AUDIO TECHNICA ATM 450 CONDENSER HYPER-CARDIOID MICROPHONE FOR INSTRUMENTS

230.00 incl. GR VAT

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One of the new stars of the Artist Series remake, the ATM450 cardioid condenser offers an innovative side-address stick design for endless placement options and minimal obstructions. The microphone is equipped with an integral 80 Hz hi-pass filter that provides easy switching from a flat frequency response to a low-end roll-off. The ATM450 also features […]

 

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One of the new stars of the Artist Series remake, the ATM450 cardioid condenser offers an innovative side-address stick design for endless placement options and minimal obstructions. The microphone is equipped with an integral 80 Hz hi-pass filter that provides easy switching from a flat frequency response to a low-end roll-off. The ATM450 also features a switchable 10 dB pad that lowers the microphone’s sensitivity, providing higher SPL capability for flexible use with a wide range of performers and system configurations. The microphone’s extended flat frequency response makes it ideal for high SPLs as well as for live and amplified acoustic instruments. Includes a professional isolation clamp to provide secure mounting, versatile positioning and effective dampening of unwanted mechanical noise.

  • Unique side-address stick design maximizes placement options with minimal obstructions
  • Uncompromising sound quality for overheads, percussion, acoustic guitar, strings and other acoustic instruments
  • Integral 80 Hz HPF switch and 10 dB pad
  • Durable performance for professional applications
  • Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
  • Rugged, all-metal design and construction for years of trouble-free use
  • Includes isolation clamp for shock protection, secure mounting and easy positioning

 

 

 

  • Element: Fixed-charge back plate permanently polarized condenser
  • Polar Pattern: Cardioid
  • Frequency Response: 40-20,000 Hz
  • Low Frequency Roll Off: 80 Hz, 18 dB/octave
  • Open Circuit Sensitivity: 41 dB (8.9 mV) re 1V at 1 Pa
  • Impedance: 200 ohms
  • Maximum Input Sound Level: 152 dB SPL, 1 kHz at 1% T.H.D.
  • Dynamic Range: 127 dB, 1 kHz at Max SPL
  • Signal to Noise Ratio: 69 dB, 1 kHz at 1 Pa
  • Phantom Power Requiremens: 11-52V DC, 3.5 mA typical
  • Weight: 98 g (3.5 oz)
  • Dimensions: 126.9 mm (5.00“) long, 21.0 mm (0.83“) diameter
  • Output Connector: Integral 3-pin XLRM-type
  • Accessories: AT8471 isolation clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; windscreen; soft protective pouch

 

Weight 0.40 kg

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AUDIO TECHNICA ATM 450 CONDENSER HYPER-CARDIOID MICROPHONE FOR INSTRUMENTS removeELECTRO VOICE PL35 Snare/Tom DYNAMIC CARDIOID MICROPHONE removeAKG C 414-XLII/ST Matched Pair removeSENNHEISER E-902 CARDOID DYNAMIC INSTRUMENT MICROPHONE removeSHURE PGA52-XLR - Kick Drum Microphone 30Hz to 13kHz removeAKG C 451B B/ST Matched Pair remove
NameAUDIO TECHNICA ATM 450 CONDENSER HYPER-CARDIOID MICROPHONE FOR INSTRUMENTS removeELECTRO VOICE PL35 Snare/Tom DYNAMIC CARDIOID MICROPHONE removeAKG C 414-XLII/ST Matched Pair removeSENNHEISER E-902 CARDOID DYNAMIC INSTRUMENT MICROPHONE removeSHURE PGA52-XLR - Kick Drum Microphone 30Hz to 13kHz removeAKG C 451B B/ST Matched Pair remove
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SKUATM 450001809C 414-XLII STH10SE00102PGA52-XLRC 451B STEREO PAIR
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Description
Content

One of the new stars of the Artist Series remake, the ATM450 cardioid condenser offers an innovative side-address stick design for endless placement options and minimal obstructions. The microphone is equipped with an integral 80 Hz hi-pass filter that provides easy switching from a flat frequency response to a low-end roll-off. The ATM450 also features a switchable 10 dB pad that lowers the microphone's sensitivity, providing higher SPL capability for flexible use with a wide range of performers and system configurations. The microphone's extended flat frequency response makes it ideal for high SPLs as well as for live and amplified acoustic instruments. Includes a professional isolation clamp to provide secure mounting, versatile positioning and effective dampening of unwanted mechanical noise.

  • Unique side-address stick design maximizes placement options with minimal obstructions
  • Uncompromising sound quality for overheads, percussion, acoustic guitar, strings and other acoustic instruments
  • Integral 80 Hz HPF switch and 10 dB pad
  • Durable performance for professional applications
  • Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
  • Rugged, all-metal design and construction for years of trouble-free use
  • Includes isolation clamp for shock protection, secure mounting and easy positioning

 

 

 

  • Element: Fixed-charge back plate permanently polarized condenser
  • Polar Pattern: Cardioid
  • Frequency Response: 40-20,000 Hz
  • Low Frequency Roll Off: 80 Hz, 18 dB/octave
  • Open Circuit Sensitivity: 41 dB (8.9 mV) re 1V at 1 Pa
  • Impedance: 200 ohms
  • Maximum Input Sound Level: 152 dB SPL, 1 kHz at 1% T.H.D.
  • Dynamic Range: 127 dB, 1 kHz at Max SPL
  • Signal to Noise Ratio: 69 dB, 1 kHz at 1 Pa
  • Phantom Power Requiremens: 11-52V DC, 3.5 mA typical
  • Weight: 98 g (3.5 oz)
  • Dimensions: 126.9 mm (5.00“) long, 21.0 mm (0.83“) diameter
  • Output Connector: Integral 3-pin XLRM-type
  • Accessories: AT8471 isolation clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; windscreen; soft protective pouch

 

Audio Frequency Response    50 Hz - 16,000 Hz
Case Material    Die cast zinc
Connector Type    3-pin XLR
Element    Dynamic
Finish    Textured Satin Black
Impedance, Low-Z balanced    600 Ω
Mic Type    Instrumental
Open Circuit Voltage    2.2 mV/Pascal
Polar Pattern    Supercardioid
Power Requirement    Passive
Wired/Wireless    Wired
Weight Net    8.32 oz (236 g)

Complete With Stereo Bar, Windshield's and Cradle'

The C 414 B-XL II/ST is especially useful for stereo recordings taken from the far field with the inclusion of useful and often valuable room acoustics. The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 300 Hz to 8,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.

Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.

The kit comes complete in an all-metal 'Soundtool' Hard Shell road case with 2 x AKG H-85 shock mounts, 2 x W414X external windscreens, an H50 stereo bar and an individually-measured chart showing the response curve of the microphone. See www.dv247.com Alternative Products and Related Products on this page for your options.

The C 414B-XLII has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. A classic microphone with a distinctive timbre especially designed for recording of solo vocals and solo instruments.

Whats the difference between the C 414B-XLII and the C 414 B XLS? The main difference between the two current C414 models lies in their frequency responses. The C 414B-XLII has a series of presence rises between 2.5 KHz and 9 KHz. This will make any recording with this microphone brighter or more sibilant than the original sound. This upper mid range boost is quite helpful on vocals and certain instruments such as classical acoustic guitars using nylon or natural strings. The C 414B XLS, see www.dv247.com Alternative Products on this page, has a very flat response that will not color the original sound which is important especially in instrumental recordings. It more suited for general use.

The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid wide cardioid, hyper cardioid and figure-eight patterns. The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds. On the rear of the microphone, an electronic switch allows the selection of -6, -12 and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414B-XLII has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6 dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A.

The C 414B-XLII has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems.

Features:

  • High sensitivity and extremely low self noise
  • Five switchable polar patterns for placement and application flexibility
  • Two-color LEDs provide quick visual indication of selected polar pattern and output overload
  • Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration
  • Supplied with Hard Shell road case with 2 x AKG H-85 shock mounts, 2 x W414X external windscreens and an H50 stereo bar
  • High sound pressure level capability, 140 - 158dB, and wide dynamic range
  • Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage
  • Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication
  • All switchable components operate in low impedance circuits for ultra-high relability even in extremely humid conditions

Specifications:

  • Type: 1" large diaphragm pressure gradient microphone
  • Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight
  • Frequency Range: 20 to 20,000 Hz
  • Sensitivity: 23 mV/Pa (-33 dBV) +/-0.5 dB
  • Max. SPL: 140/146/152/158 dB SPL (at 0/-6/-12/-18 dB)
  • Preattenuation Pad: -6, -12,-18 dB, switchable
  • Bass Cut Filter Scope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz
  • Impedance: = 2,200 ohms
  • Supply voltage: 48 V phantom power to DIN/IEC
  • Current consumption: Approximately 4.5 mA
  • Dynamic range: 134 dB minimum
  • Environment Temperature range: -10° C to +60° C (14° F to 140° F)
  • Relative humidity: 95% (+20° C/68° F), 85% (+60° C/140° F)
  • Connector: 3-pin XLR to IEC
  • Dimensions: 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.)
  • Net weight 300 g (10.6 oz.)

 

The e 902 is a dynamic cardioid instrument microphone, which was designed
for lowest bass signals with very high sound pressure levels.It is suitable for
kick drums, bass guitar-amps, tuba, and other bass instruments.
 
Features
Frequency response optimized for kick drum
Very fast attack
Exceptionally clean and clear pick-up of the deepest bass signals
Integral stand mount
Hum compensating coil
Shock mounted capsule
Robust metal body
Delivery Includes
e 902 microphone
Pouch
User Manual

Technical Data
Pick-up pattern  cardioid 
Frequency response  20...18000 Hz 
Sensitivity in free field, no load (1kHz)  0,2 mV/Pa; (@ 60 Hz): 0,6 mV/Pa 
Nominal impedance  350 Ohm 
Min. terminating impedance  1000 Ohm 
Dimensions  128,5 x 60 mm 
Weight  440 g 

OVERVIEW

Cardioid dynamic kick drum mic with swivel mount and cable.

The PGA52 is a professional quality kick drum microphone with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence. Legendary Shure quality construction ensures exceptional performance in rigorous environments.

Additional design highlights include a swivel joint featuring a quick-release latch similar to bicycle component-locking technology for extremely quick and easy positioning.

FEATURES
  • Mountable microphone featuring swivel joint with quick-release latch for kick drum
  • Dynamic cartridge (does not require phantom power) with cardioid polar pattern
  • Tailored cartridge design for low-frequency clarity, including on bass amps
  • Includes PGA52, zipper pouch and user guide
  • XLR to XLR mic cable included

Precise artistic work deserves precise artistic craftsmanship. A classic by now, the CMS Series CK 1 capsule from AKG was a best seller from the moment it was launched in 1969. Comprising a range of interchangeable capsules and preamps as well as then innovative, dedicated accessories, the CMS Series from AKG quickly became a legend. It was discontinued in 1993. Responding to growing demand from recording engineers, AKG decided to produce the C 451 B with identical acoustical behaviour of the popular original C 451 EB + CK 1 microphone again, with dramatically improved specifications and outstanding price/ performance. The capsule of the new version is fixed permanently to the preamp to eliminate the mechanical problems of the screw joint. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. An all-metal body provides excellent protection from RF interference and the microphone is rugged enough to give excellent results even under very harsh conditions.

The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, overhead miking, or other instruments with a percussive sound. The airy sound, high overload limit of the capsule and electronic circuitry, and improved engineering details of the C 451 B are a solid foundation for creating another legend.

The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 200 Hz to 15,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.

Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.

The kit includes all the standard accessories of the individual package along with a stereo bar and proof of performance charts in an attractive carrying case (Soundtool case, middle size).

Features:

  • Identical acoustics of the legendary CK 1.
  • Rugged construction.
  • Ruler-flat on-axis frequency response.
  • Precise, nearly frequency independent cardioid.
  • Extremely accurate signal transfer.
  • Transformerless output stage for minimum distortion at low frequencies.
  • Protected against electrostatic and magnetic interference.
  • Selectable 10-dB and 20-dB preattenuation pads.
  • Switchable highpass filter (75 Hz or 150 Hz, 12dB/octave).
  • Operates on phantom power to DIN/IEC between 12 V and 48 V.
  • Complete with SA 40 stand adapter and W 90 windscreen.
  • Each microphone comes with its own individual frequency response plot.

Specifications:

  • Polar pattern: Cardioid
  • Frequency range: 20 to 20,000 Hz
  • Sensitivity: 9 mV/Pa (-41 dBV)
  • Max. SPL: 135/145/155 dB (0/-10/-20 dB) (k=0,5%)
  • Equivalent noise level (CCIR 468-3): 29 dB
  • Equivalent noise level: 18 dB-A
  • Signal/noise ratio (A-weighted): 76 dB
  • Preattenuation pad: 0 dB, 10 dB, 20 dB selectable
  • Bass filter: Flat, 12 dB/octave at 75 or 150 Hz, selectable
  • Impedance: 1000 ohms
  • Supply voltage: 9 to 52 V phantom power to DIN 45596
  • Current consumption:
Weight0.40 kg0.25 kg2.00 kg0.44 kg0.80 kg2.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.40 kg
Weight 0.25 kg
Weight 2.00 kg
Weight 0.44 kg
Weight 0.80 kg
Weight 2.00 kg