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Cardioid Condenser Instrument Microphone with Piano Mounting System (9" Gooseneck)
Designed for use with pianos, the ATM350PL UniMount® mounting system gives you the tools to perform with confidence. The system features the ATM350a cardioid condenser microphone, a high-SPL mic that provides a clear, well-balanced response from any instrument. When teamed with the included AT8491P magnetic piano mount and strong, flexible AT8490L 9" gooseneck, the mic can be securely fastened to any metal portion of the piano and positioned to stay where you want it. The microphone’s cardioid polar pattern isolates the instrument by reducing side and rear pickup, and the switchable 80 Hz high-pass filter on the in-line power module helps control undesired low-frequency noise. The system also includes an AT8468 violin mount with hook-and-loop fastener and a protective carrying case.
- Low-profile mic design for minimum visibility
- Crisp, clear, well-balanced microphone response, even at high SPLs
- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
- UniMount® magnetic piano mount attaches securely to the frame or other metal part of the piano, and provides excellent shock resistance for the microphone
- Rugged UniMount® 9" gooseneck rigidly holds its shape, keeping microphone accurately positioned even during aggressive play
- In-line power module is equipped with a switchable 80 Hz high-pass filter to control undesired ambient noise
- Interchangeable elements available for hypercardioid and omnidirectional polar patterns
- Included violin mount with hook-and-loop fastener provides an additional mounting option
ELEMENT |
Fixed-charge back plate, permanently polarized condenser |
POLAR PATTERN |
Cardioid |
FREQUENCY RESPONSE |
40 – 20,000 Hz |
LOW FREQUENCY ROLL-OFF |
80 Hz, 12 dB/octave |
OPEN CIRCUIT SENSITIVITY |
–49 dB (3.5 mV) re 1V at 1 Pa |
IMPEDANCE |
200 ohms |
MAXIMUM INPUT SOUND LEVEL |
159 dB SPL, 1 kHz at 1% T.H.D. |
DYNAMIC RANGE (typical) |
130 dB, 1 kHz at Max SPL |
SIGNAL-TO-NOISE RATIO |
65 dB, 1 kHz at 1 Pa |
PHANTOM POWER REQUIREMENTS |
11– 52V DC, 3.5 mA typical |
SWITCH |
Flat, roll-off |
WEIGHT (MICROPHONE) |
14.5 g (0.5 oz) |
WEIGHT (POWER MODULE) |
90 g (3.2 oz) |
DIMENSIONS (MICROPHONE) |
37.8 mm (1.49\'\') long, 12.2 mm (0.48\'\') maximum body diameter |
DIMENSIONS (POWER MODULE) |
92 mm (3.62“) long, 18.9 mm (0.74“) diameter |
OUTPUT CONNECTOR (POWER MODULE) |
Integral 3-pin XLRM-type |
CABLE |
4.0 m (13.1\') long (permanently attached to microphone), 3.2 mm (0.13“) diameter, 2-conductor shielded cable with HIROSE HR10-type connector |
OPTIONAL INTERCHANGEABLE ELEMENTS |
UE-H hypercardioid (100°); UE-O omnidirectional (360°) |
ACCESSORIES FURNISHED |
ATM350a cardioid condenser microphone; AT8543 power module; AT8491P UniMount® magnetic piano mount; AT8490L UniMount® 9" gooseneck; AT8468 violin mount (hook-and-loop fastener); protective carrying case |
AUDIO-TECHNICA CASE STYLE |
M36 |
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The D 40 with its solid all-metal body will stand up to the hardships of night-after-night onstage use "with a smile“.
The Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no need for tuning resonators, leading to a quantum leap in audio performance.
The transducer is protected by a sturdy wire-mesh cap and takes extremely high sound pressure levels with ease.
An integrated stand adapter and standard H 440 mounting bracket for snare drums, tom-toms, etc. make the D 40 a highly versatile tool for use on drums, percussions, wind instruments, and guitar amps.
Musical instruments, Live applications.
Dynamic microphone designed for drums and percussions, wind instruments, and guitar amps
Patented AKG Varimotion diaphragm
Custom built capsule mounting
Spring steel wire-mesh cap
Rugged all-metal body withstands typical tough handling on stage
Type Cardioid
Polar pattern 75 to 20,000 Hz
Sensitivity 4 mV/Pa (-48 dBV)
Max. SPL 144/156 dB SPL (for 1%/3 % THD)
Equivalent noise level 18 dB-A
Impedance =1000 ohms
Connector 3-pin XLR
Finish dark stage blue
Dimensions length 104 mm (4.1 in.) height (incl. stand adapter): 79 mm (3.1 in.) max. dia.: 44 mm (1.7 in.)
Net weight 245 g (8.6 oz.)
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Legendary among harmonica players for its classic blues harp sound, the 520D's tradition is carried on by the 520DX "Green Bullet" and has a contoured size and shape that fits perfectly between harmonica and hands. - New volume control knob allows musicians to adjust the volume to fit each musical situation
- New rugged, dynamic cartridge with improved response
- High-impedance, omnidirectional
- Supplied with 1/4 inch connector
- Frequency response: 100 to 5,000 Hz
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The supercardioid e 906 instrument microphone was especially designed for
guitar amplifiers, but it is also an excellent choice for percussion and brass
instruments.
Features
Lively, full sound
Very fast attack
Flat shape of microphone body perfect for guitar amps
Three adjustable sound characteristics (bright, normal, smooth)
Hum compensating coil
Rugged metal body
Delivery Includes
e 906 microphone
MZQ 100 clamp
Pouch
User manual
Technical Data
Pick-up pattern supercardioid
Frequency response 40...18000 Hz
Sensitivity in free field, no load (1kHz) 2,2 mV/Pa
Nominal impedance 350 Ohm
Min. terminating impedance 1000 Ohm
Dimensions 55 x 34 x 134 mm
Weight 140 g
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Audio Frequency Response 20 Hz - 10,000 Hz
Case Material Die cast zinc
Connector Type 3-pin XLR
Element Dynamic
Finish Textured Satin Black
Impedance, Low-Z balanced 150 Ω
Mic Type Instrumental
Open Circuit Voltage 0.63 mV/Pascal
Polar Pattern Supercardioid
Power Requirement Passive
Shipping Weight 23.7 oz (672 g)
Wired/Wireless Wired
Weight Net 12.84 oz (364 g)
| Optimized for low-frequency bass punch/high-power SPL handling. Designed for kick drum.
The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch“, and delivers studio quality sound even at extremely high sound pressure levels.
The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.
Features
- Frequency response shaped specifically for kick drums and bass instruments
- Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
- Studio quality performance, even at extremely high sound pressure levels
- Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
- Hardened steel mesh grille that resists wear and abuse
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Neodymium magnet for high signal–to–noise ratio output
- Low sensitivity to varying load impedance
- Legendary Shure quality and reliability
Type |
Dynamic (moving coil) |
Frequency Response |
20 to 10,000 Hz |
Polar Pattern |
Supercardioid, rotationally symmetrical about microphone axis |
Output Level |
Open Circuit Voltage: -64 dBV/Pa* (0.6 mV), *1 Pa = 94 dB SPL |
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