Audio Technica AT2010 Cardioid condenser handheld microphone

The new AT2010 is designed to bring the studio-quality articulation and intelligibility of Audio-Technica's renowned 20 Series to the stage, for crystal-clear vocal performances. Featuring the same 16 mm low-mass diaphragm found in the critically acclaimed AT2020 side-address studio condenser, the AT2010 excels wherever articulate vocals are needed: in houses of worship, for solo performances, jazz vocalists, singer/songwriters, and more.

• Extended frequency response and superior transient response for smooth, natural sonic characteristics
• High SPL-handling and wide dynamic range provide unmatched versatility
• Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
• Multi-stage grille design offers excellent protection against plosives and sibilance without compromising high-frequency clarity
• Corrosion-resistant contacts from gold-plated XLRM-type connector
• Rugged, all-metal and construction for years of trouble-free service
• Quiet-Flex stand clamp provides silent, flexible microphone positioning

• Element: Fixed-charge back plate permanently polarized condenser
• Polar Pattern: Cardioid
• Frequency Response: 40-20,000 Hz
• Open Circuit Sensitivity: 48 dB (3.9 mV) re 1V at 1 Pa
• Impedance: 100 ohms
• Maximum Input Sound Level: 136 dB SPL, 1 kHz at 1% T.H.D.
• Dynamic Range: 113 dB, 1 kHz at Max SPL
• Signal to Noise Ratio: 71 dB, 1 kHz at 1 Pa
• Phantom Power Requiremens: 48V DC, 2 mA typical
• Weight: 233 g (8.2 oz)
• Dimensions: 179.1 mm (7.05“) long, 50.8 mm (2.00“) maximum body diameter
• Output Connector: Integral 3-pin XLRM-type
• Accessories: AT8470 Quiet-Flex stand clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; soft protective pouch

The Shure Model VP88 is a single-point, stereo condenser microphone for use in professional studio recording, field production, electronic news gathering (ENG), and studio broadcasting applications. It combines two condenser cartridges in a single housing to create a stereo audio image of the sound source. It is unique in its ability to capture the realism of a live event and yet withstand rigorous field production environments.

The VP88 uses a mid-side (M-S) configuration. One microphone cartridge (Mid) faces forward to capture on-axis sound using a cardioid pickup pattern. The other microphone cartridge (Side) is bi-directional, capturing sound from either side. The VP88 contains an internal M-S matrix with three settings for different degrees of stereo image seperation. The internal matrix can be bypassed if an external matrix is used or if stereo imaging is done in post-production. Switches on the top of the microphone control output mode, stereo imaging, low-frequency rolloff settings, and battery on/off.

The VP88 can operate on phantom power or an internal 6V battery. The VP88 is supplied with a multi-connector "Y-splitter" cable, foam windscreen, swivel stand adapter, 6-volt battery, and zippered carrying/storage bag. Optional accessories include an isolation mount, a 7.6 m (25 ft) microphone extension cable, a phantom power supply, and a 4.3 m (14 ft) microphone stand.

• Time-coherent, Mid-Side (M-S) design for optimal stereo imaging
• Built-in stereo matrix for direct control of the stereo spread; direct M-S outputs available
• Mono compatibility ideal for broadcast applications
• 40 to 20,000 Hz frequency response
• Low noise and distortion
• Wide dynamic range
• Switch-selectable, low-frequency rolloff (12 dB/octave below 80 Hz) for reduced pickup of ambient noise and stand vibration
• Operates on phantom power or a 6V camera battery
• LED power indicator
• Internal shock mount for reduced stand vibration and handling noise
• Built-in "pop" screen
• Includes windscreen, swivel adapter, and Y-cable

The ME 62 is an omni-directional microphone head suitable for K6 and K6P
powering modules. It can be used for reporting, discussions and interviews.
The ME 62 is particularly suitable for good reproduction of 'room' ambience
and 'spaced omni' stereo recording. Matt black, anodised, scratch-resistant finish.

Features
Omni-directional pick-up pattern
Minimal inherent self-noise
Excellent rejection of rumble, wind and handling noise
Wide frequency response
High maximum sound pressure level
Integral pop filter
Delivery Includes
1 ME 62

Technical Data
Pick-up pattern  omni 
Sensitivity in free field, no load (1kHz)  31 mV/Pa +- 2,5 dB 
Nominal impedance  200 Ohm (K6) 
Min. terminating impedance  1000 Ohm (K6) 
Equivalent noise level  15 dB 
Equivalent noise level weighted as per CCIR 468-3  27 dB 
Dimensions  d 22,5 x 94 mm 
Weight  30 g 

The super-cardioid e 614 is a permantly polarized condenser microphone
designed for demanding applications which require a wide frequency response,
high SPL, fast transient response and a compact design.  With its frequency
response of 40 Hz to 20 kHz, the e 614 is able to capture the full sound of the
instrument, while its super-cardioid pick-up pattern isolates the microphone
from other on-stage signals. 
An excellent microphone for percussion instruments, the e 614 is also an ideal
choice for woodwind and string instruments.  Its excellent acoustic properties
also make it a valuable tool for home recording.

Features
Rugged design Effective rejection of incidental rear noise Excellent directivity
across the whole frequency range Full, natural sound High maximum sound
pressure level
Wide frequency response
Delivery Includes
Microphone pouch
Microphone clip MZQ 100

Technical Data
Frequency response  40 Hz ... 20 kHz 
Transducer principle  permanently polarized condenser 
Pick-up pattern  supercardioid 
Sensitivity in free field, no load (1kHz)  3 mV/Pa = - 50dB (0 dB = 1 V/Pa) 
Nominal impedance  50 Ohm 
Min. terminating impedance  1 kOhm 
Maximum sound pressure level (passiv)  139 dB/SPL 
Equivalent noise level  24 dB(A) 
Equivalent noise level weighted as per CCIR 468-3  35 dB 
Dimensions  ? 20mm, L = 100mm 
Weight w/o cable  93 g 

The R?DE NT6 is specifically designed for difficult mounting applications. Although
clearly relevant to instrument mic'ing, the new NT6 is extremely well suited to any
situation where a small 'unobtrusive' but powerful microphone system is required.
The NT6 utilises the 1/2" (externally biased) gold sputtered true condenser transducer
used in the internationally renowned R?DE NT5. The capsule is designed to attach to
a custom made, multi-position swivel mount allowing it to be independently positioned
with ease.
To further increase the versatility of the NT6, it is supplied with 2 thread adaptors - 1/4"
to 5/8" and 1/4" to 3/8" that enable the capsule assembly to be securely attached to a
wide variety of mic stands, tripods and boom poles.
The capsule is connected to the pre-amplifier (body) by a custom 3 m Kevlar? fibre reinforced
cable. Housed within the heavy duty satin-nickel-plated body, is a state-of-the-art low noise
balanced output preamplifier, exhibiting a wide dynamic range and full frequency response.
The surface-mount pre-amplifier circuit also incorporates a 2-position variable pad: 0 dB an -10 dB
attenuation, and a 2-position variable high-pass filter that enables you to step from a flat response
to 80 Hz high pass filter; both conveniently located away from the capsule, providing additional
control without the need to move the capsule once in position.
The NT6 is intended for Film, Television, Broadcast, Live Performance, Theatre, Television,
Surround and Environmental recording applications or wherever your imagination takes you.
The NT6 is produced in R?DE's design and manufacturing facility in Sydney, Australia. Utilising
state of the art computer controlled machining and assembly technologies, R?DE is able to
achieve levels of finish and repeatability of the most exacting standards and tolerances.
The NT6 comes supplied with Microphone Preamp (Body), Capsule, 3 m Kevlar? fibre reinforced
cable, RM5 Stand Mount, 2-axis Swivel Mount, 2 thread adaptors, ZP1 Zip Pouch and WS5 Wind Shield.
 
FEATURES:
? 1/2? (externally biased) gold sputtered true condenser capsule ? Heavy duty satin-nickel-plated body
? 2-position variable pad: 0 dB and -10 dB ? 2-position variable high-pass filter: flat and 80 Hz ? Surface
mount technology ? Low noise ? Wide dynamic range ? Full frequency response ? Supplied complete
with 2-axis swivel mount, 2 thread adaptors, M5 clip, WS5 (Black) Wind Shield and Soft Pouch ? Designed
& manufactured in Australia ? Full 2 year guarantee 
 
Operation power:
The NT6 is designed to operate from phantom power to the P48 standard. The NT6 will operate
between 44V and 52V applied with positive polarity to pin 2 and pin 3 of the output XLR connector. 
Operation output impedance:
Output Impedance: The NT6 will operate satisfactorily into a load impedance as low as 1 kΩ. If a
load below this is used, the output signal level will be reduced. The NT6 output is balanced between
pin 2 (hot) and pin 3 (cold). Pin 1 is ground.
 Acoustic principle:
Externally polarised 1/2" (13mm) pressure gradient condenser
Directional pattern:  Cardioid
Frequency range:
40 Hz ~ 20,000 Hz selectable HPF @ 80 Hz/12 dB/octave
Output impedance: 200 Ω
Signal noise ratio din iec 651:
75 dB (1 kHz rel 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 19 dB SPL (per IEC651, IEC268-15)
Maximum spl:
138 dB (@ 1% THD into 1 kΩ)148 dB (@ 1% THD into 1 kΩ) - pad at maximum
Sensitivity:
-38 dB re 1 Volt/Pascal (16 mV @ 94 dB SPL) +/- 2 dB
Dynamic range din iec 651: 119 dB (per IEC651, IEC268-15)
Power supply voltage: 48 Volts (P48)
Weight: 386 grm.
Maximum output voltage: 6 dBu (@ 1% THD into 1 kΩ)
Pin assignment:
3 pin XLR, balanced output between pin 2(+), pin (-) & pin 1 (ground)