Key Features 24-bit/192kHz resolution for professional recording and monitoring Hi-Speed USB circuitry gives you the fastest connection, with a class-leading round trip latency of only 2.59ms* Transparent Crystal™ preamps and ultra-pristine A/D converters for unsurpassed audio recording quality VU LED meters for dialing in the perfect level XLR+¼” TRS combo input with dedicated signal circuit […]
24-bit/192kHz resolution for professional recording and monitoring
Hi-Speed USB circuitry gives you the fastest connection, with a class-leading round trip latency of only 2.59ms*
Transparent Crystal™ preamps and ultra-pristine A/D converters for unsurpassed audio recording quality
VU LED meters for dialing in the perfect level
XLR+¼” TRS combo input with dedicated signal circuit and (1) ¼” instrument input with dedicated signal circuit for the most accurate sound available
Stereo ¼” outs; ¼” headphone out with independent level control
Rugged metal chassis; large central control for easy volume adjustment
USB/Direct knob for balancing between the input signal and the computer signal
*Round trip latency is dependent on buffer settings, and computer hardware
The perfect choice for solo performers who want studio-quality recordings!
With the AIR 192|4, you can create flawless 24-bit/192kHz studio-quality recordings with an intuitive and easy-to-use audio interface. The AIR 192|4 enables you to record up to 2 channels at once with its dedicated XLR+¼” balanced combo input, and an all-new ¼” instrument input that has a specially-designed gain and impedance stage to provide the most accurate representation of a guitar or bass plugged directly into the interface.
We\’ve included software to match your style!
The AIR 192|4 comes complete with a software package that has everything to get you started. With 2 powerful DAWs to suit your production needs, AIR 192|4 includes Pro Tools | First M-Audio Edition, and Ableton Live Lite.
We’ve also added an entire Effects Plugin, Virtual Instruments and Loop package to cater to all your production needs. Whether you need a guitar tone, reverb, or delay we’ve got your effects needs covered with Eleven Lite, 20 effect plugins and AIR’s Creative FX Collection. With the included AIR Virtual Instrument plugins, you’ll have a virtual drum machine, synth, strings, percussion, organ and piano plugins to add world-class-sounding instruments to your songs with ease.
Crystal™ Preamps, Pristine A/D Converters and Premium Components
Our engineers designed the Crystal Preamps to provide you with a transparent, low-noise preamp that guarantees the best sound from your microphones and captures your performance exactly the way you intended. The AIR 192|4 incorporates pristine A/D converters for 24-bit resolution digital audio with explosive dynamic range that captures every nuance and subtlety of the performance.
Hear the performance now—not a second later
When recording, you want to focus on capturing that perfect moment, and getting the best performance out of your artist and talent. You don’t want to be bogged down by “clicks,” “pops” or latency. The AIR 192|4 not only features a high-speed USB connection for providing the lowest round trip latency (2.59ms*) between your machine and your hardware, but it also features monitor mix control for listening directly to the source inputs, providing you with zero-latency technology.
Specifications
Minimum System Requirements
• macOS: 10.8 Class Compliant
• PC: Windows 7, Windows Driver
• Standard USB 2.0 or USB-C Port
Mic Input 1 (balanced XLR)
FREQUENCY RESPONSE
20 Hz – 20 kHz (+0.1 dB)
DYNAMIC RANGE
104 dB (A-weighted)
SIGNAL-TO-NOISE RATIO
104 dB (+1.0 dBu, A-weighted)
THD+N
0.003%
PREAMP EIN
-128 dBu (max gain, 150 Ω source, A-weighted)
MAX INPUT LEVEL
+1.5 dBu
GAIN RANGE
55 dB
Line Input 1 (balanced 1/4\” [6.35 mm] TRS)
FREQUENCY RESPONSE
20 Hz – 20 kHz (+0.05 dB)
SIGNAL-TO-NOISE RATIO
101 dB (1 kHz, +4 dBu, A-weighted)
THD+N
0.003%
MAX INPUT LEVEL
16 dBu
GAIN RANGE
55 dB
Inst Input 2 (unbalanced 1/4\” [6.35 mm] TS)
FREQUENCY RESPONSE
20 Hz – 20 kHz (+0.05 dB)
DYNAMIC RANGE
100 dB (A-weighted)
SIGNAL-TO-NOISE RATIO
102 dB (+ 4 dBu, A-weighted)
THD+N
0.004%
MAX INPUT LEVEL
6 dBu
INPUT IMPEDANCE
1 MΩ
GAIN RANGE
24 dB
Main Outputs, L and R (balanced, differential 1/4\” [6.35 mm] TRS)
24-bit/192kHz resolution for professional recording and monitoring
Hi-Speed USB circuitry gives you the fastest connection, with a class-leading round trip latency of only 2.59ms*
Transparent Crystal™ preamps and ultra-pristine A/D converters for unsurpassed audio recording quality
VU LED meters for dialing in the perfect level
XLR+¼” TRS combo input with dedicated signal circuit and (1) ¼” instrument input with dedicated signal circuit for the most accurate sound available
Stereo ¼” outs; ¼” headphone out with independent level control
Rugged metal chassis; large central control for easy volume adjustment
USB/Direct knob for balancing between the input signal and the computer signal
*Round trip latency is dependent on buffer settings, and computer hardware
The perfect choice for solo performers who want studio-quality recordings!
With the AIR 192|4, you can create flawless 24-bit/192kHz studio-quality recordings with an intuitive and easy-to-use audio interface. The AIR 192|4 enables you to record up to 2 channels at once with its dedicated XLR+¼” balanced combo input, and an all-new ¼” instrument input that has a specially-designed gain and impedance stage to provide the most accurate representation of a guitar or bass plugged directly into the interface.
We\'ve included software to match your style!
The AIR 192|4 comes complete with a software package that has everything to get you started. With 2 powerful DAWs to suit your production needs, AIR 192|4 includes Pro Tools | First M-Audio Edition, and Ableton Live Lite.
We’ve also added an entire Effects Plugin, Virtual Instruments and Loop package to cater to all your production needs. Whether you need a guitar tone, reverb, or delay we’ve got your effects needs covered with Eleven Lite, 20 effect plugins and AIR’s Creative FX Collection. With the included AIR Virtual Instrument plugins, you’ll have a virtual drum machine, synth, strings, percussion, organ and piano plugins to add world-class-sounding instruments to your songs with ease.
Crystal™ Preamps, Pristine A/D Converters and Premium Components
Our engineers designed the Crystal Preamps to provide you with a transparent, low-noise preamp that guarantees the best sound from your microphones and captures your performance exactly the way you intended. The AIR 192|4 incorporates pristine A/D converters for 24-bit resolution digital audio with explosive dynamic range that captures every nuance and subtlety of the performance.
Hear the performance now—not a second later
When recording, you want to focus on capturing that perfect moment, and getting the best performance out of your artist and talent. You don’t want to be bogged down by "clicks,” "pops” or latency. The AIR 192|4 not only features a high-speed USB connection for providing the lowest round trip latency (2.59ms*) between your machine and your hardware, but it also features monitor mix control for listening directly to the source inputs, providing you with zero-latency technology.
Specifications
Minimum System Requirements
• macOS: 10.8 Class Compliant
• PC: Windows 7, Windows Driver
• Standard USB 2.0 or USB-C Port
Mic Input 1 (balanced XLR)
FREQUENCY RESPONSE
20 Hz – 20 kHz (+0.1 dB)
DYNAMIC RANGE
104 dB (A-weighted)
SIGNAL-TO-NOISE RATIO
104 dB (+1.0 dBu, A-weighted)
THD+N
0.003%
PREAMP EIN
-128 dBu (max gain, 150 Ω source, A-weighted)
MAX INPUT LEVEL
+1.5 dBu
GAIN RANGE
55 dB
Line Input 1 (balanced 1/4\" [6.35 mm] TRS)
FREQUENCY RESPONSE
20 Hz – 20 kHz (+0.05 dB)
SIGNAL-TO-NOISE RATIO
101 dB (1 kHz, +4 dBu, A-weighted)
THD+N
0.003%
MAX INPUT LEVEL
16 dBu
GAIN RANGE
55 dB
Inst Input 2 (unbalanced 1/4\" [6.35 mm] TS)
FREQUENCY RESPONSE
20 Hz – 20 kHz (+0.05 dB)
DYNAMIC RANGE
100 dB (A-weighted)
SIGNAL-TO-NOISE RATIO
102 dB (+ 4 dBu, A-weighted)
THD+N
0.004%
MAX INPUT LEVEL
6 dBu
INPUT IMPEDANCE
1 MΩ
GAIN RANGE
24 dB
Main Outputs, L and R (balanced, differential 1/4\" [6.35 mm] TRS)
8.0” x 6.0” x 2.76” (20.42 cm x 15.24 cm x 7.0 cm)
WEIGHT
2.0 lbs. 0.9 kg
he U46XL is a powerful multi-purpose 4-in 6-out multi-channel audio interface designed for various recording applications at home or on the road. The U46XL is the successor of to ESI Audio's famous U46DJ interface.
As its predecessor, it provides 2 stereo line inputs, a microphone input with +48V phantom power and a headphone output. A main difference is the improved analog circuitry improving the audio quality as well as the professional microphone preamplifier with XLR input. This makes the U46XL the perfect solution to record signals from dynamic or condenser microphones on the road or in your studio.
The unit also features an instrument input (Hi-Z), typically to connect a guitar directly to it. Two totally separate stereo line input on the backside provide 4 simultaneously usable input channels at one time. There are also 6 independent individual outputs on the backside, perfect for multi-channel playback applications like to provide individual outputs for software synthesizers, to provide independent playback channels for DJ software or to provide surround playback capability via a 5.1 setup. A separate mix output with professional TRS outputs could be used to connect U46XL to professional stereo studio monitors.
A cool feature is the DirectWIRE support in the driver, allowing you to record signals from one application to another internally. U46XL works with this driver based on our EWDM technology under Windows XP and Windows Vista/7, however U46XL is also Mac OS X compatible.
U46XL ships with Cubase LE 4 from Steinberg for Mac and PC to start recording on a professional level right out of the box.
8 channels of premium 24-bit 192K AD/DA conversion
4 digitally controlled 75db microphone preamps
2 fully balanced inserts on mic pre channels
4 Hi-Z instrument inputs capable of handling high level instruments
2 individual, controllable and assignable high level headphone outputs
2, 6 or 8 channel monitor outputs
8 channels of ADAT I/O
FireWire 400 I/O, compatible with OS X Core Audio (no driver required)
2 channels of SPDIF I/O
“Soft Limit” for maximum digital input level without overs
“UV22HR” for superior dither of 24 bit resolution down to 16-bit
Advanced, dual-stage "Intelliclock”
Complete integration and control with Appleʼs Logic Pro Software
Compatibility with any CoreAudio software applications
Apogeeʼs Maestro Software for advanced control and routing outside of Logic Pro
The Traveler-mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.
Engineered for high-end mobile recording applications, the Traveler-mk3 delivers four very high quality mic inputs, bus power, optional battery power and DSP-driven mixing and effects processing.
The Traveler-mk3 provides eight channels of pristine 192 kHz analog recording and playback, combined with twenty channels of digital I/O in ADAT optical, AES/EBU and S/PDIF formats. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.
The Traveler-mk3 is equally well-suited for studio, stage and remote locations, with or without a computer. As an interface or stand-alone mixer, the Traveler-mk3 provides 28 separate inputs and 30 separate outputs, including four XLR/quarter-inch "combo” mic/instrument analog inputs equipped with pre-amps, individual 48V phantom power switches and Digital Precision Trim™ controls conveniently adjusted from the front panel or CueMix FX™ software.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
Connect all of your audio instruments and gear, including mics, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer.
Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control. When recording from the four mic/guitar inputs, the Traveler-mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.
After programming the on-board mixing in the studio, unplug the Traveler-mk3, remove the rack brackets, and take it on the road for operation as a portable, bus-powered audio interface for a laptop or battery-operated stand-alone mixer with effects. The Traveler slides easily into your backpack and fits neatly beneath your laptop. All mixing and effects parameters are adjustable using the front panel backlit LCD. Record extended sessions even in the most remote locations with the complete freedom of field battery power.
The Traveler-mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
Equipped with the latest generation 24-bit, enhanced multi-bit 128x oversampling 192-kHz converters, the HD192 achieves a remarkable A-weighted signal-to-noise ratio of 120 dB with balanced XLR connectors throughout. Ideal for surround applications, the HD192's 12 inputs and 12 outputs can support two simultaneous 5.1 mixes. And the HD192 is full of advanced features, like AES/EBU I/O with sample rate conversion both in and out.
The PCI-424 card introduced with the 2408mk3 is 192-kHz ready. Just connect the HD192 expansion interface to record 192-kHz audio.
The HD192 can be purchased as an expander for an existing PCI-424-based MOTU Audio System, or as a core system which includes the PCI-424 card and Audiodesk workstation software.
The all new 896mk3 FireWire audio interface delivers high-end performance, superb sound, innovative new features and enhanced standard features that remain unique.
The 896mk3 provides eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.
The 896mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
When recording from the mic/guitar inputs, the 896mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.
After programming the on-board mixing in the studio, unplug the 896mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.
The 896mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
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