DAP AUDIO D1530 PRE-101 Phono RIAA equalized pre-amp

49.35 incl. GR VAT

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• Solid housing • RIAA Equalization • High quality components The PRE-101 is a phono pre-amp with RIAA equalization. The tiny signal of magnetic pick-ups is amplified to fit the line-level inputs of mixers or USB sound-cards. Specifications Frequency Response: 20Hz-20KHz RIAA Inputs: RCA Outputs: RCA Input sensitivity: 3mV for 1000 mV output Input Impedance: […]

 

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• Solid housing
• RIAA Equalization
• High quality components

The PRE-101 is a phono pre-amp with RIAA equalization. The tiny signal of magnetic pick-ups is amplified to fit the line-level inputs of mixers or USB sound-cards.

Specifications Frequency Response: 20Hz-20KHz RIAA
Inputs: RCA
Outputs: RCA
Input sensitivity: 3mV for 1000 mV output
Input Impedance: 47 kOhm
Nominal Output Voltage: 0 dBV
Max Output voltage: +16 dBu
Output impedance: 100-600 Ohms
Power supply: 18V AC (adapter included)
Dimensions: 40 x 113 x 80 mm (HxWxD)
Weight: 0,35 Kg

Weight 0.35 kg

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NameDAP AUDIO D1530 PRE-101 Phono RIAA equalized pre-amp removeAVALON AD2022 DUAL MONO PURE CLASSA PREAMPLIFIER removeEWI PDI-100 Para Acoustic DI Box PREAMP TONE CONTROL removeBEHRINGER ADA8200 Microphone preamplifier removePRESONUS HP-60 Headphone Amplifier 6 Channels removeOMNITRONIC LH-045 1-channel microphone preamplifier remove
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SKUD1530AD2022PDI-100E005873APA2018-00893LH-045
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Price 49.35 incl. GR VAT 3,528.46 incl. GR VAT 130.19 incl. GR VAT 248.00 incl. GR VAT 303.80 incl. GR VAT 98.15 incl. GR VAT
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Description
Content• Solid housing • RIAA Equalization • High quality components The PRE-101 is a phono pre-amp with RIAA equalization. The tiny signal of magnetic pick-ups is amplified to fit the line-level inputs of mixers or USB sound-cards. Specifications Frequency Response: 20Hz-20KHz RIAA Inputs: RCA Outputs: RCA Input sensitivity: 3mV for 1000 mV output Input Impedance: 47 kOhm Nominal Output Voltage: 0 dBV Max Output voltage: +16 dBu Output impedance: 100-600 Ohms Power supply: 18V AC (adapter included) Dimensions: 40 x 113 x 80 mm (HxWxD) Weight: 0,35 Kg

The AD2022 is Avalon's fourth generation of fully discrete, symmetrical Pure
Class A microphone preamplifiers. The dual mono AD2022 includes the original
sonic capabilities and transparency of the M2, M22 and M5 preamplifiers plus
several additional features, including selectable microphone source loading for
optimized cable/mic matching, improved high-voltage Class A regulated power
supplies, two high Z instrument inputs, variable-passive high pass filter, teflon/
silver wiring and doubled plated circuit boards for superior low level signal transfer.
 
AD2022 FEATURES
Symmetrical Pure Class A design, two channels
Microphone and hi-Z instrument inputs
Gain switched 4dB steps plus +/- 3dB fine output trim 
Selectable microphone input impedance matching 
Low noise -126dB EIN
Ultra high quality, low-ratio, balanced input transformer
Balanced, high-current Class A output to +36dB
Large illuminated analog VU meters and twin peak LED's
Regulated phantom power supply +48v 
Input polarity phase reverse 
High headroom +36dB input before overload
Input -20dB pad for high level signals
Sealed silver relays for all signal routing
External AC 150w toroidal power chassis
Fully discrete Class A regulated audio power supplies
Deep, musical sound-stage, transparent amplification

MICROPHONE INPUT
The AD2022 incorporates the most advanced high-performance microphone
transformer available. Split low-ratio primary windings are carefully combined
within a custom mu-metal core for extended smooth frequency response and
very low distortion.  Sealer silver relays are used for minimal signal invasion. 
The input signal selector, high pass filter, polarity-phase reverse, +48v power
and the 20dB input attenuator all utilize local sealed relay operation. A variable
passive high pass filter provides a minimum phase shift design while eliminating
low frequency rumble, wind noise and mechanical vibration at sub sonic frequencies.

SYMMETRICAL PURE CLASS A DESIGN
Two 100% discrete, high-voltage, symmetrical Pure Class A signal amplifiers
are utilized per channel. The first operates in a cascaded-cascode FET
configuration while the second stage amplifier is fully bipolar. The twin amplifiers
share the total available gain requirement. This shared architecture increases
the high level headroom capability, improves transient response and doubles the
internal bandwidth of the ultra-high performance pure Class A signal amplifiers.
OUTPUT and METERING
High-current DC coupled, Class A discrete amplifiers are utilized for the output
drive interface with +36dB capability into all known loads.  Two large, high-quality
analog VU meters indicate accurate signal readings while bi-color LED's offers
peak indication at 0dB and +20dB.

AD2022 PREAMPLIFIER SPECIFICATIONS
 
Circuit Topology:  Twin cascode FET and bipolar low level signal amplifiers,
high-voltage, 100% discrete, symmetrical Pure Class A 
Input Type and Load:  Transformer balanced low-ratio, 50, 150, 600 and 1k5
ohm input load selection  
Maximum Mic Level:  +36dB balanced XLR pin 2 hot (with -20dB passive
attenuator) 
Maximum Instrument Level  +18dB at 100k ohms instrument input level,
standard mono 1/4 inch jack 
Input Attenuator:  -20dB resistive pre transformer primary, sealed silver relay 
Phantom Power:  +48v regulated 50mA capability, sealed silver relay 
High Pass Filter:  Passive, variable from 30Hz to 185Hz @ 6dB per octave,
sealed silver relay. 
Polarity Reverse:  Sealed silver relay on microphone input 
Gain Range Input:  +20dB to +64dB in 4dB steps 
Gain  Output Range:  +/- 3dB variable conductive plastic potentiometer 
Maximum Output Level:  +36dB balanced 600 ohms, DC coupled, discrete
symmetrical Pure Class A 
Output Type:  XLR connector, pin 2 hot 
Noise EIN Unweighted:  -126dB 150 ohm 
Noise 20kHz Unweighted:  -102dB 
Distortion THD, IMD:  0.05% nominal 
Frequency Response -3dB:  1Hz to 120kHz transformer limit 
System Bandwidth:  DC to 1MHz 
Output Meter:  High quality, illuminated analog VU meter 0dB = +4dB. 
Peak Meter:  Bi-color LED's 0dB and +20dB peak detection circuit. 
AC power supply B2T:  External toroidal 100V to 240V, 50-60Hz selectable,
150 watts maximum. 
Cables:  90V ac, 4 pin male power input connector, B2T required, internal
DC regulation  
Dimensions:  19 x 12 x 3.5 in (482 x 305 x 89mm) 
Weight:  15lbs (6.8kg) 
Dimensions - Shipping Carton:  24 x 21.5 x 7.5 in (610 x 546 x 190mm)  
Weight - Packed:  25lbs (11.4kg) 

EWI PDI-100 PARA ACOUSTIC DI Box   This is a medium grade professional application Para Acoustic Active DI, which will work well on instruments with passive pickups or active pickups.  The construction is reasonably rugged and the components are well suited for the application yielding results that are typically acceptable for all but the most discerning artists.    The on-board tone and volume controls give the operator a lot of choices in shaping their sound prior to sending the signal to the mix console.  This allows an artist to use this device in-place of or in addition to a traditional stage amp for their instrument.  This is an excellent choice for IEM bands, or bands that like to keep their stage volume low.   This item is typically used to split the instrument signal going to a stage amp so a feed can be sent also to the mix board, or be used as a stand-alone instrument pre-amp.  It is equipped with a ¼” jack for input, a 1/4" jack for output to a stage amp, one XLR jack for the send to the board and a TRS jack for inserting an FX device.Since this is an active D.I. box, it needs to be powered which can be done either with Phantom Power from the mix board, or with the supplied internal 9v battery.  The battery is fairly easy to change by removing one screw in the bottom of the case.

    • Ultra-high quality 8-channel A/D and D/A interface for virtually any digital recording/mixing environment
    • 8 state-of-the-art MIDAS designed Mic Preamplifiers
    • Phantom power on all microphone inputs
    • Reference-class Cirrus Logic 24-bit converters for ultimate signal integrity
    • Processes 48 and 44.1 kHz sample rates
    • External sample rate synchronization via word clock or ADAT input
 
  • Optical ADAT in/out interface for ultimate compatibility
  • All mic/line inputs routed to the ADAT output
  • ADAT input routed to all Line outputs
  • “Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany

The PreSonus HP60 is the most flexible and advanced headphone amplifier system available for professional and project recording studios as well as live sound in-ear monitoring systems. Loaded with six independent,
loud and clear headphone amplifiers, the HP60 features dual stereo inputs as well as external input, for each
channel allowing you to mix between three stereo audio streams (mix A, mix B, and external input). Stereo output is also available on each channel to send line level headphone channel mixes to additional headphone amplifiers or monitor systems. Each channel features headphone level, mix control between A and B inputs, external input volume, mute and mono. The HP60 also features talkback via external XLR microphone input. Common set up of the HP60 in a recording session is to send the main control room mix to input A. Send the click track to input B. Send the each band member direct recording input to each channelʼs external input (more me). This will allow each band member to create a mix between the main mix, the click track and themselves. The HP60 is the ultimate headphone amplification system delivering loud and clear headphone mixes for real-world recording situations.

Features:
-Six independent ultra low noise, high output headphone amplifiers (150 mW per channel)
-Two sets of stereo inputs (A and B) with balanced TRS connectors
-Stereo external input point on each channel for "more me” with trim control
-Mix control between inputs A and B
-Talkback with external XLR microphone with control
-Direct stereo line output on each channel

Input A

(2) ¼” TRS balanced 10 Ohms

Input B

(2) ¼” TRS balanced 10 Ohms

External input

TRS stereo unbalanced 10 Ohms

Headphone amplifier output power

150 mW RMS (60 Ohms) per channel

Audio outputs

¼” TRS stereo unbalanced per channel

Master controls

Talk button, Talkback volume, Input A, Input B

Channel controls

Headphone level, Mix A/B control, External input level, Mono, Mute

External talkback

XLR with TS external control jack

Power

IEC 110V-240V internal switching

  • 1 microphone, XLR (bal.) or 6.3 mm jack (unbal.)
  • Gain control, 10 steps (6-50 dB)
  • Phantom power can be switched on
  • Clip LED
  • 1 line output, XLR (bal.) or 6.3 mm (unbal.)
  • Operation via supplied power unit
Power supply:12 V DC, 150 mA
Input impedance:10 kohms bal./unbal.
Max. input level:+4 dB bal./+10 dB unbal.
Gain:50 dB XLR/44 dB jack
T.H.D.:0.01 %
Frequency range:25 Hz - 16 kHz
S/N ratio:>75 dB
Dimensions:143 x 93 x 45 mm
Weight:350 g
Weight0.35 kg11.40 kg0.50 kg3.00 kg2.00 kg0.35 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.35 kg
Weight 11.40 kg
Weight 0.50 kg
Weight 3.00 kg
Weight 2.00 kg
Weight 0.35 kg