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Cardioid Condenser Instrument Microphone with Drum Mounting System (5" Gooseneck)
Designed for use with drums, the ATM350D UniMount® mounting system gives you the tools to perform with confidence. The system features the ATM350a cardioid condenser microphone, a high-SPL mic that provides a clear, well-balanced response from any instrument. When teamed with the included AT8491D drum mount and strong, flexible AT8490 5" gooseneck, the mic can be securely fastened to the drum and positioned to stay where you want it. The drum mount’s unique spring-loaded mechanism clamps it tightly to a drum lug (without hindering your ability to adjust the lug) and provides excellent shock resistance for the mic; the gooseneck’s rigidity ensures that it won’t flop around no matter how aggressively you play. The microphone’s cardioid polar pattern isolates the instrument by reducing side and rear pickup, and the switchable 80 Hz high-pass filter on the in-line power module helps control undesired low-frequency noise. The system also includes an AT8468 violin mount with hook-and-loop fastener and a protective carrying case.
- Low-profile mic design for minimum visibility
- Crisp, clear, well-balanced microphone response, even at high SPLs
- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
- UniMount® drum mount with unique spring-loaded mechanism attaches securely to a drum lug, and provides excellent shock resistance for the microphone
- Rugged UniMount® 5" gooseneck rigidly holds its shape, keeping microphone accurately positioned even during aggressive play
- In-line power module is equipped with a switchable 80 Hz high-pass filter to control undesired ambient noise
- Interchangeable elements available for hypercardioid and omnidirectional polar patterns
- Included violin mount with hook-and-loop fastener provides an additional mounting option
ELEMENT |
Fixed-charge back plate, permanently polarized condenser |
POLAR PATTERN |
Cardioid |
FREQUENCY RESPONSE |
40 – 20,000 Hz |
LOW FREQUENCY ROLL-OFF |
80 Hz, 12 dB/octave |
OPEN CIRCUIT SENSITIVITY |
–49 dB (3.5 mV) re 1V at 1 Pa |
IMPEDANCE |
200 ohms |
MAXIMUM INPUT SOUND LEVEL |
159 dB SPL, 1 kHz at 1% T.H.D. |
DYNAMIC RANGE (typical) |
130 dB, 1 kHz at Max SPL |
SIGNAL-TO-NOISE RATIO |
65 dB, 1 kHz at 1 Pa |
PHANTOM POWER REQUIREMENTS |
11– 52V DC, 3.5 mA typical |
SWITCH |
Flat, roll-off |
WEIGHT (MICROPHONE) |
14.5 g (0.5 oz) |
WEIGHT (POWER MODULE) |
90 g (3.2 oz) |
DIMENSIONS (MICROPHONE) |
37.8 mm (1.49\'\') long, 12.2 mm (0.48\'\') maximum body diameter |
DIMENSIONS (POWER MODULE) |
92 mm (3.62“) long, 18.9 mm (0.74“) diameter |
OUTPUT CONNECTOR (POWER MODULE) |
Integral 3-pin XLRM-type |
CABLE |
4.0 m (13.1\') long (permanently attached to microphone), 3.2 mm (0.13“) diameter, 2-conductor shielded cable with HIROSE HR10-type connector |
OPTIONAL INTERCHANGEABLE ELEMENTS |
UE-H hypercardioid (100°); UE-O omnidirectional (360°) |
ACCESSORIES FURNISHED |
ATM350a cardioid condenser microphone; AT8543 power module; AT8491D UniMount® drum mount; AT8490 UniMount® 5" gooseneck; AT8468 violin mount (hook-and-loop fastener); protective carrying case |
AUDIO-TECHNICA CASE STYLE |
M36 |
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OVERVIEW
Cardioid dynamic kick drum mic with swivel mount and cable.
The PGA52 is a professional quality kick drum microphone with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence. Legendary Shure quality construction ensures exceptional performance in rigorous environments.
Additional design highlights include a swivel joint featuring a quick-release latch similar to bicycle component-locking technology for extremely quick and easy positioning.
FEATURES
- Mountable microphone featuring swivel joint with quick-release latch for kick drum
- Dynamic cartridge (does not require phantom power) with cardioid polar pattern
- Tailored cartridge design for low-frequency clarity, including on bass amps
- Includes PGA52, zipper pouch and user guide
- XLR to XLR mic cable included
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The super-cardioid e 609 instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source.
Pick-up pattern : Super-cardioid
Frequency response : 40.....15000 Hz
Sensitivity in free field, no load (1kHz) : 1,5 mV/Pa
Nominal impedance : 350 Ohm
Min. terminating impedance : 1000 Ohm
Dimensions : 55 x 34 x 134 mm
Weight : 140 g
| The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
- A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
- Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
- Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
- Premium electronic components, including gold-plated internal and external connectors
- Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
- Extended frequency response
- Low self noise
- Exceptional reproduction of low-frequency sounds
- Can withstand high sound pressure levels (SPL)
- High output level
- No crossover distortion
- Uniform polar response
- Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
- Acoustic instruments -- such as piano, guitar, drums, percussion, strings
- Wind instruments -- brass and woodwind
- Low frequency instruments -- such as double bass, electric bass, kick drum
- Overhead miking -- drums or percussion
- Ensembles -- choral or orchestral
- Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording |
NEW Wider mounting base capable of accommodating a larger range of microphone stands. Even works with the LP Claw.
Specifically engineered for drum and instrument applications, the Beta 56A's compact, pivoting design makes it the ideal choice for these applications.
Its extremely uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.
- Built-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
- Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
- Compact design reduces stage clutters
- Hardened steel mesh grille resists wear and abuse
- Neodymium magnet for high signal-to-noise ratio output
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Frequency response: 50 to 16,000 Hz
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The D 40 with its solid all-metal body will stand up to the hardships of night-after-night onstage use "with a smile“.
The Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no need for tuning resonators, leading to a quantum leap in audio performance.
The transducer is protected by a sturdy wire-mesh cap and takes extremely high sound pressure levels with ease.
An integrated stand adapter and standard H 440 mounting bracket for snare drums, tom-toms, etc. make the D 40 a highly versatile tool for use on drums, percussions, wind instruments, and guitar amps.
Musical instruments, Live applications.
Dynamic microphone designed for drums and percussions, wind instruments, and guitar amps
Patented AKG Varimotion diaphragm
Custom built capsule mounting
Spring steel wire-mesh cap
Rugged all-metal body withstands typical tough handling on stage
Type Cardioid
Polar pattern 75 to 20,000 Hz
Sensitivity 4 mV/Pa (-48 dBV)
Max. SPL 144/156 dB SPL (for 1%/3 % THD)
Equivalent noise level 18 dB-A
Impedance =1000 ohms
Connector 3-pin XLR
Finish dark stage blue
Dimensions length 104 mm (4.1 in.) height (incl. stand adapter): 79 mm (3.1 in.) max. dia.: 44 mm (1.7 in.)
Net weight 245 g (8.6 oz.)
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