AUDIO TECHNICA ATM 450 CONDENSER HYPER-CARDIOID MICROPHONE FOR INSTRUMENTS

230.00 incl. GR VAT

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One of the new stars of the Artist Series remake, the ATM450 cardioid condenser offers an innovative side-address stick design for endless placement options and minimal obstructions. The microphone is equipped with an integral 80 Hz hi-pass filter that provides easy switching from a flat frequency response to a low-end roll-off. The ATM450 also features […]

 

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One of the new stars of the Artist Series remake, the ATM450 cardioid condenser offers an innovative side-address stick design for endless placement options and minimal obstructions. The microphone is equipped with an integral 80 Hz hi-pass filter that provides easy switching from a flat frequency response to a low-end roll-off. The ATM450 also features a switchable 10 dB pad that lowers the microphone’s sensitivity, providing higher SPL capability for flexible use with a wide range of performers and system configurations. The microphone’s extended flat frequency response makes it ideal for high SPLs as well as for live and amplified acoustic instruments. Includes a professional isolation clamp to provide secure mounting, versatile positioning and effective dampening of unwanted mechanical noise.

  • Unique side-address stick design maximizes placement options with minimal obstructions
  • Uncompromising sound quality for overheads, percussion, acoustic guitar, strings and other acoustic instruments
  • Integral 80 Hz HPF switch and 10 dB pad
  • Durable performance for professional applications
  • Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
  • Rugged, all-metal design and construction for years of trouble-free use
  • Includes isolation clamp for shock protection, secure mounting and easy positioning

 

 

 

  • Element: Fixed-charge back plate permanently polarized condenser
  • Polar Pattern: Cardioid
  • Frequency Response: 40-20,000 Hz
  • Low Frequency Roll Off: 80 Hz, 18 dB/octave
  • Open Circuit Sensitivity: 41 dB (8.9 mV) re 1V at 1 Pa
  • Impedance: 200 ohms
  • Maximum Input Sound Level: 152 dB SPL, 1 kHz at 1% T.H.D.
  • Dynamic Range: 127 dB, 1 kHz at Max SPL
  • Signal to Noise Ratio: 69 dB, 1 kHz at 1 Pa
  • Phantom Power Requiremens: 11-52V DC, 3.5 mA typical
  • Weight: 98 g (3.5 oz)
  • Dimensions: 126.9 mm (5.00“) long, 21.0 mm (0.83“) diameter
  • Output Connector: Integral 3-pin XLRM-type
  • Accessories: AT8471 isolation clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; windscreen; soft protective pouch

 

Weight 0.40 kg

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AUDIO TECHNICA ATM 450 CONDENSER HYPER-CARDIOID MICROPHONE FOR INSTRUMENTS removeAKG D 40 Dynamic Instrument Microphone removeSENNHEISER E-902 CARDOID DYNAMIC INSTRUMENT MICROPHONE removeSHURE BETA-57A - Instrument Microphone 50Hz to 16kHz removeShure 520DX - Harmonica Microphone 100Hz to 5kHz removeSENNHEISER E-609 Dynamic Microphone for Strings remove
NameAUDIO TECHNICA ATM 450 CONDENSER HYPER-CARDIOID MICROPHONE FOR INSTRUMENTS removeAKG D 40 Dynamic Instrument Microphone removeSENNHEISER E-902 CARDOID DYNAMIC INSTRUMENT MICROPHONE removeSHURE BETA-57A - Instrument Microphone 50Hz to 16kHz removeShure 520DX - Harmonica Microphone 100Hz to 5kHz removeSENNHEISER E-609 Dynamic Microphone for Strings remove
ImageSHURE BETA-57A - Instrument Microphone 50Hz to 16kHz
SKUATM 450D 40H10SE00102BETA57A520DXH10SE00147
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Price 230.00 incl. GR VAT 101.00 incl. GR VAT 185.00 incl. GR VAT 175.00 incl. GR VAT 165.12 incl. GR VAT 98.00 incl. GR VAT
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Description
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One of the new stars of the Artist Series remake, the ATM450 cardioid condenser offers an innovative side-address stick design for endless placement options and minimal obstructions. The microphone is equipped with an integral 80 Hz hi-pass filter that provides easy switching from a flat frequency response to a low-end roll-off. The ATM450 also features a switchable 10 dB pad that lowers the microphone's sensitivity, providing higher SPL capability for flexible use with a wide range of performers and system configurations. The microphone's extended flat frequency response makes it ideal for high SPLs as well as for live and amplified acoustic instruments. Includes a professional isolation clamp to provide secure mounting, versatile positioning and effective dampening of unwanted mechanical noise.

  • Unique side-address stick design maximizes placement options with minimal obstructions
  • Uncompromising sound quality for overheads, percussion, acoustic guitar, strings and other acoustic instruments
  • Integral 80 Hz HPF switch and 10 dB pad
  • Durable performance for professional applications
  • Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
  • Rugged, all-metal design and construction for years of trouble-free use
  • Includes isolation clamp for shock protection, secure mounting and easy positioning

 

 

 

  • Element: Fixed-charge back plate permanently polarized condenser
  • Polar Pattern: Cardioid
  • Frequency Response: 40-20,000 Hz
  • Low Frequency Roll Off: 80 Hz, 18 dB/octave
  • Open Circuit Sensitivity: 41 dB (8.9 mV) re 1V at 1 Pa
  • Impedance: 200 ohms
  • Maximum Input Sound Level: 152 dB SPL, 1 kHz at 1% T.H.D.
  • Dynamic Range: 127 dB, 1 kHz at Max SPL
  • Signal to Noise Ratio: 69 dB, 1 kHz at 1 Pa
  • Phantom Power Requiremens: 11-52V DC, 3.5 mA typical
  • Weight: 98 g (3.5 oz)
  • Dimensions: 126.9 mm (5.00“) long, 21.0 mm (0.83“) diameter
  • Output Connector: Integral 3-pin XLRM-type
  • Accessories: AT8471 isolation clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; windscreen; soft protective pouch

 

The D 40 with its solid all-metal body will stand up to the hardships of night-after-night onstage use "with a smile“.
The Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no need for tuning resonators, leading to a quantum leap in audio performance.
The transducer is protected by a sturdy wire-mesh cap and takes extremely high sound pressure levels with ease.
An integrated stand adapter and standard H 440 mounting bracket for snare drums, tom-toms, etc. make the D 40 a highly versatile tool for use on drums, percussions, wind instruments, and guitar amps.

Musical instruments, Live applications.
Dynamic microphone designed for drums and percussions, wind instruments, and guitar amps
Patented AKG Varimotion diaphragm
Custom built capsule mounting
Spring steel wire-mesh cap
Rugged all-metal body withstands typical tough handling on stage

Type Cardioid
Polar pattern 75 to 20,000 Hz
Sensitivity 4 mV/Pa (-48 dBV)
Max. SPL 144/156 dB SPL (for 1%/3 % THD)
Equivalent noise level 18 dB-A
Impedance =1000 ohms
Connector 3-pin XLR
Finish dark stage blue
Dimensions length 104 mm (4.1 in.) height (incl. stand adapter): 79 mm (3.1 in.) max. dia.: 44 mm (1.7 in.)
Net weight 245 g (8.6 oz.)
 

The e 902 is a dynamic cardioid instrument microphone, which was designed
for lowest bass signals with very high sound pressure levels.It is suitable for
kick drums, bass guitar-amps, tuba, and other bass instruments.
 
Features
Frequency response optimized for kick drum
Very fast attack
Exceptionally clean and clear pick-up of the deepest bass signals
Integral stand mount
Hum compensating coil
Shock mounted capsule
Robust metal body
Delivery Includes
e 902 microphone
Pouch
User Manual

Technical Data
Pick-up pattern  cardioid 
Frequency response  20...18000 Hz 
Sensitivity in free field, no load (1kHz)  0,2 mV/Pa; (@ 60 Hz): 0,6 mV/Pa 
Nominal impedance  350 Ohm 
Min. terminating impedance  1000 Ohm 
Dimensions  128,5 x 60 mm 
Weight  440 g 

Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence. The Beta 57A maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. A completely new grille design lets you take better advantage of proximity effect. The Beta 57A is an exceptionally versatile microphone. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.
  • Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound
  • Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
  • Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse
  • Neodymium magnet for high signal-to-noise ratio output
  • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
  • Frequency response: 50 to 16,000 Hz
Suggested Applications Guitar Amp Bass Amp Acoustic Guitar Brass/Saxophone Snare Drums Rack/Floor Toms Congas Woodwinds Lead Vocals

Legendary among harmonica players for its classic blues harp sound, the 520D's tradition is carried on by the 520DX "Green Bullet" and has a contoured size and shape that fits perfectly between harmonica and hands.

  • New volume control knob allows musicians to adjust the volume to fit each musical situation
  • New rugged, dynamic cartridge with improved response
  • High-impedance, omnidirectional
  • Supplied with 1/4 inch connector
  • Frequency response: 100 to 5,000 Hz

The super-cardioid e 609 instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source.

Pick-up pattern : Super-cardioid
Frequency response : 40.....15000 Hz
Sensitivity in free field, no load (1kHz) : 1,5 mV/Pa
Nominal impedance : 350 Ohm
Min. terminating impedance : 1000 Ohm
Dimensions : 55 x 34 x 134 mm
Weight : 140 g

Weight0.40 kg0.24 kg0.44 kg0.50 kg0.80 kg0.14 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.40 kg
Weight 0.24 kg
Weight 0.44 kg
Weight 0.50 kg
Weight 0.80 kg
Weight 0.14 kg