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| Τύπος Monitors | Aυτοενισχυόμενο ηχείο μόνιτορ 3 δρόμων | | Ισχύς Ενισχυτή (συνολικά) | 250.00 WRMS | | Ισχύς Ενισχυτή Tweeter | 50 WRMS | | Ισχύς Ενισχυτή Woofer | 2 x 100 WRMS | | Μέγεθος Tweeter | AMT RS2 | | Μέγεθος Woofer | 6.5 | | Απόκριση Συχνοτήτων | 40Hz - 21kHz (-3dB) | | Αρμονική Παραμόρφωση | | | Μαγνητική Θωράκιση | Όχι | | Μέγιστη Στάθμη Εξόδου | 114dB @ 1m dB | | Διαστάσεις | 500 x 215 x 310 mm | | Συνδετήρας Εισόδων | balanced XLR, unbalanced RCA, | | Ιδιαίτερα Χαρακτηριστικά |
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DM-2100: 2.1-ch Speaker System
Features The DM-2100 2.1-ch Speaker System is an affordable way to add accurate reference monitoring with a subwoofer for enhanced bass response. The left and right speakers each offer 15 watts of power, while the 50-watt subwoofer provides a powerful low-end boost. And with 24-bit/96kHz digital inputs, the DM-2100 is perfect for use with Roland/BOSS digital studios and instruments, or with computer systems and more.
- Affordable 2.1-channel monitoring system with 24-bit/96kHz digital inputs
- Powered bass reflex speakers with 15 watts per side and flat frequency response
- Active subwoofer with 50-watt amplifier for increased low end
- Front-mounted controls convenient located on right speaker
- Coaxial and optical digital inputs, plus analog inputs (RCA and 1/4-inch type)
- Sleek black wooden cabinets with magnetic shielding
Rated Output Power50W + 15W + 15WSpeakerSubwoofer: 16cm, Satellite Units: 9.2cmNominal Input LevelLine 1: -10dBu, Line 2: -10dBuInput Impedance18k ohmControlsR Channel: Bass Control Knob, Treble Control Knob, Volume 1 (Digital In/ RCA pin), Volume 2 (1/4” phone), Power Switch, Digital Input Select Switch, Phase SwitchConnectorsR Channel: Line 1 Jack (L, R; RCA pin), Line 2 Jack (L (MONO), R; 1/4” phone), Optical Input Connector, Coaxial Input Connector, Dedicated connector for power control and audio signal, Channel Input Jack (R; RCA pin),
L Channel: Channel Input Jack (L; RCA pin),
Sub Woofer: Dedicated connector for power control and audio signal, Channel Output Jacks (L, R; RCA pin), AC In JackDigital InputSampling Rate 32/44.1/48/96 kHz, D/A Convertor 24 bitsPower SupplyAC117, 230 or 240VAccessoriesSpeaker Cables (RCA pin type), Dedicated Cable for power control and audio signal, Power CableSize and Weight ( Satellite Units )Width130 mm5-1/8 inchesDepth160 mm6-5/16 inchesHeight200 mm7-7/8 inchesWeight
Size and Weight ( SubWoofer )Width240 mm9-1/2 inchesDepth300 mm11-13/16 inchesHeight330 mm13 inches
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Features
Ruler-Flat Response 52Hz to 20kHz, + 1.5 dB
Benefit: Sound true to actual recording
Benefit: Any pair of speakers is a matched pair
Active Technology
2 FR (Fast Recovery) Series Amplifiers; HF 40W; LF 100W
Benefit: Precise dividing slope, correct phase, and low distortion
Benefit: Minimal chance of speaker damage due to overdriving
Servo Loop Woofer Technology
Electronic control and dampening
Benefit: Speaker output is as true to incoming signal as possible
Frequency Response Controls
80Hz low-cut switch; 3-position live/dead switch (-2bdB, Normal and +2dB)
Benefit: Excellent response in a variety of acoustic environments
Wide Sweet Spot
Custom-designed die-cast wave guide
Benefit: User hears the same thing across a wider range of motion
3-Position Acoustic Space Switch
Compensation in bass response for half-space (-2dB) and quarter-space (-4dB) placement
Benefit: As close-to-flat performance as possible regardless of placement in room
Applications
Professional Recording Studios
Home and Project Studios
Film (THX) and Post Production Studios
Home Theater Installations
Acoustic Performance
Free Field Frequency Response: 52Hz - 20Hz
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PRICE PER UNIT
The original A5 The small A5 managed to make itself a big name in both professional environments as well as in computer or desktop applications. A wealth of truly outstanding reviews and many awards helped to establish this speaker as one "of the best small monitors” and a "great choice for the small studio.” (Future Music, 01/2009). The new A5X The similar dimensions and name could make one believe that the A5X is nothing more than a new version of the A5. A quick listening however leaves no doubt that the A5X is much more than that. Like all other models of the AX-Series it features the proprietary X-ART tweeter. The very data of this technology shows that it is at the forefront of what tweeters can accomplish. Numerous listening tests have confirmed this. A 5.5” Midwoofer reproduces the frequencies below 2.5kHz. The diaphragm is made from Carbon fiber/Rohacell/Glass fiber, which is the same composite structure shared in the next two bigger models. This material with minimum weight and maximum rigidity prevents break up resonances, resulting in an outstanding dynamic behaviour and impeccable sound characteristics. Stereolink A very handy and exclusive feature found in the two smaller AX monitors is the Stereolink. This is accomplished by a pair of additional RCA connections that allow for a bypass of the second stereo channel to the other speaker. This new technology connects two A5X speakers in such a manner as to allow the user the option to control the overall stereo volume of the system from either speakers gain control. This makes the A5X a natural for "mixer-less” desktop applications where overall system volume needs to be adjusted easily. Controls and Connectors The front of the A5X sports dual ports for surprisingly low frequency response down to 50Hz. The front panel also has power and gain controls. The rear panel includes a tweeter gain control as well as balanced (XLR) jacks and unbalanced (RCA) jacks, allowing for greater connection flexibility. There are also two M6 (6 mm) metric screw threads for stand/wall mounting. Review: "The A5X: a superb impression.“ "A sparkling and lively desktop monitor with an open, powerful character. Good filters and practical ergonomics as well as useful equipment make ADAMs A5X an ideal partner in multimedia nearfield sound." (Stereo, 10/10) | Mid-Woofer |
| | Number | 1 | | Basket Ø | 5.5" (145 mm) | | Voice coil Ø | 1.5" (32 mm) | | Cone material | Carbon/Rohacell/Glass Fiber | | Tweeter |
| | Number | 1 | | Type | X-ART | | Diaphragm area | 4 inch² (2420 mm²) | | Equiv. Diaphragm Ø | 2" (56 mm) | | Velocity transform ratio | 4:1 | | Diaphragm weight | 0.17 g | | Built-in Amplifiers |
| | Mid-Woofer | 1 | | Type | PWM | | Amp. power RMS / music | 50 W / 75 W | | Tweeter | 1 | | Type | A/B | | Amp. power RMS / music | 50 W / 75 W | | Control panel |
| | Input Sensitivity | -∞ to +14 dB | | High Shelf EQ > 5 kHz | ±6 dB | | Low Shelf EQ | ±6 dB | | Tweeter gain | ±4 dB | | Input connectors |
| | Analog | XLR / RCA | | General data |
| | Frequency response | 50 Hz - 50 kHz | | THD 90dB/1m > 100 Hz | ≤0.6 % | | Long term output | ≥102 dB | | Max. peak | ≥110 dB | | Crossover frequencies | 2500 Hz | | Input impedance | 30 KOhm | | Weight | 14.6 lb (6,6 kg) | | Magnetically shielded | No | | Height x Width x Depth | 11" (280 mm) x 6.5" (170 mm) x 8.5" (220 mm) | | Warranty | 5 Years |
| Delivery contents | | Cinch-cable, Power cord, Manual |
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MYTHO 8 is a two-way reference studio monitor equipped with two separate AB amplifiers - 200 W for the low frequencies and 100 W for the high - unparalleled for low distortion and natural sound. It features a high quality large metal dome tweeter for the best vocal reproduction and a 8” neodymium vented woofer with a large sized 51 mm voice coil that guarantees very high energy for tight and controlled bass reproduction and perfect thermal stability with minimum power compression.
The magnetic circuit features a special air ventilation to reduce air compression, air noises and minimize distortion in large excursion situations. Thanks to the deeper low frequencies reproduced by its 8” woofer, the MYTHO 8 is perfect for medium to large control rooms.
A dedicated high quality DSP is provided on board. The cabinet is made in aluminium, internally braced and reinforced to improve low frequencies behaviour and reduce resonances.
| Acoustical Specifications |
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| Frequency Response -3 dB: | 35 Hz | ÷ 20 kHz | | Max SPL: | 116 dB | | | Horizontal coverage angle: | 110° | | | Vertical coverage angle: | 70° | | | Compression Driver: | 1" neo, metal dome | | | Woofer: | 8" neo, ICC technology | |
| INPUT/OUTPUT SECTION |
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| Input connectors: | combo XLR/Jack | | | Input sensitivity: | -6/+6 dBu | |
| PROCESSOR SECTION |
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| Crossover frequencies: | 1800 Hz | | | Protections: | thermal, excurs., rms | | | Limiter: | soft limiter | | | Controls: | bass tilt, roll-off, treeble tilt, desktop, DSP controlled | |
| AMPLIFIER SPECIFICATIONS |
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| High frequencies: | 100 Watts | | | Low frequencies: | 200 Watts | | | Cooling: | convection | | | Connections: | vde | |
| CABINET |
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| Cabinet Material: | die cast aluminum | | | Hardware: | orientation adjustable stand | |
| PHYSICAL SPECIFICATIONS |
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| Height: | 430/17 mm/inch | | | Width: | 310/12.2 mm/inch | | | Depth: | 300/11.8 mm/inch | | | Net Weight: | 16.150/35.60 Kg/Lbs |
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The compact LSR6325P-1 provides exceptional performance for use in applications
where accuracy is a must, but space is limited. With a 5.25 in. high-excursion woofer,
a damped titanium composite tweeter, and 150 Watts of amplification, it outperforms
many larger systems. When used with the LSR6312SP Subwoofer, the LSR6325P-1
is the heart of an exceptionally accurate yet space efficient full-range system.
Features:
High-performance bi-amplified design with patented JBL transducer technology.
Front panel volume and power controls.
Integrated mounting points for horizontal and vertical suspension.
Titanium composite high frequency device with elliptical oblate spheroidal waveguide.
Shielded for use next to video monitors.
Built in high-pass filtering for use with optional subwoofer.
User selectable workstation boundary compensation.
Powered monitors with 5.25" woofers and 1" titanium composite dome tweeters
100 watts power for low frequencies, 50 watts for highs
Cast aluminum enclosure for structural rigidity and light weight
Magnetically shielded for interference-free use near CRTs and other electronic gear
Linear Spatial Reference technology ensures even frequency response at the mix position
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