AUDIO TECHNICA MB2K INSTRUMENT MICROPHONE

48.85 incl. GR VAT

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The industry standard for affordable instrument microphones, the MB 2k features a unidirectional dynamic element design for outstanding off-axis rejection and feedback control. Its frequency response is tailored for optimal instrument pickup. This rugged, all-metal mic is equipped Audio-Technica’s Hi-ENERGY® neodymium magnet structure for maximum output and fast transient response, with noise-reducing soft-touch finish, MagnaLock™ […]

 

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The industry standard for affordable instrument microphones, the MB 2k features a unidirectional dynamic element design for outstanding off-axis rejection and feedback control. Its frequency response is tailored for optimal instrument pickup. This rugged, all-metal mic is equipped Audio-Technica’s Hi-ENERGY® neodymium magnet structure for maximum output and fast transient response, with noise-reducing soft-touch finish, MagnaLock™ switch design for silent on/off operation, and a corrosion-resistant gold-plated XLRM-type connector.

Smart-priced introductory microphone for amplified and acoustic instruments
Tailored frequency response for optimal instrument reproduction
Unidirectional dynamic element design
Rugged all-metal construction
Hi-ENERGY® neodymium magnet for improved output and transient response
Soft-touch finish reduces mechanical noise
Silent on-off operation thanks to MagnaLock™ switch design
Corrosion-resistant gold-plated XLRM-type connector

Element: Neodymium Dynamic
Polar Pattern: Unidirectional
Frequency Response: 60-14,000 Hz
Open Circuit Sensitivity: -54 dB (1.9 mV) re 1V at 1 Pa
Impedance: 600 ohms
Switch: MagnaLock™ on/off
Weight: 11.9 oz (337 g)
Dimensions: 7.23″ (183.6 mm) long, 1.63″ (41.4 mm) head diameter
Output Connector: Integral 3-pin gold-plated XLRM-type
Accessories: AT8470 Quiet-Flex® stand clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; soft protective pouch

Weight 0.30 kg

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Quick Comparison

AUDIO TECHNICA MB2K INSTRUMENT MICROPHONE removeSHURE BETA 52A - Kick Drum Microphone 20Hz to 10kHz removeSHURE Beta98HC - clip on condenser instrument mic removeSHURE KSM-137SL - Cardioid Instrument Microphone 20Hz to 20kHz removeAKG C 451B B/ST Matched Pair removeShure 520DX - Harmonica Microphone 100Hz to 5kHz remove
NameAUDIO TECHNICA MB2K INSTRUMENT MICROPHONE removeSHURE BETA 52A - Kick Drum Microphone 20Hz to 10kHz removeSHURE Beta98HC - clip on condenser instrument mic removeSHURE KSM-137SL - Cardioid Instrument Microphone 20Hz to 20kHz removeAKG C 451B B/ST Matched Pair removeShure 520DX - Harmonica Microphone 100Hz to 5kHz remove
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SKUMB2KBETA 52ABETA98H/CKSM137/SLC 451B STEREO PAIR520DX
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Description
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The industry standard for affordable instrument microphones, the MB 2k features a unidirectional dynamic element design for outstanding off-axis rejection and feedback control. Its frequency response is tailored for optimal instrument pickup. This rugged, all-metal mic is equipped Audio-Technica's Hi-ENERGY® neodymium magnet structure for maximum output and fast transient response, with noise-reducing soft-touch finish, MagnaLock™ switch design for silent on/off operation, and a corrosion-resistant gold-plated XLRM-type connector.

Smart-priced introductory microphone for amplified and acoustic instruments
Tailored frequency response for optimal instrument reproduction
Unidirectional dynamic element design
Rugged all-metal construction
Hi-ENERGY® neodymium magnet for improved output and transient response
Soft-touch finish reduces mechanical noise
Silent on-off operation thanks to MagnaLock™ switch design
Corrosion-resistant gold-plated XLRM-type connector

Element: Neodymium Dynamic
Polar Pattern: Unidirectional
Frequency Response: 60-14,000 Hz
Open Circuit Sensitivity: -54 dB (1.9 mV) re 1V at 1 Pa
Impedance: 600 ohms
Switch: MagnaLock™ on/off
Weight: 11.9 oz (337 g)
Dimensions: 7.23" (183.6 mm) long, 1.63" (41.4 mm) head diameter
Output Connector: Integral 3-pin gold-plated XLRM-type
Accessories: AT8470 Quiet-Flex® stand clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; soft protective pouch

Optimized for low-frequency bass punch/high-power SPL handling. Designed for kick drum. The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch“, and delivers studio quality sound even at extremely high sound pressure levels. The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring. Features
  • Frequency response shaped specifically for kick drums and bass instruments
  • Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
  • Studio quality performance, even at extremely high sound pressure levels
  • Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
  • Hardened steel mesh grille that resists wear and abuse
  • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
  • Neodymium magnet for high signal–to–noise ratio output
  • Low sensitivity to varying load impedance
  • Legendary Shure quality and reliability
Type Dynamic (moving coil)
Frequency Response 20 to 10,000 Hz
Polar Pattern Supercardioid, rotationally symmetrical about microphone axis
Output Level Open Circuit Voltage: -64 dBV/Pa* (0.6 mV), *1 Pa = 94 dB SPL

A high performance mini-condenser for sound reinforcement and recording. Great for instruments or drums. The ultra-uniform pickup pattern provides high gain before feedback and excellent rejection of unwanted noise.

Other features include:

  • Mew A98D flexible drum mount
  • SPL handling to 160dB
  • frequency response of 20 to 20,000Hz and included preamplifier
  • shock mount and windscreen

The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.

Features

  • A highly consistent cardioid polar pattern
  • Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
  • Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
  • Premium electronic components, including gold-plated internal and external connectors
  • Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
  • Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect

Performance Characteristics

  • Extended frequency response
  • Low self noise
  • Exceptional reproduction of low-frequency sounds
  • Can withstand high sound pressure levels (SPL)
  • High output level
  • No crossover distortion
  • Uniform polar response
  • Superior common mode rejection and suppression of radio frequency interference

APPLICATIONS

Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.

  • Acoustic instruments -- such as piano, guitar, drums, percussion, strings
  • Wind instruments -- brass and woodwind
  • Low frequency instruments -- such as double bass, electric bass, kick drum
  • Overhead miking -- drums or percussion
  • Ensembles -- choral or orchestral
  • Room ambiance pick-up -- guitar amplifier or drums

Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.

Suggested Applications

Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording

Precise artistic work deserves precise artistic craftsmanship. A classic by now, the CMS Series CK 1 capsule from AKG was a best seller from the moment it was launched in 1969. Comprising a range of interchangeable capsules and preamps as well as then innovative, dedicated accessories, the CMS Series from AKG quickly became a legend. It was discontinued in 1993. Responding to growing demand from recording engineers, AKG decided to produce the C 451 B with identical acoustical behaviour of the popular original C 451 EB + CK 1 microphone again, with dramatically improved specifications and outstanding price/ performance. The capsule of the new version is fixed permanently to the preamp to eliminate the mechanical problems of the screw joint. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. An all-metal body provides excellent protection from RF interference and the microphone is rugged enough to give excellent results even under very harsh conditions.

The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, overhead miking, or other instruments with a percussive sound. The airy sound, high overload limit of the capsule and electronic circuitry, and improved engineering details of the C 451 B are a solid foundation for creating another legend.

The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 200 Hz to 15,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.

Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.

The kit includes all the standard accessories of the individual package along with a stereo bar and proof of performance charts in an attractive carrying case (Soundtool case, middle size).

Features:

  • Identical acoustics of the legendary CK 1.
  • Rugged construction.
  • Ruler-flat on-axis frequency response.
  • Precise, nearly frequency independent cardioid.
  • Extremely accurate signal transfer.
  • Transformerless output stage for minimum distortion at low frequencies.
  • Protected against electrostatic and magnetic interference.
  • Selectable 10-dB and 20-dB preattenuation pads.
  • Switchable highpass filter (75 Hz or 150 Hz, 12dB/octave).
  • Operates on phantom power to DIN/IEC between 12 V and 48 V.
  • Complete with SA 40 stand adapter and W 90 windscreen.
  • Each microphone comes with its own individual frequency response plot.

Specifications:

  • Polar pattern: Cardioid
  • Frequency range: 20 to 20,000 Hz
  • Sensitivity: 9 mV/Pa (-41 dBV)
  • Max. SPL: 135/145/155 dB (0/-10/-20 dB) (k=0,5%)
  • Equivalent noise level (CCIR 468-3): 29 dB
  • Equivalent noise level: 18 dB-A
  • Signal/noise ratio (A-weighted): 76 dB
  • Preattenuation pad: 0 dB, 10 dB, 20 dB selectable
  • Bass filter: Flat, 12 dB/octave at 75 or 150 Hz, selectable
  • Impedance: 1000 ohms
  • Supply voltage: 9 to 52 V phantom power to DIN 45596
  • Current consumption:

Legendary among harmonica players for its classic blues harp sound, the 520D's tradition is carried on by the 520DX "Green Bullet" and has a contoured size and shape that fits perfectly between harmonica and hands.

  • New volume control knob allows musicians to adjust the volume to fit each musical situation
  • New rugged, dynamic cartridge with improved response
  • High-impedance, omnidirectional
  • Supplied with 1/4 inch connector
  • Frequency response: 100 to 5,000 Hz
Weight0.30 kg0.80 kg0.20 kg0.50 kg2.00 kg0.80 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.30 kg
Weight 0.80 kg
Weight 0.20 kg
Weight 0.50 kg
Weight 2.00 kg
Weight 0.80 kg