DAP AUDIO D2313 CORE Beat 3 Channel Dj mixer

271.56 incl. GR VAT

Only 2 left in stock (can be backordered)

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• Bluetooth playback • Talk over function • VU channel indication • MP3 / Phone input selector Core Beat is the little brother of the Core MIX-3 USB. It has 6 Line inputs, a microphone input and a Bluetooth playback module. The Bluetooth playback module makes it possible to mix your connected players with wireless […]

 

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• Bluetooth playback
• Talk over function
• VU channel indication
• MP3 / Phone input selector

Core Beat is the little brother of the Core MIX-3 USB. It has 6 Line inputs, a microphone input and a Bluetooth playback module. The Bluetooth playback module makes it possible to mix your connected players with wireless devices such as a smartphones or tablets. It also has an input that can be switched between line and MP3 level. The MP3 level adjusts the input sensitivity into the correct level for MP3 players, smartphones or tablets. Now you can playback your MP3 devices directly without signal loss. It’s built with high quality components to get the best performance and has a separate fader board for easy maintenance The Core Beat has all functionality you need to get your DJ career started. It is equipped with VU indication on each channel, selectable cross-fader curves, a talk over, outputs for both master and booth and with -26dB tone control you will cut any beat you like. Let the Beat rock!

Specifications Inputs channels: 1 x Microphone, combo XLR/Jack
6 x Line, RCA
1 x Bluetooth
Output channels: 1 x Record, RCA
1 x Booth, RCA
1 x Master unbalanced, RCA
1 x Headphones, TRS 6.3mm Jack
Channel EQ range: -26dB / +12dB
Microphone EQ range: -12dB / +12dB
Frequency response: 20Hz -20Khz
Mic S/N Ratio: > 80dB
Line S/N Ratio: > 85dB

Dimensions: 247 x 331 x 84 (WxDxH)
Power input: AC15V/750mA (Adapter included)
Power consumption: 8W
Weight: 4,1 Kg

Weight 4.10 kg

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Quick Comparison

DAP AUDIO D2313 CORE Beat 3 Channel Dj mixer removeBEHRINGER DDM4000 Professional 5 channel mixer removeDYNACORD CMS 2200-3 Sound Desk 22 Channels removeECLER SCLAT 200/8vs Mixer 8 Channels removeBEHRINGER DJX750 Pro Mixer 5-Channel DJ Mixer with Digital Effects and BPM Counter removeECLER COMPACT 5 Universal Mixer 5 Channels remove
NameDAP AUDIO D2313 CORE Beat 3 Channel Dj mixer removeBEHRINGER DDM4000 Professional 5 channel mixer removeDYNACORD CMS 2200-3 Sound Desk 22 Channels removeECLER SCLAT 200/8vs Mixer 8 Channels removeBEHRINGER DJX750 Pro Mixer 5-Channel DJ Mixer with Digital Effects and BPM Counter removeECLER COMPACT 5 Universal Mixer 5 Channels remove
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SKUD2313DDM4000E003071SCLAT 200/8vsE005267COMPACT 5
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Price 271.56 incl. GR VAT 479.89 incl. GR VAT 2,760.00 incl. GR VAT2,325.00 incl. GR VAT 301.00 incl. GR VAT744.00 incl. GR VAT
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Description
Content• Bluetooth playback • Talk over function • VU channel indication • MP3 / Phone input selector Core Beat is the little brother of the Core MIX-3 USB. It has 6 Line inputs, a microphone input and a Bluetooth playback module. The Bluetooth playback module makes it possible to mix your connected players with wireless devices such as a smartphones or tablets. It also has an input that can be switched between line and MP3 level. The MP3 level adjusts the input sensitivity into the correct level for MP3 players, smartphones or tablets. Now you can playback your MP3 devices directly without signal loss. It's built with high quality components to get the best performance and has a separate fader board for easy maintenance The Core Beat has all functionality you need to get your DJ career started. It is equipped with VU indication on each channel, selectable cross-fader curves, a talk over, outputs for both master and booth and with -26dB tone control you will cut any beat you like. Let the Beat rock! Specifications Inputs channels: 1 x Microphone, combo XLR/Jack 6 x Line, RCA 1 x Bluetooth Output channels: 1 x Record, RCA 1 x Booth, RCA 1 x Master unbalanced, RCA 1 x Headphones, TRS 6.3mm Jack Channel EQ range: -26dB / +12dB Microphone EQ range: -12dB / +12dB Frequency response: 20Hz -20Khz Mic S/N Ratio: > 80dB Line S/N Ratio: > 85dB Dimensions: 247 x 331 x 84 (WxDxH) Power input: AC15V/750mA (Adapter included) Power consumption: 8W Weight: 4,1 KgDIGITAL PRO MIXER DDM4000 Ultimate 5-Channel Digital DJ Mixer with Sampler, 4 FX Sections, Dual BPM Counter and MIDI
  • 32-bit digital DJ mixer with beat-synchronized sampler, 4 multi-FX sections, 2 patented* BPM counters, digital crossfader and MIDI
  • 4 Phono/Line stereo channels allowing max. 8 signal sources to be connected simultaneously
  • 2 Microphone inputs with Gain, EQ, Talk function and FX
  • 4 stereo channels with Gain, programmable parametric 3-band EQ with Kill function, fader curve control and flexible crossfader assignment
  • Sophisticated sampler with beat-controlled loop function, real-time pitch control, sampler FX and crossfader start option
  • 2 freely assignable and BPM-synchronized, high-quality FX engines (Bitcrusher, Resonator, Reverb, Flanger, etc.)
  • Ultra-fast, accurate and patented* BPM counters for automatic BPM synchronization of sampler, FX, crossfader and external drum machines, etc. via MIDI
  • Digital crossfader with flexible curve adjustment, reverse button and automatic, BPM-synchronized crossfading
  • Dual-mode crossfader with innovative frequency-selective crossfading
  • Dedicated Headphone section includes PFL Mix/Split and Bass/Snare boost functions
  • Recall your last mixer setting at the push of a button
  • Digital S/PDIF output for direct recording of your performance
  • Rack mount brackets included for ultimate flexibility
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany
  • * U.S. Patent No.: 6812394 / German Patent No.: 102 23 735

MIC/LINE Input Channels
The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
The +48V phantom power for condenser microphones can be switched in groups of six.
The Line Input and Channel Insert are implemented as jack sockets.
The Gain can be controlled in the range 0-60 dB.
The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.
Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively.
With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case:
2 (FX) are assiged to the two effects devices;
2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section;
2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section.
MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.
Each channel offers a Signal Present and Peak LED for level control.
The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.
All potentiometers and faders are high-quality components from ALPS.
Stereo MIC/LINE Input Channels
The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals.
Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players.
The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4
Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired.
Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips.
MASTER
In the Master Section, too, the CMS3 mixers are lavishly equipped.
The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice.
The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation.
The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control.
The level meters of the CMS3 comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu.
The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music.
A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp.
DIGITAL USB 2.0 AUDIO INTERFACE  
The USB 2.0 port serves as a digital audio interface between the CMS3 and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu.
For the use of the CMS3 with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD.
PC MIDI Interface
The CMS3 also offers a fully-featured PC MIDI interface.
The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.
Professional Effects, OLED Display and Processing Menus
The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable.
Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology.
The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments.
Other presets include Echo/Reverb and Chorus/Echo combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key.
Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets.
The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder.
Processing Menus
For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus.
Innovative Solution for Protection and Transportation
Optionally available for the CMS 1000 and 1600 is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort.
For the CMS 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER).
Accessories
For rack installation of the CMS 1000 (or table installation of the models 1600 and 2200), the mounting kit RMK 1000-3 is available.
Other accessories include the gooseneck light DC-LITLITE-4P and the DC-FS11 ON/OFF footswitch for the effects units.

Since 1984 the SCLAT mixing desks have been rocking thousands of class venues around the world, serving the most demanding technicians, the most creative pro-Djs and the most exciting dance floors. Behind the renowned experience of ECLER Laboratories, the SCLAT 200vs keeps combining all the requirements technicians demand regarding features and operating safety together with the inventive functionality Professional DJs demand from a high-end mixing desk. Designed to optimize the best high-end club P.A.s, featured to fit any studio recording standard, built to withstand the most demanding mobile touring set-ups, the SCLAT 200vs is probably the best quality Audio Mixing Desk presently available in the Industry. Superior effects processor Remix live... Built-in processor with double DSP featuring 2 manual filters and 10 effects with BPM synchronization. Includes a DRY/WET crossfader taking your effects control to the next level: activate and deactivate, fade in to the level of your choice… Allows routing every single channel to the module independently. Features control of TIME and PARAMETER and a friendly user selectable panel. Effects consists of LFO Filter, Low Pass Filter, High Pass Filter, Delay, Reverb, Flanger, Phaser, Vocoder, Pitch Shifter, Echo Reverb, Filtered Echo and Flanger Echo. Midi out Control you favorite devices... The module includes a MIDI output and features start and stop commands to activate and deactivate your devices and a clock to adjust the tempo. Edi:lab software Expand your creativity... The built-in effect processor is reprogramable in real-time with the edi:lab software (included). The user can load a new effect set-up in the SCLAT mixer and play it stand-alone without any need of the computer. An effect library is available in the edi:lab software in order to save the different user set-ups. 
  • Professional 5-channel ultra-low noise DJ mixer with stylish, black design
  • State-of-the-art 24-bit digital effects with advanced parameter control
  • Intelligent dual auto-BPM counter with time and beat sync display
  • Super-smooth ULTRAGLIDE faders with up to 500,000 life cycles
  • Awesome adjustable XPQ stereo surround effect
  • VCA-controlled crossfader for utmost reliability and smooth audio performance
  • Adjustable crossfader curve for all mixing styles
  • 3-band kill EQ (-32 dB) and precise level meters with peak hold function per channel
  • Additional 3-way kill switches with extremely steep frequency separation
  • Monitor function with master/cue balance control and split option
  • Auto-talkover function with separate depth control
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany
Need an analog DJ mixer for your dance club? Donʼt want to settle for some run-of-the-mill DJ desk youʼll outgrow in just a few weeks? The new PRO MIXER DJX750 DJ Mixer merges intuitive operation with built-in digital effects processing for clean, transparent sound that will set your dance floor on fire! Because your voice is your instrument, the DJX750 features a dedicated mic channel with all the tools to make your sound supremely distinctive. Vocal fine-tuning is handled by the onboard 3-band EQ, which provides up to 15 dB of boost or cut at LOW (80 Hz), MID (2.5 k), and HIGH (12 kHz) frequency centers — creating an extremely broad tonal palette. Not Just a DJX700 Dressed in Black! DJs the world over love the DJX700 — and we are grateful that so many have made it their "go-to” mixer. So when we began design on the DJX750, we knew we had to do something very special. We started by revving up the FX processor and putting advanced parameter control right at your fingertips. No longer are you confined to rigid presets that limit your creativity. With the DJX750, you can change FX parameters on-the-fly, pushing your performance to the next level. In no time youʼll be creating powerful sets with your own custom-tailored effects sounds, all of which can be controlled in real-time. Some parameters at your disposal include Bit Crusher depth, manual filter sweeps, Panning (LFO Rate), delay/echo time and much more. You can even set delay and echo timing relative to the internal BPM counter for extremely musical results. It is kinda like a DJX700 — but one on steroids! Really good digital effects add the finishing touch to a solid performance, and ours are really good! With 33 outstanding effects to choose from, including an assortment of Phase Shifters, Flangers, Reverbs, Delays and more, your audience wonʼt know what hit them. There are even Auto Filter and Voice Changer effects that will take your show to a whole new level. Channels Galore Because your voice is your instrument, the DJX750 features a dedicated mic channel with all the tools to make your sound supremely distinctive. Vocal fi ne-tuning is handled by the onboard 3-band EQ, which provides up to 15 dB of boost or cut at LOW (80 Hz), MID (2.5 k), and HIGH (12 kHz) frequency centers — creating an extremely broad tonal palette. The DJX750ʼs stereo channelsʼ EQ utilize the same frequency centers with a boost of up to 12 dB and a cut of as much as -32dB. These channels are equipped to handle every conceivable input source — from line level, phono, CD and tape decks to mp3 and minidisk players, weʼve got you covered. Auto DuckingDJX750ʼs talkover function automatically detects your voice and brings down the volume of the music track (referred to as "ducking”), so your voice is always out front — you can even set this level to your own personal preference. Auto BPM Counter Syncʼing up tracks is an art unto itself — thatʼs why we gave the DJX750 dual Auto BPM Counters. This cool feature helps take the guess work out of making a smooth transition from one track to the next. Each BPM counterʼs digital display shows which channel it is tracking and the tempo of the music in beats per minute. Optionally, you can push the Beat Assist button in time with the song to manually enter the tempo. You get a read out of the tempo diff erence between the tracks, as well as a visual confirmation when they are in sync. These tools will help you seamlessly align two tracks — without having to rely solely on your ears. Crossfader & Channel FadersAll of our super-smooth faders are of the high-grade 45-mm ULTRAGLIDE variety. Faders are, after all, the heart and soul of every mixer, and with their 500,000 cycle life expectancy (thatʼs 275 fades per night, per fader for five years without a break!), they outperform standard faders more than twenty-to-one. And since the crossfader uses VCA (Voltage Controlled Amplifi er) technology, there is virtually no audio noise. For those of you who prefer customized crossfading, the DJX750 also includes our CF Curve control, which lets you set the crossfaderʼs control characteristic just the way you like it. It is, after all, your show! XPQ 3DMaking music larger than life is what itʼs all about and the DJX750 comes through on this in a big way. XPQ 3D Surround widens the stereo field, giving it immense depth and a stereo image that is full of life, with amazingly transparent sound. You determine the intensity of this stunning effect with a simple twist of the Surround control — from barely noticeable to supremely spectacular. Sound QualityNone of the above-mentioned features would amount to much if the DJX750 didnʼt sound truly remarkable. Thatʼs why we equip each one with our tried-and-true ULN (Ultra Low-Noise) preamps: what comes in comes out, with nothing added. So you get maximum headroom, extremely low noise and ultra-transparent sound. Compare it to the competition for sound quality, features and value and youʼll see why more and more DJs "own the night” with their BEHRINGER DJX750. Monitor Multi-tasking You canʼt put on much of a show if you canʼt hear what youʼre mixing! Thatʼs why we didnʼt cut any corners on DJX750ʼs monitor section. When the monitor Mode switch is in the "Split” position, you hear the PFL (Pre-Fader Level) output on the left side of your phones, and the Master signal on your right. If you prefer working in "Stereo” mode, you can turn the MIX control fully counterclockwise to hear the channel PFL signal in both sides of your headphones, fully clockwise for the Master output, or you can "mix” both signals by adjusting the control to anywhere in-between. You can listen to one or multiple sources, and LEDs light up to indicate what youʼre listening to.  

A fully featured but compact and clearly designed 5 channel console to offer the most versatile mixing unit to installers and mobile P.A. Adapted to a very wide range of purposes such as Bars, Disco-bars, Religious Centres, Retail shops, Fitness rooms, Education Centres, Meeting rooms, Mobile P.A. rental etc… where space is limited and users are non-technical people.

  • Versatile laptop and rack format design (3u. high / 19” rack).
  • 5 channels, 8 LINE Inputs, 3 MIC Inputs, 2 PHONO Inputs.
  • 2 independent MASTER (1x XLR / 1x RCA) and REC output.
  • 3 band equalizer per channel.
  • PFL monitoring. Talkover. Phantom power.
  • 45mm ECLER faders per channel.
Weight4.10 kg4.20 kg12.00 kg6.00 kg3.00 kg4.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
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Weight 4.10 kg
Weight 4.20 kg
Weight 12.00 kg
Weight 6.00 kg
Weight 3.00 kg
Weight 4.00 kg