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The APM series are digital paging microphones equipped with a condenser microphone with cardiologic characteristics, mounted on a 30 cm long gooseneck. By means of a built-in compressor / limiter, the output level of the microphone signal is constantly maintained. The status of the reproduced signal is indicated on the front panel, to ensure the speaker that the message is clear and audible in all situations. Each console has 3 standard buttons (except the APM01 which has only PTT) with pre assigned functions: PTT (Push To Talk), Select all and Clear. All other buttons can be freely programmed, using the free APM configuration software. | Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence.
The Beta 57A maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. A completely new grille design lets you take better advantage of proximity effect. The Beta 57A is an exceptionally versatile microphone. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.
- Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound
- Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
- Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse
- Neodymium magnet for high signal-to-noise ratio output
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Frequency response: 50 to 16,000 Hz
Suggested Applications
Guitar Amp
Bass Amp
Acoustic Guitar
Brass/Saxophone
Snare Drums
Rack/Floor Toms
Congas
Woodwinds
Lead Vocals |
Professional table microphone, high sensitivity condenser microphone capsule, flexible gooseneck, illuminated ring to indicate operating condition, and on/off switch.
Perfect for all PA applications, such as conference and paging. It can be powered by battery or as by Phantom power. The base is equipped with 8 meters of cable XLRF-XLRM and XLRF-mono jack adapter.
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KSM44A Multi-Pattern Dual Diaphragm Microphone
Premium microphone with three polar pattern options (cardioid, omnidirectional, bidirectional).
Features - Prethos® Advanced Preamplifier Technology: Class A, discrete, transformerless preamplifier provides transparency, extremely fast transient response and no crossover distortion. Minimizes harmonic and intermodulation distortions.
- Groundbreaking specifications: 4dB of self-noise and max SPL of 131 dB for a total dynamic range of 127 dB – an increase of 7 dB that defines the new standard for cleanly nuanced audio capture
- Multiple polar patterns–cardioid, omnidirectional and bidirectional–for maximum flexibility in a wide variety of recording applications
- Dual 1 inch, externally biased, ultra-thin, 2.5 μm, 24 Karat gold-layered, low mass diaphragms provide superior frequency response
- Premium electronic components and gold-plated internal and external connectors
- Subsonic filter eliminates rumble from mechanical vibration below 17 Hz.
- Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
- 3-position switchable low-frequency filter helps reduce unwanted stand vibration noise or counteract proximity effect
- Integrated three-stage "pop” protection grille reduces plosives and other breath noise
Type | Condenser (externally biased) | Frequency Response | 20 to 20,000 Hz | Polar Pattern | Cardioid, Omnidirectional, Bidirectional | lmpedance | 50 ohms | Phantom power required? | 11–52 V DC phantom power (IEC-61938) 5.8 mA, maximum |
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Designed for paging calls and general announcements, the PM-660D desk-top microphone comes with a large talk switch and a lock lever for easy and convenient operation. Its robust anti-vibration construction and balanced output render the microphone resistive to noise. In addition, the PM-660U microphone is equipped with a remote control switch (interlocked with the talk switch) for amplifier power on/off operation or chime activation.
Type | Moving coil microphone | Polar Pattern | Unidirectional | Rated Impedance | 600 Ω, Balanced | Rated Sensitivity | -58 dB (1 kHz, 0 dB=1 V/Pa) | Frequency Response | 100 - 10,000 Hz | Output | φ5.0 (φ0.2) | Talk Switch | 1-push-to-talk switch, 1-locking lever, Short-off type | Remote Control | 500 mA or less at 30 V DC | Finish | Microphone head: Zinc plated steel wire, gray baked paint
Main unit: ABS resin, gray | Dimensions | 100 (W) × 215 (H) × 150 (D) mm (3.94 × 8.46" × 5.91“)“ | Weight | 440 g (0.97 lb) (cord excluded) | ※ Do not keep the lock lever placed in the locked state (ON position) for a long period of time.Doing so may cause poor conductivity in the lever switch due to deterioration with age, resulting in unit malfunction.
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The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
- A highly consistent cardioid polar pattern
- Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
- Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
- Premium electronic components, including gold-plated internal and external connectors
- Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
- Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect
Performance Characteristics
- Extended frequency response
- Low self noise
- Exceptional reproduction of low-frequency sounds
- Can withstand high sound pressure levels (SPL)
- High output level
- No crossover distortion
- Uniform polar response
- Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.
- Acoustic instruments -- such as piano, guitar, drums, percussion, strings
- Wind instruments -- brass and woodwind
- Low frequency instruments -- such as double bass, electric bass, kick drum
- Overhead miking -- drums or percussion
- Ensembles -- choral or orchestral
- Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording
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