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Combining high-resolution audio with increased connectivity options, the AT2020USBi cardioid condenser microphone adds a new level of sound-quality and convenience to the expanding lineup of Audio-Technica USB microphones. Modeled after the critically acclaimed AT2020, this digital output mic features an A/D converter with a 24-bit/96 kHz sampling rate to deliver high-resolution articulation and intelligibility thatʼs perfect for home studio recording, field recording, podcasting and voiceover use.
The AT2020USBi works with both USB and Lightning cables (included), so you can use it straight from the box to digitally capture audio on the device of your choice: PC, Mac or lightning equipped iOS device. The integrated gain control adds to the convenience, allowing you to adjust the input level directly on the microphone.
The AT2020USBi cardioid condenser microphone brings state-of-the-art sound for the on-the-go lifestyle to the family of Audio-Technica USB mics.
- Condenser microphone with digital output for convenient, high-resolution recording
- High-quality A/D converter with 24-bit/96 kHz sampling rate for superb, high-resolution audio
- Mic gain control allows you to adjust input level on the mic itself
- Smooth, extended frequency response ideally suited for podcasting, home studio recording, field recording and voiceover use
- Compatible with Windows 7 and above, Mac OS 10.6 and above, and iOS 7.02 and above (requires Lightning connector).
- Tripod desk stand with folding legs for secure and easily portable tabletop use
- Included USB and Lightning cables provide ready connectivity to computers and iOS devices
| ELEMENT | Fixed-charge back plate, permanently polarized condenser | | POLAR PATTERN | Cardioid | | FREQUENCY RESPONSE | 20 – 20,000 Hz | | POWER REQUIREMENTS | USB (5V DC); Lightning (3.3V DC) | | BIT DEPTH | 24 bit | | SAMPLE RATE | Up to 96 kHz | | VOLUME CONTROL | Mic gain control | | WEIGHT | 350 g (12.3 oz) | | DIMENSIONS | 162.0 mm (6.38“) long, 52.0 mm (2.05“) maximum body diameter | | OUTPUT CONNECTOR | Micro-HDMI | | ACCESSORIES FURNISHED | Pivoting stand mount for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; soft protective pouch; tripod desk stand; 4.9' (1.5 m) USB cable; 4.9' (1.5 m) Lightning cable |
| The C 414 B/XLS has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. The C 414B/XLS is designed to deliver accurate pickup of all acoustic instruments and voices.
The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid, wide cardioid, hypercardioid and figure-eight patterns.
The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds.
On the rear of the microphone, an electronic switch allows the selection of -6 dB, -12 dB and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414 B/XLS has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6-dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A.
The C 414 B/XLS has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems. It comes complete in an all-metal road case with the AKG H-85 shock mount, a PF80 external two-stage pop filter, a W414X external windscreen and an individually-measured chart showing the response curve of the microphone. It is also available in factory-matched stereo pairs packaged with a H50 stereo bar instead of the external pop filter.
The C 414B/XLS is built in Vienna, Austria and comes with a three-year limited parts and labor warranty.
Features
High sensitivity and extremely low self noise
Five switchable polar patterns for placement and application flexibility
Two-color LEDs provide quick visual indication of selected polar pattern and output overload
Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration
H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen
High sound pressure level capability and wide dynamic range
Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage
Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication
All switchable components operate in low impedance circuits for ultra-high relability even in extremely humid conditions
Optional R 414 remote control unit (available by the end of 2004) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors
Specifications
Type: 1" large diaphragm pressure gradient microphone
Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight
Frequency Range: 20 to 20,000 Hz
Sensitivity: 23 mV/Pa (-33 dBV) +/-0.5 dB
Max. SPL: 140/146/152/158 dB SPL (at 0/-6/-12/-18 dB)
Preattenuation Pad: -6, -12,-18 dB, switchable
Bass Cut Filter Scope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz
Power Requirements: 48 V phantom power to DIN/IEC
Connector: 3-pin XLR
Dimensions: 2" x 1.5" x 6.3“
Net Weight: 10.6 oz
Shipping Weight: 5 lbs (2.27 kg) | High-Performance 2.4 GHz Digital Wireless System with 2 Handheld Microphones and Dual-Mode USB Receiver
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- Package of 2 ULM200M handheld microphones and ULM200D dual-mode USB receiver
- High-quality microphone capsule for dedicated vocal applications
- Ultra-compact USB receiver with dual mode analog/digital audio interface
- Digital 2.4 GHz wireless connectivity offers superior sound quality
- Maximum range 120 m
- Automatic pairing for easy and intuitive setup
- Integrated volume up and down buttons on handheld microphone
- Panic mute feature on microphone
- Receiver powered via USB interface
- Auto-sensing of analog or USB digital audio connection
- 2.4 GHz ISM band operation allows license-free use on a worldwide basis
- 3-Year Warranty Program*
- Conceived and designed by BEHRINGER Germany
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In the tradition of the SM58?, the Beta 58A dynamic microphone has become a top choice among vocalists and touring sound professionals.
The Shure Beta 58A is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. The Beta 58A has a shaped frequency response that is ideal for close-up vocals. The superb performance of this microphone is not affected by rough handling because of its rugged construction, proven shock mount system, and hardened steel mesh grille. Typical applications for the Beta 58A include lead vocals, backup vocals and speech.
- Smooth, extended frequency response for outstanding sound for professional live vocal use
- Consistent supercardioid pattern provides the best gain-before-feedback among dynamic microphones
- Pneumatic shock mount reduces handling noise
- Frequency response: 50 to 16,000 Hz
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Frequency response tailored for vocals, with brightened midrange and bass rolloff to control proximity effect
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Uniform supercardioid pattern for high gain before feedback and superior rejection of off–axis sound
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Neodymium magnet for high signal–to–noise output
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Hardened steel mesh grille that resists wear and abuse
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Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
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Minimally effected by varying load impedance
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Legendary Shure quality and reliability
| Transducer |
(Moving Coil, with Neodymium Magnet) Dynamic |
| Polar Pattern |
Supercardioid |
| Frequency Response |
50 Hz - 16 kHz |
| Maximum Input Sound Level |
not specified by manufacturer |
| Power Requirements |
None Dynamic, Requires No Phantom or Battery Power |
| Output Impedance |
150 Ohms (290 Ohms Actual) |
| Output Connectors |
XLR-3 Type |
| Dimensions |
6.375 x 2" (162 x 51mm) LxDiameter |
| Weight |
9.92 oz. (278 g) |
| The Marantz Professional M4U is an electret condenser microphone system designed to be used with a personal computer. The system incorporates a USB A/D converter with a headphone output so the user can monitor the microphone pickup in real time without latency. Perfect for podcasting, live streaming, interviews or any computer application requiring a microphone.
| Equipped with a USB output, the AT2020USB+ is designed for digitally capturing music or any acoustic audio source using your favorite recording software. The microphone offers the critically acclaimed, award-winning sound of the AT2020, with studio-quality articulation and intelligibility perfect for singer/songwriters, podcasters, voice-over artists, field recorders, and home studio recorders.
The AT2020USB+ features a built-in headphone jack with volume control that allows you to directly monitor your microphone signal with no delay. It also offers mix control that blends microphone and pre-recorded audio. The microphoneʼs cardioid pickup pattern delivers excellent off-axis rejection, while its A/D converter with a 16-bit, 44.1/48 kHz sampling rate ensures extremely articulate sound reproduction.
Audio-Technicaʼs state-of-the-art design and manufacturing techniques ensure that the microphone complies with the companyʼs renowned consistency and reliability standards.
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- Condenser microphone with USB output for digital recording
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- High quality A/D converter with 16 bit, 44.1/48 kHz sampling rate for superb audio
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- Headphone jack with volume control allows you to monitor the microphone signal with no delay
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- Mix control allows you to blend your microphone signal and pre-recorded audio
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- High-output internal headphone amplifier delivers superior clarity and musical detail as well as more volume overall
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- Smooth, extended frequency response ideally suited for podcasting, home studio recording, field recording and voiceover use
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- Compatible with Windows 7, Vista, XP, 2000 and Mac OS X
- Tripod desk stand with folding legs for secure and easily portable tabletop use
| ELEMENT |
Fixed-charge back plate, permanently polarized condenser |
| POLAR PATTERN |
Cardioid |
| FREQUENCY RESPONSE |
20 – 20,000 Hz |
| POWER REQUIREMENTS |
USB Power (5V DC) |
| BIT DEPTH |
16 bit |
| SAMPLE RATE |
44.1/48 kHz |
| VOLUME CONTROL |
Mix control;
Headphone volume control |
| WEIGHT |
386 g (13.6 oz) |
| DIMENSIONS |
162.0 mm (6.38“) long,
52.0 mm (2.05“) maximum body diameter |
| OUTPUT CONNECTOR |
USB-type |
| HEADPHONE OUTPUT POWER |
130 mW (at 1 kHz, 10% T.H.D., 32 ohm load) |
| HEADPHONE JACK |
3.5 mm (1/8“) TRS (stereo) |
| ACCESSORIES FURNISHED |
Pivoting stand mount for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; soft protective pouch; tripod desk stand; 10' (3.1 m) USB cable |
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