| Content | Key Features
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- 24-bit/192kHz resolution for professional recording and monitoring
- Hi-Speed USB circuitry gives you the fastest connection, with a class-leading round trip latency of only 2.59ms*
- Transparent Crystal™ preamps and ultra-pristine A/D converters for unsurpassed audio recording quality
- VU LED meters for dialing in the perfect level
- XLR+¼” TRS combo input with dedicated signal circuit and (1) ¼” instrument input with dedicated signal circuit for the most accurate sound available
- Stereo ¼” outs; ¼” headphone out with independent level control
- Rugged metal chassis; large central control for easy volume adjustment
- USB/Direct knob for balancing between the input signal and the computer signal
*Round trip latency is dependent on buffer settings, and computer hardware
The perfect choice for solo performers who want studio-quality recordings!
With the AIR 192|4, you can create flawless 24-bit/192kHz studio-quality recordings with an intuitive and easy-to-use audio interface. The AIR 192|4 enables you to record up to 2 channels at once with its dedicated XLR+¼” balanced combo input, and an all-new ¼” instrument input that has a specially-designed gain and impedance stage to provide the most accurate representation of a guitar or bass plugged directly into the interface.
We\'ve included software to match your style!
The AIR 192|4 comes complete with a software package that has everything to get you started. With 2 powerful DAWs to suit your production needs, AIR 192|4 includes Pro Tools | First M-Audio Edition, and Ableton Live Lite.
We’ve also added an entire Effects Plugin, Virtual Instruments and Loop package to cater to all your production needs. Whether you need a guitar tone, reverb, or delay we’ve got your effects needs covered with Eleven Lite, 20 effect plugins and AIR’s Creative FX Collection. With the included AIR Virtual Instrument plugins, you’ll have a virtual drum machine, synth, strings, percussion, organ and piano plugins to add world-class-sounding instruments to your songs with ease.
Crystal™ Preamps, Pristine A/D Converters and Premium Components
Our engineers designed the Crystal Preamps to provide you with a transparent, low-noise preamp that guarantees the best sound from your microphones and captures your performance exactly the way you intended. The AIR 192|4 incorporates pristine A/D converters for 24-bit resolution digital audio with explosive dynamic range that captures every nuance and subtlety of the performance.
Hear the performance now—not a second later
When recording, you want to focus on capturing that perfect moment, and getting the best performance out of your artist and talent. You don’t want to be bogged down by "clicks,” "pops” or latency. The AIR 192|4 not only features a high-speed USB connection for providing the lowest round trip latency (2.59ms*) between your machine and your hardware, but it also features monitor mix control for listening directly to the source inputs, providing you with zero-latency technology.
Specifications
Minimum System Requirements
• macOS: 10.8 Class Compliant
• PC: Windows 7, Windows Driver
• Standard USB 2.0 or USB-C Port
| Mic Input 1 (balanced XLR) |
| FREQUENCY RESPONSE |
20 Hz – 20 kHz (+0.1 dB) |
| DYNAMIC RANGE |
104 dB (A-weighted) |
| SIGNAL-TO-NOISE RATIO |
104 dB (+1.0 dBu, A-weighted) |
| THD+N |
0.003% |
| PREAMP EIN |
-128 dBu (max gain, 150 Ω source, A-weighted) |
| MAX INPUT LEVEL |
+1.5 dBu |
| GAIN RANGE |
55 dB |
| Line Input 1 (balanced 1/4\" [6.35 mm] TRS) |
| FREQUENCY RESPONSE |
20 Hz – 20 kHz (+0.05 dB) |
| SIGNAL-TO-NOISE RATIO |
101 dB (1 kHz, +4 dBu, A-weighted) |
| THD+N |
0.003% |
| MAX INPUT LEVEL |
16 dBu |
| GAIN RANGE |
55 dB |
| Inst Input 2 (unbalanced 1/4\" [6.35 mm] TS) |
| FREQUENCY RESPONSE |
20 Hz – 20 kHz (+0.05 dB) |
| DYNAMIC RANGE |
100 dB (A-weighted) |
| SIGNAL-TO-NOISE RATIO |
102 dB (+ 4 dBu, A-weighted) |
| THD+N |
0.004% |
| MAX INPUT LEVEL |
6 dBu |
| INPUT IMPEDANCE |
1 MΩ |
| GAIN RANGE |
24 dB |
| Main Outputs, L and R (balanced, differential 1/4\" [6.35 mm] TRS) |
| FREQUENCY RESPONSE |
20 Hz – 20 kHz (+0.06 dB) |
| DYNAMIC RANGE / SIGNAL-TO-NOISE RATIO |
102 dB (A-weighted) |
| THD+N |
0.005% |
| MAX OUTPUT LEVEL |
+7 dBu (1 kHz, -1 dBFS) |
| Headphone Output (impedance-balanced 1/4” [6.35 mm] TRS) |
| THD+N |
0.005% |
| OUTPUT IMPEDANCE |
10 Ω |
| General |
| POWER |
USB-bus-powered |
| DIMENSIONS (WIDTH X DEPTH X HEIGHT) |
8.0” x 6.0” x 2.76” (20.42 cm x 15.24 cm x 7.0 cm) |
| WEIGHT |
2.0 lbs. 0.9 kg |
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nio 2 | 4 is a 2 In / 4 Out mobile USB interface for the modern music maker. Nio 2 | 4 features Novationʼs unique ʽDirect FXʼ technology, placing a powerful multi-effects engine within nio 2 | 4ʼs custom drivers. These effects rest close to the core of your computer, working independently of other software and providing powerful ultra-low latency effects for hassle-free, real time jamming and recording. This same unique environment ensures rock-solid, lightning-fast performance, making it the ideal interface solution for home recording, live performing and DJʼing alike; one size fits all. With two headphones outputs, itʼs also an ideal solution for the classroom environment.
Specifications
Audio Interfacing
Inputs:- 1 XLR (with phantom power)
- 1 TS Jack
- 2 RCA Phono
- Two inputs simultaneously only - either stereo RCA phono or the XLR and Jack
Outputs:- 4 RCA Phono
- 2 stereo 1/4" Headphones Jacks
Digital Audio:- 44.1/48kHz sample rate
- 24-bit resolution
Other interfacing
System requirements- Operating system: Mac OSX 10.3.9 or greater (Leopard also supported) or Windows XP with Service Pack 2 or greater (Vista 32/64 also supported)
- Minimum Computer spec: Mac - G3/600MHz or G4/667MHz, both with 256MB RAM or PC - Pentium 3/500MHz/256MB RAM (machines running Vista will require a higher spec)
Interfacing: USB 1.1 compatible USB connector (also compatible with USB 2.0), 28/24 awg USB cable recommended
Weights and Dimensions- 633g
- 45.4mm (H) x 144mm (W) x 149mm (D)
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The all new 896mk3 FireWire audio interface delivers high-end performance, superb sound, innovative new features and enhanced standard features that remain unique.
The 896mk3 provides eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.
The 896mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
When recording from the mic/guitar inputs, the 896mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.
After programming the on-board mixing in the studio, unplug the 896mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.
The 896mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
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Equipped with the latest generation 24-bit, enhanced multi-bit 128x oversampling 192-kHz converters, the HD192 achieves a remarkable A-weighted signal-to-noise ratio of 120 dB with balanced XLR connectors throughout. Ideal for surround applications, the HD192's 12 inputs and 12 outputs can support two simultaneous 5.1 mixes. And the HD192 is full of advanced features, like AES/EBU I/O with sample rate conversion both in and out.
The PCI-424 card introduced with the 2408mk3 is 192-kHz ready. Just connect the HD192 expansion interface to record 192-kHz audio.
The HD192 can be purchased as an expander for an existing PCI-424-based MOTU Audio System, or as a core system which includes the PCI-424 card and Audiodesk workstation software.
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Features:
USB 2.0 Desktop Recording Studio
44.1kHz to 96kHz sample rates, 24-bit resolution
Pantheon II VST/AU reverb plug-in with 6 legendary Lexicon reverbs
dbx® 60V high-voltage, ultra-low noise microphone preamps
Superior sonic performance
2 analog combi-jacks for mic/line inputs
2 analog 1/4" TRS balanced outputs
Zero latency monitoring
Low latency ASIO drivers
Streamlined monitor form factor puts all recording controls at your fingertips
Separate level meters and gain control per channel
1 side panel 1/4" instrument input
1 side panel headphone output with dedicated volume adjustment
MIDI in and out
Technical Specifications
Microphone Inputs: Female XLR Pin 2 Hot
Input Impedance: 3kΩ balanced
Phantom Power: +48 Volts
Maximum gain: +58 dB
E.I.N. (at max gain): -125 dBu @ 58dB gain typical (150Ω source) -129 dBu @ 58dB gain typical A-weighted (150Ω source)
Maximum Input Level: +21 dBu at minimum gain
Frequency Response: +0/-1 dB, 20Hz - 20kHz
THD+N: +18 dBu maximum
Impedance: 32Ω Balanced, 16Ω Unbalanced
Headphone Output: 1/4" stereo jack 350mW per channel at 50Ω
MIDI Interface: 5 pin DIN connectors for MIDI in and MIDI out (5 volt signal)
Sample Rate: 44.1, 48, 88.2, or 96 kHz (determined by computer application)
Dynamic Range: A/D (24 Bit) 108 dB typical, A-weighted, 20Hz - 20kHz
(44.1 kHz sample rate)
D/A (24 Bit) 110 dB typical, A-weighted, 20Hz - 20kHz
A/D/A (24 Bit) 102 dB typical, A-weighted, 20Hz - 20kHz
Power Requirements: 12W 9VAC
Power adaptors available for:
US and Canada: 120 VAC, 60 Hz Adapter: PS0913B - 120
Japan: 100 VAC, 50/60 Hz Adapter: PS0913B - 100
Europe: 230 VAC, 50 Hz Adapter: PS0913B - 230
UK: 240 VAC, 50 Hz Adapter: PS0913B - 240
Australia: 240 VAC, 50 Hz Adapter: PS0913B - 240-AU
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System Requirements
Mac PC
* Mac OS X 10.5.8 (Leopard) or 10.6.1-10.6.4 (Snow Leopard)
* 1 GB RAM (2 GB recommended)
* 6 GB free disk space
* Intel® processor (no PowerPC® support)
* One FireWire port
* Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit, or Windows 7 64-bit
* 1 GB RAM (2 GB recommended)
* 5 GB free disk space
* One FireWire port
Compatibility
ASIO, Core Audio, WDM, MME, and multi-client drivers
Mbox Pro Hardware
Pro Tools Mbox Pro
Mbox® Pro is the ultimate high-definition recording interface, packing a wide range of analog and digital I/O connections into a desktop audio workstation.
* Compatible with most major audio software (Pro Tools LE®, Logic, Live, Cubase, and more)
* FireWire connection
* Professional-grade circuitry and converters deliver exceptional audio performance
* Up to 24-bit, 192 kHz sample rates*
* Soft-clip limiter lets you track hot signals without clipping—providing a classic overdriven tape saturation sound
* Built-in guitar tuner
* Onboard DSP offers flexible cue mixing and reverb effects
* Assignable Pro Tools multi-function button on interface gives you fast access to software functions
* Connect up to three pairs of monitors or do 5.1 surround mixing**
* Hardware configuration:
o 8 x 8 simultaneous channels of I/O
o 4 mic inputs with 48 V phantom power and high pass filter (2 XLR/DI combo, 2 XLR)
o 4 1/4" TRS line inputs
o 2 unbalanced Alt line inputs (2 RCA, 1 mini 1/8”)
o 6 1/4" TRS balanced line outputs
o 2 discrete 1/4” stereo headphone outputs with separate volume controls
o Stereo S/PDIF digital I/O
o 1 MIDI input, 1 MIDI output
o Word clock I/O
o Monitor control section with Mono, Mute, Dim, Alt Source, and Speaker A/B/C switching controls
o Dedicated monitor volume knob
* Up to 96 kHz sample rates supported with Pro Tools LE software.
** Mixing 5.1 surround sound in Pro Tools LE requires Complete Production Toolkit
Pro Tools LE Software
Pro Tools 8 Software
The Pro Tools software platform is used in professional studios around the world, and includes all the tools you need to easily compose, record, edit, mix, and master your projects with pro results—every time.
Key Features
* Award-winning Pro Tools recording, editing, and mixing
* 48 simultaneous stereo audio tracks (expandable with Toolkit options)
* Includes over 70 professional effects and virtual instruments
* Professional MIDI sequencing with dedicated MIDI Editor window
* Integrated Score Editor based on award-winning Sibelius notation software
* Full Elastic Time and Elastic Pitch to easily adjust timing and pitch on your tracks
* Unique Beat Detective LE automatic groove analysis and correction tool
* ReWire support for streaming your favorite applications right into Pro Tools
* Huge selection of compatible third-party plug-ins and software options
* Works on Windows and Mac computers
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