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Audio-Technicaʼs System 10 Stompbox digital high-fidelity guitar wireless system combines the advanced 24-bit operation, easy setup and clear, natural sound quality of other System 10 configurations with unique functionality for guitarists, bassists and other instrumentalists. Operating in the 2.4 GHz range, far from TV and DTV interference, System 10 Stompbox offers a rugged, metal, pedal board-mountable receiver with foot switch, two switched TRS balanced 1/4" outputs and an output mode selector. With the tap of a foot, musicians can toggle between outputs (e.g., for switching amps) or mute and unmute one output without muting the other (e.g., for convenient tuning). And a single receiver can be paired with up to eight UniPak® body-pack transmitters, allowing users to easily switch between instruments without having to move a body-pack from one instrument to the next.
System 10 wireless ensures clear communications by providing three levels of diversity assurance: frequency, time, and space. Frequency Diversity sends the signal on two dynamically allocated frequencies for interference-free communication. Time Diversity sends the signal in multiple time slots to maximize immunity to multipath interference. Finally, Space Diversity uses two antennas on each transmitter and receiver to maximize signal integrity.
Each Stompbox system includes an ATW-R1500 Stompbox receiver, an ATW-T1001 UniPak body-pack transmitter with an AT-GcW guitar cable, and hook & loop strips for adding receiver to an effects pedal board. The ATW-R1500 is a digital receiver with sturdy, metal-body construction, easy-to-read digital ID and transmitter battery level displays, and AF Peak and Pair indicator lights.
- Digital 24-bit/48 kHz wireless operation for ultimate sound quality and dependable performance
- 2.4 GHz range – completely free from TV interference
- Three levels of diversity assurance: frequency, time, & space
- Two switched TRS balanced 1/4" output jacks
- Output mode selector and foot switch to toggle between outputs or mute/unmute Output A without muting Output B (e.g., for use with tuner)
- Multi-pairing function to link a single receiver with up to eight body-pack transmitters
- Transmitter battery level display on receiver
- Automatic frequency selection for seamless, interference-free operation
- Extremely easy operation with instantaneous channel selection, sync, and setup
- State-of-the-art digital receiver housed in a strong, metal, stompbox-style body for reliable performance and pedal board mounting
- Included hook & loop strips for adding receiver to effects pedal board
- Universal (center + or -) 9v–12v DC input
OVERALL SYSTEM SPECIFICATIONS - Operating Frequencies: 2.4 GHz ISM band
- Dynamic Range: >109 dB (A-weighted), typical
- Total Harmonic Distortion: 7 hours (alkaline)
- Depending on battery type and use pattern
Dimensions: 70.2 mm (2.76“) W x 107.0 mm (4.21“) H x 24.9 mm (0.98“) DNet Weight: 100 grams (3.5 oz) without batteriesAccessory Included: AT-GcW Guitar Input Cable
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The M3R belt pack receiver is part of the M3 system. Rugged, ergonomic compensate housing includes a field-replaceable flexible-whip antennas. Digital LCD display with soft touch controls. The stereo monitor system offers Personal Mix Control, which gives each musician volume and mix control of two independent signals on stage, via easy-to-use controls on the M2R stereo body-pack receiver. Any number of M2R stereo receivers may be used on the same frequency with a single M2T stereo transmitter. On board 3 level limiter (defeatable) helps protect your hearing from sudden peaks. Includes Audio-Technica earphones with proprietary dynamic drivers offer full frequency response and outstanding isolation with 3 sizes of rubber eartips plus an ear-conforming foam tip. Also, an auxiliary input offers a connection point for an ambient microphone, click track, or other mic- or line-level input.
These rugged systems are built to stand up to the inevitable bumps of life on the road, delivering clear, natural sound for touring and installed-sound uses.
- Receiving System: Double conversion superheterodyne
- RF Sensitivity: 20 dBuV (at 60 dB S/N ratio, 50 ohms termination)
- Headphone Output Connector: 3.5 mm TRS stereo phone jack
- Headphones Output Power: 65 mW (at 32 ohms)
- Antenna Input: SMA-type, 50 ohms
- Aux. Input Connector: 3.5 mm TRS stereo phone jack
- Batteries: 2 x 1.5V AA (not included)
- Battery Life: 8 hours (alkaline) Depending on battery type and use pattern
- Dimensions: 70.0 mm (2.76“) W x 25.0 mm (0.98“) D x 110.0 mm (4.33“) H
- Net Weight: 133 g (4.7 oz), without batteries
- Accessories Included: EP3 earphone; flexible antenna
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The P9R is a compact, stereo bodypack receiver for use with the PSM®900 Wireless Personal Monitor System. It offers premium features like RF Scan and Automatic Gain Control for unparalleled RF stability and channel availability, all packed in the thinnest form factor available. Patent-pending CueMode allows monitoring of different stage mixes and storing of up to 20 separate channels from one bodypack for quick and easy reference.
Features:
Ultra-thin, low profile bodypack allows discreet placement on the performer
Enhanced digital stereo encoder provides an expansive soundstage for excellent audio clarity and detail
RF Scan: stand where the artist will be on stage and instantly check RF level
Automatic Gain Control greatly prevents signal dropout due to RF overload and allows more channels to be used simultaneously
Syncs to a P9T transmitter quickly and easily over IR link using Scan and Sync
Switchable 10/50/100 mW output power provides a robust RF link in a variety of performance environments
Separate, easily visible audio and RF status indicator LED's
Audio level and battery life metering
Selectable high-frequency EQ boost (+3/+6 dB @ 10 kHz)
Volume and balance controls
Extruded aluminum construction for rugged dependability
Specifications:
Front-End RF Filtering: –3 dB point 30.5 MHz from center frequency
Active RF Gain Control: 31 dB (adjusts RF sensitivity to provide more RF dynamic range)
RF Sensitivity (20 dB SINAD): 2.2 µV
Squelch Threshold (±3 dB SINAD): 22 dB SINAD
Adjacent Channel Rejection: >70 dB
Intermodulation Attenuation: >70 dB
Blocking: >80 dB
Image Rejection: >100 dB
Audio Output Power (1kHz @ |
The WT-5810 is a PLL-synthesizer controlled double superhetrodyne diversity tuner designed to be used with a UHF wireless system. It employs a compander noise reduction circuit to minimize the influence of ambient RF noise.
(*1) 0 dB = 1 V | Power Source | AC mains (supplied AC adapter must be used) | | Power Consumption | 130 mA (12 V DC) | | Receiving Frequency | 636 - 865 MHz(*2), UHF | | Channel Selectable | 16 channels | | Receiving System | Double super-heterodyne | | Diversity System | Space diversity | | Mixing Output | MIC: -60 dB(*1), 600 Ω, balanced, XLR-3-32 type connector
LINE: -20 dB(*1), 600 Ω, unbalanced, phone jack | | Mixing Input | -20 dB(*1), 10 kΩ, unbalanced, phone jack | | Antenna | Rod antenna | | Receiving Sensitivity | 90 dB or more, S/N ratio (20 dBμV input, 40 kHz deviation) | | Squelch Sensitivity | 18 - 40 dBμV variable | | Squelch System | Using together of noise SQ, carrier SQ and tone SQ | | Tone Frequency | 32.768 kHz | | Indicator | ANT A/B, Audio (peak), Battery alarm, Channel number | | Channel Check | Usable frequencies scanning | | S/N Ratio | 104 dB or more (A-weight, unbalanced output) | | Harmonic Distortion | 1% or less (typical) | | Frequency Response | 100 - 15,000 Hz, ±3 dB | | Operating Temperature | -10℃ to +50℃ | | Finish | Resin, black | | Dimensions | 206 (W) × 40.6 (H) × 152.7 (D) mm (excluding antenna) | | Weight | 590 g | | Accessory | AC adapter(*3) …1 |
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Compatible with the Wireless Essentials® range. Rugged, ergonomic metal housing. Includes field-replaceable helical and flexible-whip antennas. Three-position sliding cover limits access to controls as desired: full access, Power/Mute button only, or no access. Two position mounting clip. For use with AEW-T1000a and all Audio-Technica UniPak™ Wireless Transmitters.
The AEW-T1000a wireless UniPak® body-pack transmitter has both low and high impedance inputs plus a DC bias connection allowing it to be used with both condenser and dynamic microphones. The locking 4-pin HRS-type audio input connector is recessed to protect the connection from damage. A dual-colour power/mute indicator LED provides visual indication of transmitter status. The transmitter operates using two standard AA batteries and features high- and low-level RF output settings. The low-level setting allows two additional hours of battery life while retaining a strong RF signal link. Soft-touch controls provide convenient access to a variety of functions including: RF power, audio input level, power/mute locks and frequency selection. Each transmitterʼs backlit LCD display presents a great deal of setup and operating information clearly and conveniently, including battery level remaining, mute, and operating frequency. A flashing "Lo-Batt” alert visually signals the battery life is almost depleted. Programmable power/mute locks limit the functioning of transmitterʼs power/mute button as desired for particular users and applications. Four nameable user presets allow for storage and recall of commonly used settings. To match the audio input level to the transmitter, a ten-position audio input gain setting selected through the function menu is provided. The body-pack features a safety cover to protect the soft-touch controls from being accidently activated and a recessed input connector to increase the life of the microphone cable. Inputs are available on the UniPak® for low impedance microphone and high impedance musical instrument or line input. Constructed of metal, the body-pack transmitter features a field replaceable antenna, captive locking battery cover door, a short rigid helical antenna and a flexible wire antenna.
- Available in the following frequency bands:
541.500 - 566.375 MHz (C Band)
655.500 - 680.375 MHz (D Band)
721.500 - 746.375 MHz (G Band) - 25 kHz frequency spacing makes it easier to find a clear, open
- frequency in crowded RF environments
- Dual RF power output selection to optimize battery life
- Digital Tone Lock™ squelch that communicates transmitter data
- to the receiver
- Function menu displayed in a backlit LCD window, controlled by
- internal soft-touch controls
- High efficiency dual companding system for flawless audio
- Four nameable user presets
- Battery fuel gauge on LCD readout
- Recessed microphone input connector
- Power/mute lock provision as well as safety door to cover controls
- Dual-colour power/mute status indictor
- Microphone or line input with DC bias voltage
- 18 dB audio input level adjustment
- Operates on two AA batteries
- Captive locking battery compartment door
- Adjustable squelch
- Rugged metal housing with a reversible clothing clip
- RF Power Output: High: 35 mW; Low: 10 mW, nominal
- Spurious Emissions: According to National Regulations
- Microphone Dynamic Range: >=110 dB, A-weighted
- Instrument Dynamic Range: >=110 dB, A-weighted
- Input Connections: High impedance, low impedance, bias
- Batteries: Two 1.5V AA alkaline (not included)
- Battery Life: Approximately 8 hours (High); 10 hours (Low), depending on battery type and use pattern
- Dimensions: 66.0mm W x 87mm H x 24mm; not including antenna
- Net Weight: 125 g
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- Three selectable UHF frequencies for interference-free reception.
- Diversity: maximum transmission reliability even in difficult environments. The system automatically selects the antenna providing the best signal.
- Adjustable squelch
- Multichannel capability for simultaneous use of up to nine channels (maximum number of channel depends on local frequency plans).
- All-metal case
- High Definition Audio Performance technology ensures the legendary, realistic AKG sound and perfect audio transmission.
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