AUDIX Fireball Special mic for harp and hiphop vocals

169.52 incl. GR VAT

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Ultra-small, high performance dynamic harmonica microphone. The FireBall™ is designed for harmonicas (both diatonic and chromatic) and beatbox.  Clear, accurate and capable of handling SPLs in excess of 140 dB without distortion, the FireBall™ is ideally suited for both live stage and studio recording applications. The FireBall™ mic has a smooth, uniform frequency response of […]

 

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Ultra-small, high performance dynamic harmonica microphone.

The FireBall™ is designed for harmonicas (both diatonic and chromatic) and beatbox.  Clear, accurate and capable of handling SPLs in excess of 140 dB without distortion, the FireBall™ is ideally suited for both live stage and studio recording applications.

The FireBall™ mic has a smooth, uniform frequency response of 50 Hz – 16 kHz, and a cardioid pickup pattern for isolation and feedback control. It is lightweight, compact and comfortable to hold. The FireBall™ is manufactured with a precision machined aluminum body, steel mesh grill and unique three stage marbled anodized finish.

Because the FireBall™ is a low impedance microphone, when using with a guitar amplifier, a quality, low-high impedance transformer (see T50k)  is required.

Designed, machined, assembled and test by Audix in the USA.

Type Dynamic
Polar Pattern Cardioid
Frequency Response 50Hz – 16kHz
Impedance 280 ohms
Sensitivity 1.5 mV/Pa @1k
Weight 2.00 kg

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Quick Comparison

AUDIX Fireball Special mic for harp and hiphop vocals removeSENNHEISER E-904 CARDIOID DYNAMIC INSTRUMENT MICROPHONE removeELECTRO VOICE PL33 Kick-Drum Microphone, Dynamic, Supercardioid removeSHURE Beta98HC - clip on condenser instrument mic removeSHURE Beta-56a - Snare-Tom Microphone 50Hz to 16kHz removeSHURE KSM-141SL - Dual Pattern Instrument Microphone 20Hz to 20k remove
NameAUDIX Fireball Special mic for harp and hiphop vocals removeSENNHEISER E-904 CARDIOID DYNAMIC INSTRUMENT MICROPHONE removeELECTRO VOICE PL33 Kick-Drum Microphone, Dynamic, Supercardioid removeSHURE Beta98HC - clip on condenser instrument mic removeSHURE Beta-56a - Snare-Tom Microphone 50Hz to 16kHz removeSHURE KSM-141SL - Dual Pattern Instrument Microphone 20Hz to 20k remove
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SKUFireballH10SE00103001808BETA98H/CBETA 56AKSM141SL
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Price 169.52 incl. GR VAT 179.00 incl. GR VAT 110.00 incl. GR VAT 241.91 incl. GR VAT 196.80 incl. GR VAT 515.99 incl. GR VAT
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Description
Content

Ultra-small, high performance dynamic harmonica microphone.

The FireBall™ is designed for harmonicas (both diatonic and chromatic) and beatbox.  Clear, accurate and capable of handling SPLs in excess of 140 dB without distortion, the FireBall™ is ideally suited for both live stage and studio recording applications.

The FireBall™ mic has a smooth, uniform frequency response of 50 Hz - 16 kHz, and a cardioid pickup pattern for isolation and feedback control. It is lightweight, compact and comfortable to hold. The FireBall™ is manufactured with a precision machined aluminum body, steel mesh grill and unique three stage marbled anodized finish.

Because the FireBall™ is a low impedance microphone, when using with a guitar amplifier, a quality, low-high impedance transformer (see T50k)  is required.

Designed, machined, assembled and test by Audix in the USA.

Type Dynamic
Polar Pattern Cardioid
Frequency Response 50Hz - 16kHz
Impedance 280 ohms
Sensitivity 1.5 mV/Pa @1k


  • Especially for tom and snare recording
  • Polar pattern: cardioid
  • Frequency range: 40 - 18,000 Hz
  • Impedance: 350 Ω
  • Robust metal chassis
  • Incl. special tom holder
  • Bag included
  • Dimensions: 63 x 41 mm
  • Weight: 125 g

Audio Frequency Response    20 Hz - 10,000 Hz
Case Material    Die cast zinc
Connector Type    3-pin XLR
Element    Dynamic
Finish    Textured Satin Black
Impedance, Low-Z balanced    150 Ω
Mic Type    Instrumental
Open Circuit Voltage    0.63 mV/Pascal
Polar Pattern    Supercardioid
Power Requirement    Passive
Shipping Weight    23.7 oz (672 g)
Wired/Wireless    Wired
Weight Net    12.84 oz (364 g)

A high performance mini-condenser for sound reinforcement and recording. Great for instruments or drums. The ultra-uniform pickup pattern provides high gain before feedback and excellent rejection of unwanted noise.

Other features include:

  • Mew A98D flexible drum mount
  • SPL handling to 160dB
  • frequency response of 20 to 20,000Hz and included preamplifier
  • shock mount and windscreen

 

NEW Wider mounting base capable of accommodating a larger range of microphone stands. Even works with the LP Claw.

Specifically engineered for drum and instrument applications, the Beta 56A's compact, pivoting design makes it the ideal choice for these applications.

Its extremely uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.

  • Built-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
  • Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
  • Compact design reduces stage clutters
  • Hardened steel mesh grille resists wear and abuse
  • Neodymium magnet for high signal-to-noise ratio output
  • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
  • Frequency response: 50 to 16,000 Hz
The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments. Features
  • A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
  • Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
  • Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
  • Premium electronic components, including gold-plated internal and external connectors
  • Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
  • Extended frequency response
  • Low self noise
  • Exceptional reproduction of low-frequency sounds
  • Can withstand high sound pressure levels (SPL)
  • High output level
  • No crossover distortion
  • Uniform polar response
  • Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
  • Acoustic instruments -- such as piano, guitar, drums, percussion, strings
  • Wind instruments -- brass and woodwind
  • Low frequency instruments -- such as double bass, electric bass, kick drum
  • Overhead miking -- drums or percussion
  • Ensembles -- choral or orchestral
  • Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application. Suggested Applications Acoustic Guitar Acoustic Bass Cymbals Brass/Woodwinds Orchestra Ensemble Vocals Piano Strings Room Ambience Live Recording
Weight2.00 kg0.30 kg0.35 kg0.20 kg0.80 kg0.50 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.00 kg
Weight 0.30 kg
Weight 0.35 kg
Weight 0.20 kg
Weight 0.80 kg
Weight 0.50 kg