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Cardioid Condenser Instrument Microphone with Piano Mounting System (9" Gooseneck)
Designed for use with pianos, the ATM350PL UniMount® mounting system gives you the tools to perform with confidence. The system features the ATM350a cardioid condenser microphone, a high-SPL mic that provides a clear, well-balanced response from any instrument. When teamed with the included AT8491P magnetic piano mount and strong, flexible AT8490L 9" gooseneck, the mic can be securely fastened to any metal portion of the piano and positioned to stay where you want it.
The microphone’s cardioid polar pattern isolates the instrument by reducing side and rear pickup, and the switchable 80 Hz high-pass filter on the in-line power module helps control undesired low-frequency noise. The system also includes an AT8468 violin mount with hook-and-loop fastener and a protective carrying case.
- Low-profile mic design for minimum visibility
- Crisp, clear, well-balanced microphone response, even at high SPLs
- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
- UniMount® magnetic piano mount attaches securely to the frame or other metal part of the piano, and provides excellent shock resistance for the microphone
- Rugged UniMount® 9" gooseneck rigidly holds its shape, keeping microphone accurately positioned even during aggressive play
- In-line power module is equipped with a switchable 80 Hz high-pass filter to control undesired ambient noise
- Interchangeable elements available for hypercardioid and omnidirectional polar patterns
- Included violin mount with hook-and-loop fastener provides an additional mounting option
| ELEMENT |
Fixed-charge back plate, permanently polarized condenser |
| POLAR PATTERN |
Cardioid |
| FREQUENCY RESPONSE |
40 – 20,000 Hz |
| LOW FREQUENCY ROLL-OFF |
80 Hz, 12 dB/octave |
| OPEN CIRCUIT SENSITIVITY |
–49 dB (3.5 mV) re 1V at 1 Pa |
| IMPEDANCE |
200 ohms |
| MAXIMUM INPUT SOUND LEVEL |
159 dB SPL, 1 kHz at 1% T.H.D. |
| DYNAMIC RANGE (typical) |
130 dB, 1 kHz at Max SPL |
| SIGNAL-TO-NOISE RATIO |
65 dB, 1 kHz at 1 Pa |
| PHANTOM POWER REQUIREMENTS |
11– 52V DC, 3.5 mA typical |
| SWITCH |
Flat, roll-off |
| WEIGHT (MICROPHONE) |
14.5 g (0.5 oz) |
| WEIGHT (POWER MODULE) |
90 g (3.2 oz) |
| DIMENSIONS (MICROPHONE) |
37.8 mm (1.49\'\') long,
12.2 mm (0.48\'\') maximum body diameter |
| DIMENSIONS (POWER MODULE) |
92 mm (3.62“) long,
18.9 mm (0.74“) diameter |
| OUTPUT CONNECTOR (POWER MODULE) |
Integral 3-pin XLRM-type |
| CABLE |
4.0 m (13.1\') long (permanently attached to microphone), 3.2 mm (0.13“) diameter, 2-conductor shielded cable with HIROSE HR10-type connector |
| OPTIONAL INTERCHANGEABLE ELEMENTS |
UE-H hypercardioid (100°);
UE-O omnidirectional (360°) |
| ACCESSORIES FURNISHED |
ATM350a cardioid condenser microphone; AT8543 power module; AT8491P UniMount® magnetic piano mount; AT8490L UniMount® 9" gooseneck; AT8468 violin mount (hook-and-loop fastener); protective carrying case |
| AUDIO-TECHNICA CASE STYLE |
M36 |
| The Shure SM57 unidirectional dynamic microphone is exceptional for musical instrument pickup or for vocals. With its bright, clean sound and carefully contoured presence rise, the SM57 is ideal for live sound reinforcement and recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. For musical instruments or vocals, the SM57 is a consistent choice of professional performers. It is also the standard microphone used on the podium of the U.S. President for over 30 years. Its outstanding performance, legendary reliability, and diversity of application make this "workhorse" the choice of performers, producers, and sound engineers the world over.
- Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
- Professional-quality reproduction for drum, percussion, and instrument amplifier miking
- Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
- Pneumatic shock-mount system cuts down handling noise
- Extremely durable under the heaviest use
- Frequency response: 40 to 15,000 Hz
| Frequency Range |
40 Hz to 15 kHz |
| Impedance |
150 Ohms |
| Load Impedance |
310 Ohms |
| Sensitivity |
56 dBV/Pa (Open Circuit Voltage, 1 kHz) |
| Color |
Gray |
| Mounting |
5/8"-27 Female, Mic Clip (Included) |
| Construction Material |
Steel, Steel Wire Grille |
| Dimensions |
ø: 1.26 x L: 6.18" / ø: 32 x L: 157 mm |
| Weight |
10.02 oz / 284 g |
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The supercardioid e 906 instrument microphone was especially designed for
guitar amplifiers, but it is also an excellent choice for percussion and brass
instruments.
Features
Lively, full sound
Very fast attack
Flat shape of microphone body perfect for guitar amps
Three adjustable sound characteristics (bright, normal, smooth)
Hum compensating coil
Rugged metal body
Delivery Includes
e 906 microphone
MZQ 100 clamp
Pouch
User manual
Technical Data
Pick-up pattern supercardioid
Frequency response 40...18000 Hz
Sensitivity in free field, no load (1kHz) 2,2 mV/Pa
Nominal impedance 350 Ohm
Min. terminating impedance 1000 Ohm
Dimensions 55 x 34 x 134 mm
Weight 140 g
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The E-602 is a cardioid microphone especially suitable for use with bass drums, bass guitar cabs, tubas and other low frequency instruments.
Frequency Response : 20.....16000 Hz
Sensitivity in free field, no load (1kHz) : 1,0 mV/Pa
Min. terminating impedance : 1000 Ohm
Dimensions : d 60 x 153 mm
Weight : w/o cable 550 g
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The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a complete core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52 microphone, three A56D drum-mounting systems, and a lightweight and durable carrying case.
The industry standard for snare drum, and a reliable and high-performing choice for toms, Shure's cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately.
Perfect for the kick drum, the supercardioid Beta 52? derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52 is additionally designed with an integral locking stand mount for quick-and-easy set up.
A key element of the kit, Shure's A56D universal drum mounting system can be used to position microphones virtually anywhere -- on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments. |
Legendary among harmonica players for its classic blues harp sound, the 520D's tradition is carried on by the 520DX "Green Bullet" and has a contoured size and shape that fits perfectly between harmonica and hands. - New volume control knob allows musicians to adjust the volume to fit each musical situation
- New rugged, dynamic cartridge with improved response
- High-impedance, omnidirectional
- Supplied with 1/4 inch connector
- Frequency response: 100 to 5,000 Hz
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