| Content | Uber Mic is the perfect set-up for all your recording needs—whether it’s recording acoustic instruments & vocals, capturing pristine audio for podcasts & broadcasting, or simply bringing your gaming experience to the next level. Uber Mic does it all – start recording, streaming & broadcasting now!
• Cardioid – a directional pattern, perfect for capturing singular sound sources while eliminating unwanted room reflections and background noise
• Omnidirectional – equal output/sensitivity at all angles captures your sound sources from all directions, perfect for adding some ambience to your recordings or capturing a group of sound sources
• Figure 8 - equal output/sensitivity on two sides of the microphone, ideal for capturing two independent sound sources simultaneously
• Stereo – picks up from the left and right side of the microphone, producing a true stereo image
Features
- Easy, intuitive operation for any application
- Wide-range 30–20,000Hz frequency response delivers detailed, natural sound
- 3-capsule condenser microphone element, including single-point stereo
- 4 selectable polar patterns to customize your ideal recording
- Polar patterns: cardioid, figure-8, omnidirectional, and stereo
- 1/8” headphone jack and internal headphone amplifier
- USB/direct mixing control with mic volume control enables zero-latency recording and monitoring
- Microphone mute control ensures privacy
- LCD display shows polar pattern and currently selected control level
- Studio-quality recording and playback for accurate reproduction
- Convenient desktop mounting with threaded insert for optional stand-mounting
- Integrated stand fits easily into any setup
- iOS compatibility using the Apple iPad Camera Connection Kit (sold separately)
Specifications
- Microphone:
- Type: 3-capsule condenser USB microphone
- Capsule Size: 16mm
- Polar Patterns: Figure 8, cardioid, omni, and stereo
- Frequency Response: 30 Hz - 20 KHz
- Sensitivity: -45 dB (0 dB = 1V/Pa @ 1 kHz)
- SNR: 110 dB
- Maximum SPL: 120 dB (THD
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The Shure Model VP88 is a single-point, stereo condenser microphone for use in professional studio recording, field production, electronic news gathering (ENG), and studio broadcasting applications. It combines two condenser cartridges in a single housing to create a stereo audio image of the sound source. It is unique in its ability to capture the realism of a live event and yet withstand rigorous field production environments.
The VP88 uses a mid-side (M-S) configuration. One microphone cartridge (Mid) faces forward to capture on-axis sound using a cardioid pickup pattern. The other microphone cartridge (Side) is bi-directional, capturing sound from either side. The VP88 contains an internal M-S matrix with three settings for different degrees of stereo image seperation. The internal matrix can be bypassed if an external matrix is used or if stereo imaging is done in post-production. Switches on the top of the microphone control output mode, stereo imaging, low-frequency rolloff settings, and battery on/off.
The VP88 can operate on phantom power or an internal 6V battery. The VP88 is supplied with a multi-connector "Y-splitter" cable, foam windscreen, swivel stand adapter, 6-volt battery, and zippered carrying/storage bag. Optional accessories include an isolation mount, a 7.6 m (25 ft) microphone extension cable, a phantom power supply, and a 4.3 m (14 ft) microphone stand.
- Time-coherent, Mid-Side (M-S) design for optimal stereo imaging
- Built-in stereo matrix for direct control of the stereo spread; direct M-S outputs available
- Mono compatibility ideal for broadcast applications
- 40 to 20,000 Hz frequency response
- Low noise and distortion
- Wide dynamic range
- Switch-selectable, low-frequency rolloff (12 dB/octave below 80 Hz) for reduced pickup of ambient noise and stand vibration
- Operates on phantom power or a 6V camera battery
- LED power indicator
- Internal shock mount for reduced stand vibration and handling noise
- Built-in "pop" screen
- Includes windscreen, swivel adapter, and Y-cable
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The ME 62 is an omni-directional microphone head suitable for K6 and K6P
powering modules. It can be used for reporting, discussions and interviews.
The ME 62 is particularly suitable for good reproduction of 'room' ambience
and 'spaced omni' stereo recording. Matt black, anodised, scratch-resistant finish.
Features
Omni-directional pick-up pattern
Minimal inherent self-noise
Excellent rejection of rumble, wind and handling noise
Wide frequency response
High maximum sound pressure level
Integral pop filter
Delivery Includes
1 ME 62
Technical Data
Pick-up pattern omni
Sensitivity in free field, no load (1kHz) 31 mV/Pa +- 2,5 dB
Nominal impedance 200 Ohm (K6)
Min. terminating impedance 1000 Ohm (K6)
Equivalent noise level 15 dB
Equivalent noise level weighted as per CCIR 468-3 27 dB
Dimensions d 22,5 x 94 mm
Weight 30 g
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The ME 65 is a super-cardioid microphone head designed for use with the K6 and K6P powering modules. It is especially suited to vocal and speech applications. Matt black, anodised, scratch-resistant finish.
- Pick-up pattern : super-cardioid
- Sensitivity in free field, no load (1kHz) : 10 mV/Pa +- 2,5 dB
- Nominal impedance : 200 Ohm (K6)
- Min. terminating impedance : 1000 Ohm (K6)
- Equivalent noise level : 20 dB
- Dimensions : d 44 x 131 mm
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Weight :
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Transformerless Power/Output Module ? The SE 300 B is used with all AKG Blue Line capsules and operates from 9 ? 52 V phantom power. The 3-position switch allows selection of linear response, -10 dB preattenuation and 12-dB-per-octave 75 Hz low-cut filter. A stand adapter is included.
Specifications
Polar pattern: hypercardioid/directional
Frequency range: 20?20,000 Hz
Sensitivity: 25 mV/Pa (-32 dBV)
Max. SPL for 1 % THD: 124/134 dB
Equivalent noise level: 17 dB-A
Signal/noise ratio (A weighted): 77 dB
Preattenuation pad: -10 dB, switchable Bass cut filter: 12 dB/octave at 75 Hz
Electrical impedance: 200 Ohms
Recommended load impedance: >1,000 Ohms
Power requirement: 9 to 52 V phantom power to DIN 45 596
Current consumption: |
Weighing only 18 grams (0.6 oz.), this ultra-light condenser pickup is ideal for acoustic guitar, mandolin, violin, and most other stringed instruments. The C 411 will give a clear and uncolored sound without changing the balance of the instrument. Attaching the C 411 on or near the bridge or anywhere else on the instrument is easy with the included non-marring, reusable, solventfree adhesive compound.
C 411 PP: For hardwire applications, with standard XLR connector for phantom powering. |
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