Audio Technica U853R Cardioid condenser hanging microphone

• Designed for suspension over choirs, instrumental groups and theater stages
• Superior off-axis rejection for maximum gain before feedback
• UniGuard® RFI-shielding technology offers outstanding rejection of radio frequency interference (RFI)
• UniSteep® filter provides a steep low-frequency attenuation to improve sound pickup without affecting voice quality
• Accepts interchangeable elements to permit angle of acceptance from 90° to 360°
• Low-profile design with low-reflectance finish for minimum visibility
• Available in two colors: black (U853R) and white (U853RW)

• Element: Fixed-charge back plate, permanently polarized condenser
• Polar Pattern: Cardioid
• Frequency Response: 30-20,000 Hz
• Low Frequency Roll Off: 80 Hz, 18 dB/octave
• Open Circuit Sensitivity: 39 dB (11.2 mV) re 1V at 1 Pa
• Impedance: 250 ohms
• Maximum Input Sound Level: 139 dB SPL, 1 kHz at 1% T.H.D.
• Dynamic Range: 115 dB, 1 kHz at Max SPL
• Signal to Noise Ratio: 70 dB, 1 kHz at 1 Pa
• Phantom Power Requiremens: 11-52V DC, 2 mA typical
• Switch: Flat, roll-off
• Cable: 25.0' (7.6 m) long (permanently attached to microphone), 0.13" (3.2 mm) diameter, 2 conductor shielded cable with TA3F-type connector
• Accessories: AT8153 two-stage foam windscreen; AT8451 steel hanger; AT8538 power module; AT8438 5/8“-27 stand adapter

• Immune to RF interference
• Speech optimized frequency range
• Enhanced hypercardioid polar pattern
• High SPL capability
• Premium microphone for ubiquitous application

A History of Sound: The C 747, the so called „pencil microphone“, was first built in 1987. Due to its excellent technical specifications, especially the wide and flat frequency range, it was used for the recording of all kinds of musical instruments, even those with very low frequencies. Because of its brilliant sound reproduction and its inconspicuous optical appearance, it was quickly known as an ideal overhead microphone.
Thank to the narrow polar pattern it solved the crosstalk problem (when recording multiple instruments at once) and the problem of picking up sounds from distant spots in a room. But for all that, due to the help of the acoustically well balanced, short interference tube, it didnʼt face one of the biggest problems of most shotgun microphones – the change of the polar pattern over the frequency. This is one of many reasons why this microphone found its way into a great number of Broadcast Stations, Recording Studios, Theatres, Opera Houses, Churches, Conference Rooms and Lecture Halls.

Another big advantage of the C 747 is that the microphone will not change the sound or level too much even when the person speaking is moving a lot. So it came that the C 747 finally found its way into installed sound systems as a perfect speech and lectern microphone. The C 747 is now one of the most versatile microphones in the AKG product range and over the years it has been available in various versions and model types such as hanging module, capsule for modular gooseneck microphones and in a boundary layer microphone.

Whatʼs New in V11: As it is more and more used in conference applications, we carefully redesigned the C 747 to better cope with some specific installed sound issues.
The new C 747 V11 will have an integrated RFi shield to block out unwanted interference by mobile phones, wireless mics and the like. Also we have fine tuned the frequency response to give especially the spoken word an outstanding presence, without changing the flavour of the classic C 747 sound.

An enhanced polar pattern provides consistent off-axis rejection to control ambient noise and feedback in acoustically difficult environments. This makes the C 747 V11 an excellent choice for noisy discussion groups or reverberant pulpits while it is forgiving enough to clearly pick up talkers moving around in front of the microphone. A switchable LF roll-off filter suppresses mechanical noise. The low-impedance transformerless preamp operates on 9 to 52 V phantom power.
The C 747 V11 ships with an extensive accessory set including a shock mount/adapter, mini gooseneck, stand adapter, mounting clamp, thread link, and windscreen.

SPECIFICATIONS:

• PA microphone with rugged, all-metal body
• Frequency response optimized for intelligibility
• Long useful life even in tough day-to-day usage
• Frequency response tailored to speech use

The DST 99 S is mounted on a table stand with an on/off switch and coiled cable with 3-pin XLR connector.

Ticket window, bank counter
Reception desk, restaurant
Houses of worship

Polar pattern    cardioid
Frequency range    150-15,000 Hz
Sensitivity    2.2 mV/Pa (-54 dBV)
Max. SPL    133 dB (1% THD)
Equivalent noise level    21 dB-A
Signal/noise ratio (A-weighted)    73 dB
Impedance    530 ohms
Recommended load impedance    >2,000 ohms
Connector    3-pin male XLR
Finish    matte black
Net weight    805 g (1.8 lbs.)
Shipping weight    1,125 g (2.5 lbs.)

• PA microphone with rugged, all-metal body
• Frequency response optimized for intelligibility
• Long useful life even in tough day-to-day usage
• Frequency response tailored to speech use

The DGN 99 E features a built-in XLR connector for quick connection, while the DGN 99 has been designed for permanent (single-hole or screw-on) installation and comes with a 6-ft. 4-in. (2-m) fixed, unterminated cable.

Ticket window, bank counter
Reception desk, restaurant
Houses of worship

The evolution e 908 instrument microphone is available in four variants:
as e 908 D for drums and percussion
as e 908 B for wind instruments, congas, and drums with free-floating suspension system
as e 908 B ew for the wireless miking of saxophones using an evolution wireless instrument transmitter
as e 908 T ew for the wireless miking of trumpets using an evolution wireless instrument transmitter

Pick-up pattern : cardioid
Frequency response : 40 ... 20 000 Hz
Sensitivity in free field, no load : (1kHz) 4 mV/Pa, 0,56mV/Pa (e 908T-ew)
Equivalent noise level : e908B-ew = 30 dB(A); e908B & e908D = 35 dB(A), e908T-ew = 39 dB (A)
Max. Sound pressure level (aktiv) : 147 dB
Nominal impedance : 100 Ohm (e908B & e908D)
Min. terminating impedance : 2000 Ohm (e908B & e908D)
Phantom powering : 12 - 48 V / 3 mA (e908B & e908D)
Weight : ca. 140 g
Dimensions : Ø 47 x 193 mm

• Miniature cardioid condenser clamp-on microphone with shock mounted capsule, ideal for miking drums and percussions plus brass
• For use with the B 29 L battery power supply, MPA V L phantom power adapter, or PT 40 or PT 400 transmitters (AKG WMS bodypack transmitters)
• Includes an AKG W 44 Windscreen, an AKG A 518 stabilizer knee, a 5-ft. (1.5-m) plug-in connecting cable with 3-pin mini XLR connector, an A 400 adapter for attaching a PT 40 or PT 400 bodypack transmitter and a protective case
• Integrated gooseneck
• Continuously adjustable vice type clamp
• Type: pre-polarized condenser microphone
• Polar pattern: Cardioid
• Frequency range: 60 Hz to 20,000 Hz
• Sensitivity at 1 kHz: 5 mV/Pa (-46 dBV re 1 V/Pa)
• Impedance: = 200 ohms
• Recommended load impedance: = 2000 ohms
• Max. SPL for 1%/3% THD: 130/132 dB SPL
• Equivalent noise level: 31 dB(A) to DIN 45412
• Cable length / Connector: 1.5 m (5 ft.) / 3-pin mini XLR
• Finish: Matte black
• Size (microphone only): length: 200 mm (7.9 in.), max. width: 47 mm (1.9 in.)
• Net weight (microphone and cable): C 518 M: 220 g (7.8 oz.), C 518 ML: 110 g (3.9 oz.)
• Shipping weight: C 518 M: 450 g (15.9 oz.), C 518 ML: 330 g (11.7 oz.)