Cardioid Condenser Instrument Microphone with Woodwind Mounting System (5″ Gooseneck) Designed for use with woodwinds, the ATM350W UniMount® mounting system gives you the tools to perform with confidence. The system features the ATM350a cardioid condenser microphone, a high-SPL mic that provides a clear, well-balanced response from any instrument. When teamed with the included AT8491W woodwind […]
Cardioid Condenser Instrument Microphone with Woodwind Mounting System (5″ Gooseneck)
Designed for use with woodwinds, the ATM350W UniMount® mounting system gives you the tools to perform with confidence. The system features the ATM350a cardioid condenser microphone, a high-SPL mic that provides a clear, well-balanced response from any instrument. When teamed with the included AT8491W woodwind mount and strong, flexible AT8490 5″ gooseneck, the mic can be securely fastened to any woodwind instrument and positioned to stay where you want it – the gooseneck won’t flop around no matter how much you move the instrument as you play.
The microphone’s cardioid polar pattern isolates the instrument by reducing side and rear pickup, and the switchable 80 Hz high-pass filter on the in-line power module helps control undesired low-frequency noise. The system also includes an AT8468 violin mount with hook-and-loop fastener and a protective carrying case.
Low-profile mic design for minimum visibility
Crisp, clear, well-balanced microphone response, even at high SPLs
Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
UniMount® woodwind mount attaches securely to any woodwind instrument via a flexible strap, providing excellent shock resistance for the microphone
Rugged UniMount® 5″ gooseneck rigidly holds its shape, keeping microphone accurately positioned even during aggressive play
In-line power module is equipped with a switchable 80 Hz high-pass filter to control undesired ambient noise
Interchangeable elements available for hypercardioid and omnidirectional polar patterns
Included violin mount with hook-and-loop fastener provides an additional mounting option
ELEMENT
Fixed-charge back plate, permanently polarized condenser
POLAR PATTERN
Cardioid
FREQUENCY RESPONSE
40 – 20,000 Hz
LOW FREQUENCY ROLL-OFF
80 Hz, 12 dB/octave
OPEN CIRCUIT SENSITIVITY
–49 dB (3.5 mV) re 1V at 1 Pa
IMPEDANCE
200 ohms
MAXIMUM INPUT SOUND LEVEL
159 dB SPL, 1 kHz at 1% T.H.D.
DYNAMIC RANGE (typical)
130 dB, 1 kHz at Max SPL
SIGNAL-TO-NOISE RATIO
65 dB, 1 kHz at 1 Pa
PHANTOM POWER REQUIREMENTS
11– 52V DC, 3.5 mA typical
SWITCH
Flat, roll-off
WEIGHT (MICROPHONE)
14.5 g (0.5 oz)
WEIGHT (POWER MODULE)
90 g (3.2 oz)
DIMENSIONS (MICROPHONE)
37.8 mm (1.49\’\’) long, 12.2 mm (0.48\’\’) maximum body diameter
DIMENSIONS (POWER MODULE)
92 mm (3.62“) long, 18.9 mm (0.74“) diameter
OUTPUT CONNECTOR (POWER MODULE)
Integral 3-pin XLRM-type
CABLE
4.0 m (13.1\’) long (permanently attached to microphone), 3.2 mm (0.13“) diameter, 2-conductor shielded cable with HIROSE HR10-type connector
Cardioid Condenser Instrument Microphone with Woodwind Mounting System (5" Gooseneck)
Designed for use with woodwinds, the ATM350W UniMount® mounting system gives you the tools to perform with confidence. The system features the ATM350a cardioid condenser microphone, a high-SPL mic that provides a clear, well-balanced response from any instrument. When teamed with the included AT8491W woodwind mount and strong, flexible AT8490 5" gooseneck, the mic can be securely fastened to any woodwind instrument and positioned to stay where you want it – the gooseneck won’t flop around no matter how much you move the instrument as you play.
The microphone’s cardioid polar pattern isolates the instrument by reducing side and rear pickup, and the switchable 80 Hz high-pass filter on the in-line power module helps control undesired low-frequency noise. The system also includes an AT8468 violin mount with hook-and-loop fastener and a protective carrying case.
Low-profile mic design for minimum visibility
Crisp, clear, well-balanced microphone response, even at high SPLs
Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
UniMount® woodwind mount attaches securely to any woodwind instrument via a flexible strap, providing excellent shock resistance for the microphone
Rugged UniMount® 5" gooseneck rigidly holds its shape, keeping microphone accurately positioned even during aggressive play
In-line power module is equipped with a switchable 80 Hz high-pass filter to control undesired ambient noise
Interchangeable elements available for hypercardioid and omnidirectional polar patterns
Included violin mount with hook-and-loop fastener provides an additional mounting option
ELEMENT
Fixed-charge back plate, permanently polarized condenser
POLAR PATTERN
Cardioid
FREQUENCY RESPONSE
40 – 20,000 Hz
LOW FREQUENCY ROLL-OFF
80 Hz, 12 dB/octave
OPEN CIRCUIT SENSITIVITY
–49 dB (3.5 mV) re 1V at 1 Pa
IMPEDANCE
200 ohms
MAXIMUM INPUT SOUND LEVEL
159 dB SPL, 1 kHz at 1% T.H.D.
DYNAMIC RANGE (typical)
130 dB, 1 kHz at Max SPL
SIGNAL-TO-NOISE RATIO
65 dB, 1 kHz at 1 Pa
PHANTOM POWER REQUIREMENTS
11– 52V DC, 3.5 mA typical
SWITCH
Flat, roll-off
WEIGHT (MICROPHONE)
14.5 g (0.5 oz)
WEIGHT (POWER MODULE)
90 g (3.2 oz)
DIMENSIONS (MICROPHONE)
37.8 mm (1.49\'\') long, 12.2 mm (0.48\'\') maximum body diameter
DIMENSIONS (POWER MODULE)
92 mm (3.62“) long, 18.9 mm (0.74“) diameter
OUTPUT CONNECTOR (POWER MODULE)
Integral 3-pin XLRM-type
CABLE
4.0 m (13.1\') long (permanently attached to microphone), 3.2 mm (0.13“) diameter, 2-conductor shielded cable with HIROSE HR10-type connector
ATM350a cardioid condenser microphone; AT8543 power module; AT8491W UniMount® woodwind mount; AT8490 UniMount® 5" gooseneck; AT8468 violin mount (hook-and-loop fastener); protective carrying case
AUDIO-TECHNICA CASE STYLE
M36
The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a complete core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52 microphone, three A56D drum-mounting systems, and a lightweight and durable carrying case.
The industry standard for snare drum, and a reliable and high-performing choice for toms, Shure's cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately.
Perfect for the kick drum, the supercardioid Beta 52? derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52 is additionally designed with an integral locking stand mount for quick-and-easy set up.
A key element of the kit, Shure's A56D universal drum mounting system can be used to position microphones virtually anywhere -- on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments.
Optimized for low-frequency bass punch/high-power SPL handling. Designed for kick drum.
The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch“, and delivers studio quality sound even at extremely high sound pressure levels.
The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.
Features
Frequency response shaped specifically for kick drums and bass instruments
Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
Studio quality performance, even at extremely high sound pressure levels
Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
Hardened steel mesh grille that resists wear and abuse
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
Neodymium magnet for high signal–to–noise ratio output
Low sensitivity to varying load impedance
Legendary Shure quality and reliability
Type
Dynamic (moving coil)
Frequency Response
20 to 10,000 Hz
Polar Pattern
Supercardioid, rotationally symmetrical about microphone axis
Output Level
Open Circuit Voltage: -64 dBV/Pa* (0.6 mV), *1 Pa = 94 dB SPL
Precise artistic work deserves precise artistic craftsmanship. A classic by now, the CMS Series CK 1 capsule from AKG was a best seller from the moment it was launched in 1969. Comprising a range of interchangeable capsules and preamps as well as then innovative, dedicated accessories, the CMS Series from AKG quickly became a legend. It was discontinued in 1993. Responding to growing demand from recording engineers, AKG decided to produce the C 451 B with identical acoustical behaviour of the popular original C 451 EB + CK 1 microphone again, with dramatically improved specifications and outstanding price/ performance. The capsule of the new version is fixed permanently to the preamp to eliminate the mechanical problems of the screw joint. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. An all-metal body provides excellent protection from RF interference and the microphone is rugged enough to give excellent results even under very harsh conditions.
The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, overhead miking, or other instruments with a percussive sound. The airy sound, high overload limit of the capsule and electronic circuitry, and improved engineering details of the C 451 B are a solid foundation for creating another legend.
The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 200 Hz to 15,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.
Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.
The kit includes all the standard accessories of the individual package along with a stereo bar and proof of performance charts in an attractive carrying case (Soundtool case, middle size).
Features:
Identical acoustics of the legendary CK 1.
Rugged construction.
Ruler-flat on-axis frequency response.
Precise, nearly frequency independent cardioid.
Extremely accurate signal transfer.
Transformerless output stage for minimum distortion at low frequencies.
Protected against electrostatic and magnetic interference.
Selectable 10-dB and 20-dB preattenuation pads.
Switchable highpass filter (75 Hz or 150 Hz, 12dB/octave).
Operates on phantom power to DIN/IEC between 12 V and 48 V.
Complete with SA 40 stand adapter and W 90 windscreen.
Each microphone comes with its own individual frequency response plot.
Specifications:
Polar pattern: Cardioid
Frequency range: 20 to 20,000 Hz
Sensitivity: 9 mV/Pa (-41 dBV)
Max. SPL: 135/145/155 dB (0/-10/-20 dB) (k=0,5%)
Equivalent noise level (CCIR 468-3): 29 dB
Equivalent noise level: 18 dB-A
Signal/noise ratio (A-weighted): 76 dB
Preattenuation pad: 0 dB, 10 dB, 20 dB selectable
Bass filter: Flat, 12 dB/octave at 75 or 150 Hz, selectable
Impedance: 1000 ohms
Supply voltage: 9 to 52 V phantom power to DIN 45596
Current consumption:
Audio Frequency Response 20 Hz - 10,000 Hz
Case Material Die cast zinc
Connector Type 3-pin XLR
Element Dynamic
Finish Textured Satin Black
Impedance, Low-Z balanced 150 Ω
Mic Type Instrumental
Open Circuit Voltage 0.63 mV/Pascal
Polar Pattern Supercardioid
Power Requirement Passive
Shipping Weight 23.7 oz (672 g)
Wired/Wireless Wired
Weight Net 12.84 oz (364 g)
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