N-AUDIO MX400 Mini audio mixer

29.94 incl. GR VAT

Available on backorder

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Availability: Available in 4-10 d. Available in 4-10 d. SKU: MX400 N-AUDIO Category:
Mini audio mixer 4 channel ( 4xIN   1xOUT ) * 4xIN Jack 6,3mm to 1xOUT Jack 6,3mm * Power supply included 4x 6.3 mm Mono jack inputs 1x 6.3 mm Mono jack outputs

 

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Mini audio mixer
4 channel ( 4xIN   1xOUT )

* 4xIN Jack 6,3mm to 1xOUT Jack 6,3mm
* Power supply included

  • 4x 6.3 mm Mono jack inputs
  • 1x 6.3 mm Mono jack outputs
Weight 0.50 kg

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Quick Comparison

N-AUDIO MX400 Mini audio mixer removeBEHRINGER Micromix MX-400 Ultra Low-Noise 4-Channel Line Mixer removeECLER COMPACT 5 Universal Mixer 5 Channels removeECLER AC-6 Professional Mixer 8 Channels removeDYNACORD CMS 2200-3 Sound Desk 22 Channels removeECLER Nuo-2.0 Professional DJ Mixer 2 Channels remove
NameN-AUDIO MX400 Mini audio mixer removeBEHRINGER Micromix MX-400 Ultra Low-Noise 4-Channel Line Mixer removeECLER COMPACT 5 Universal Mixer 5 Channels removeECLER AC-6 Professional Mixer 8 Channels removeDYNACORD CMS 2200-3 Sound Desk 22 Channels removeECLER Nuo-2.0 Professional DJ Mixer 2 Channels remove
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SKUMX400 N-AUDIOE005672COMPACT 5AC-6E003071Nuo-2.0
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Price 29.94 incl. GR VAT 32.24 incl. GR VAT744.00 incl. GR VAT1,776.92 incl. GR VAT 2,760.00 incl. GR VAT 450.00 incl. GR VAT
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Description
  • 3-Band cut EQ
  • 3 Kill switches for treble, mid and bass
  • FX send with pre / post switch and knob
  • Cut switches
  • Knob for the third channel (MIC or H-Line)
  • 45mm VCA faders with setting the fader curve
  • Double VU meter
  • PFL (Prefader) and master
  • VCA Cross-fader with adjustable fader curve
  • Dimensions: 370 x 165 x 80 mm
  • Weight: 3.0 kg
ContentMini audio mixer 4 channel ( 4xIN   1xOUT ) * 4xIN Jack 6,3mm to 1xOUT Jack 6,3mm * Power supply included
  • 4x 6.3 mm Mono jack inputs
  • 1x 6.3 mm Mono jack outputs
Behringer Micromix MX-400 Ultra Low-Noise 4-Channel Line Mixer Despite its ultra-compact size, this 4-channel line mixer is big on features! It yields the highest sonic quality at all output levels, boasting ultra low-noise 4580 operational amplifiers for outstanding audio performance?the same op amps found in its much bigger brethren. Expanding on the capabilities of standard-size mixers is where the MX400 does extremely well, for example as a sub-mixer. If you are running short on available channels on your ?big? mixer and need to bring the output of three different keyboards into your mix, you can simply connect them to the MX400, work out the keyboard mix, and connect the MX400?s output to a single input on your main mixer. It will catch your eye because it?s cute as a button, but you?ll want to own one because of what it can do for your performance.
  • Compact 4-channel line mixer
  • Separate volume control for each channel
  • Low noise 4580 operational amplifier
  • 4x 6.3 mm Mono jack inputs
  • 1x 6.3 mm Mono jack outputs
  • Includes 12-Volt power supply
  • Dimensions: 46.5 x 57.2 x 103.6 mm
  • Weight: 190 g

A fully featured but compact and clearly designed 5 channel console to offer the most versatile mixing unit to installers and mobile P.A. Adapted to a very wide range of purposes such as Bars, Disco-bars, Religious Centres, Retail shops, Fitness rooms, Education Centres, Meeting rooms, Mobile P.A. rental etc… where space is limited and users are non-technical people.

  • Versatile laptop and rack format design (3u. high / 19” rack).
  • 5 channels, 8 LINE Inputs, 3 MIC Inputs, 2 PHONO Inputs.
  • 2 independent MASTER (1x XLR / 1x RCA) and REC output.
  • 3 band equalizer per channel.
  • PFL monitoring. Talkover. Phantom power.
  • 45mm ECLER faders per channel.
Although the origins of the company date from 1965, ECLER presented its first mixer back in the 70s: the A4, a simple 4 channel mixer oriented to Super 8 film sound edition. The company grew in the 70s with the boom of disco and tourism. The AC-4 was a high fidelity mixer designed to meet the most demanding sound requirements in discos, theatres, cinemas, recording studios, conference rooms... The electronic circuits and the extreme selection of all components and transistors used, made the AC-4 a professional high quality mixer. The new AC-6 is a tribute to those old school, simple, robust, reliable and great sounding mixers. The AC6 enables a new generation of DJs to enjoy the unique sound of those legendary mixers.

MIC/LINE Input Channels
The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
The +48V phantom power for condenser microphones can be switched in groups of six.
The Line Input and Channel Insert are implemented as jack sockets.
The Gain can be controlled in the range 0-60 dB.
The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.
Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively.
With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case:
2 (FX) are assiged to the two effects devices;
2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section;
2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section.
MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.
Each channel offers a Signal Present and Peak LED for level control.
The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.
All potentiometers and faders are high-quality components from ALPS.
Stereo MIC/LINE Input Channels
The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals.
Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players.
The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4
Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired.
Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips.
MASTER
In the Master Section, too, the CMS3 mixers are lavishly equipped.
The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice.
The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation.
The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control.
The level meters of the CMS3 comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu.
The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music.
A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp.
DIGITAL USB 2.0 AUDIO INTERFACE  
The USB 2.0 port serves as a digital audio interface between the CMS3 and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu.
For the use of the CMS3 with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD.
PC MIDI Interface
The CMS3 also offers a fully-featured PC MIDI interface.
The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.
Professional Effects, OLED Display and Processing Menus
The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable.
Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology.
The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments.
Other presets include Echo/Reverb and Chorus/Echo combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key.
Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets.
The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder.
Processing Menus
For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus.
Innovative Solution for Protection and Transportation
Optionally available for the CMS 1000 and 1600 is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort.
For the CMS 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER).
Accessories
For rack installation of the CMS 1000 (or table installation of the models 1600 and 2200), the mounting kit RMK 1000-3 is available.
Other accessories include the gooseneck light DC-LITLITE-4P and the DC-FS11 ON/OFF footswitch for the effects units.

The NUO 2.0 is a 2 channel analogue mixer addressed to the professional DJ of any kind, in despite of the music style. It features the professional characteristics that made its predecessors acclaimed worldwide, and it equips the best analogue components available in the market place in order to obtain the highest sound performance. Whether you play house, techno or hip hop, perform smoothly or as a scratch DJ, the NUO 2.0 will please all your needs thanks to its versatility and plenty of features, such as the precise and ergonomic full cut EQ, FX Send control per channel in pre or post fader mode, faders curve adjustments and suitability for the awarded magnetic ETERNAL crossfader for the professional scratch DJ. Its superb sound quality and robust format, plus balanced XLR Master output and Booth output for monitoring make it also a perfect mixer for small installations. _ 2 mixing channels _ 1 MICRO/LINE channel _ 2 PHONO inputs _ 3 LINE inputs _ Master output XLR and RCA _ Booth output RCA _ 3 band full cut EQ _ Extra large ergonomic EQ knobs _ 3 band EQ kill switches _ FX Send control per channel _ FX Pre/Post fader selector _ 45mm long life VCA faders _ 45mm long life VCA crossfader _ Fader and crossfader shape adjustment _ Crossfader Reverse and Cut-In _ Crossfader suitable for ETERNAL
Weight0.50 kg0.20 kg4.00 kg4.00 kg12.00 kg4.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.50 kg
Weight 0.20 kg
Weight 4.00 kg
Weight 4.00 kg
Weight 12.00 kg
Weight 4.00 kg