DAP AUDIO D1530 PRE-101 Phono RIAA equalized pre-amp

49.35 incl. GR VAT

EAN: N/A
Installments calculation
CompareAdd to wishlist Submit Better Price
• Solid housing • RIAA Equalization • High quality components The PRE-101 is a phono pre-amp with RIAA equalization. The tiny signal of magnetic pick-ups is amplified to fit the line-level inputs of mixers or USB sound-cards. Specifications Frequency Response: 20Hz-20KHz RIAA Inputs: RCA Outputs: RCA Input sensitivity: 3mV for 1000 mV output Input Impedance: […]

 

Read more

• Solid housing
• RIAA Equalization
• High quality components

The PRE-101 is a phono pre-amp with RIAA equalization. The tiny signal of magnetic pick-ups is amplified to fit the line-level inputs of mixers or USB sound-cards.

Specifications Frequency Response: 20Hz-20KHz RIAA
Inputs: RCA
Outputs: RCA
Input sensitivity: 3mV for 1000 mV output
Input Impedance: 47 kOhm
Nominal Output Voltage: 0 dBV
Max Output voltage: +16 dBu
Output impedance: 100-600 Ohms
Power supply: 18V AC (adapter included)
Dimensions: 40 x 113 x 80 mm (HxWxD)
Weight: 0,35 Kg

Weight 0.35 kg

Reviews

There are no reviews yet.

Be the first to review “DAP AUDIO D1530 PRE-101 Phono RIAA equalized pre-amp”

Your email address will not be published. Required fields are marked *

Quick Comparison

DAP AUDIO D1530 PRE-101 Phono RIAA equalized pre-amp removeBEHRINGER MIC2200 2-Channel Tube Microphone Preamplifier-Line Driver-DI Box removeFOCUSRITE ISA TWO Double Microphone Pre-amplifier with D.I. removeOMNITRONIC LH-045 1-channel microphone preamplifier removeGOLDEN AGE PRE73 DLX Microphone preamp removePRESONUS HP-60 Headphone Amplifier 6 Channels remove
NameDAP AUDIO D1530 PRE-101 Phono RIAA equalized pre-amp removeBEHRINGER MIC2200 2-Channel Tube Microphone Preamplifier-Line Driver-DI Box removeFOCUSRITE ISA TWO Double Microphone Pre-amplifier with D.I. removeOMNITRONIC LH-045 1-channel microphone preamplifier removeGOLDEN AGE PRE73 DLX Microphone preamp removePRESONUS HP-60 Headphone Amplifier 6 Channels remove
Image
SKUD1530E005316ISA TWOLH-045PRE-73 DLXAPA2018-00893
Rating
Price 49.35 incl. GR VAT 166.00 incl. GR VAT 1,197.00 incl. GR VAT 98.15 incl. GR VAT475.00 incl. GR VAT 303.80 incl. GR VAT
Stock

Available on backorder

In stock

Available on backorder

Available on backorder

Available on backorder

AvailabilityAvailable on backorderIn stockAvailable on backorderAvailable on backorderAvailable on backorder
Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Description
Content• Solid housing • RIAA Equalization • High quality components The PRE-101 is a phono pre-amp with RIAA equalization. The tiny signal of magnetic pick-ups is amplified to fit the line-level inputs of mixers or USB sound-cards. Specifications Frequency Response: 20Hz-20KHz RIAA Inputs: RCA Outputs: RCA Input sensitivity: 3mV for 1000 mV output Input Impedance: 47 kOhm Nominal Output Voltage: 0 dBV Max Output voltage: +16 dBu Output impedance: 100-600 Ohms Power supply: 18V AC (adapter included) Dimensions: 40 x 113 x 80 mm (HxWxD) Weight: 0,35 Kg

Behringer MIC-2200 2-Channel Tube Microphone Preamplifier-Line Driver-DI Box

The MIC2200 is the ideal extension to your console, MIDI setup or hard disk recording system. Its integrated parametric EQ?s give you extra sound-shaping power, while its built-in tube adds warmth and transparency to your signal. In addition, the ULTRAGAIN PRO features direct injection and level conversion functionality.

Two channel classic Focusrite ISA transformer-based preamps Front panel, per channel:

  • 1/4" instrument input
  • Variable input impedance - Low, ISA 110, Medium, High
  • Input selection - Mic, Line, Instrument
  • 0 - 30 dB/30 - 60 dB gain switch
  • Phantom power switch
  • Phase invert switch
  • 0 - 60 dB gain in 10 dB steps
  • 0 - +20 dB continuously variable trim
  • Variable high-pass filter with on/off switch
  • Insert point on/off switch
  • Eight-LED user-calibrated level meters
  • Single power switch
Rear panel, per channel:
  • XLR-F mic inputs
  • 1/4" TRS line inputs
  • 1/4" TRS Sends
  • 1/4" TRS Returns
  • XLR-M line output
  • Single peak meter calibration dial
  • Single IEC power socket
Measured Performance
Maximum Input and Output Levels
Maximum Output Level

+24 dBu with a THD+N

Maximum Microphone Transformer Input Level +7 dBu with a THD+N
Mic Input Response
Gain range 0 dB to +60 dB in 10 dB steps, plus 0 dB to +20 dB continuously variable trim

Input Impedance

Switched Impedance setting
Equivalent Input Impedance at 1 kHz
Low = 600 Ω
ISA 110 = 1.4 kΩ
Med = 2.4 kΩ
High = 6.8 kΩ
EIN
(Equivalent Input Noise)
Measured at 60 dB of gain with 150 Ω
source impedance and 22 Hz-22 kHz band pass filter
-127 dB

Noise

Noise at output with unity gain (0 dB) and 22 Hz-22 kHz band pass filter -97 dBu

Signal-to-Noise Ratio

Measured with 150 Ω source impedance and 22 Hz-22 kHz band pass filter 121 dB relative to max output +24 dBu

Total Harmonic Distortion + Noise

Measured with a -20 dBu input signal at +30 dB of gain and with a 22 Hz-22 kHz band pass filter

Frequency Response

At minimum gain (0 dB)

-0.5 dB at 10 Hz,
-1 dB at 135 kHz, relative to 1 kHz

At +60 dB gain

-6 dB at 10 Hz,
-1 dB at 115 kHz, relative to 1 kHz

CMRR (Common Mode Rejection Ratio)

-94 dB for mic input at 60 Hz for max. output = +24 dBu
-91 dB for mic input at 10 kHz for max. output = +24 dBu

Crosstalk Channel to Channel

Mic input, with I/P = 0 dBu, gain = 0 dB @ 1 kHz input to channel A, channel B output = -85 dB
Line Input Response

Gain Range

-20 dB to +10 dB in 10 dB steps, plus 0 dB to +20 dB continuously variable trim

Input Impedance

10 kΩ from 10 Hz to 200 kHz

Noise

Noise at main output with gain at unity (0 dB) measured with 50 Ω source impedance and a 22Hz - 22 kHz band pass filter

-97 dBu

Signal-to-Noise Ratio

Measured with 50 Ω source impedance and a 22 Hz-22 kHz band pass filter

121 dB relative to max output +24 dBu

Total Harmonic Distortion + Noise

Measured with a 0 dBu input signal, +10 dB of gain and a 22 Hz-22 kHz band pass filter

Frequency Response

At unity gain (0 dB) -0.3 dB at 10 Hz,
-1 dB at 80 kHz, relative to 1 kHz

Crosstalk Channel to Channel

Line input, with I/P = 0 dBu, gain = 0dB
@ 1 kHz input to channel A

Channel B output
= -91 dB

Instrument Input Response

Gain Range

+10 dB to +40 dB continuously variable trim

Input Impedance

> 2 MΩ

Noise

>Measured with 22 Hz-22 kHz band pass filter Minimum gain (+10 dB) = -95 dBu

Frequency Response

At minimum gain (+10 dB)

-0.1 dB at 10 Hz,
-1 dB at 115 kHz, relative to 1 kHz

At maximum gain (+40 dB)

-2.5 dB at 10 Hz,
-1 dB at 110 kHz, relative to 1 kHz

High-Pass Filter

Roll-Off

18 dB per octave (3 pole filter)

Frequency Range

Continuously variable from 16 Hz to 420 Hz (-3 dB)
Weight and Dimensions

W x D x H

480 mm x 280 mm x 44 mm

Weight

3.7 kg
  • 1 microphone, XLR (bal.) or 6.3 mm jack (unbal.)
  • Gain control, 10 steps (6-50 dB)
  • Phantom power can be switched on
  • Clip LED
  • 1 line output, XLR (bal.) or 6.3 mm (unbal.)
  • Operation via supplied power unit
Power supply:12 V DC, 150 mA
Input impedance:10 kohms bal./unbal.
Max. input level:+4 dB bal./+10 dB unbal.
Gain:50 dB XLR/44 dB jack
T.H.D.:0.01 %
Frequency range:25 Hz - 16 kHz
S/N ratio:>75 dB
Dimensions:143 x 93 x 45 mm
Weight:350 g

The PRE-73 DLX is a one-channel vintage style microphone-, line- and instrument preamplifier. The signal path uses only discrete components like resistors, capacitors and transistors. The line and microphone input and the line output are transformer balanced, using three different transformers, each one optimized for its purpose.
This is the way audio components were built before integrated circuits became available. The subjective sound quality delivered by vintage equipment is often prefered over the one delivered by modern units, a situation that is even more obvious now when music is recorded with clean-sounding digital audio equipment.

The circuit used in the PRE-73 DLX is similar to the preamp section in the classical 1073 module with a corresponding sound character that is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.

FEATURES

- Vintage Style electronics. No intergrated circuits in the signal path.
- Maximum gain on the mic input is 80 dB, enough to handle passive ribbon mics with quiet sound sources.
- Gain range on the Line input: -20 to + 10 dB.
- Switchable impedance on the mic input, 1200 or 300 Ohms, will change the tone of most mics.
- Switchable phantom power and absolute phase.
- A high-impedance instrument input for any sound module, electric guitar or bass.
- A simple but effective 4-step LED output level meter.
- The output level controls makes it possible to make fine gain adjustments and also to overload the main gain stage(s) for more character and then lower the signal to a suitable level before the output stage.
- Combo XLR/TRS input jacks and separate output XLR and TRS jacks for flexible connections.
- Insert jack for inserting EQ´s and other units.
- External high power power supply to avoid interaction with the audio circuits and transformers.
- A solid build quality that will last many years of normal use.

The PRE-73 DLX has a number of improvement and new features compared to the PRE-73 MKII:
- Tantalum capacitors in the signal path.
- Selectable 1073-style high pass filter, 50Hz, 80Hz, 160Hz and 300Hz.
- Output Attenuator -7, -14, -21 and -28 dB (located after the output transformer) allows overdriving the output stage and the output transformer for added character by lowering the output signal to a suitable level.
- The circuit board is prepared for Carnhill Mic and Line transformer and high pass inductor.
- The Insert jack can be switched in/out from the front panel. An internal jumper can select that the Insert jack always has an output signal.
- Switchable 600 ohm Output Termination and Ground Lift on the back panel.
- Selectable Active or Passive DI input and selectable input impedance in active mode, Hi Z or 100 kohm, by internal jumpers.
- The DI can signal can be selected to pass or bypass the mic input transformer by internal jumpers.
- Relays are used to control internal switching for DI input, Phantom power, Mic Low Z, Insert and Phase for shorter circuit board signal paths. The relays are controlled by front panel switches.
- Revised gain switch for added headroom.
- Circuit board star grounding scheme.
- Revised power supply with separate regulators for the audio circuits and relay and LED circuits.

The PreSonus HP60 is the most flexible and advanced headphone amplifier system available for professional and project recording studios as well as live sound in-ear monitoring systems. Loaded with six independent,
loud and clear headphone amplifiers, the HP60 features dual stereo inputs as well as external input, for each
channel allowing you to mix between three stereo audio streams (mix A, mix B, and external input). Stereo output is also available on each channel to send line level headphone channel mixes to additional headphone amplifiers or monitor systems. Each channel features headphone level, mix control between A and B inputs, external input volume, mute and mono. The HP60 also features talkback via external XLR microphone input. Common set up of the HP60 in a recording session is to send the main control room mix to input A. Send the click track to input B. Send the each band member direct recording input to each channelʼs external input (more me). This will allow each band member to create a mix between the main mix, the click track and themselves. The HP60 is the ultimate headphone amplification system delivering loud and clear headphone mixes for real-world recording situations.

Features:
-Six independent ultra low noise, high output headphone amplifiers (150 mW per channel)
-Two sets of stereo inputs (A and B) with balanced TRS connectors
-Stereo external input point on each channel for "more me” with trim control
-Mix control between inputs A and B
-Talkback with external XLR microphone with control
-Direct stereo line output on each channel

Input A

(2) ¼” TRS balanced 10 Ohms

Input B

(2) ¼” TRS balanced 10 Ohms

External input

TRS stereo unbalanced 10 Ohms

Headphone amplifier output power

150 mW RMS (60 Ohms) per channel

Audio outputs

¼” TRS stereo unbalanced per channel

Master controls

Talk button, Talkback volume, Input A, Input B

Channel controls

Headphone level, Mix A/B control, External input level, Mono, Mute

External talkback

XLR with TS external control jack

Power

IEC 110V-240V internal switching

Weight0.35 kg4.20 kg3.70 kg0.35 kg3.60 kg2.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.35 kg
Weight 4.20 kg
Weight 3.70 kg
Weight 0.35 kg
Weight 3.60 kg
Weight 2.00 kg