DAP AUDIO D2313 CORE Beat 3 Channel Dj mixer

271.56 incl. GR VAT

Only 2 left in stock (can be backordered)

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• Bluetooth playback • Talk over function • VU channel indication • MP3 / Phone input selector Core Beat is the little brother of the Core MIX-3 USB. It has 6 Line inputs, a microphone input and a Bluetooth playback module. The Bluetooth playback module makes it possible to mix your connected players with wireless […]

 

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• Bluetooth playback
• Talk over function
• VU channel indication
• MP3 / Phone input selector

Core Beat is the little brother of the Core MIX-3 USB. It has 6 Line inputs, a microphone input and a Bluetooth playback module. The Bluetooth playback module makes it possible to mix your connected players with wireless devices such as a smartphones or tablets. It also has an input that can be switched between line and MP3 level. The MP3 level adjusts the input sensitivity into the correct level for MP3 players, smartphones or tablets. Now you can playback your MP3 devices directly without signal loss. It’s built with high quality components to get the best performance and has a separate fader board for easy maintenance The Core Beat has all functionality you need to get your DJ career started. It is equipped with VU indication on each channel, selectable cross-fader curves, a talk over, outputs for both master and booth and with -26dB tone control you will cut any beat you like. Let the Beat rock!

Specifications Inputs channels: 1 x Microphone, combo XLR/Jack
6 x Line, RCA
1 x Bluetooth
Output channels: 1 x Record, RCA
1 x Booth, RCA
1 x Master unbalanced, RCA
1 x Headphones, TRS 6.3mm Jack
Channel EQ range: -26dB / +12dB
Microphone EQ range: -12dB / +12dB
Frequency response: 20Hz -20Khz
Mic S/N Ratio: > 80dB
Line S/N Ratio: > 85dB

Dimensions: 247 x 331 x 84 (WxDxH)
Power input: AC15V/750mA (Adapter included)
Power consumption: 8W
Weight: 4,1 Kg

Weight 4.10 kg

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Quick Comparison

DAP AUDIO D2313 CORE Beat 3 Channel Dj mixer removeBEHRINGER DX626 Professional 3-Channel DJ Mixer with BPM Counter removeBEHRINGER DDM4000 Professional 5 channel mixer removeNUMARK M-4 Mixer 3 channel Black removeDYNACORD POWERMATE 1600-3 COMPACT POWER MIXER.2x1000W-4ohms Original removeECLER SAM 614T Installation Mixer 6 Channels remove
NameDAP AUDIO D2313 CORE Beat 3 Channel Dj mixer removeBEHRINGER DX626 Professional 3-Channel DJ Mixer with BPM Counter removeBEHRINGER DDM4000 Professional 5 channel mixer removeNUMARK M-4 Mixer 3 channel Black removeDYNACORD POWERMATE 1600-3 COMPACT POWER MIXER.2x1000W-4ohms Original removeECLER SAM 614T Installation Mixer 6 Channels remove
ImageBEHRINGER DX626 Professional 3-Channel DJ Mixer with BPM Counter
SKUD2313E005273DDM4000H02NU00019E009267SAM 614T
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Description
  • Professional 3-Channel DJ Mixer with BPM Counter and VCA Control
  • Professional 3-channel ultra-low noise DJ mixer with state-of-the-art phono preamps
  • Intelligent, dual BPM counter
  • Super-smooth, long-life Ultraglide faders (up to 500,000 cycles)
  • High-quality components and exceptionally rugged construction ensure long life
Content• Bluetooth playback • Talk over function • VU channel indication • MP3 / Phone input selector Core Beat is the little brother of the Core MIX-3 USB. It has 6 Line inputs, a microphone input and a Bluetooth playback module. The Bluetooth playback module makes it possible to mix your connected players with wireless devices such as a smartphones or tablets. It also has an input that can be switched between line and MP3 level. The MP3 level adjusts the input sensitivity into the correct level for MP3 players, smartphones or tablets. Now you can playback your MP3 devices directly without signal loss. It's built with high quality components to get the best performance and has a separate fader board for easy maintenance The Core Beat has all functionality you need to get your DJ career started. It is equipped with VU indication on each channel, selectable cross-fader curves, a talk over, outputs for both master and booth and with -26dB tone control you will cut any beat you like. Let the Beat rock! Specifications Inputs channels: 1 x Microphone, combo XLR/Jack 6 x Line, RCA 1 x Bluetooth Output channels: 1 x Record, RCA 1 x Booth, RCA 1 x Master unbalanced, RCA 1 x Headphones, TRS 6.3mm Jack Channel EQ range: -26dB / +12dB Microphone EQ range: -12dB / +12dB Frequency response: 20Hz -20Khz Mic S/N Ratio: > 80dB Line S/N Ratio: > 85dB Dimensions: 247 x 331 x 84 (WxDxH) Power input: AC15V/750mA (Adapter included) Power consumption: 8W Weight: 4,1 Kg
The Behringer DX626 Pro DJ Mixer is a premium, high quality mixer designed to deliver you a smooth performance. You'll be able to create seamless transitions between your tracks by using the intuitive BPM counter. Thanks to Behringer's inclusion of luxurious, ultra-glide faders and a VCA controlled cross fader your DX626 will offer you precision and reliability. This makes it the ideal choice to be used in high pressure, live situations. You'll also be able to communicate with the crowd with minimal effort. When you talk, the music automatically ducks, it's as simple as that. Take your sound to the next level thanks to the inclusion of an ultra-musical three band EQ. If you're serious about providing audiences with the ultimate performance then the DX626 is a necessity.
  • Professional 3-Channel DJ Mixer with BPM Counter and VCA Control
  • Professional 3-channel ultra-low noise DJ mixer with state-of-the-art phono preamps
  • Intelligent, dual BPM counter
  • Super-smooth, long-life Ultraglide faders (up to 500,000 cycles)
  • VCA-controlled crossfader for utmost reliability and smooth audio performance
  • 3-band kill EQ (-32 dB) and Gain control per channel
  • Manual talkover function
  • Microphone input with studio-grade ULN technology
  • Monitor function with master/PFL mix option
  • Precise peak-hold level meter with dedicated PFL bar graph
  • BNC gooseneck Lamp socket
  • Gold-plated RCA connectors for highest signal integrity
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany

Smooth control settings

The Ultraglide channel faders on the DX626 mixer allow for incredibly precise level settings and are designed for heavy use (500,000 cycles) whilst a VCA crossfader ensures a reliable performance.

Focused vocal performance

The DX626 offers users a dedicated mic channel and an integrated talkover function that automatically recognises your voice and reduces the volume of the music track, making your voice the focal point. The inclusion of an on-board 3-band EQ, allows you to sculpt your sound, providing you the opportunity to either cut or boost the low, mid and high frequencies by 15dB to suit the needs of the room.

Simple track syncing

With built-in dual auto BPM counters, syncing up tracks becomes incredibly easy. The counters provide you with a smooth track transition with a digital display showing channel tracking and the tempo of the music (beats per minute). You'll be free to manually enter the tempo via the "beat assist" button. This provides you with a readout of the tempo difference between the tracks and confirmation of when they're synced together.

Specifications

  • Inputs
    • Mic: 40 dB Gain, Electronically Balanced Input
    • Phono 1, 2 and 3: 40 dB Gain @ 1kHz, Unbalanced Inputs
    • Line 1, 2 and 3: 0 dB Gain, Unbalanced Inputs
  • Outputs
    • Master: Max. +21 dBu @ +10 dB (Line In)
    • Booth: Max. +21 dBu @ +10 dB (Line In)
    • Tape: Type 0 dBu
    • Phones: Type 125 mΩ @ 1 Percent THD
  • Equaliser (+/- 8dB)
    • Stereo Low: +12 dB / -32 dB @ 50Hz
    • Stereo Mid: +12 dB / -32 dB @ 1.2kHz
    • Stereo High: +12 dB / -32 dB @ 10kHz
    • Mic Low: + 12 dB / -32 dB @ 50Hz
    • Mic Mid: +12 dB / -32 dB @ 1.2kHz
    • Mic High: + 12 dB / -32 dB @ 10kHz
  • Talkover Button (Mic): -16 dB
  • Lamp (BNC): 12 V/400 mA
  • General
    • Signal-To-Noise Ratio (S/N): > 87 dB
    • Crosstalk: > 70 dB (Line)
    • Distortion (THD): >0.05 Percent
    • Frequency Response: 20Hz - 20kHz
    • Gain Control Range: -16 dB- + 6 dB
  • Power Supply
    • USA/Canada: 120V, 60Hz
    • UK/Australia: 240V, 50Hz
    • Europe: 230V, 50Hz
    • General Export Model: 100-120V, 200-240V, 50/60Hz
  • Power Consumption: Max 15W
  • Mains Connection: Standard IEC Receptacle
  • Weight: 2.6 kg
  • Dimensions
    • Height: 91 mm
    • Width: 254 mm
    • Depth: 305 mm
DIGITAL PRO MIXER DDM4000 Ultimate 5-Channel Digital DJ Mixer with Sampler, 4 FX Sections, Dual BPM Counter and MIDI
  • 32-bit digital DJ mixer with beat-synchronized sampler, 4 multi-FX sections, 2 patented* BPM counters, digital crossfader and MIDI
  • 4 Phono/Line stereo channels allowing max. 8 signal sources to be connected simultaneously
  • 2 Microphone inputs with Gain, EQ, Talk function and FX
  • 4 stereo channels with Gain, programmable parametric 3-band EQ with Kill function, fader curve control and flexible crossfader assignment
  • Sophisticated sampler with beat-controlled loop function, real-time pitch control, sampler FX and crossfader start option
  • 2 freely assignable and BPM-synchronized, high-quality FX engines (Bitcrusher, Resonator, Reverb, Flanger, etc.)
  • Ultra-fast, accurate and patented* BPM counters for automatic BPM synchronization of sampler, FX, crossfader and external drum machines, etc. via MIDI
  • Digital crossfader with flexible curve adjustment, reverse button and automatic, BPM-synchronized crossfading
  • Dual-mode crossfader with innovative frequency-selective crossfading
  • Dedicated Headphone section includes PFL Mix/Split and Bass/Snare boost functions
  • Recall your last mixer setting at the push of a button
  • Digital S/PDIF output for direct recording of your performance
  • Rack mount brackets included for ultimate flexibility
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany
  • * U.S. Patent No.: 6812394 / German Patent No.: 102 23 735
  • Three-channel tabletop mixer
  • Inputs: two phono/line switchable (RCA), four line (RCA), mic (1/4“)
  • Outputs: Master (RCA), Record (RCA), headphone (1/4" stereo)
  • Steep three-band EQ/rotary kills on each channel
  • Microphone input with EQ
  • Six-segment LED display for monitoring signal strength
  • Toggle for master and PFL metering
  • Replaceable crossfader with reverse and slope controls
Inputs:
  • Line: 10K ohm input impedance; 80mV RMS sensitivity for 0dB output
  • Mic: 600 ohm input impedance unbalanced; 1.5mV RMS sensitivity for 0dB output; 400mV RMS max input
  • Phono: 47k ohm input impedance; 1.3mV RMS sensitivity @ 1kHz for 0dB output
Outputs:
  • Line: 7V RMS max
  • Headphone: 0.5W into 47ohm
Signal to Noise Ratio (maximum output JIS-A weighted):
  • Line: Better than 100dB
  • Mic: Better than 95dB
  • Phono: Better than 85dB
Distortion: Less than 0.05% Frequency response:
  • Line: 20 – 20,000 Hz ±0.5dB
  • Mic: 20 – 15,000 Hz ±0.5dB
  • Phono: ±1dB; -3dB attenuation at 20 Hz to reduce rumble and feedback
Channel Equalizer:
  • Bass: +12 / -35dB at 20 Hz
  • Mid: +12 / -25dB at 1.3 kHz
  • Treble: +12 / -20dB at 15 kHz
Channel fader kill: Better than 90dB at 1 kHz Crossfader kill: Better than 75dB Crosstalk: Better than 80dB at 1 kHz
Channels (Mono + Stereo) 12 + 4 Auxiliaries (MON, FX, AUX) 2 Pre, 2 Post, 2 Pre/Post switchable Maximum Midband Output Power,1 kHz, THD=1%, Dual Channel into 4 Ohms 2 x 1000 W Power Requirements (SMPS with auto range mains input) 100 V .. 240 V AC, 50 Hz .. 60 Hz Power Consumption, at 1/8 maximum output power, 4 Ohms 450 W Dimensions (W x H x D), mm with lid 663.5 x 164.5 x 498.5 Net Weight, with lid 17.0 kg MIC/LINE Input Channels The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp. The +48V phantom power for condenser microphones can be switched in groups of six. The Line Input and Channel Insert are implemented as jack sockets. The Gain can be controlled in the range 0-60 dB. The switchable Lo Cut filter (80Hz, 18dB) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix. Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively. With its extended buss structure, the PowerMate-3 offers very flexible configuration options. In all, 6 AUX busses are available: 2 (FX) are assiged to the two effects sends; 2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section; 2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section. MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal. Each channel offers a Signal Present and Peak LED for level control. The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic. All potentiometers and faders are high-quality components from ALPS. Stereo MIC/LINE Input Channels The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals. Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players. The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4 Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired. Three-band tone controls are provided and a Balance control replaces the PAN control found in the mono channel strips. Master In the Master Section, too, the PowerMate is lavishly equipped. The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice. The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation. The Master B signal is available pre or post Master L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control. The level meters of the PowerMate comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu. The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music. A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp. DIGITAL USB 2.0 AUDIO INTERFACE The USB 2.0 port serves as a digital audio interface between the PowerMate and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu. For the use of the PowerMate with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD. PC-MIDI-Interface The PowerMate also offers a fully-featured PC MIDI interface. The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch. Professional Effects, OLED Display and Processing Menus The PowerMate has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable. Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology. The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments. Other presets include Echo/Reverb and Chorus/Reverb combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key. Edited effects programs can be stored in the 20 User memories, assigned names, and later selected and used in the same way as the presets. The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder. Processing Menüs For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from a multitude of menus. Particularly valuable in making it possible to adjust the PowerMate perfectly to the selected loudspeaker cabinets, thereby optimizing the audio performance and maximizing the operating safety and reliability of the system, are the LPN Processing and Speaker Protection menus. LPN-Processing Typical small to medium-sized loudspeaker cabinets, for physical reasons that have nothing to do with their make or quality, exhibit distortion in the transient response of the woofer. Since neither graphic nor parametric equalizers can do anything to alleviate this problem, the PowerMate offers a configurable LPN (low-pass notch) filter. Depending upon the size of the loudspeaker cabinet being used and also to adjust to problematic acoustics (such as those of bassy, boom-ridden rooms), the LPN filter can be set to either High or Medium. The result is considerably greater punch (e.g. from the bass drum), an extension downwards of the frequency response, and improved transparency in the bass and midrange. Speaker Protection This menu allows you to match perfectly the continuous power output of the PowerMateʼs power amplifiers to the connected loudspeakers in the interests of greater operational safety and reliability. Through dynamic limiting of the maximum power at the output, loudspeaker damage due to thermal overload can be avoided, without the wide dynamic range of the power amplifiers being sacrificed. Once the maximum permissible power handling of the connected loudspeaker cabinet has been selected from the menu—the actual peak dynamic power handling capacity in audio applications of almost all loudspeaker cabinets is many times this nominal value—the speaker protection supervises permanently the amount of energy being fed to the loudspeakers, only limiting it in the event of a threatened overload, and even then, doing so softly and inaudibly. For peak levels of short duration, the full output of the power amplifier remains available, even when relatively small cabinets are being used. As a result, not only is the maximum dynamic range of the system maintained but also, and at all times, the highest degree of operational safety and reliability. Professional Class-D High-Performance Power Amplifiers The PowerMate is equipped with a professional, extremely powerful, stereo power amplifier that uses modern and highly efficient Class-D technology. What this means is that at a nominal output of 2 x 1,000 watts RMS into 4 ohms (or 2 x 1,350 watts RMS into 2.7 ohms), comparatively little dissipation is generated within the device, and the power consumption is thereby dramatically reduced—by more than 55% compared with conventional power amplifiers! The minimal load impedance at the output is 2.7 ohms, making operation with up to three 8-ohm loudspeaker cabinets per channel, connected in parallel, possible with no problems. The audio performance is on the highest professional level, as is shown by the PowerMateʼs exemplary figures for freedom from distortion, slew rate, and freedom from intermodulation. The overall power supply is handled by an extremely stable, microprocessor-controlled, switching power supply, bringing massive gains in terms of weight-saving over a conventional toroidal transformer. Another advantage is the automatic mains voltage switching, which makes it possible to use the PowerMate virtually anywhere in the world without reconfiguration. Voltage surge protection is also integrated, whilst a ʽsoft startʼ function prevents the mains fuse tripping when the device is switched on. The PowerMate is equipped, naturally, with all the protective circuitry familiar from DYNACORD power amplifiers and satisfies even the extreme demands of hard tour use. The power amplifiers are protected against thermal overload, short-circuit, back EMF and no-load operation as well as high-frequencies or DC at the output. Both outputs, here, are supervised independently so that, should a fault occur, only the channel affected is shut down. When the device is powered up, there is a delay before the power outputs are connected, to obviate the risk of noise. The thermal stability of the PowerMate is assured by two very quiet fans the speed of which is continuously variable. The front-to-rear airflow allows the device to be used in large or small racks; furthermore, the PowerMate is equipped with a processor-controlled thermo-limiter, so if ever the threat of overheating does arise, the clip limiter intervenes in a highly musical way, acting only upon the peaks. In this way, a total shutdown of the power amplifiers is effectively prevented, as is any obtrusive fall in the overall volume level. The PROTECT and LIMIT LEDs on the front panel indicate the current operating state of the power amplifiers. Innovative Solution for Protection and Transportation The PowerMate 1000 and 1600 are supplied with a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort. For the larger PowerMate 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER). 3 years warranty of Greek distributor
  • 6 input channels
  • MIC (XLR3) inputs on channels 1 and 2
  • MIC (JACK ¼”) / stereo LINE (RCA) in channels 3 and 4. Input signal pushbutton selector (MIC/LINE) on back panel
  • Stereo LINE (RCA) on channels 5 and 6
  • Input signal gain level control (accessible only with screwdriver)
  • Each channel features signal present (SP) and CLIP indicators
  • General phantom power switch located on back panel. Independent internal phantom power assignment to any MIC input
  • Triple tone control (accessible only with screwdriver)
  • 2 main stereo OUTPUTS (XLR3) with independent volume control
  • 3 LED OUTPUT level meter
  • Input channels can be routed to any main output (A,B) or both
  • 2 additional stereo REC outputs (REC1, REC2)
  • Mono mode selector in outputs A and B
  • Headphones monitoring of selected output (A or B)
  • Integrated, internally configurable talkover. Affects OUT A and REC A
  • Remote MUTE function (PHOENIX) allows linking to external fire detection centrals
  • TALKOVER function fully configurable to –20dB or –30dB that affects boths outputs A and REC A
The SAM mixer series has been specially designed for all public address and communication systems requiring a minimum risk of unwanted external manipulation. Frequently used controls are easily accessible. Specific adjustments remain only accessible by the installer for precise and permanent settings. SAM SERIES are very easy to use, even for non-technical users. All this is packed into a compact, 1 unit high, 19'' rack unit. SAM series general KEY features
  • Universal 1 RU, 19” installation mixers
  • Excellent frequency response
  • Balanced MIC and stereo LINE inputs and main outputs
  • Reliable proprietary power supply
  • Ideal for any application requiring a trouble free mixer
Weight4.10 kg2.00 kg4.20 kg2.50 kg24.00 kg2.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 4.10 kg
Weight 2.00 kg
Weight 4.20 kg
Weight 2.50 kg
Weight 24.00 kg
Weight 2.00 kg