AUDIO TECHNICA AT8024 Stereo/Mono Camera-Mount Microphone

204.00 incl. GR VAT

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With its lightweight yet feature-rich design, the AT8024 Stereo/Mono Camera-Mount Microphone offers a simple, powerful solution for capturing high-resolution audio for video. Selectable line-cardioid mono and internally matrixed mid-side stereo modes provide the flexibility to focus the recording on a single sound source or to widen the field for outstanding sonic realism. In either mode, […]

 

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With its lightweight yet feature-rich design, the AT8024 Stereo/Mono Camera-Mount Microphone offers a simple, powerful solution for capturing high-resolution audio for video. Selectable line-cardioid mono and internally matrixed mid-side stereo modes provide the flexibility to focus the recording on a single sound source or to widen the field for outstanding sonic realism. In either mode, the AT8024 delivers audio that is dramatically better than that supplied by the camera’s internal microphone.

The AT8024 camera-mount microphone also comes equipped with a three-position adjustable attenuator (-20 dB, -10 dB, 0 dB) to capture even soft and very loud sound passages without distortion. A switchable low-frequency roll-off reduces pickup of undesired ambient noise, room reverberation and mechanically coupled vibrations. The microphone is powered by a single AA battery for optimal performance with high max SPL, and features an integral camera shoe mount that attaches quickly to DSLRs and shoe-equipped camcorders.

  • Designed for use with DSLR and other video cameras, delivering dramatically better sound quality than the camera’s internal microphone
  • Selectable line-cardioid mono or mid-side stereo modes provide the flexibility to capture high-resolution audio in any environment
  • Handles loud sound sources without distortion
  • Three-position adjustable attenuator and switchable low-frequency roll-off
  • Integral rubber shock mounts isolate the microphone from vibration and mechanical camera noise
  • Compact, lightweight design with integral shoe mount
  • Red/green LED power indicator
  • Includes windscreen, fuzzy windscreen and AA battery
ELEMENTS Fixed-charge back plate,
permanently polarized condenser
POLAR PATTERNS Line-cardioid, LR stereo
FREQUENCY RESPONSE 40-15,000 Hz
LOW FREQUENCY ROLL-OFF 80 Hz, 12 dB/octave
OPEN CIRCUIT SENSITIVITY –37 dB (14.1 mV) re 1V at 1 Pa (Mono & LR Stereo)
IMPEDANCE 50 ohms
MAXIMUM INPUT SOUND LEVEL 128 dB SPL, 1 kHz at 1% T.H.D.
DYNAMIC RANGE (typical) Mono: 106 dB, 1 kHz at Max SPL;
Stereo: 104 dB, 1 kHz at Max SPL
SIGNAL-TO-NOISE RATIO Mono: 72 dB, 1 kHz at 1 Pa;
Stereo: 70 dB, 1 kHz at 1 Pa
BATTERY TYPE Type: One 1.5V AA (included);
Life: 80 hours, typical
SWITCHES Mono, M-S Stereo;
Three-position attenuator;
Flat, roll-off
WEIGHT 114 g (4.0 oz)
DIMENSIONS 172.0 mm (6.77“) long,
24.0 mm (0.94“) maximum body diameter
OUTPUT CONNECTOR 3.5 mm stereo mini-plug on cable
CABLE Permanently attached 0.2 m -1 m (7.8“- 39.3“) coiled cable with right-angle molded 3.5 mm stereo mini-plug at output end
ACCESSORIES FURNISHED Windscreen; fuzzy windscreen; AA battery
AUDIO-TECHNICA CASE STYLE CM1
Weight 1.00 kg

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AUDIO TECHNICA AT8024 Stereo/Mono Camera-Mount Microphone removeSENNHEISER MD-46 Reporting Dynamic Microphone removesE ProMic Laser DSLR On-Camera Shotgun Microphone removeAUDIO TECHNICA PRO24-CMF STEREO CONDENSER CAMCORDER MICROPHONE removeAUDIO TECHNICA AT897 SHOTGUN BROADCASTING MICROPHONE WITH BATTERY removeNEUMANN BCM-104 BROADCAST CARDIOID CONDENSER MICROPHONE remove
NameAUDIO TECHNICA AT8024 Stereo/Mono Camera-Mount Microphone removeSENNHEISER MD-46 Reporting Dynamic Microphone removesE ProMic Laser DSLR On-Camera Shotgun Microphone removeAUDIO TECHNICA PRO24-CMF STEREO CONDENSER CAMCORDER MICROPHONE removeAUDIO TECHNICA AT897 SHOTGUN BROADCASTING MICROPHONE WITH BATTERY removeNEUMANN BCM-104 BROADCAST CARDIOID CONDENSER MICROPHONE remove
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SKUAT8024H10SE00078ProMic LaserPRO24-CMFAT897H11NE00024
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Description
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With its lightweight yet feature-rich design, the AT8024 Stereo/Mono Camera-Mount Microphone offers a simple, powerful solution for capturing high-resolution audio for video. Selectable line-cardioid mono and internally matrixed mid-side stereo modes provide the flexibility to focus the recording on a single sound source or to widen the field for outstanding sonic realism. In either mode, the AT8024 delivers audio that is dramatically better than that supplied by the camera’s internal microphone.

The AT8024 camera-mount microphone also comes equipped with a three-position adjustable attenuator (-20 dB, -10 dB, 0 dB) to capture even soft and very loud sound passages without distortion. A switchable low-frequency roll-off reduces pickup of undesired ambient noise, room reverberation and mechanically coupled vibrations. The microphone is powered by a single AA battery for optimal performance with high max SPL, and features an integral camera shoe mount that attaches quickly to DSLRs and shoe-equipped camcorders.

    • Designed for use with DSLR and other video cameras, delivering dramatically better sound quality than the camera’s internal microphone

    • Selectable line-cardioid mono or mid-side stereo modes provide the flexibility to capture high-resolution audio in any environment

    • Handles loud sound sources without distortion

    • Three-position adjustable attenuator and switchable low-frequency roll-off

    • Integral rubber shock mounts isolate the microphone from vibration and mechanical camera noise

    • Compact, lightweight design with integral shoe mount

    • Red/green LED power indicator

  • Includes windscreen, fuzzy windscreen and AA battery
ELEMENTS Fixed-charge back plate,
permanently polarized condenser
POLAR PATTERNS Line-cardioid, LR stereo
FREQUENCY RESPONSE 40-15,000 Hz
LOW FREQUENCY ROLL-OFF 80 Hz, 12 dB/octave
OPEN CIRCUIT SENSITIVITY –37 dB (14.1 mV) re 1V at 1 Pa (Mono & LR Stereo)
IMPEDANCE 50 ohms
MAXIMUM INPUT SOUND LEVEL 128 dB SPL, 1 kHz at 1% T.H.D.
DYNAMIC RANGE (typical) Mono: 106 dB, 1 kHz at Max SPL;
Stereo: 104 dB, 1 kHz at Max SPL
SIGNAL-TO-NOISE RATIO Mono: 72 dB, 1 kHz at 1 Pa;
Stereo: 70 dB, 1 kHz at 1 Pa
BATTERY TYPE Type: One 1.5V AA (included);
Life: 80 hours, typical
SWITCHES Mono, M-S Stereo;
Three-position attenuator;
Flat, roll-off
WEIGHT 114 g (4.0 oz)
DIMENSIONS 172.0 mm (6.77“) long,
24.0 mm (0.94“) maximum body diameter
OUTPUT CONNECTOR 3.5 mm stereo mini-plug on cable
CABLE Permanently attached 0.2 m -1 m (7.8“- 39.3“) coiled cable with right-angle molded 3.5 mm stereo mini-plug at output end
ACCESSORIES FURNISHED Windscreen; fuzzy windscreen; AA battery
AUDIO-TECHNICA CASE STYLE CM1

The MD 46 is a high-quality reporter's microphone with cardioid pick-up pattern. It has been specially optimised for rough use in live reporting and broadcasting environments. The MD 46 is a very 'good-natured' microphone whose design avoids wind and handling noise problems. Colour: black, sound inlet basket: refined steel, black.

Features
  • Two-ply sound inlet basket provides increased protection from wind and pop noise
  • Rugged metal housing
  • Rubber mounted capsule ensures low sensitivity to handling noise
  • Cardioid pick up pattern ensures excellent speech intelligibility even with high ambient noise levels
Type: Dynamic, Reporting
Pick Up Pattern: omni-directional
Frequency response: 40 - 18 000 Hz
Sensitivity: 2,0 mV/Pa
Ιmpedance: 350 Ohm
Dimensions: Ø 49 x 250 mm
Weight: 360 gr
Use: Video/Broadcast

ProMic Laser is our first ever DSLR on-camera microphone - a shotgun condenser microphone with a precision-tuned capsule for capturing professional-quality audio direct to camera.

With more and more video recording enthusiasts taking an increased interest in the quality of the audio of their videos, ProMic Laser provides the high-quality audio to match the high-definition video capabilities of todayʼs DSLR cameras.

Laser, the first release in the ProMic series, is a truly professional solution. It has a rugged aluminium design and comes with a removable wind shield and a custom shockmount for hot-shoe mounting directly onto a DSLR camera.

Laser is battery-powered using a single AAA battery (not included), which means that the microphone has an increased sensitivity level, and a lower noise floor, but the inclusion of a -10dB Pad allows you to reduce the level of the mic for recording louder sources.

The microphone also features a Bass Cut, which gives you the option of removing unwanted low frequency rumble, such as traffic or noise from the camera itself, and this can be used in tandem with the -10dB Pad.

As with all sE Electronics products, ProMic Laser comes with a three-year free replacement warranty, which means if it lets you down, weʼll simply give you a new one.

ProMic Laser comes with a protective carry bag and a 3.5mm coiled jack-to-jack cable to connect the microphone to your camera. Laser is compatible with the upcoming ProMic accessories series, which includes boom poles and fur windshields.

he PRO24-CMF camcorder microphone is a lightweight, compact stereo condenser ideal for digital recording with high-fidelity stereo sound. Equipped with a windjammer, accessory shoe and permanently attached coiled cable, the microphone features a pair of cardioid elements in an X-Y configuration to provide the spatial impact and realism of a live sound field. The microphone is designed for either battery operation or battery-free operation when used with camcorders that provide plug-in power at the mic input. Like all Audio-Technica mics, the PRO24-CM is rugged; it's built to endure the rigors of field production.

  • Stereo microphone designed to attach to a camcorder
  • For camcorders with an accessory shoe and stereo microphone input
  • Lightweight, portable design with rugged all-metal construction
  • Pair of cardioid condenser elements provides spatial impact and high-fidelity stereo sound image
  • Battery-free operation when used with recording devices that provide plug-in power at the mic input
  • On/off switch for convenient operation
  • Includes camera-mount, windscreen, windjammer, battery and protective pouch
  • Permanently attached 6""-12“" coiled cable with right-angle molded 3.5 mm stereo mini plug at output end
Polar Pattern: X/Y Stereo
    Frequency Response: 100-17,000 Hz
    Open Circuit Sensitivity: -50 dB (3.1 mV) re 1V at 1 Pa
    Impedance: 600 ohms
    Maximum Input Sound Level: 119 dB SPL, 1 kHz at 1% T.H.D.
    Dynamic Range: 82 dB, 1 kHz at Max SPL
    Signal to Noise Ratio: 57 dB, 1 kHz at 1 Pa
    Battery Type: 1.5V LR44
    Battery Current Life: 0.6 mA / 200 hours typical
    Switch: On/off
    Weight: 3.9 oz (111 g)
    Dimensions: 4.59“" (116.5 mm) long, 0.83" (21.0 mm) maximum body diameter
    Output Connector: 3.5 mm stereo mini plug on cable
    Cable: Permanently attached 152.4 mm - 304.8 mm (6""-12"") coiled cable with right-angle molded 3.5 mm stereo mini-plug at output end
    Accessories: Video-camera shoe mount; LR44 battery; windscreen; Fur windjammer AT8123 and soft protective pouch


Audio-Technica's AT897 is designed for field audio acquisition in film/TV/video production, professional recording, wildlife recording and broadcast applications. It mounts conveniently on a DV camcorder without adding noticeable heft, and remains out of the frame even with compact digital cameras. This high-performance short shotgun offers outstanding long-distance audio pickup due to narrow acceptance angle of line + gradient design. It also features smooth, natural-sounding on-axis audio quality and excellent off-axis rejection of sound arriving from the sides and rear of mic.

Designed for video production and broadcast (ENG/EFP) audio acquisition
Short length (11“) ensures mic stays out of the shot -- even when used with compact digital cameras
Smooth, natural-sounding on-axis audio quality
Provides the narrow acceptance angle desirable for long-distance sound pickup
Excellent sound rejection from the sides and rear of mic
Switchable low-frequency roll-off
Operates on battery or phantom power
RoHS compliant - free from all substances specified in the EU directive on hazardous substances

Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Line + gradient
Frequency Response: 20-20,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: Phantom: -40 dB (10.0 mV) re 1V at 1 Pa Battery: -41 dB (8.9 mV) re 1V at 1 Pa
Impedance: Phantom: 200 ohms Battery: 300 ohms
Maximum Input Sound Level: Phantom: 129 dB SPL, 1 kHz at 1% T.H.D. Battery: 115 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: Phantom: 112 dB, 1 kHz at Max SPL Battery: 98 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 77 dB, 1 kHz at 1 Pa
Phantom Power Requiremens: 11-52V DC, 2 mA typical
Battery Type: 1.5V AA/UM3
Battery Current Life: 0.4 mA / 1200 hours typical (alkaline)
Switch: Flat, roll-off (recessed)
Weight: 5.1 oz (145 g)
Dimensions: 10.98" (279.0 mm) long, 0.83" (21.0 mm) diameter
Output Connector: Integral 3-pin XLRM-type
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; AT8134 windscreen; battery; 5/8“-27 to 3/8“-16 threaded adapter; protective carrying case

Internally switchable proximity effect compensation and sensitivity reduction.

The BCM 104 condenser microphone is the first product in the new Broadcast Line,
which is especially tailored to the demands of professional radio announcing.
What sets the Broadcast Line apart is a completely independent, functionally-
optimized design derived from extensive 3D simulations.
The large-diaphragm condenser capsule used in the BCM 104 has a cardioid directional
pattern with internally switchable proximity effect compensation. A second switch allows
the sensitivity to be reduced by 14 dB.
The microphone headgrill twists off easily for quick cleaning. Neumann offers optional,
color-coded headgrills so that, for reasons of hygiene, each announcer working at an
announcing desk can use his or her individual headgrill.
Directly in front of the capsule, mounted on a frame holder, is a piece of fine gauze that
serves as a built-in popscreen.
The BCM 104 has an elastic mount against structure-borne noise, that is compatible with
standard broadcast-segment microphone arms.

Features:
Cardioid microphone for broadcast & studio
Large diaphragm condenser capsule with
switchable proximity compensation
Distinctive design
Integrated pop screen
Quick release head grille for easy cleaning
Individual head grilles available for each user

Acoustic features
The microphone headgrill houses the K 04 large-diaphragm capsule, which has a flat frequency
response up to 3 kHz. Higher frequencies have an increased presence of 2 dB maximum.
Since the above-mentioned microphone characteristics are obtained without the use of resonance
effects, the microphone features excellent transient response and transmits all transient phenomena
of music and speech without any coloration.
The integrated Pop Screen
A pop screen not only prevents the occurrence of plosive pop noises in vocal recordings, but also
efficiently prevents unwanted particles, from respiratory moisture, nicotine, to food remnants, from
settling on the diaphragm.
The pop screen can be removed for cleaning without the use of tools.

Electrical features
Instead of a transformer to couple the microphone output to the supply voltage, the BCM 104
has an electronic circuit which, like a transformer, provides for good common mode rejection.
Interference induced in the balanced modulation line is thus suppressed as usual.
With a very low self-noise of 7 dB(A), and an overload capability extending to 138 dB SPL,
the BCM 104 has a dynamic range of 131 dB (DIN/IEC 651).
Filter and Preattenuation
The BCM 104 amplifier has a linear operation down to 20 Hz. An active filter efficiently suppresses
signals below this frequency. In order to compensate for the proximity effect, a high-pass filter,
electronically activated by a switch, is built into the microphone. This filter reduces frequencies
below 100 Hz by 12 dB/octave.
A 14-dB preattenuation switch is provided in order to adjust the sensitivity, if necessary,
to transmission circuits designed for dynamic microphones. But this will increase the
self noise by 14 dB.Both switches are located inside the microphone housing, since they
will normally be operated only once, when the broadcasting facility is set up.
Mounting
The preferred mode of operation is to suspend the BCM 104 from a standard studio boom arm.
A thread adapter to fit different connector threads is included.
In order to provide protection from structure-borne noise, both the capsule and the microphone
in its mount are elastically suspended.
The optional SG 5 swivel mount allows additional angling of the BCM 104 by +/-90 degrees.

Application hint:
While designed to be an announcer's mic for broadcasting and studio, this is
just one of the most common applications. With additional experimentation,
you will gain maximum use from this microphone.

Technical Description:
Acoustical operating principle: Pressure gradient transducer
Directional pattern: Cardioid
Frequency range: 20 Hz -- 20 kHz
Sensitivity at 1 kHz into 1 kohm: 22 mV/Pa
-14 dB attenuation: 4.4 mV/Pa
Rated impedance: 50 ohms
Rated load impedance: 1000 ohms
Equivalent SPL CCIR 468-3: 18 dB
Equivalent SPL DIN/IEC 651: 7 dB-A
S/N ratio CCIR 468-3: 76 dB
S/N ratio DIN/IEC 651: 87 dB
Maximum SPL for THD 0.5%: 138 dB
Maximum SPL for THD 0.5% with preattenuation: 152 dB
Maximum output voltage: 10 dBu
Dyn. range of the mic. amplifier DIN/IEC 651: 131 dB
Supply voltage: 48 V +/- 4 V
Current consumption: 3.2 mA
Matching connector: XLR 3 F
Weight: 500 g
Diameter: 64 mm
Length: 85 mm

Weight1.00 kg1.00 kg1.00 kg0.11 kg0.30 kg1.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.00 kg
Weight 1.00 kg
Weight 1.00 kg
Weight 0.11 kg
Weight 0.30 kg
Weight 1.00 kg