Audio Technica MB/Dk5 Midnight Blues 5 microphone drum pack

The MB/Dk5 Drum Pack includes a core selection of five microphones specifically engineered for drum applications. The four included MB 5k snare/tom microphones and one MB 6k kick microphone feature low-profile design for minimum visibility and versatile placement options around the drum kit. Also included in the package are four AT8665 drum-rim microphone mounts and a durable carrying case.

Tailored for snare, rack toms and other highly dynamic instruments, the MB 5k snare/tom microphone offers a moving coil dynamic design with cardioid polar pattern, delivering superior off-axis rejection for maximum gain before feedback. With a frequency response of 100-12,000 Hz, the mic is engineered to handle fast transients and high SPLs.

The cardioid dynamic MB 6k kick microphone has a frequency response of 60-12,000 Hz. A natural at handling high SPLs, the MB 6k delivers superior results on bass drum as well as on floor and deep rack toms.

• MB 5k Cardioid Dynamic Snare/Tom Microphone (4 included)
• Custom-engineered for use on snare and toms
• Road-ready all-metal construction
• Low-profile percussion-style design
• Built-in adjustable stand mount

• MB 6k Cardioid Dynamic Kick Microphone (1 included)
• Custom-engineered for use on kick drum
• Rugged all-metal construction
• Low-profile percussion-style design
• Built-in adjustable stand mount

• Element: Dynamic
• Polar Pattern: Cardioid
• Frequency Response: MB5k: 100 - 12,000 Hz / MB6k: 60 - 12,000 Hz
• Open Circuit Sensitivity: MB5k: -58 dB (1.2 mV) re 1V at 1 Pa / MB6k: -59 dB (1.1 mV) re 1V at 1 Pa
• Impedance: 500 ohms
• Weight: MB5k: 11.4 oz (324 g) / MB6k: 11.2 oz (317 g)
• Dimensions: MB5k: 4.46" (113.2 mm) long, 1.63" (41.5 mm) head diameter; / MB6k: 4.59" (116.5 mm) long, 2.11" (53.5 mm) head diameter
• Output Connector: Integral 3-pin XLRM-type
• Accessories Included: 4 drum mic mounts; durable carrying case

Precise artistic work deserves precise artistic craftsmanship. A classic by now, the CMS Series CK 1 capsule from AKG was a best seller from the moment it was launched in 1969. Comprising a range of interchangeable capsules and preamps as well as then innovative, dedicated accessories, the CMS Series from AKG quickly became a legend. It was discontinued in 1993. Responding to growing demand from recording engineers, AKG decided to produce the C 451 B with identical acoustical behaviour of the popular original C 451 EB + CK 1 microphone again, with dramatically improved specifications and outstanding price/ performance. The capsule of the new version is fixed permanently to the preamp to eliminate the mechanical problems of the screw joint. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. An all-metal body provides excellent protection from RF interference and the microphone is rugged enough to give excellent results even under very harsh conditions.

The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, overhead miking, or other instruments with a percussive sound. The airy sound, high overload limit of the capsule and electronic circuitry, and improved engineering details of the C 451 B are a solid foundation for creating another legend.

The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 200 Hz to 15,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.

Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.

The kit includes all the standard accessories of the individual package along with a stereo bar and proof of performance charts in an attractive carrying case (Soundtool case, middle size).

Features:

• Identical acoustics of the legendary CK 1.
• Rugged construction.
• Ruler-flat on-axis frequency response.
• Precise, nearly frequency independent cardioid.
• Extremely accurate signal transfer.
• Transformerless output stage for minimum distortion at low frequencies.
• Protected against electrostatic and magnetic interference.
• Selectable 10-dB and 20-dB preattenuation pads.
• Switchable highpass filter (75 Hz or 150 Hz, 12dB/octave).
• Operates on phantom power to DIN/IEC between 12 V and 48 V.
• Complete with SA 40 stand adapter and W 90 windscreen.
• Each microphone comes with its own individual frequency response plot.

Specifications:

• Polar pattern: Cardioid
• Frequency range: 20 to 20,000 Hz
• Sensitivity: 9 mV/Pa (-41 dBV)
• Max. SPL: 135/145/155 dB (0/-10/-20 dB) (k=0,5%)
• Equivalent noise level (CCIR 468-3): 29 dB
• Equivalent noise level: 18 dB-A
• Signal/noise ratio (A-weighted): 76 dB
• Preattenuation pad: 0 dB, 10 dB, 20 dB selectable
• Bass filter: Flat, 12 dB/octave at 75 or 150 Hz, selectable
• Impedance: 1000 ohms
• Supply voltage: 9 to 52 V phantom power to DIN 45596
• Current consumption:

• Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound
• Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
• Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse
• Neodymium magnet for high signal-to-noise ratio output
• Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
• Frequency response: 50 to 16,000 Hz

The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.

Features

• A highly consistent cardioid polar pattern
• Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
• Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
• Premium electronic components, including gold-plated internal and external connectors
• Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
• Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
• Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
• Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect

Performance Characteristics

• Extended frequency response
• Low self noise
• Exceptional reproduction of low-frequency sounds
• Can withstand high sound pressure levels (SPL)
• High output level
• No crossover distortion
• Uniform polar response
• Superior common mode rejection and suppression of radio frequency interference

APPLICATIONS

Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.

• Acoustic instruments -- such as piano, guitar, drums, percussion, strings
• Wind instruments -- brass and woodwind
• Low frequency instruments -- such as double bass, electric bass, kick drum
• Overhead miking -- drums or percussion
• Ensembles -- choral or orchestral
• Room ambiance pick-up -- guitar amplifier or drums

Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.

Suggested Applications

Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording

The supercardioid e 906 instrument microphone was especially designed for
guitar amplifiers, but it is also an excellent choice for percussion and brass
instruments.

Features
Lively, full sound
Very fast attack
Flat shape of microphone body perfect for guitar amps 
Three adjustable sound characteristics (bright, normal, smooth)
Hum compensating coil
Rugged metal body
Delivery Includes
e 906 microphone
MZQ 100 clamp
Pouch
User manual

Technical Data
Pick-up pattern  supercardioid 
Frequency response  40...18000 Hz 
Sensitivity in free field, no load (1kHz)  2,2 mV/Pa 
Nominal impedance  350 Ohm 
Min. terminating impedance  1000 Ohm 
Dimensions  55 x 34 x 134 mm 
Weight  140 g 

• Especially for tom and snare recording
• Polar pattern: cardioid
• Frequency range: 40 - 18,000 Hz
• Impedance: 350 Ω
• Robust metal chassis
• Incl. special tom holder
• Bag included
• Dimensions: 63 x 41 mm
• Weight: 125 g