AUDIX Fireball Special mic for harp and hiphop vocals

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Ultra-small, high performance dynamic harmonica microphone. The FireBall™ is designed for harmonicas (both diatonic and chromatic) and beatbox.  Clear, accurate and capable of handling SPLs in excess of 140 dB without distortion, the FireBall™ is ideally suited for both live stage and studio recording applications. The FireBall™ mic has a smooth, uniform frequency response of […]

 

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Ultra-small, high performance dynamic harmonica microphone.

The FireBall™ is designed for harmonicas (both diatonic and chromatic) and beatbox.  Clear, accurate and capable of handling SPLs in excess of 140 dB without distortion, the FireBall™ is ideally suited for both live stage and studio recording applications.

The FireBall™ mic has a smooth, uniform frequency response of 50 Hz – 16 kHz, and a cardioid pickup pattern for isolation and feedback control. It is lightweight, compact and comfortable to hold. The FireBall™ is manufactured with a precision machined aluminum body, steel mesh grill and unique three stage marbled anodized finish.

Because the FireBall™ is a low impedance microphone, when using with a guitar amplifier, a quality, low-high impedance transformer (see T50k)  is required.

Designed, machined, assembled and test by Audix in the USA.

Type Dynamic
Polar Pattern Cardioid
Frequency Response 50Hz – 16kHz
Impedance 280 ohms
Sensitivity 1.5 mV/Pa @1k
Weight 2.00 kg

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Quick Comparison

AUDIX Fireball Special mic for harp and hiphop vocals removeSENNHEISER E-902 CARDOID DYNAMIC INSTRUMENT MICROPHONE removeSHURE KSM-141SL - Dual Pattern Instrument Microphone 20Hz to 20k removeSHURE BETA 52A - Kick Drum Microphone 20Hz to 10kHz removeShure 520DX - Harmonica Microphone 100Hz to 5kHz removeSENNHEISER E-604 CARDIOID DYNAMIC MICROPHONE remove
NameAUDIX Fireball Special mic for harp and hiphop vocals removeSENNHEISER E-902 CARDOID DYNAMIC INSTRUMENT MICROPHONE removeSHURE KSM-141SL - Dual Pattern Instrument Microphone 20Hz to 20k removeSHURE BETA 52A - Kick Drum Microphone 20Hz to 10kHz removeShure 520DX - Harmonica Microphone 100Hz to 5kHz removeSENNHEISER E-604 CARDIOID DYNAMIC MICROPHONE remove
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SKUFireballH10SE00102KSM141SLBETA 52A520DXH10SE00051
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Price 169.52 incl. GR VAT 185.00 incl. GR VAT 515.99 incl. GR VAT 231.36 incl. GR VAT 165.12 incl. GR VAT 115.00 incl. GR VAT
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Description
Content

Ultra-small, high performance dynamic harmonica microphone.

The FireBall™ is designed for harmonicas (both diatonic and chromatic) and beatbox.  Clear, accurate and capable of handling SPLs in excess of 140 dB without distortion, the FireBall™ is ideally suited for both live stage and studio recording applications.

The FireBall™ mic has a smooth, uniform frequency response of 50 Hz - 16 kHz, and a cardioid pickup pattern for isolation and feedback control. It is lightweight, compact and comfortable to hold. The FireBall™ is manufactured with a precision machined aluminum body, steel mesh grill and unique three stage marbled anodized finish.

Because the FireBall™ is a low impedance microphone, when using with a guitar amplifier, a quality, low-high impedance transformer (see T50k)  is required.

Designed, machined, assembled and test by Audix in the USA.

Type Dynamic
Polar Pattern Cardioid
Frequency Response 50Hz - 16kHz
Impedance 280 ohms
Sensitivity 1.5 mV/Pa @1k


The e 902 is a dynamic cardioid instrument microphone, which was designed
for lowest bass signals with very high sound pressure levels.It is suitable for
kick drums, bass guitar-amps, tuba, and other bass instruments.
 
Features
Frequency response optimized for kick drum
Very fast attack
Exceptionally clean and clear pick-up of the deepest bass signals
Integral stand mount
Hum compensating coil
Shock mounted capsule
Robust metal body
Delivery Includes
e 902 microphone
Pouch
User Manual

Technical Data
Pick-up pattern  cardioid 
Frequency response  20...18000 Hz 
Sensitivity in free field, no load (1kHz)  0,2 mV/Pa; (@ 60 Hz): 0,6 mV/Pa 
Nominal impedance  350 Ohm 
Min. terminating impedance  1000 Ohm 
Dimensions  128,5 x 60 mm 
Weight  440 g 

The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments. Features
  • A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
  • Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
  • Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
  • Premium electronic components, including gold-plated internal and external connectors
  • Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
  • Extended frequency response
  • Low self noise
  • Exceptional reproduction of low-frequency sounds
  • Can withstand high sound pressure levels (SPL)
  • High output level
  • No crossover distortion
  • Uniform polar response
  • Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
  • Acoustic instruments -- such as piano, guitar, drums, percussion, strings
  • Wind instruments -- brass and woodwind
  • Low frequency instruments -- such as double bass, electric bass, kick drum
  • Overhead miking -- drums or percussion
  • Ensembles -- choral or orchestral
  • Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application. Suggested Applications Acoustic Guitar Acoustic Bass Cymbals Brass/Woodwinds Orchestra Ensemble Vocals Piano Strings Room Ambience Live Recording
Optimized for low-frequency bass punch/high-power SPL handling. Designed for kick drum. The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch“, and delivers studio quality sound even at extremely high sound pressure levels. The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring. Features
  • Frequency response shaped specifically for kick drums and bass instruments
  • Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
  • Studio quality performance, even at extremely high sound pressure levels
  • Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
  • Hardened steel mesh grille that resists wear and abuse
  • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
  • Neodymium magnet for high signal–to–noise ratio output
  • Low sensitivity to varying load impedance
  • Legendary Shure quality and reliability
Type Dynamic (moving coil)
Frequency Response 20 to 10,000 Hz
Polar Pattern Supercardioid, rotationally symmetrical about microphone axis
Output Level Open Circuit Voltage: -64 dBV/Pa* (0.6 mV), *1 Pa = 94 dB SPL

Legendary among harmonica players for its classic blues harp sound, the 520D's tradition is carried on by the 520DX "Green Bullet" and has a contoured size and shape that fits perfectly between harmonica and hands.

  • New volume control knob allows musicians to adjust the volume to fit each musical situation
  • New rugged, dynamic cartridge with improved response
  • High-impedance, omnidirectional
  • Supplied with 1/4 inch connector
  • Frequency response: 100 to 5,000 Hz
The e 604 is a cardioid microphone especially suitable for use with drums and brass instruments. Features Rugged reinforced glass-fibre body Low sensitivity to impact and handling noise Very high sound pressure handling capability Low distortion microphone Hum compensating coil Easy to position due to compact design Integral stand mount Delivery Includes 1 e 604 1 drum clip 1 pouch Technical Data Frequency Response  40.....18000 Hz Sensitivity in free field, no load (1kHz)  1,8 mV/Pa Min. terminating impedance  1000 Ohm Dimensions  d 33 x 59 mm Weight w/o cable  60 g
Weight2.00 kg0.44 kg0.50 kg0.80 kg0.80 kg0.10 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.00 kg
Weight 0.44 kg
Weight 0.50 kg
Weight 0.80 kg
Weight 0.80 kg
Weight 0.10 kg