Audio Technica ATR6250 Stereo condenser video/recording microphone

48.97 incl. GR VAT

Available on backorder

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Capture the realism of live sound with two mics in one. The ATR6250 provides extremely affordable, high-quality stereo pickup in a single microphone. Its compact design is ideal for use with video cameras and portable audio recorders. Provided with a range of professional accessories, this price/performance leader is ruggedly built to endure the realities of […]

 

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Capture the realism of live sound with two mics in one. The ATR6250 provides extremely affordable, high-quality stereo pickup in a single microphone. Its compact design is ideal for use with video cameras and portable audio recorders. Provided with a range of professional accessories, this price/performance leader is ruggedly built to endure the realities of day-to-day use.

  • High-quality stereo pickup in a single mic
  • Plugs into your video camera or audio recorder
  • Includes short camera cable & long recording cable
  • Generously equipped with accessories
  • Element: Stereo Condenser
  • Polar Pattern: Dual cardioid
  • Frequency Response: 70 – 18,000 Hz
  • Open Circuit Sensitivity: -50 dB
  • Impedance: 600 ohms
  • Weight: 79 g (2.8 oz) without cable
  • Output Connector: Screw-in 3.5 mm (1/8“) stereo (female)
  • Cable: Camera Cable: 0.2 m (8“) long, 3.5 mm (1/8“) stereo to 3.5 mm (1/8“) stereo, Recording Cable: 3 m (9.8′) long, 3.5 mm (1/8“) stereo to two 3.5 mm (1/8“) mono plugs
  • Accessories Furnished: Professional camera mount; interchangeable mic-stand base; foam windscreen; two 3.5 mm (1/8“) to 6.3 mm (1/4“) mono adapters; AA battery
Weight 0.30 kg

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Quick Comparison

Audio Technica ATR6250 Stereo condenser video/recording microphone removeRODE VIDEOMIC GO DVCAM DIRECTIONAL CONDESER MICROPHONE removeAUDIO TECHNICA BP4027 SHOTGUN BROADCASTING STEREO MICROPHONE 9.29" long removeSENNHEISER MD-46 Reporting Dynamic Microphone removesE ProMic Laser DSLR On-Camera Shotgun Microphone removeAUDIO TECHNICA AT875R SHOTGUN BROADCASTING MICROPHONE WITH BATTERY remove
NameAudio Technica ATR6250 Stereo condenser video/recording microphone removeRODE VIDEOMIC GO DVCAM DIRECTIONAL CONDESER MICROPHONE removeAUDIO TECHNICA BP4027 SHOTGUN BROADCASTING STEREO MICROPHONE 9.29" long removeSENNHEISER MD-46 Reporting Dynamic Microphone removesE ProMic Laser DSLR On-Camera Shotgun Microphone removeAUDIO TECHNICA AT875R SHOTGUN BROADCASTING MICROPHONE WITH BATTERY remove
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SKUATR6250H11RD00042BP4027H10SE00078ProMic LaserAT875R
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Price 48.97 incl. GR VAT 73.15 incl. GR VAT 1,058.00 incl. GR VAT 255.00 incl. GR VAT 126.29 incl. GR VAT 163.80 incl. GR VAT
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Description
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Capture the realism of live sound with two mics in one. The ATR6250 provides extremely affordable, high-quality stereo pickup in a single microphone. Its compact design is ideal for use with video cameras and portable audio recorders. Provided with a range of professional accessories, this price/performance leader is ruggedly built to endure the realities of day-to-day use.

  • High-quality stereo pickup in a single mic
  • Plugs into your video camera or audio recorder
  • Includes short camera cable & long recording cable
  • Generously equipped with accessories
  • Element: Stereo Condenser
  • Polar Pattern: Dual cardioid
  • Frequency Response: 70 – 18,000 Hz
  • Open Circuit Sensitivity: -50 dB
  • Impedance: 600 ohms
  • Weight: 79 g (2.8 oz) without cable
  • Output Connector: Screw-in 3.5 mm (1/8“) stereo (female)
  • Cable: Camera Cable: 0.2 m (8“) long, 3.5 mm (1/8“) stereo to 3.5 mm (1/8“) stereo, Recording Cable: 3 m (9.8') long, 3.5 mm (1/8“) stereo to two 3.5 mm (1/8“) mono plugs
  • Accessories Furnished: Professional camera mount; interchangeable mic-stand base; foam windscreen; two 3.5 mm (1/8“) to 6.3 mm (1/4“) mono adapters; AA battery

Clear, directional audio on the GO!

Compact and light weight by design, the VideoMic GO delivers clear, crisp, directional audio with incredible ease of use. Its tight pickup area focuses directly in front of the microphone and reduces other surrounding sounds, ensuring that your subject is isolated from distracting background noise.

The integrated Rycote® Lyre® shock mount isolates your microphone from bumps and vibrations that could otherwise interfere with your sound.

Constructed from a single piece of hard-wearing thermoplastic, the Lyre® provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.

The VideoMic GO has no complicated switches or settings and is powered by your camera's external microphone input, requiring no batteries to operate, ensuring you never miss a great shot.

Acoustic Principle Line Gradient
Frequency Range 100Hz ~ 16,000Hz
Equivalent Noise 34dBA SPL (A - weighted per IEC651)
Signal Noise 60dB SPL (A - weighted per IEC651)
Power Required Plug-in power required (330uA @ 2.5V)
Dimensions 167mmL x 79mmH x 70mmD
Directional Pattern Super-Cardioid
Sensitivity -35dB re 1V/Pa (17.8mV @ 94dB SPL) ±2dB @ 1kHz
Maximum SPL 120dB (@ 1kHz, 1% THD into 1kΩ load)
Dynamic Range 96dB (per IEC651)
Output Connection 3.5mm stereo mini-jack
Weight 73g

Based on models originally developed for use in the broadcast of the Sydney Olympics in 2000, the BP4027 (14.96" long) and BP4029 (9.29" long) Stereo Shotgun models are engineered for high-end broadcast and production use. Both microphones feature independent line-cardioid and figure-of-eight elements configured in an MS (Mid-Side) arrangement with switch-selectable internal matrixing. These innovative microphones allow sound recordists the choice of selecting a left-right stereo output (wide or narrow) via the microphone's internal matrixing system or choosing discreet Mid-Side signals for later manipulation, a flexibility not available from any other manufacturer. A switchable low frequency roll-off filter helps minimize the pickup of unwanted low frequency noise. These phantom-powered models feature a rugged lightweight design and sleek black color scheme, perfect for on-camera use.

Designed for broadcasters, videographers and sound recordists
Compact, lightweight design is perfect for camera-mount use
Independent Line-cardioid and Figure-of-eight condenser elements
Switchable low-frequency roll-off
Switch selection of non-matrixed M-S mode and two internally-matrixed left/right stereo modes
Includes a 0.61 m (24“) cable (5-pin XLRF to two standard 3-pin XLRM connectors)
RoHS compliant - free from all substances specified in the EU directive on hazardous substances

Frequency Response: 30-20,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: Mid: -30 dB (31.6 mV) re 1V at 1 Pa; Side: -34 dB (19.9 mV) re 1V at 1 Pa; LR Stereo: -36 dB (15.8 mV) re 1V at 1 Pa
Impedance: 200 ohms
Maximum Input Sound Level: Mid: 123 dB SPL, 1 kHz at 1% T.H.D.; Side: 127 dB SPL, 1 kHz at 1% T.H.D.; LR Stereo: 126 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: Mid: 101 dB, 1 kHz at Max SPL; Side: 101 dB, 1 kHz at Max SPL; LR Stereo: 102 dB, 1 kHz at Max SPL
Signal to Noise Ratio: Mid: 72 dB SPL, 1 kHz at 1 Pa; Side: 68 dB SPL, 1 kHz at 1 Pa; LR Stereo: 70 dB SPL, 1 kHz at 1 Pa
Phantom Power Requiremens: 11-52V DC, 4 mA typical at 48V, each channel
Weight: 142 g (5.0 oz)
Dimensions: 380.0 mm (14.96“) long, 21.0 mm (0.83“) diameter
Output Connector: Integral XLR5M-type
Cable: Dual 0.61 m (24“) shielded two-conductor, terminated in two XLR3M-type connectors
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; AT8135 foam windscreen; 5/8“-27 to 3/8“-16 threaded adapter; protective carrying case

The MD 46 is a high-quality reporter's microphone with cardioid pick-up pattern. It has been specially optimised for rough use in live reporting and broadcasting environments. The MD 46 is a very 'good-natured' microphone whose design avoids wind and handling noise problems. Colour: black, sound inlet basket: refined steel, black.

Features
  • Two-ply sound inlet basket provides increased protection from wind and pop noise
  • Rugged metal housing
  • Rubber mounted capsule ensures low sensitivity to handling noise
  • Cardioid pick up pattern ensures excellent speech intelligibility even with high ambient noise levels
Type: Dynamic, Reporting
Pick Up Pattern: omni-directional
Frequency response: 40 - 18 000 Hz
Sensitivity: 2,0 mV/Pa
Ιmpedance: 350 Ohm
Dimensions: Ø 49 x 250 mm
Weight: 360 gr
Use: Video/Broadcast

ProMic Laser is our first ever DSLR on-camera microphone - a shotgun condenser microphone with a precision-tuned capsule for capturing professional-quality audio direct to camera.

With more and more video recording enthusiasts taking an increased interest in the quality of the audio of their videos, ProMic Laser provides the high-quality audio to match the high-definition video capabilities of todayʼs DSLR cameras.

Laser, the first release in the ProMic series, is a truly professional solution. It has a rugged aluminium design and comes with a removable wind shield and a custom shockmount for hot-shoe mounting directly onto a DSLR camera.

Laser is battery-powered using a single AAA battery (not included), which means that the microphone has an increased sensitivity level, and a lower noise floor, but the inclusion of a -10dB Pad allows you to reduce the level of the mic for recording louder sources.

The microphone also features a Bass Cut, which gives you the option of removing unwanted low frequency rumble, such as traffic or noise from the camera itself, and this can be used in tandem with the -10dB Pad.

As with all sE Electronics products, ProMic Laser comes with a three-year free replacement warranty, which means if it lets you down, weʼll simply give you a new one.

ProMic Laser comes with a protective carry bag and a 3.5mm coiled jack-to-jack cable to connect the microphone to your camera. Laser is compatible with the upcoming ProMic accessories series, which includes boom poles and fur windshields.

Audio-Technica's AT875R is designed for video production and broadcast (ENG/EFP) audio acquisition. Audio-Technica's shortest shotgun microphone, it mounts conveniently on a DV camcorder without adding noticeable heft, and is ideal for use with compact digital cameras. This high-performance microphone offers a narrow acceptance angle of line + gradient design. It also features smooth, natural-sounding on-axis audio quality and excellent off-axis rejection of sound arriving from the sides and rear of mic.

Designed for video production and broadcast (ENG/EFP) audio acquisition
Extremely short length (under 7“) ideal for use with compact digital cameras
Provides the narrow acceptance angle desirable for long-distance sound pickup
Excellent sound rejection from the sides and rear of mic
Tailored response minimizes camera and handling noise
Operates on phantom power only
RoHS compliant free from all substances specified in the EU directive on hazardous substances

Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Line + gradient
Frequency Response: 90-20,000 Hz
Open Circuit Sensitivity: 30 dB (31.6 mV) re 1V at 1 Pa
Impedance: 100 ohms
Maximum Input Sound Level: 127 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: 107 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 74 dB, 1 kHz at 1 Pa
Phantom Power Requiremens: 11-52V DC, 2 mA typical
Weight: 80 g (2.8 oz)
Dimensions: 175.0 mm (6.89“) long, 21.0 mm (0.83“) diameter
Output Connector: Integral 3-pin XLRM-type
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; windscreen; soft protective pouch

Weight0.30 kg0.10 kg0.30 kg1.00 kg1.00 kg0.30 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.30 kg
Weight 0.10 kg
Weight 0.30 kg
Weight 1.00 kg
Weight 1.00 kg
Weight 0.30 kg