Cardioid Condenser Instrument Microphone with Universal Clip-on Mounting System (9″ Gooseneck) Designed for use with brass, saxophone and other instruments, the ATM350UL UniMount® mounting system gives you the tools to perform with confidence. The system features the ATM350a cardioid condenser microphone, a high-SPL mic that provides a clear, well-balanced response from any instrument. When teamed […]
Cardioid Condenser Instrument Microphone with Universal Clip-on Mounting System (9″ Gooseneck)
Designed for use with brass, saxophone and other instruments, the ATM350UL UniMount® mounting system gives you the tools to perform with confidence. The system features the ATM350a cardioid condenser microphone, a high-SPL mic that provides a clear, well-balanced response from any instrument. When teamed with the included AT8491U universal clip-on mount and strong, flexible AT8490L 9″ gooseneck, the mic can be clipped securely to the bell of your instrument and positioned to stay where you want it – the gooseneck won’t flop around no matter how aggressively you move the instrument as you play.
The microphone’s cardioid polar pattern isolates the instrument by reducing side and rear pickup, and the switchable 80 Hz high-pass filter on the in-line power module helps control undesired low-frequency noise. The system also includes an AT8468 violin mount with hook-and-loop fastener and a protective carrying case.
Low-profile mic design for minimum visibility
Crisp, clear, well-balanced microphone response, even at high SPLs
Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
UniMount® universal clip-on mount attaches securely to instrument bell and provides excellent shock resistance for the microphone
Rugged UniMount® 9″ gooseneck rigidly holds its shape, keeping microphone accurately positioned even during aggressive play
In-line power module is equipped with a switchable 80 Hz high-pass filter to control undesired ambient noise
Interchangeable elements available for hypercardioid and omnidirectional polar patterns
Included violin mount with hook-and-loop fastener provides an additional mounting option
ELEMENT
Fixed-charge back plate, permanently polarized condenser
POLAR PATTERN
Cardioid
FREQUENCY RESPONSE
40 – 20,000 Hz
LOW FREQUENCY ROLL-OFF
80 Hz, 12 dB/octave
OPEN CIRCUIT SENSITIVITY
–49 dB (3.5 mV) re 1V at 1 Pa
IMPEDANCE
200 ohms
MAXIMUM INPUT SOUND LEVEL
159 dB SPL, 1 kHz at 1% T.H.D.
DYNAMIC RANGE (typical)
130 dB, 1 kHz at Max SPL
SIGNAL-TO-NOISE RATIO
65 dB, 1 kHz at 1 Pa
PHANTOM POWER REQUIREMENTS
11– 52V DC, 3.5 mA typical
SWITCH
Flat, roll-off
WEIGHT (MICROPHONE)
14.5 g (0.5 oz)
WEIGHT (POWER MODULE)
90 g (3.2 oz)
DIMENSIONS (MICROPHONE)
37.8 mm (1.49\’\’) long, 12.2 mm (0.48\’\’) maximum body diameter
DIMENSIONS (POWER MODULE)
92 mm (3.62“) long, 18.9 mm (0.74“) diameter
OUTPUT CONNECTOR (POWER MODULE)
Integral 3-pin XLRM-type
CABLE
4.0 m (13.1\’) long (permanently attached to microphone), 3.2 mm (0.13“) diameter, 2-conductor shielded cable with HIROSE HR10-type connector
Cardioid Condenser Instrument Microphone with Universal Clip-on Mounting System (9" Gooseneck)
Designed for use with brass, saxophone and other instruments, the ATM350UL UniMount® mounting system gives you the tools to perform with confidence. The system features the ATM350a cardioid condenser microphone, a high-SPL mic that provides a clear, well-balanced response from any instrument. When teamed with the included AT8491U universal clip-on mount and strong, flexible AT8490L 9" gooseneck, the mic can be clipped securely to the bell of your instrument and positioned to stay where you want it – the gooseneck won’t flop around no matter how aggressively you move the instrument as you play.
The microphone’s cardioid polar pattern isolates the instrument by reducing side and rear pickup, and the switchable 80 Hz high-pass filter on the in-line power module helps control undesired low-frequency noise. The system also includes an AT8468 violin mount with hook-and-loop fastener and a protective carrying case.
Low-profile mic design for minimum visibility
Crisp, clear, well-balanced microphone response, even at high SPLs
Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
UniMount® universal clip-on mount attaches securely to instrument bell and provides excellent shock resistance for the microphone
Rugged UniMount® 9" gooseneck rigidly holds its shape, keeping microphone accurately positioned even during aggressive play
In-line power module is equipped with a switchable 80 Hz high-pass filter to control undesired ambient noise
Interchangeable elements available for hypercardioid and omnidirectional polar patterns
Included violin mount with hook-and-loop fastener provides an additional mounting option
ELEMENT
Fixed-charge back plate, permanently polarized condenser
POLAR PATTERN
Cardioid
FREQUENCY RESPONSE
40 – 20,000 Hz
LOW FREQUENCY ROLL-OFF
80 Hz, 12 dB/octave
OPEN CIRCUIT SENSITIVITY
–49 dB (3.5 mV) re 1V at 1 Pa
IMPEDANCE
200 ohms
MAXIMUM INPUT SOUND LEVEL
159 dB SPL, 1 kHz at 1% T.H.D.
DYNAMIC RANGE (typical)
130 dB, 1 kHz at Max SPL
SIGNAL-TO-NOISE RATIO
65 dB, 1 kHz at 1 Pa
PHANTOM POWER REQUIREMENTS
11– 52V DC, 3.5 mA typical
SWITCH
Flat, roll-off
WEIGHT (MICROPHONE)
14.5 g (0.5 oz)
WEIGHT (POWER MODULE)
90 g (3.2 oz)
DIMENSIONS (MICROPHONE)
37.8 mm (1.49\'\') long, 12.2 mm (0.48\'\') maximum body diameter
DIMENSIONS (POWER MODULE)
92 mm (3.62“) long, 18.9 mm (0.74“) diameter
OUTPUT CONNECTOR (POWER MODULE)
Integral 3-pin XLRM-type
CABLE
4.0 m (13.1\') long (permanently attached to microphone), 3.2 mm (0.13“) diameter, 2-conductor shielded cable with HIROSE HR10-type connector
ATM350a cardioid condenser microphone; AT8543 power module; AT8491U UniMount® universal clip-on mount; AT8490L UniMount® 9" gooseneck; AT8468 violin mount (hook-and-loop fastener); protective carrying case
AUDIO-TECHNICA CASE STYLE
M36
The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
Premium electronic components, including gold-plated internal and external connectors
Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
Extended frequency response
Low self noise
Exceptional reproduction of low-frequency sounds
Can withstand high sound pressure levels (SPL)
High output level
No crossover distortion
Uniform polar response
Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
Acoustic instruments -- such as piano, guitar, drums, percussion, strings
Wind instruments -- brass and woodwind
Low frequency instruments -- such as double bass, electric bass, kick drum
Overhead miking -- drums or percussion
Ensembles -- choral or orchestral
Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording
The unidirectional dynamic microphone DAP PL-07 is ideal for live sound reinforcement and clear recording of Brass, Saxophone, Harmonica, Snare, Tom, Congas and Guitar-Bass Amps.
Technical Info
Type: Dynamic, Moving coil.
Freq.Resp.: 40 to 16.500 Hz.
Polar Pattern: Cardioid
Sensitivity (1000Hz): 1,7 mV/Pa*
(*1 Pa = 94 dB SPL)
Max SPL: 137dB
Impedance: 600 Ohm
Power supply: none
Connector: 3p. XLR male-type).
Net. Weight: 245 g
Dimensions: (Ø 32 mm x L 157 mm)
Accessories: 6 mtr balanced cable
with XLR plugs
The Shure SM57 unidirectional dynamic microphone is exceptional for musical instrument pickup or for vocals. With its bright, clean sound and carefully contoured presence rise, the SM57 is ideal for live sound reinforcement and recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. For musical instruments or vocals, the SM57 is a consistent choice of professional performers. It is also the standard microphone used on the podium of the U.S. President for over 30 years. Its outstanding performance, legendary reliability, and diversity of application make this "workhorse" the choice of performers, producers, and sound engineers the world over.
Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
Professional-quality reproduction for drum, percussion, and instrument amplifier miking
Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
Pneumatic shock-mount system cuts down handling noise
Extremely durable under the heaviest use
Frequency response: 40 to 15,000 Hz
Frequency Range
40 Hz to 15 kHz
Impedance
150 Ohms
Load Impedance
310 Ohms
Sensitivity
56 dBV/Pa (Open Circuit Voltage, 1 kHz)
Color
Gray
Mounting
5/8"-27 Female, Mic Clip (Included)
Construction Material
Steel, Steel Wire Grille
Dimensions
ø: 1.26 x L: 6.18" / ø: 32 x L: 157 mm
Weight
10.02 oz / 284 g
Precise artistic work deserves precise artistic craftsmanship. A classic by now, the CMS Series CK 1 capsule from AKG was a best seller from the moment it was launched in 1969. Comprising a range of interchangeable capsules and preamps as well as then innovative, dedicated accessories, the CMS Series from AKG quickly became a legend. It was discontinued in 1993. Responding to growing demand from recording engineers, AKG decided to produce the C 451 B with identical acoustical behaviour of the popular original C 451 EB + CK 1 microphone again, with dramatically improved specifications and outstanding price/ performance. The capsule of the new version is fixed permanently to the preamp to eliminate the mechanical problems of the screw joint. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. An all-metal body provides excellent protection from RF interference and the microphone is rugged enough to give excellent results even under very harsh conditions.
The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, overhead miking, or other instruments with a percussive sound. The airy sound, high overload limit of the capsule and electronic circuitry, and improved engineering details of the C 451 B are a solid foundation for creating another legend.
The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 200 Hz to 15,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.
Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.
The kit includes all the standard accessories of the individual package along with a stereo bar and proof of performance charts in an attractive carrying case (Soundtool case, middle size).
Features:
Identical acoustics of the legendary CK 1.
Rugged construction.
Ruler-flat on-axis frequency response.
Precise, nearly frequency independent cardioid.
Extremely accurate signal transfer.
Transformerless output stage for minimum distortion at low frequencies.
Protected against electrostatic and magnetic interference.
Selectable 10-dB and 20-dB preattenuation pads.
Switchable highpass filter (75 Hz or 150 Hz, 12dB/octave).
Operates on phantom power to DIN/IEC between 12 V and 48 V.
Complete with SA 40 stand adapter and W 90 windscreen.
Each microphone comes with its own individual frequency response plot.
Specifications:
Polar pattern: Cardioid
Frequency range: 20 to 20,000 Hz
Sensitivity: 9 mV/Pa (-41 dBV)
Max. SPL: 135/145/155 dB (0/-10/-20 dB) (k=0,5%)
Equivalent noise level (CCIR 468-3): 29 dB
Equivalent noise level: 18 dB-A
Signal/noise ratio (A-weighted): 76 dB
Preattenuation pad: 0 dB, 10 dB, 20 dB selectable
Bass filter: Flat, 12 dB/octave at 75 or 150 Hz, selectable
Impedance: 1000 ohms
Supply voltage: 9 to 52 V phantom power to DIN 45596
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