| Content |
Features
- Connects directly to network via Ethernet cable—no soldering or additional cable required
- Integrated user switch controls talk/mute in Local mode and triggers Dante-enabled devices in Remote mode
- Local or remote control of gain, low-cut UniSteep® filter, red/green LED status indicator and phantom power
- Powered by network PoE
- Scalable across Danteʼs 512 bidirectional audio channels
- Touch-sensitive capacitive-type user switch
- UniSteep® filter provides a steep low-frequency attenuation to improve sound pickup without affecting voice quality
- 3-pin XLRF-type input for quick mounting of any gooseneck microphone with an XLRM-type output
- Heavy die-cast case and non-slip silicone foam bottom padsminimize coupling of surface vibration to the microphone
Description
The ATND8677 is a Dante-enabled microphone desk stand for use with any gooseneck microphone with a three-pin XLRM-type output connector. The desk stand is designed for surface-mount applications such as high-quality sound reinforcement, conferencing, distance learning and other demanding sound pickup applications.
The desk stand features a touch-sensitive capacitive-type user switch with integral red/green LED status indicator. In Local mode the user switch mutes and unmutes the microphone. It can be set to toggle between live and muted audio (toggle on/off), to permit live audio only while the switch is pressed (press to talk), or to mute the audio while the switch is pressed (press to mute). In Remote mode the user switch can be used to trigger functions on compatible Dante-enabled devices, such as a video cameraʼs pan/tilt or a roomʼs lighting preset. While in Remote mode the desk standʼs audio output is controlled remotely. An integral 80 Hz low-cut UniSteep® filter provides easy switching from a flat frequency response to a low-end roll-off. The roll-off position reduces the pickup of low-frequency ambient noise (such as traffic, air-handling systems, etc.), room reverberation and mechanically coupled vibrations. A three-position input gain level selector permits trim adjustment to accommodate louder and softer voices. The desk stand provides 12V DC phantom power by default, which can be switched off and on.
The gain, low-cut UniSteep® filter, red/green LED status indicator and phantom power can all be controlled locally or remotely via third-party software.* Recessed buttons on the bottom of the desk stand allow user to configure the desk stand settings locally. Audio, low-cut, gain and phantom power settings can be locked in Local mode by pressing and holding the lock button. This lock will prevent end users from adjusting the settings. Default settings for the stand are as follows: audio toggle on/off (with audio muted at power up), low-cut filter off, +30 dB input gain, phantom power on.
- Frequency response: 20-20,000 Hz
- Low frequency roll-off: 80 Hz, 18 dB/octave
- Input impedance: 1.4 kO
- Maximum input levels: -10 dBu @ +30 dB gain / -20 dBu @ +40 dB gain / -30 dBu @ +50 dB gain
- Signal-to-noise ratio1: 68 dB, 1 kHz at 1 Pa
- Power requirements: PoE IEEE802.3af standard
- Power consumption: 1.5W
- Microphone phantom power: 12V DC
- Switches: Local Mode: Touch-sensitive capacitivetype user switch function: toggle (mute on power up), toggle (talk on power up), momentary on, momentary off; Low-cut filter: flat, roll-off; Gain: +30 dB, +40 dB, +50 dB; Phantom power: 12V DC, off Remote Mode: Low-cut and Gain via third-party software*
- Weight: 770 g (27.2 oz)
- Dimensions: 133.0 mm (5.24“) maximum length, 93.8 mm (3.69“) maximum width, 46.2 mm (1.82“) maximum height
- Input connector: 3-pin XLRF-type
- Output connector: Physical level: standard Ethernet
- Dante network:Connector: single RJ45 | Cable quality: Shielded CAT5 or CAT6 recommended | Transmission speed: 100 Mbps
| Key Features :
- Turn Wireless GO into Handheld Mic
- Windshield Included
- For ENG
Turn your Wireless GO Transmitter into a handheld microphone with the RODE Interview GO. Once the transmitter is slotted snugly into the Wireless GO\'s cradle, the adapter will give you the sound and appearance of a handheld microphone. |
Shure P4HW Wired Bodypack Personal Monitor
P4HW Wired Bodypack
Hardwired Bodypack
Key Features
Attached input cable
High-impact plastic chassis
Operating Controls:
Operating mode (Stereo, Mono, MixMode)
Volume knob
Balance knob
Defeatable limiter
High-frequency boost
-15 db Pad
Backlit LCD Indicators :
Battery life
Input level
Operating mode
Frequency Response
20 to 20,000 Hz
Total Harmonic Distortion
Channel Separation
35 dB (minimum)
Signal-to-noise ratio
85 dB (minimum)
Maximum Output Level
+5 dBu at 1% THD
Maximum Input Level
+7 dBu, input pad OFF
+22 dBu, input pad ON
Actual Input Impedance
> 40 kilohms
Audio Output Connector
3.5 mm stereo (left=tip, right=ring, ground=sleeve)
Power Requirements
9 V Alkaline battery
Battery Life
Up to 8 hours, volume dependant
Phantom Power Protection
Up to 60 VDC
|
Shure PM4E 6in-6out Personal Monitor Mixer
The P4M is a highly versatile four-channel, two-bus stereo mic/line mixer designed to optimize
use of personal (in-ear) monitors like the Shure PSM 400 in live performance. The P4M features
four balanced mic/line inputs, each with level and panning controls. Corresponding XLR split outputs
allow input signals to pass through the unit unaffected, while providing an independent mix.
Personal Stereo Monitors
When coupled with personal monitors, the P4M allows performers the ability to adjust personal mix
levels onstage - even during a performance - without affecting the front-of-house system. This enables
users to create and maintain consistent monitor mixes, regardless of what the venue can provide for monitors.
The P4M is available individually for use with Shure PSM 600 and PSM 700 Personal Monitor Systems; or
packaged with Shure's PSM 400 Hardwired and Wireless Performance Packs.
Installed Sound Systems
The P4M can also be used as a small "piggyback" mixer in applications such as houses of worship, or courtrooms.
The unit acts as a console bypass when a permanent installation of a large, operator-controlled mixing console may
require just a few microphones for smaller events. This allows the user easy access and control of up to four signals
without having to utilize the larger console. Given its dual-bus output capabilities, the P4M can also serve as a "two zone"
mixer, routing any combination of mic or line-level signals to two different zones.
More Than Four Inputs
The P4M has a pair of 1/4-inch auxiliary inputs that can be used to add channels from other sources. For example
multiple P4M mixers can be linked together to increase the number of inputs. In addition, sources not present in the original
mix - such as a click track for live percussion - may be included via the auxiliary inputs.
Measurement Conditions (unless otherwise specified):
full gain; 1 kHz, one channel activated; >source impedances: Mic 150 ohms, Aux Level 150 ohms; terminations: Line 600 ohms.
Frequency Response (Ref 1 kHz, controls centered)
20 Hz to 20 kHz +/- 2 dB
Input Specifications
Input
1-4 (front panel) Aux In
Gain (Maximum) 43 dB 0 dB
Impedance (at 1 kHz) 5800 ohms 18 kilohm (each)
9100 ohms (1/L mono)
Input Clipping Level +12 dBV +12 dBV
Crosstalk -100 dB -90 dB
Common Mode Rejection > 75 dB > 70 dB
Output Specifications
Output
Split 1-4 Mix Out
Impedance N/A 500 ohm (unbalanced)
1 kilohm (balanced
Output Clipping Level N/A +5 dBV (10 kilohm balanced
load, -30 dBV input ch. 1-4)
Noise (100 Hz to 22 kHz) -110 dBV -100 dBV (all controls CCW)
-62 dBV (all controls CW)
Distortion (THD) at 1 kHz .0005% |
Featuring a camera-shoe mount with a 3/8' thread in the base that can be mounted in three different positions, the RØDEGrip can be used in a number of orientations and setups. These include:
- Handheld audio recording with the iXY stereo microphone
- Boom stand mounted audio recording with the iXY
- Camera-mounted audio recording with the iXY
- Handheld pistol grip filming with the iPhone
- Desktop mounted for handsfree iPhone display and filming
- Camera-mounted iPhone display for photography apps
- Constructed from durable, high-quality ABS plastics, it folds down into a small, portable form factor for ease of transport.
|
The AKG C 480 B preamplifier powering unit is the latest model in the ULS series. It accommodates the CK 61/ULS, CK 62/ULS, CK 63/ULS capsules and the new CK 69/ULS shotgun capsule, providing a higher order of performance for these capsules than previously available.
The new preamp has a vastly improved noise floor, permitting self noise performance with the four associated capsules in the range of 9 to 11 dB-A. Maximum sound pressure levels in the range of 144 dB (in the -10 dB sensitivity position) can be attained with no greater than 0.5% distortion, giving the capsules a new level of overall performance. An integral low cut filter (12 dB/octave) can be set for either 150 or 70 Hz. The +6 dB sensitivity position is intended to enhance the performance of the CK 69/ULS interference tube capsules, which normally operate over large distances.
With the available CK 61/ULS cardioid, CK 63/ULS hypercardioid, CK 62/ULS omnidirectional, and highly directional CK 69/ULS shotgun element, the C 480 Series is intended primarily for studio, broadcast and a variety of live sound and speech reinforcement applications in which state-of-the-art performance is required. A complete line of optional accessories is available. The C 480 B operates only on 48 volts phantom powering. Check the Related Products.
Features:
- Ultralow noise preamplifier for use with ULS series capsules
- Multiple directional capsules and configurations available on a high performance powering/preamp module
- Extremely flat on-axis response for all models
- Three sensitivity settings (0, +6, and -10 dB)
- High acoustic level capability
Specifications:
- Polar pattern: 10 to 30,000 Hz
- Preattenuation pad: +6, 0, -10 dB, selectable
-
- Bass filter: 12 dB/octave at 70 or 150 Hz
- Impedance: 2000 ohms/1000 pF
- Supply voltage: 48 V phantom power to DIN 45596
- Current consumption:
|
Reviews
There are no reviews yet.