| Content | Sets the new standard with professional studio-quality and features!
With the AIR 192|6, you can create 24-bit/192kHz studio-quality recordings with an intuitive and easy-to-use audio interface. The AIR 192|6 enables you to record up to 2 channels at once with its 2 dedicated XLR+¼” balanced combo inputs, and 2 all-new ¼” instrument inputs that have a specially designed gain and impedance stage to provide the most accurate representation of a guitar or bass plugged directly into the interface. 5-pin MIDI In and Out connections are included for connecting synths, sequencers and other external MIDI gear.
We\'ve included software to match your style!
The AIR 192|6 comes complete with a software package that has everything to get you started. With 2 powerful DAWs to suit your production needs, AIR 192|6 includes Pro Tools | First M-Audio Edition, and Ableton Live Lite.
We’ve also added an entire Effects Plugin, Virtual Instruments and Loop package to cater to all your production needs. Whether you need a guitar tone, reverb, or delay we’ve got your effects needs covered with Eleven Lite, 20 effect plugins and AIR’s Creative FX Collection. With the included AIR Virtual Instrument plugins, you’ll have a virtual drum machine, synth, strings, percussion, organ and piano plugins to add world-class-sounding instruments to your songs with ease.
Crystal™ Preamps, Pristine A/D Converters and Premium Components
Our engineers designed the Crystal™ Preamps to provide you with a transparent, low-noise preamp that guarantees the best sound from your microphones and captures your performance exactly the way you intended. The AIR 192|6 incorporates pristine A/D converters to provide 24-bit resolution digital audio for explosive dynamic range that captures every nuance and subtlety of your performance.
Hear the performance now—not a second later
When recording, you want to focus on capturing that perfect moment, and getting the best performance out of your artist and talent. You don’t want to be bogged down by "clicks,” "pops” or latency. The AIR 192|6 not only features a high-speed USB connection for providing the lowest round trip latency (2.59ms*) between your machine and your hardware, but it also features monitor mix control for listening directly to the source inputs, providing you with zero-latency technology.
Key Features
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- 24-bit/192kHz resolution for professional recording and monitoring
- Hi-Speed USB circuitry for fastest connection, with class-leading round-trip latency of 2.59ms*
- Transparent Crystal™ preamps and ultra-pristine A/D converters for unsurpassed audio recording quality
- VU LED meters for dialing in the perfect level
- Flexible inputs: (2) XLR+¼” TRS combo or ¼” instrument inputs
- Use any combination of TRS combo or ¼” instrument input on the two channels:(2) TRS, (2) instrument or (1) of each
- 5-pin MIDI input/output for connecting virtually any external MIDI gear
- Stereo ¼” outs; ¼” headphone out with independent level control
- Rugged metal chassis; large central control for easy volume adjustment
- USB/Direct knob for balancing between the input signal and the computer signal
*Round trip latency is dependent on buffer settings, and computer hardware.
- What’s In The Box
- AIR 192|6
- USB-C-to-USB-C Cable
- USB-C-to-USB-A Cable
- Software Download Cards
- User Guide
- Safety and Warranty Manual
| Portable 10-in/10-out compact, mobile FireWire audio at home or on the road
The FA-101 has the highest specs available to support your most demanding applications. You get 24-bit, 192kHz simultaneous recording and playback in a compact 1U half-rack unit, with all the headroom you need.
Supports up to 24 bit, 192 kHz
Compatible with Mac OS X standard driver
Two independent, on board mic pre-amps
Capable of full duplex recording and playback on 10 independent channels
Bus powered and durable metal construction for mobile applications
Lots of ins and outs to support a wide range of recording and gigging applications
The FA-101 is a feature-packed 10x10 audio interface that can handle a full 10 channels of input/output at 24-bit/96kHz. Record and monitor all 10 channels simultaneously in full duplex. Phenomenal audio power for the studio musician! In addition, the FA-101 offers 6-channel recording and playback at 24-bit/192kHz for performance at DVD-A quality.
* 10x10 24-bit/96kHz audio performance
* 6x6 24-bit/192kHz audio performance
* Firewire bus-powered
* Direct monitoring
* Low-latency driver support
* Native Support in Mac OS X (10.3.4 or later)
* 2x phantom-powered mic preamps
* 8x8 balanced analog I/O
* S/PDIF optical I/O
* MIDI I/O |
Equipped with the latest generation 24-bit, enhanced multi-bit 128x oversampling 192-kHz converters, the HD192 achieves a remarkable A-weighted signal-to-noise ratio of 120 dB with balanced XLR connectors throughout. Ideal for surround applications, the HD192's 12 inputs and 12 outputs can support two simultaneous 5.1 mixes. And the HD192 is full of advanced features, like AES/EBU I/O with sample rate conversion both in and out.
The PCI-424 card introduced with the 2408mk3 is 192-kHz ready. Just connect the HD192 expansion interface to record 192-kHz audio.
The HD192 can be purchased as an expander for an existing PCI-424-based MOTU Audio System, or as a core system which includes the PCI-424 card and Audiodesk workstation software.
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The 828mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.
The 828mk3 provides ten channels of pristine 192 kHz analog recording and playback, combined with sixteen channels of ADAT digital I/O and stereo S/PDIF. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.
The 828mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 828mk3 provides 28 separate inputs and 30 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven compression, EQ and reverb to every input and output, independent of your host computer. When recording from the mic/guitar inputs, the 828mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no digital clipping or harsh artifacts.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
After programming the on-board mixing in the studio, unplug the 828mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.
The 828mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
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- Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2.
- CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
- 10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
- Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds.
- Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.
- Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.
- CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.
- Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
- “Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
- Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
- Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
- Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
- Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
- Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
- Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
- Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
- Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
- Expandable — add additional interfaces for more I/O as your needs grow.
- Separate TRS main outs with front panel volume control.
- Stereo 24-bit 96kHz S/PDIF in/out.
- Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
- 100% compatible with all host-based effects processing in today's popular audio programs.
- Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
- Plug-and-play operation with your Mac or PC via FireWire or USB2.
- Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
- Front panel headphone jack with volume control.
- Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
- Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.
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Mbox® is a premium audio interface, packing a wide range of analog and digital I/O connections into a mobile form factor.
* Compatible with most major audio software (Pro Tools LE®, Logic, Live, Cubase, and more)
* Bus-powered USB 2.0 connection for maximum mobility
* Professional-grade circuitry and converters deliver exceptional audio performance
* Up to 24-bit, 96 kHz sample rates
* Soft-clip limiter lets you track hot signals without clipping—providing a classic overdriven tape saturation sound
* Built-in guitar tuner
* Onboard DSP offers flexible cue mixing and reverb effects
* Assignable Pro Tools multi-function button on interface gives you fast access to software functions
* Hardware configuration:
o 4 x 4 simultaneous channels of I/O
o 2 XLR mic/line combo inputs with 48 V phantom power
o 2 1/4” DI inputs on front panel for easy access
o 2 balanced 1/4” monitor outputs
o 1 1/4” stereo headphone output with volume control
o Stereo S/PDIF digital I/O
o 1 MIDI input, 1 MIDI output
o Monitor control section with Mono and Dim controls
o Dedicated monitor volume knob
Pro Tools LE Software
Pro Tools 8 Software
The Pro Tools® software platform is used in professional studios around the world, and includes all the tools you need to easily compose, record, edit, mix, and master your projects with pro results—every time.
Key Features
* Award-winning Pro Tools recording, editing, and mixing
* 48 simultaneous stereo audio tracks (expandable with Toolkit options)
* Includes over 70 professional effects and virtual instruments
* Professional MIDI sequencing with dedicated MIDI Editor window
* Integrated Score Editor based on award-winning Sibelius notation software
* Full Elastic Time and Elastic Pitch to easily adjust timing and pitch on your tracks
* Unique Beat Detective LE automatic groove analysis and correction tool
* ReWire support for streaming your favorite applications right into Pro Tools
* Huge selection of compatible third-party plug-ins and software options
* Works on Windows and Mac computers
System Requirements
Mac PC
* Mac OS X 10.5.8 (Leopard) or 10.6.1-10.6.4 (Snow Leopard)
* 1 GB RAM (2 GB recommended)
* 6 GB free disk space
* Intel® processor (no PowerPC® support)
* One USB port
* Windows® XP 32-bit SP3, Windows Vista® 32-bit SP2, Windows 7 32-bit, or Windows 7 64-bit
* 1 GB RAM (2 GB recommended)
* 5 GB free disk space
* One USB port
Compatibility
ASIO, Core Audio, WDM, MME, and multi-client drivers ![]( "MBOX")
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