square/variable pulse width
Features
- Sync 1 & 2
- Detune
- Octave range
- Pitch bend
- Pitch modulation from Mod Envelope and/or LFO 1
- Pulse width modulation from Mod Envelope and/or LFO 2
Sub Osc (3) which is tracked to Osc 1
Select independently between waveforms:
Features
- All modulation and tuning tracked to Osc 1
- Independent octave select
Mixer - Osc 1 level
- Osc 2 level
- Sub Osc level
- Noise generator level
- Ring modulation depth
- External signal level
Filter
Two filter types
- Acid type (diode ladder filter design)
- Classic type (derived from original Bass Station)
Features
- Cutoff
- Resonance
- Overdrive
- Filter frequency to Mod Envelope depth
- Filter frequency to LFO 2 depth
Select 'Classic' filter between:
- Low pass
- Band pass
- High pass
- 12dB slope
- 24dB slope
Envelopes
Two ADSR Envelopes (Attack/Decay/Sustain/Release)
- Amp Envelope
- Mod Envelope
- Combined control of both Envelopes
Select triggering mode between:
- Single trigger (holds envelope state when new note is played)
- Multi trigger (re-triggers with every new note played)
- Autoglide (engages portamento)
There is also a VCA limiter
LFO
Two LFOs each selectable between:
- Triangle
- Sawtooth
- Square
- Sample and hold
- Both LFOs independently adjustable between rate and delay time
- Key sync LFO 1 & 2
- LFO slew on LFO 1& 2 (low pass filter on the LFO waveform)
Effects - Distortion send
- Oscillator filter mod amount (FM effect created by Oscillator 2 modulating filter freq)
Step Sequencer/Arpeggiator
Arpeggiator
- Up to 32 different patterns
- Select between 1-4 octave range
- Swing function
- Select direction:
- up
- down
- up / down 1
- up / down 2
- As played
- Random
- Latch (hold the arpeggiator)
Step Sequencer
- Up to four sequences
- Assign one of 32 preset rhythms or create your own
- insert rests or legato (slide)
- Sequencer re-trigger function
Portamento - Adjust glide time
- Single trigger or re-trigger modes
- Integrate into step sequencer and arpeggiator
Hardware & controller assignment - 25 note synth-action keyboard
- Aftertouch can be assigned to modulate:
- Filter frequency
- LFO 1to Osc pitch
- Osc 2 speed
- Pitch wheel
- Modulation wheel can be assigned to:
- LFO 2 to filter frequency
- LFO 1 to Osc pitch
- Osc 2 pitch
- Octave up/ down buttons
- 64 factory presets
- 64 slots for user patches (and patch dump facility for storing more)
- Master volume dial
Inputs and Outputs - USB MIDI (for connecting & powering Bass Station II via host computer)
- Mono output on 1/4" TRS jack
- Headphone output on 1/4" TRS jack
- External input on 1/4" TRS jack
- Sustain pedal input on 1/4" TS jack
- MIDI IN / MIDI OUT ports on 5 pin din
- DC power input
- Switch between power off / DC powered / bus powered
Dimensions - 18" wide x 10.75" deep x 3" tall
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The Korg PaAS Optional Speaker System for Pa3X is an optional speaker system for the Pa3X series keyboards. The speaker mounts on top of the keyboard, and uses Korg's proprietary Easy Connect System for a cable-free connection. Use the PaAS speaker system to deliver hi-fidelity audio at home or for monitoring applications on stage. | Not only on the outside did he gain weight, also his inner qualities have seen a remarkable step-up: besides the virtual-analog synthesis and the classic wavetables it now sports a whopping 60 megabytes of sample memory.
Just imagine to add a vocal-like noise spectrum to a typical Wavetable pad, spice-up a virtual-analog solo sound with a strong attack sample or just process any other sample with the countless oscillator and filter modulations.
Play your sound creations on the high-quality keyboard with velocity and aftertouch. Pitchbend and modulation wheel are at your disposal and, as a matter of course, you can connect a sustain pedal.
All this is packaged in a sleek metal enclosure with a big graphic display, endless stainless steel rotaries and an internal power supply.
And although it comes for an unbeatable price tag, we add something very special. It comes:
From Waldorf with Love!
Features:
- 60 Megabyte sample memory
- Class compliant USB MIDI for PC,Mac and Linux
- 16 part multimode
- maximum 25 voices polyphony
- highest quality standard keybed with 49 weighted keys and aftertouch
- Internal power supply
- Pitchbend and modulation wheel
- Virtual analog, wavetable, and sample based oscillators
- MIDI in/out
- Sturdy metal case
- Stainless steel rotary encoders
- Backlit 128x64 pixel LCD
- Over 1000 sounds
- 3 oscillators, 2 filters per voice
- Selectable drive curves
- Frequency modulation for oscillators and filters
- Three LFO, four envelopes per voice
- Extensive modulation capabilities
- Complex arpeggiator
- Powerful effects section
- weight: apprx 8,-- kgs
- weight in carton: apprx 9,5 kgs
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