AUDIENT Nero Monitor Controller

• 2 x Stereo Line Level Inputs (6.3 mm jack)
• 1 x Stereo Cue Mix Inputs (6.3 mm jack)
• Alt Inputs (3.5 mm mini jack, stereo RCA optical or coaxial S/PDIF inputs)

MC7.1 - Surround Monitor Controller

MULTIPLE SOURCE STUDIO MONITOR CONTROLLER FOR 7.1/5.1 SURROUND & STEREO APPLICATIONS.

The Drawmer MC7.1 Surround Monitor Controller is a combined 7.1/5.1 and stereo monitor controller. Designed to provide all the mix checking features required for surround recordings without compromising on those used in stereo monitoring. It has the same pristine & transparent design as others from the Drawmer monitor controller pedigree, with a rugged desk top "wedge" form factor as used in the popular MC3.1. 

Whether it is producing audio for film or television, or transporting the listener directly into the venue of an all encompassing orchestral piece, be it in 5.1, 7.1, quadraphonic, DTS®, Dolby Digital EX,THX Surround EX™, DTS-HD™, Dolby Atmos®, etc., one thing is sure, the number of users that wish to listen to audio within a surround setting has been growing and will continue to do so. There has been an ever increasing number of surround products coming to market, not only blue ray players and home cinema but also on mobile and media devices. For example, Apple devices have been capable of reproducing 7.1 surround since iOS 9.3. Therefore, it is likely that at some point every artist and engineer will consider trying surround sound, or fear being left behind. 

Boasting two sets of balanced 7.1 Inputs, a 7.1 through, 1 Balanced Stereo Input and a convenient front panel Aux Input, with Balanced 7.1 Speaker outs and an independent Stereo main out with its own sub woofer option, there are no shortage of connectivity options. The Drawmer MC7.1 is capable of supporting any speaker seup, from mono, to stereo, various modes of surround, or 8 independent channels, depending on input type and speaker positioning.

The MC7.1 is a powerful Surround Monitor Controller in its own right, but is also perfect for controlling and checking your stereo mixes. This is one area where other surround monitoring controllers fall short. All studios, whether dedicated to film audio post production, or small home studio will at at some time (if not most of the time) work in stereo as well as surround. Aside from the surround capabilities, the MC7.1 contains the same comprehensive set of stereo "mix check" functions that are presented on the MC3.1 and which can of course be applied to the stereo input channel or any of the surround channels when these are routed to stereo.

The ability to "mix down" the surround mix to the FL and FR speakers OR the independent Stereo main speakers combined with the comprehensive cut or solo matrix means any combination of the surround channels can be listened to in the front mains. Want to focus in on the rear channels? Simply mix down to the front stereo speakers then solo them out of the mix! Whilst soloing out the centre or LFE channels give a central mono representation across the fronts or stereo mains!

Speaker level matching with switchable Mono/Sub output, the popular Low/Mid/High band solo feature, Internal Talkback Mic with footswitch control, and External Talkback Mic input are all brought over from the MC3.1, completing the rich array of features available on the MC7.1.

• Pristine, ultra low noise & transparent circuit design gives you an accurate representation of your mix whether it be surround or stereo.
• There are a total of 20 input sources. These include two separate 7.1 inputs (one via balanced jacks and one via 25 pin D-sub) with a through output to send to a multitrack recorder, for example. A Stereo input via Neutrik combijacks, and a Top panel 3.5mm AUX Input & Level Control for connecting MP3 players, smartphones or tablets etc.
• 3x Sets of Speaker Outputs. One 7.1 (or 8 Speakers in any configuration), one Stereo Left/Right pair, and one Mono/Sub. Each can be switched individually & simultaneously or give A/B comparisons. All eleven outputs have level trims to provide precise channel matching and ease of calibration.
• Each of the eight 7.1 speakers can be cut or soloed individually.
• 7.1 channels can be mixed down to 5.1, Stereo and Mono, though any configuration of up to 8 monitors should be possible depending on the source and the speaker layout.
• Stereo outputs (including those mixed down from surround) can be monitored via the main stereo speaker outputs or the FL and FR from the surround speakers.
• When in stereo operation comprehensive Mix Checking facilities Including Low, Mid, High Solo; Dim; L/R Mute; Phase Reverse and more, help check every aspect of your Mix & Provide Ultimate Control.
• Volume can be set via the Variable Front Panel Knob or a Preset Control. Each has excellent channel matching and smooth feel.
• 2x Headphone Amplifiers with Individual Level Control.
• Built In Talkback with Level Control, Internal or External Microphone, Switching via Desktop or Footswitch, & Internal Routing to Headphones and also a Mono Output Jack.
• The MC7.1 is all analogue so won’t need to be rebooted due to software crashes, and doesn’t require firmware updates.
• Desktop 'wedge' form factor with a rugged steel chassis and a Kensington security slot for added protection.

• All-passive volume control circuit
• Stereo and AUX inputs
• Dual outputs
• Additional mono output
• Balanced and unbalanced connection
• Integrated high quality headphone amplifier
• Mono, mute and PFL switches
• Stereo volume, AUX and headphone level controls
• Elegant design with solid wood side panels
• Built to last

The Nano Patch+ really comes into its own when connected between your computer audio interface/soundcard master outputs and a pair of active (powered) monitor speakers. One of the benefits of passive volume attenuation is that you no longer have to control volumes with your softwareʼs master volume fader. Reducing levels from your software only reduces the audio bit depth. It is much more appropriate to keep your software masters at unity and attenuate the audio to your active monitors with a passive controller like the Nano Patch+. This way you can maintain maximum audio resolution and attenuate your monitoring volume with the confidence that the sonic integrity of your audio is not compromised.

No active circuitry, buffers, transistors, batteries, or power supply of any kind can interfere with the main passive output of the Nano Patch+. It simply delivers attenuated signal. Pure, simple transparent.

- Super compact 2 channel analog passive volume control
- Rotary volume attenuation control
- Mute button
- Completely transparent operation
- No power required
- 2 x combo inputs (balanced and unbalanced)
- 2 x TRS outputs (balanced and unbalanced)
- 1 x Mini jack I/O
- available in black and silver
- No signal conversion from unbalanced to balanced!

The M-Patch 2 is a compact desktop/rack-mountable sized passive volume attenuator and patch control device. Building on the success of the original M-Patch, the new M-Patch 2 is a feature packed passive problem solver for nearly all production environments. A great way to passively attenuate stereo signals from soundcards, CD players, pre-amps, and mixers, the M-Patch 2 front panel rotary controls allow precise level adjustments for two input sources. Featuring balanced combo XLR/TRS input jacks and XLR outputs, RCA & 3.5mm jack inputs, mono/stereo summing switch, Mute switch, A/B output pairs, and a built in stereo headphone amplifier, the M-Patch 2 has all bases covered.

- High quality? passive volume attenuator
- Great monitor switching device
- 2 x Input channels, 2 x Output channels
- Combo, RCA, & 3.5mm input connectors
- XLR outputs (balanced or unbalanced depends on the inputs selected)
- Mono/Stereo summing switch
- System mute function
- Built in headphone amplifier
- Quality components and rugged construction
- Desktop or Rack-mountable installation
- External 16Vac power supply (Supplied. Only required for operation of headphone amplifier)

MC1.1 - Monitor PreAmp

Fall in love with your vinyl again!

Hot on the heels of the Drawmer MC2.1 well known for its functionality and transparency comes its new sibling the MC1.1 Monitor Preamp, offering the same fantastic sound but with a revised feature set more suitable for a less complex post production booth or home use where multiple speaker setups are not permissible or even required, and with the addition of a new RIAA phono stage the MC1.1 is a great solution for your precious turntable setup.

The front panel is dominated by the two large, independent volume controls for the main line outs and the headphone amplifier, both incorporate a paralleled custom quad pot for excellent channel matching and the smoothest possible action. There are also individual switches for each input source and output section making an elegantly simple yet functional user interface.

• Ultra low noise and transparent circuit design.
• Linear power supply with low hum toroidal transformer and internal voltage selector switch.
• 3 Input Sources - Balanced XLR, MP3 Player 3.5mm Jack & Switchable Line/Phono (RIAA MM) RCA.
• Two switchable output stages, Balanced XLR and RCA.
• Mono Sub woofer output available simultaneous to balanced outs.
• Parallelled custom quad pots on main and headphone level controls for excellent channel matching and smooth feel.
• Independent volume controls for the main outputs and headphone section.
• Rugged steel chasis and stylish brushed aluminium cover.
• Can be stacked and is rack mountable (with the MCB 2U mounting kit).
• Dimensions: L 272mm x W 215mm x H 81mm. Weight: 2.5kg.
• Designed and manufactured by Drawmer in the UK.