AUDIO TECHNICA ATM 450 CONDENSER HYPER-CARDIOID MICROPHONE FOR INSTRUMENTS

230.00 incl. GR VAT

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One of the new stars of the Artist Series remake, the ATM450 cardioid condenser offers an innovative side-address stick design for endless placement options and minimal obstructions. The microphone is equipped with an integral 80 Hz hi-pass filter that provides easy switching from a flat frequency response to a low-end roll-off. The ATM450 also features […]

 

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One of the new stars of the Artist Series remake, the ATM450 cardioid condenser offers an innovative side-address stick design for endless placement options and minimal obstructions. The microphone is equipped with an integral 80 Hz hi-pass filter that provides easy switching from a flat frequency response to a low-end roll-off. The ATM450 also features a switchable 10 dB pad that lowers the microphone’s sensitivity, providing higher SPL capability for flexible use with a wide range of performers and system configurations. The microphone’s extended flat frequency response makes it ideal for high SPLs as well as for live and amplified acoustic instruments. Includes a professional isolation clamp to provide secure mounting, versatile positioning and effective dampening of unwanted mechanical noise.

  • Unique side-address stick design maximizes placement options with minimal obstructions
  • Uncompromising sound quality for overheads, percussion, acoustic guitar, strings and other acoustic instruments
  • Integral 80 Hz HPF switch and 10 dB pad
  • Durable performance for professional applications
  • Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
  • Rugged, all-metal design and construction for years of trouble-free use
  • Includes isolation clamp for shock protection, secure mounting and easy positioning

 

 

 

  • Element: Fixed-charge back plate permanently polarized condenser
  • Polar Pattern: Cardioid
  • Frequency Response: 40-20,000 Hz
  • Low Frequency Roll Off: 80 Hz, 18 dB/octave
  • Open Circuit Sensitivity: 41 dB (8.9 mV) re 1V at 1 Pa
  • Impedance: 200 ohms
  • Maximum Input Sound Level: 152 dB SPL, 1 kHz at 1% T.H.D.
  • Dynamic Range: 127 dB, 1 kHz at Max SPL
  • Signal to Noise Ratio: 69 dB, 1 kHz at 1 Pa
  • Phantom Power Requiremens: 11-52V DC, 3.5 mA typical
  • Weight: 98 g (3.5 oz)
  • Dimensions: 126.9 mm (5.00“) long, 21.0 mm (0.83“) diameter
  • Output Connector: Integral 3-pin XLRM-type
  • Accessories: AT8471 isolation clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; windscreen; soft protective pouch

 

Weight 0.40 kg

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Quick Comparison

AUDIO TECHNICA ATM 450 CONDENSER HYPER-CARDIOID MICROPHONE FOR INSTRUMENTS removeShure DMK57-52 - Drum Mic Kit removeSENNHEISER E-602 II Dynamic Microphone for Strings, Kick Drum removeShure 520DX - Harmonica Microphone 100Hz to 5kHz removeELECTRO VOICE PL33 Kick-Drum Microphone, Dynamic, Supercardioid removeSENNHEISER E-609 Dynamic Microphone for Strings remove
NameAUDIO TECHNICA ATM 450 CONDENSER HYPER-CARDIOID MICROPHONE FOR INSTRUMENTS removeShure DMK57-52 - Drum Mic Kit removeSENNHEISER E-602 II Dynamic Microphone for Strings, Kick Drum removeShure 520DX - Harmonica Microphone 100Hz to 5kHz removeELECTRO VOICE PL33 Kick-Drum Microphone, Dynamic, Supercardioid removeSENNHEISER E-609 Dynamic Microphone for Strings remove
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SKUATM 450DMK57-52H10SE00118520DX001808H10SE00147
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Price 230.00 incl. GR VAT 627.00 incl. GR VAT 148.00 incl. GR VAT 165.12 incl. GR VAT 110.00 incl. GR VAT 98.00 incl. GR VAT
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Description
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One of the new stars of the Artist Series remake, the ATM450 cardioid condenser offers an innovative side-address stick design for endless placement options and minimal obstructions. The microphone is equipped with an integral 80 Hz hi-pass filter that provides easy switching from a flat frequency response to a low-end roll-off. The ATM450 also features a switchable 10 dB pad that lowers the microphone's sensitivity, providing higher SPL capability for flexible use with a wide range of performers and system configurations. The microphone's extended flat frequency response makes it ideal for high SPLs as well as for live and amplified acoustic instruments. Includes a professional isolation clamp to provide secure mounting, versatile positioning and effective dampening of unwanted mechanical noise.

  • Unique side-address stick design maximizes placement options with minimal obstructions
  • Uncompromising sound quality for overheads, percussion, acoustic guitar, strings and other acoustic instruments
  • Integral 80 Hz HPF switch and 10 dB pad
  • Durable performance for professional applications
  • Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
  • Rugged, all-metal design and construction for years of trouble-free use
  • Includes isolation clamp for shock protection, secure mounting and easy positioning

 

 

 

  • Element: Fixed-charge back plate permanently polarized condenser
  • Polar Pattern: Cardioid
  • Frequency Response: 40-20,000 Hz
  • Low Frequency Roll Off: 80 Hz, 18 dB/octave
  • Open Circuit Sensitivity: 41 dB (8.9 mV) re 1V at 1 Pa
  • Impedance: 200 ohms
  • Maximum Input Sound Level: 152 dB SPL, 1 kHz at 1% T.H.D.
  • Dynamic Range: 127 dB, 1 kHz at Max SPL
  • Signal to Noise Ratio: 69 dB, 1 kHz at 1 Pa
  • Phantom Power Requiremens: 11-52V DC, 3.5 mA typical
  • Weight: 98 g (3.5 oz)
  • Dimensions: 126.9 mm (5.00“) long, 21.0 mm (0.83“) diameter
  • Output Connector: Integral 3-pin XLRM-type
  • Accessories: AT8471 isolation clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; windscreen; soft protective pouch

 

The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a complete core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52 microphone, three A56D drum-mounting systems, and a lightweight and durable carrying case.

  • The industry standard for snare drum, and a reliable and high-performing choice for toms, Shure's cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately.

  • Perfect for the kick drum, the supercardioid Beta 52? derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52 is additionally designed with an integral locking stand mount for quick-and-easy set up.

  • A key element of the kit, Shure's A56D universal drum mounting system can be used to position microphones virtually anywhere -- on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments.
  • The E-602 is a cardioid microphone especially suitable for use with bass drums, bass guitar cabs, tubas and other low frequency instruments.


    Frequency Response : 20.....16000 Hz
    Sensitivity in free field, no load (1kHz) : 1,0 mV/Pa
    Min. terminating impedance : 1000 Ohm
    Dimensions : d 60 x 153 mm
    Weight : w/o cable 550 g

    Legendary among harmonica players for its classic blues harp sound, the 520D's tradition is carried on by the 520DX "Green Bullet" and has a contoured size and shape that fits perfectly between harmonica and hands.

    • New volume control knob allows musicians to adjust the volume to fit each musical situation
    • New rugged, dynamic cartridge with improved response
    • High-impedance, omnidirectional
    • Supplied with 1/4 inch connector
    • Frequency response: 100 to 5,000 Hz

    Audio Frequency Response    20 Hz - 10,000 Hz
    Case Material    Die cast zinc
    Connector Type    3-pin XLR
    Element    Dynamic
    Finish    Textured Satin Black
    Impedance, Low-Z balanced    150 Ω
    Mic Type    Instrumental
    Open Circuit Voltage    0.63 mV/Pascal
    Polar Pattern    Supercardioid
    Power Requirement    Passive
    Shipping Weight    23.7 oz (672 g)
    Wired/Wireless    Wired
    Weight Net    12.84 oz (364 g)

    The super-cardioid e 609 instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source.

    Pick-up pattern : Super-cardioid
    Frequency response : 40.....15000 Hz
    Sensitivity in free field, no load (1kHz) : 1,5 mV/Pa
    Nominal impedance : 350 Ohm
    Min. terminating impedance : 1000 Ohm
    Dimensions : 55 x 34 x 134 mm
    Weight : 140 g

    Weight0.40 kg2.00 kg0.55 kg0.80 kg0.35 kg0.14 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
    Weight 0.40 kg
    Weight 2.00 kg
    Weight 0.55 kg
    Weight 0.80 kg
    Weight 0.35 kg
    Weight 0.14 kg