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With durable construction and unobtrusive appearance, the ES933H offers versatile solutions for speech, theater, orchestra and choir sound reinforcement and recording. The microphone's low-profile element provides a uniform hypercardioid polar pattern with 100º acceptance angle. Available in two colors: black (ES933H); white (ES933WH), the microphone offers unsurpassed immunity from radio frequency interference thanks to UniGuard® innovations. The ES933H also offers an 80 Hz low-cut UniSteep® filter that reduces pickup of low-frequency ambient noise.
- Designed for quality sound reinforcement, professional recording, television and other demanding sound pickup applications
- Small size and excellent response are ideal for suspension over choirs, instrumental groups and theater stages
- Low-profile element provides uniform hypercardioid polar pattern with 100º acceptance angle
- Available interchangeable elements permit angle of acceptance from 90º to 360º
- Superior off-axis rejection for maximum gain before feedback
- Requires 11V to 52V DC phantom power
- UniGuard® RFI-shielding technology offers outstanding rejection of radio frequency interference (RFI)
- Integral UniSteep® filter provides a steep low-frequency attenuation to improve sound pickup without affecting voice quality
- Available in two colors: black (ES933H) and white (ES933WH)
- RoHS compliant - free from all substances specified in the EU directive on hazardous substances
- Element: Fixed-charge back plate, permanently polarized condenser
- Polar Pattern: Hypercardioid
- Frequency Response: 80-20,000 Hz
- Low Frequency Roll Off: 80 Hz, 18 dB/octave
- Open Circuit Sensitivity: -40 dB (10.0 mV) re 1V at 1 Pa
- Impedance: 250 ohms
- Maximum Input Sound Level: 138 dB SPL, 1 kHz at 1% T.H.D.
- Dynamic Range: 109 dB, 1 kHz at Max SPL
- Signal to Noise Ratio: 65 dB, 1 kHz at 1 Pa
- Phantom Power Requiremens: 11-52V DC, 2 mA typical
- Switch: Flat, roll-off
- Cable: 15.2 m (50') long (permanently attached to microphone), 3.2 mm (0.13“) diameter, 2-conductor shielded cable, terminated with TA3F-type connector
- Accessories: ES933H: AT8109 two-stage foam windscreen; AT8452 steel hanger ES933WH: AT8109(WH) two-stage foam windscreen; AT8452(WH) steel hanger Both: AT8538 power module
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- Hypercardioid polar pattern
- 38 cm long
- 95° pickup angle
- For acoustically difficult environments
- Connects easily via XLR connector
The hypercardioid polar pattern with its narrow 95° pickup angle is suited best for situations where noise typically occurs from all sides (particularly in worship centers), where people talk into the microphone from a greater distance, or where several talkers are grouped side by side. Two different lengths are available. The .exible joint ensures optimum alignment of the gooseneck to any talker position. Several options are available for installation, i.e., stand, tabletop installation, and lockable.
Choosing polar patterns
Selecting the correct polar pattern for installed sound is difficult since it depends on a variety of factors. Of course the acoustics of the room play a key role. For highly reverberant rooms such as worship centers, a hypercardioid polar pattern will be the best choice to avoid high levels of unwanted noise. Correct placement of the loudspeakers is also essential. If the speakers project right at the capsule, a hypercardioid will be your best bet. The most difficult task, however, is trying to judge how the talkers will behave. For talkers who are inexperienced or move around a lot, be sure to choose a cardioid polar pattern for reliable pickup; talkers at a greater distance from the mic will be served best by a hypercardioid.
The microphone shall be a hypercardioid gooseneck microphone. Its pickup angle shall be 95 degrees; frequency range 50 Hz to 19 kHz; sensitivity 12 mV/Pa; max. SPL 125 dB; electrical impedance
| Polar pattern |
Hypercardioid |
| Frequency range |
50 to 19,000 Hz |
| Sensitivity |
12 mV/PA = -38 dBV re 1 V/Pa |
| Max. SPL |
125 dB (for 1% THD) |
| Equivalent noise level |
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| Signal/noise ratio (A-weighted) |
>73 dB |
| Impedance |
=2,000 ohms |
| Supply voltage |
English: 9 to 52 V phantom power to IEC 61938 (DPA adapter integrated) |
| Powering |
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| Connector |
3-pin male XLR |
| Finish |
matte black |
| Dimensions |
CGN 99 H/S: 13.5 x 380 mm (0.5 x 15 in.);
CGN 99 H/L: 13.5 x 580 mm (0.5 x 23 in.) |
| Net weight |
CGN 99 H/S: 480 g (17 oz.);
CGN 99 H/L: 500 g (17.7 oz.) |
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- PA microphone with rugged, all-metal body
- Frequency response optimized for intelligibility
- Long useful life even in tough day-to-day usage
- Frequency response tailored to speech use
Rugged, affordable dynamic cardioid gooseneck microphone for general public address and communications use. The DGN 99 provides a frequency response tailored to speech use for optimum intelligibility as well as good offaxis rejection for high gain before feedback and suppression of unwanted ambient noise. The all-metal body ensures a long useful life for the microphone even in tough day-to-day use.
The DGN 99 E features a built-in XLR connector for quick connection, while the DGN 99 has been designed for permanent (single-hole or screw-on) installation and comes with a 6-ft. 4-in. (2-m) fixed, unterminated cable.
Ticket window, bank counter
Reception desk, restaurant
Houses of worship
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Recommended For:
- Brass
- Drums
- Percussions
- Woodwinds
Features:
- Miniature condenser clip-on microphone for wind instruments, drums, and percussions
- Miniature gooseneck for accurate microphone alignment
- Including wireless direct adapter for easy use with AKG pocket transmitters
- Detachable microphone cable
- Transducer shock mount for high mechanical-noise rejection
Standard Accessories:
- A400 adapter
- Microphone bag
- W44 Windscreen
Specs:
- Polar pattern cardioid
- Frequency range 60 Hz to 20 kHz
- Sensitivity 5 mV/Pa (-46 dBV)
- Max. SPL 130/132 dB SPL (for 1 %/3 % THD)
- Equivalent noise level 31 dB(A)
- Signal/noise ratio (A-weighted) 63 dB
- Impedance = 2000 ohms
- Current consumption
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- Immune to RF interference
- Speech optimized frequency range
- Enhanced hypercardioid polar pattern
- High SPL capability
- Premium microphone for ubiquitous application
A History of Sound: The C 747, the so called „pencil microphone“, was first built in 1987. Due to its excellent technical specifications, especially the wide and flat frequency range, it was used for the recording of all kinds of musical instruments, even those with very low frequencies. Because of its brilliant sound reproduction and its inconspicuous optical appearance, it was quickly known as an ideal overhead microphone.
Thank to the narrow polar pattern it solved the crosstalk problem (when recording multiple instruments at once) and the problem of picking up sounds from distant spots in a room. But for all that, due to the help of the acoustically well balanced, short interference tube, it didnʼt face one of the biggest problems of most shotgun microphones – the change of the polar pattern over the frequency. This is one of many reasons why this microphone found its way into a great number of Broadcast Stations, Recording Studios, Theatres, Opera Houses, Churches, Conference Rooms and Lecture Halls.
Another big advantage of the C 747 is that the microphone will not change the sound or level too much even when the person speaking is moving a lot. So it came that the C 747 finally found its way into installed sound systems as a perfect speech and lectern microphone. The C 747 is now one of the most versatile microphones in the AKG product range and over the years it has been available in various versions and model types such as hanging module, capsule for modular gooseneck microphones and in a boundary layer microphone.
Whatʼs New in V11: As it is more and more used in conference applications, we carefully redesigned the C 747 to better cope with some specific installed sound issues.
The new C 747 V11 will have an integrated RFi shield to block out unwanted interference by mobile phones, wireless mics and the like. Also we have fine tuned the frequency response to give especially the spoken word an outstanding presence, without changing the flavour of the classic C 747 sound.
An enhanced polar pattern provides consistent off-axis rejection to control ambient noise and feedback in acoustically difficult environments. This makes the C 747 V11 an excellent choice for noisy discussion groups or reverberant pulpits while it is forgiving enough to clearly pick up talkers moving around in front of the microphone. A switchable LF roll-off filter suppresses mechanical noise. The low-impedance transformerless preamp operates on 9 to 52 V phantom power.
The C 747 V11 ships with an extensive accessory set including a shock mount/adapter, mini gooseneck, stand adapter, mounting clamp, thread link, and windscreen.
SPECIFICATIONS:
| Polar pattern | hypercardioid | | Frequency range | 30 to 18,000 Hz | | Sensitivity | 8.5 mV/Pa (-42 dBV) | | Max. SPL | 133 dB | | Equivalent noise level (IEC 60268-4) | 32 dB | | Equivalent noise level | 21 dB-A | | Signal/noise ratio (A-weighted) | 73 dB | | Bass filter | 12 dB/octave at 150 Hz | | Impedance | 400 ohms | | Recommended load impedance | >1500 ohms | | Supply voltage | 9 to 52 V phantom power to DIN 45596 | | Powering | |
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Features:
- Miniature cardioid condenser clamp-on microphone with shock mounted capsule
- Ideal for miking drums and percussions
- Including wireless direct adapter for easy use with AKG pocket transmitters
- Detachable microphone cable
- Integrated gooseneck
- Continuously adjustable vise type clamp
Recommended For:
- Drums
- Brass
- Recording
- Percussions
Standard Accessories:
- A400 adapter
- H518 Drum bracket
- Microphone bag
- W44 Windscreen
Specs:
- Polar pattern cardioid
- Frequency range 60 Hz to 20 kHz
- Sensitivity 5 mV/Pa (-46 dBV)
- Max. SPL 130/132 dB SPL (for 1%/3% THD)
- Equivalent noise level 31 dB(A)
- Signal/noise ratio (A-weighted) 63 dB
- Impedance = 2000 ohms
- Current consumption
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