Designed for sax, toms, brass and percussion, the PRO35 excels in high-SPL applications and is ideal for active stage performances. Its extended frequency response captures subtle nuances of the performance. The included UniMount® clip permits accurate positioning and provides shock resistance while protecting the element. The microphone’s cardioid polar pattern reduces pickup of sounds from […]
Designed for sax, toms, brass and percussion, the PRO35 excels in high-SPL applications and is ideal for active stage performances. Its extended frequency response captures subtle nuances of the performance. The included UniMount® clip permits accurate positioning and provides shock resistance while protecting the element. The microphone’s cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of the desired sound source.
UniMount® clip permits accurate positioning, provides shock resistance and protects element
Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
Extended frequency response captures subtle nuances of the performance
6′ (1.8 m) cable permanently attached between microphone and power module
Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Cardioid
Frequency Response: 50-15,000 Hz
Low Frequency Roll Off: 80 Hz, 18 dB/octave
Open Circuit Sensitivity: -45 dB (5.6 mV) re 1V at 1 Pa
Impedance: 250 ohms
Maximum Input Sound Level: 145 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: 115 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 64 dB, 1 kHz at 1 Pa
Phantom Power Requiremens: 11-52V DC, 2 mA typical
Switch: Flat, roll-off
Cable: 6.0′ (1.8 m) long (permanently attached to microphone), 0.10″ (2.6 mm) diameter, 2-conductor, shielded cable with TA3F-type connector
Accessories: AT8418 UniMount® microphone instrument mount; AT8538 power module; soft protective pouch
Weight
0.40 kg
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Designed for sax, toms, brass and percussion, the PRO35 excels in high-SPL applications and is ideal for active stage performances. Its extended frequency response captures subtle nuances of the performance. The included UniMount® clip permits accurate positioning and provides shock resistance while protecting the element. The microphone's cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of the desired sound source.
UniMount® clip permits accurate positioning, provides shock resistance and protects element
Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
Extended frequency response captures subtle nuances of the performance
6' (1.8 m) cable permanently attached between microphone and power module
Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Cardioid
Frequency Response: 50-15,000 Hz
Low Frequency Roll Off: 80 Hz, 18 dB/octave
Open Circuit Sensitivity: -45 dB (5.6 mV) re 1V at 1 Pa
Impedance: 250 ohms
Maximum Input Sound Level: 145 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: 115 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 64 dB, 1 kHz at 1 Pa
Phantom Power Requiremens: 11-52V DC, 2 mA typical
Switch: Flat, roll-off
Cable: 6.0' (1.8 m) long (permanently attached to microphone), 0.10" (2.6 mm) diameter, 2-conductor, shielded cable with TA3F-type connector
Accessories: AT8418 UniMount® microphone instrument mount; AT8538 power module; soft protective pouch
The super-cardioid e 609 instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source.
Pick-up pattern : Super-cardioid
Frequency response : 40.....15000 Hz
Sensitivity in free field, no load (1kHz) : 1,5 mV/Pa
Nominal impedance : 350 Ohm
Min. terminating impedance : 1000 Ohm
Dimensions : 55 x 34 x 134 mm
Weight : 140 g
A high performance mini-condenser for sound reinforcement and recording. Great for instruments or drums. The ultra-uniform pickup pattern provides high gain before feedback and excellent rejection of unwanted noise.
Other features include:
Mew A98D flexible drum mount
SPL handling to 160dB
frequency response of 20 to 20,000Hz and included preamplifier
shock mount and windscreen
Precise artistic work deserves precise artistic craftsmanship. A classic by now, the CMS Series CK 1 capsule from AKG was a best seller from the moment it was launched in 1969. Comprising a range of interchangeable capsules and preamps as well as then innovative, dedicated accessories, the CMS Series from AKG quickly became a legend. It was discontinued in 1993. Responding to growing demand from recording engineers, AKG decided to produce the C 451 B with identical acoustical behaviour of the popular original C 451 EB + CK 1 microphone again, with dramatically improved specifications and outstanding price/ performance. The capsule of the new version is fixed permanently to the preamp to eliminate the mechanical problems of the screw joint. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. An all-metal body provides excellent protection from RF interference and the microphone is rugged enough to give excellent results even under very harsh conditions.
The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, overhead miking, or other instruments with a percussive sound. The airy sound, high overload limit of the capsule and electronic circuitry, and improved engineering details of the C 451 B are a solid foundation for creating another legend.
The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 200 Hz to 15,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.
Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.
The kit includes all the standard accessories of the individual package along with a stereo bar and proof of performance charts in an attractive carrying case (Soundtool case, middle size).
Features:
Identical acoustics of the legendary CK 1.
Rugged construction.
Ruler-flat on-axis frequency response.
Precise, nearly frequency independent cardioid.
Extremely accurate signal transfer.
Transformerless output stage for minimum distortion at low frequencies.
Protected against electrostatic and magnetic interference.
Selectable 10-dB and 20-dB preattenuation pads.
Switchable highpass filter (75 Hz or 150 Hz, 12dB/octave).
Operates on phantom power to DIN/IEC between 12 V and 48 V.
Complete with SA 40 stand adapter and W 90 windscreen.
Each microphone comes with its own individual frequency response plot.
Specifications:
Polar pattern: Cardioid
Frequency range: 20 to 20,000 Hz
Sensitivity: 9 mV/Pa (-41 dBV)
Max. SPL: 135/145/155 dB (0/-10/-20 dB) (k=0,5%)
Equivalent noise level (CCIR 468-3): 29 dB
Equivalent noise level: 18 dB-A
Signal/noise ratio (A-weighted): 76 dB
Preattenuation pad: 0 dB, 10 dB, 20 dB selectable
Bass filter: Flat, 12 dB/octave at 75 or 150 Hz, selectable
Impedance: 1000 ohms
Supply voltage: 9 to 52 V phantom power to DIN 45596
Current consumption:
The e 902 is a dynamic cardioid instrument microphone, which was designed
for lowest bass signals with very high sound pressure levels.It is suitable for
kick drums, bass guitar-amps, tuba, and other bass instruments.
Features
Frequency response optimized for kick drum
Very fast attack
Exceptionally clean and clear pick-up of the deepest bass signals
Integral stand mount
Hum compensating coil
Shock mounted capsule
Robust metal body
Delivery Includes
e 902 microphone
Pouch
User Manual
Technical Data
Pick-up pattern cardioid
Frequency response 20...18000 Hz
Sensitivity in free field, no load (1kHz) 0,2 mV/Pa; (@ 60 Hz): 0,6 mV/Pa
Nominal impedance 350 Ohm
Min. terminating impedance 1000 Ohm
Dimensions 128,5 x 60 mm
Weight 440 g
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