AUDIX f5 Dynamic Instrument Microphone

89.73 incl. GR VAT

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The f5 is an ideal choice for snare, toms, percussion and acoustic instruments in live and studio applications. A hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sound. Specifications Type Dynamic Polar Pattern Hypercardioid Frequency Response 55 Hz – 15 kHz Impedance 580 Ohms Sensitivity 2.2 mV / Pa @ […]

 

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The f5 is an ideal choice for snare, toms, percussion and acoustic instruments in live and studio applications. A hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sound.

Specifications

Type Dynamic
Polar Pattern Hypercardioid
Frequency Response 55 Hz – 15 kHz
Impedance 580 Ohms
Sensitivity 2.2 mV / Pa @ 1 kHz

 

 

Weight 1.00 kg

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Quick Comparison

AUDIX f5 Dynamic Instrument Microphone removeSHURE Beta98HC - clip on condenser instrument mic removeSHURE SM-57LCE - Dynamic Instrument Microphone removeNPG CB-410 Instrument Microphone 48V removeAKG C 451B B/ST Matched Pair removeSENNHEISER E-604 CARDIOID DYNAMIC MICROPHONE remove
NameAUDIX f5 Dynamic Instrument Microphone removeSHURE Beta98HC - clip on condenser instrument mic removeSHURE SM-57LCE - Dynamic Instrument Microphone removeNPG CB-410 Instrument Microphone 48V removeAKG C 451B B/ST Matched Pair removeSENNHEISER E-604 CARDIOID DYNAMIC MICROPHONE remove
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SKUF5BETA98H/CSM-57LCECB-410C 451B STEREO PAIRH10SE00051
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Price 89.73 incl. GR VAT 241.91 incl. GR VAT 119.95 incl. GR VAT 47.11 incl. GR VAT 917.03 incl. GR VAT 115.00 incl. GR VAT
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Description
Content

The f5 is an ideal choice for snare, toms, percussion and acoustic instruments in live and studio applications. A hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sound.

Specifications
Type Dynamic
Polar Pattern Hypercardioid
Frequency Response 55 Hz - 15 kHz
Impedance 580 Ohms
Sensitivity 2.2 mV / Pa @ 1 kHz

 

 

A high performance mini-condenser for sound reinforcement and recording. Great for instruments or drums. The ultra-uniform pickup pattern provides high gain before feedback and excellent rejection of unwanted noise.

Other features include:

  • Mew A98D flexible drum mount
  • SPL handling to 160dB
  • frequency response of 20 to 20,000Hz and included preamplifier
  • shock mount and windscreen
The Shure SM57 unidirectional dynamic microphone is exceptional for musical instrument pickup or for vocals. With its bright, clean sound and carefully contoured presence rise, the SM57 is ideal for live sound reinforcement and recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. For musical instruments or vocals, the SM57 is a consistent choice of professional performers. It is also the standard microphone used on the podium of the U.S. President for over 30 years. Its outstanding performance, legendary reliability, and diversity of application make this "workhorse" the choice of performers, producers, and sound engineers the world over.
  • Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
  • Professional-quality reproduction for drum, percussion, and instrument amplifier miking
  • Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
  • Pneumatic shock-mount system cuts down handling noise
  • Extremely durable under the heaviest use
  • Frequency response: 40 to 15,000 Hz
Frequency Range 40 Hz to 15 kHz
Impedance 150 Ohms
Load Impedance 310 Ohms
Sensitivity 56 dBV/Pa (Open Circuit Voltage, 1 kHz)
Color Gray
Mounting 5/8"-27 Female, Mic Clip (Included)
Construction Material Steel, Steel Wire Grille
Dimensions ø: 1.26 x L: 6.18" / ø: 32 x L: 157 mm
Weight 10.02 oz / 284 g
 

Type: Black Electret Condenser
Polar Pattern: Uni-Directional
Frequency: 50Hz-16KHz
Sensitivity: -45dB
Output Impedance: 250 Ohm
Mixer Phantom Power: +48V
Ideal for wind & string  musical instruments

Precise artistic work deserves precise artistic craftsmanship. A classic by now, the CMS Series CK 1 capsule from AKG was a best seller from the moment it was launched in 1969. Comprising a range of interchangeable capsules and preamps as well as then innovative, dedicated accessories, the CMS Series from AKG quickly became a legend. It was discontinued in 1993. Responding to growing demand from recording engineers, AKG decided to produce the C 451 B with identical acoustical behaviour of the popular original C 451 EB + CK 1 microphone again, with dramatically improved specifications and outstanding price/ performance. The capsule of the new version is fixed permanently to the preamp to eliminate the mechanical problems of the screw joint. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. An all-metal body provides excellent protection from RF interference and the microphone is rugged enough to give excellent results even under very harsh conditions.

The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, overhead miking, or other instruments with a percussive sound. The airy sound, high overload limit of the capsule and electronic circuitry, and improved engineering details of the C 451 B are a solid foundation for creating another legend.

The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 200 Hz to 15,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.

Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.

The kit includes all the standard accessories of the individual package along with a stereo bar and proof of performance charts in an attractive carrying case (Soundtool case, middle size).

Features:

  • Identical acoustics of the legendary CK 1.
  • Rugged construction.
  • Ruler-flat on-axis frequency response.
  • Precise, nearly frequency independent cardioid.
  • Extremely accurate signal transfer.
  • Transformerless output stage for minimum distortion at low frequencies.
  • Protected against electrostatic and magnetic interference.
  • Selectable 10-dB and 20-dB preattenuation pads.
  • Switchable highpass filter (75 Hz or 150 Hz, 12dB/octave).
  • Operates on phantom power to DIN/IEC between 12 V and 48 V.
  • Complete with SA 40 stand adapter and W 90 windscreen.
  • Each microphone comes with its own individual frequency response plot.

Specifications:

  • Polar pattern: Cardioid
  • Frequency range: 20 to 20,000 Hz
  • Sensitivity: 9 mV/Pa (-41 dBV)
  • Max. SPL: 135/145/155 dB (0/-10/-20 dB) (k=0,5%)
  • Equivalent noise level (CCIR 468-3): 29 dB
  • Equivalent noise level: 18 dB-A
  • Signal/noise ratio (A-weighted): 76 dB
  • Preattenuation pad: 0 dB, 10 dB, 20 dB selectable
  • Bass filter: Flat, 12 dB/octave at 75 or 150 Hz, selectable
  • Impedance: 1000 ohms
  • Supply voltage: 9 to 52 V phantom power to DIN 45596
  • Current consumption:
The e 604 is a cardioid microphone especially suitable for use with drums and brass instruments. Features Rugged reinforced glass-fibre body Low sensitivity to impact and handling noise Very high sound pressure handling capability Low distortion microphone Hum compensating coil Easy to position due to compact design Integral stand mount Delivery Includes 1 e 604 1 drum clip 1 pouch Technical Data Frequency Response  40.....18000 Hz Sensitivity in free field, no load (1kHz)  1,8 mV/Pa Min. terminating impedance  1000 Ohm Dimensions  d 33 x 59 mm Weight w/o cable  60 g
Weight1.00 kg0.20 kg1.00 kg1.00 kg2.00 kg0.10 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.00 kg
Weight 0.20 kg
Weight 1.00 kg
Weight 1.00 kg
Weight 2.00 kg
Weight 0.10 kg