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The comprehensive MB/Dk7 Drum Pack includes a core selection of five microphones specifically engineered for drum applications, along with two MB 4k cardioid condenser microphones ideal for drum overhead miking. Also included in the package are four drum-rim microphone mounts and a durable carrying case.
The four included MB 5k cardioid dynamic snare/tom microphones and one MB 6k cardioid dynamic kick microphone feature low-profile design for minimum visibility and versatile placement options around the drum kit.
With a condenser design and extended frequency response perfect for overheads and hi-hat, the MB 4k features versatile battery/phantom operation, rugged all-metal construction, soft-touch finish, gold-plated XLRM-type connector, and an on/off switch. Its cardioid polar pattern minimizes feedback. High volumes come through without distortion; even subtle nuances are clean and precise.
MB 5k Cardioid Dynamic Snare/Tom Microphone (4 included)- Custom-engineered for use on snare and toms
- Road-ready all-metal construction
- Low-profile percussion-style design
- Built-in adjustable stand mount
MB 6k Cardioid Dynamic Kick Microphone (1 included)- Custom-engineered for use on kick drum
- Rugged all-metal construction
- Low-profile percussion-style design
- Built-in adjustable stand mount
MB 4K Condenser Microphone (2 included)- Condenser design for studio-quality performance
- Extended response for smooth, natural sonic characteristics
- Rugged all-metal construction and on/off switch
- Soft-touch finish for durability and minimal mechanical noise
- Battery/phantom operation for maximum versatility
- Element: MB4k: Condenser / MB5k: Dynamic / MB6k: Dynamic
- Polar Pattern: Cardioid
- Frequency Response: MB4k: 80 - 20,000 Hz / MB5k: 100 - 12,000 Hz / MB6k: 60 - 12,000 Hz
- Open Circuit Sensitivity: MB4k (Phantom/Battery): -46 dB (5.0 mV)/ -48 dB (3.9 mV) re 1V at 1 Pa / MB5k: -58 dB (1.2 mV) re 1V at 1 Pa / MB6k: -59 dB (1.1 mV) re 1V at 1 Pa
- Impedance: MB4k (Phantom/Battery): 200 ohms/ 250 ohms / MB5k: 500 ohms / MB6k: 500 ohms
- Maximum Input Sound Level: MB4k (Phantom/Battery): 137 dB SPL/ 125 dB SPL, 1 kHz at 1% T.H.D.
- Switches: MB4k: On/Off
- Dynamic Range: MB4k (Phantom/Battery): 113 dB/ 101 dB, 1 kHz at Max SPL
- Signal-to-Noise Ratio: MB4k: 70 dB, 1 kHz at 1 Pa
- Phantom Power Requirements: MB4k: 11-52V DC, 2 mA typical
- Battery Type: MB4k: 1.5V AA/UM3
- Battery Current/Life: MB4k: 0.4 mA/ 1200 hours typical
- Weight: MB4k: 6.4 oz (182g) / MB5k: 11.4 oz (324g) / MB6k: 11.2 oz (317g)
- Dimensions: MB4k: 8.10" (205.7 mm) long, 1.64" (41.7 mm) head diameter / MB5k: 4.46" (113.2 mm) long, 1.63" (41.5 mm) head diameter / MB6k: 4.59" (116.5 mm) long, 2.11" (53.5 mm) head diameter
- Output Connector: Integral 3-pin XLRM-type
- Accessories Included: (4) drum mic mounts; (2) AT8405a stand clamps; durable carrying case
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Audio Frequency Response 20 Hz - 10,000 Hz
Case Material Die cast zinc
Connector Type 3-pin XLR
Element Dynamic
Finish Textured Satin Black
Impedance, Low-Z balanced 150 Ω
Mic Type Instrumental
Open Circuit Voltage 0.63 mV/Pascal
Polar Pattern Supercardioid
Power Requirement Passive
Shipping Weight 23.7 oz (672 g)
Wired/Wireless Wired
Weight Net 12.84 oz (364 g)
| Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence.
The Beta 57A maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. A completely new grille design lets you take better advantage of proximity effect. The Beta 57A is an exceptionally versatile microphone. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.
- Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound
- Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
- Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse
- Neodymium magnet for high signal-to-noise ratio output
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Frequency response: 50 to 16,000 Hz
Suggested Applications
Guitar Amp
Bass Amp
Acoustic Guitar
Brass/Saxophone
Snare Drums
Rack/Floor Toms
Congas
Woodwinds
Lead Vocals | Optimized for low-frequency bass punch/high-power SPL handling. Designed for kick drum.
The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch“, and delivers studio quality sound even at extremely high sound pressure levels.
The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.
Features
- Frequency response shaped specifically for kick drums and bass instruments
- Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
- Studio quality performance, even at extremely high sound pressure levels
- Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
- Hardened steel mesh grille that resists wear and abuse
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Neodymium magnet for high signal–to–noise ratio output
- Low sensitivity to varying load impedance
- Legendary Shure quality and reliability
| Type |
Dynamic (moving coil) |
| Frequency Response |
20 to 10,000 Hz |
| Polar Pattern |
Supercardioid, rotationally symmetrical about microphone axis |
| Output Level |
Open Circuit Voltage: -64 dBV/Pa* (0.6 mV), *1 Pa = 94 dB SPL |
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NEW Wider mounting base capable of accommodating a larger range of microphone stands. Even works with the LP Claw.
Specifically engineered for drum and instrument applications, the Beta 56A's compact, pivoting design makes it the ideal choice for these applications.
Its extremely uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.
- Built-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
- Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
- Compact design reduces stage clutters
- Hardened steel mesh grille resists wear and abuse
- Neodymium magnet for high signal-to-noise ratio output
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Frequency response: 50 to 16,000 Hz
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The D 40 with its solid all-metal body will stand up to the hardships of night-after-night onstage use "with a smile“.
The Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no need for tuning resonators, leading to a quantum leap in audio performance.
The transducer is protected by a sturdy wire-mesh cap and takes extremely high sound pressure levels with ease.
An integrated stand adapter and standard H 440 mounting bracket for snare drums, tom-toms, etc. make the D 40 a highly versatile tool for use on drums, percussions, wind instruments, and guitar amps.
Musical instruments, Live applications.
Dynamic microphone designed for drums and percussions, wind instruments, and guitar amps
Patented AKG Varimotion diaphragm
Custom built capsule mounting
Spring steel wire-mesh cap
Rugged all-metal body withstands typical tough handling on stage
Type Cardioid
Polar pattern 75 to 20,000 Hz
Sensitivity 4 mV/Pa (-48 dBV)
Max. SPL 144/156 dB SPL (for 1%/3 % THD)
Equivalent noise level 18 dB-A
Impedance =1000 ohms
Connector 3-pin XLR
Finish dark stage blue
Dimensions length 104 mm (4.1 in.) height (incl. stand adapter): 79 mm (3.1 in.) max. dia.: 44 mm (1.7 in.)
Net weight 245 g (8.6 oz.)
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